Van Gogh’s did not get the help he needed. He felt alone and was not able to handle the pressure of his emotions. He died by suicide. He was only 37.

Van Gogh liked to paint the places he visited and also liked painting portraits. He painted portraits of many different people he met, but he really liked painting portraits of himself. He made over 30 self-portraits.

The painting is a mural that measures approximately 15 by 29 feet and is located on the wall of the Dominican church Santa Maria delle Grazie in Milan, Italy. It is considered a masterpiece of Renaissance art and is known for its incredible attention to detail and the use of light and shadow to create a sense of depth and movement.

One  notable aspect of the painting is the use of color. Leonardo uses a limited palette of warm tones, with the main colors being red, yellow, and brown. This gives the painting a sense of warmth and intimacy.

The expressions of the figures are also noteworthy. Each of the disciples is shown with a unique expression that conveys their individual reactions to Jesus' announcement that one of them will betray him. This adds a sense of realism to the painting and makes it easy for the viewer to imagine themselves as part of the scene.

In conclusion, The Last Supper is a painting that has stood the test of time and continues to be one of the most admired and studied works of art in the world. Its composition, use of color, and attention to detail make it a true masterpiece of Renaissance art.

Precious Ohioma.

Àlex Moreno

This piece of art was painted during Victor Brauner’s second stay in Paris, between exactly 1930 and 1935. 

It carries a symbolic place in the author’s life and it foretold the accident which maked him lose his left eye. 

So this painting holds a very huge mix of emotions, and it can make you feel modest, and it can let you see what you have, and appreciate it.

A recurring symbol in his works, perhaps his obsession, is the enucleated eye. He often represented subjects whose eyes or a single eye were detached from their orbits. 
In this painting the artist portrayed himself without his left eye, and in 1938, as an involuntary prophecy, due to a fight in a bar, it by a glass he left just his left eye. This painting shows us a tragic story, but a very artistic painting that envolves a lot of people.
The painting is Romanian and the author of it is an surrealist artist. 
Brauner had full use of both of his eyes at the time, though he was preoccupied with eyeless portraits.
Six years later, he left his left eye, (like I said previously)

Lleó Roca

In his paintings we can find the feelings of deep anguish to nature and the astonished and almost painful knowledge of the insignificance of man in the face of his greatness.

Some people believe that “The wanderer above the sea of fog” is about a self-portrait of Friedrich. The young figure standing in contemplation has the same red hair as the artist.
The figure stands in contemplation and self reflection, hypnotized by the haze of the sea fog as if it were a religious and spiritual experience. He wonders about the unforeseen future. 

Though Friedrich painted this scene in his studio, he drew it at the place of inspiration, Elbsandsteingebirge, a mountain range between the state of Saxony and the Czech Republic.

He was always greatly inspired by German landscape and deeply moved of the beauty he found in his homeland. He depicts the mountains, the trees, and the heavy mist above the sea.

Oriol Castañé.
 

We can highlight the particular luminosity that Goya gives to the body of the nude, a luminosity that contrasts with the rest of the environment, and next to this luminosity the typical expressiveness that Goya knows how to give to the eyes.

This work formed part of Manuel Godoy's art collection. Following the Aranjuez uprising of 1808 and the abdication of King Charles IV that same year, the work was seized, along with other items, by order of Ferdinand VII. Between 1808 and 1813 it was stored, together with The Nude Maja, at the Royal Academy of Fine Arts of San Fernando and in 1813 it was confiscated by the Inquisition. It was kept at the Madrid academy from 1836 until 1901, when it entered the collection of the Prado Museum, being mentioned in the museum's catalogue for the first time in 1910.

The artist has made use of a greater degree of artistic freedom in this painting than in the much more academic treatment employed in The Nude Maja. Here, loose brushstrokes and thickly applied paint are used to recreate the maja's clothing. Goya deftly captures the folds in the white fabric covering her body and the shimmering cloth of her pink sash and pointed shoes. More time has been spent on rendering the flesh tones of the face and the dark curly hair.

“The intelligence and directness of their gaze is also remarkable, revealing the resolute, active personality of these women. In these paintings, Goya demonstrates how a woman's intelligence and attitude can prove to be at least as seductive as her naked form.”

Museo del Prado

He painted many works of Napoleon, including “The coronation of Napoleon”, and he gained so much confidence with Napoleon, that he was asked to accompany him to Egypt, but Jacques-Louis David refused. When Napoleon returned from Egypt as First Consul, he commissioned David to commemorate his crossing of the Alps.

“Napoleon Crossing the Alps” is one of the most famous paintings of Jaques-Louis David, and it represents Napoleon leading his army through the alps, defeating the Austrian army. 

This painting has 3 known versions, which all were commissioned by Napoleon. The first one shows Napoleon on a white horse, wearing a blue uniform and a golden cape. Whereas the other two paintings show him wearing a blue uniform and a red cape, one on a white horse and the other in a brown one.

An interesting fact about this painting is that Napoleon crossed the Alps on a mule, but to make it more impressive, he asked David to paint him calmed, mounted on an enraged horse.

Pol Comes

This painting is made with oil on canvas. In the canvas, we can see the natural elegance through some refined details, for example the care of the mustache. Picasso, however, did not want to represent Soler in his real personality. Apart from some biographical details, the painting is veiled by the usual melancholy, which colors the canvas in brown and dark colors. It gives the impression that it is impossible for a moment of sunlight or natural light to ever penetrate the gloomy atmosphere in which the portrait is immersed.

Laia Soler

The bridge is surrounded by greenery, and the river water reflects the sky and trees. The painting is considered a masterpiece of Impressionism for its use of light and color to capture the atmosphere of the scene. The painting can be found in the Musée d'Orsay in Paris, France.

The piece captures the serene beauty of the Moret Bridge, located in the town of Moret-sur-Loing in France. The artist has expertly captured the colors and lights of the environment to create a captivating image of the bridge, surrounded by lush greenery and the tranquility of the river Loing. The brushstrokes are visible, giving an impression of movement, and the colors used are soft and harmonious creating a peaceful atmosphere.

The Bridge of Moret is one of the most iconic landmarks of the town and it is depicted in the painting with great attention to detail. The viewer can see the grandeur of the bridge and the care that was taken in its construction. The painting is a testament to the artist's skill and the beauty of the bridge. It is a popular piece among art collectors and it is considered a treasure of Impressionist art. This painting is a must-see for anyone interested in art and the beauty of France.

Prince Omorogbe.

He was a French painter and engraver whose Rococo style was distinguished by exuberance and hedonism. One of the most prolific artists active in the decades of the Ancien Régime, Fragonard was the author of more than 550 paintings, of which only five are dated.

This particular work is a work painted in 1769, its technique is oil painting on canvas, its dimensions are 81.1 x 64.8 cm and the frame is 104.9 x 89.5 x 2.2 cm; this work is exhibited at the "National Gallery of Art", in Washington DC.