His works span several genres from simple solo works to chamber and multimedia works, often with incorporation of his own literary writings. On top of being a composer, he has been an active choir singer for many years and has performed as a vocal improviser and performer as well.

performed by Mivos quartet

https://www.youtube.com/watch?v=_LdIYLPPqu0

Fleeter, for piano solo

performed by Hagai Yodan

https://www.youtube.com/watch?v=PY0dieI1OFs

REAL WORLD (youtube version), version for online streaming (video alone)

https://www.youtube.com/watch?v=puwiP7-dxfo

(re)Garde à Trois, for trio and video

performed by members of the Tedarim program

https://www.youtube.com/watch?v=O1b-zV96PwQ

Mind Your 🅱️anana, a short musical monodrama for soprano and ensemble

performed by Inbal Brill and Meitar Ensemble

https://www.youtube.com/watch?v=iHuqi_Itvkw

Of Clashing Manifolds: An Ekpyrotic Poem, for flute and electronics, performed by Anat Nazarathy

https://www.youtube.com/watch?v=Q_Lf8hU0alo

Unakin, song cycle for vocalist and electronics, performed by the compsoer

https://www.youtube.com/watch?v=OGB-z8QwX-A

Solo Pieces:
incl. pieces with electronics

°Almost Ironically (2022) for solo keyboard instrument ~9'

°Brain Bronchus (2024) for alto, electronics, and video (length tbd)

°Fleeter (2020) for solo piano 1'

°From the Break of Skin upon The Water (2023) for bass voice and tape 12'37''

°Garde (2019) for solo violist (with vocal part) ~4'

°Impossible Chaconne (2024) for solo piano, adapted from Die Offenbarungen der Letzten Macarena ~3'-4'

°It's Raining Ribbons and Grains from Solid Clouds (2018) for solo cello ~10'

°Mirie (2021) for soprano and electronics

°Of Clashing Manifolds: An Ekpyrotic Poem (2022) for flute and electronics 6'40''

°Pause (2023) for solo contrabass

°Rainfall Etudes (2021) for piano and electronics ~15'

Chamber Pieces:

°(re)Garde à Trois (2020) for trio, electronics, and video ~10'

°Fanfares of Heaven and Earth (2015) for trumpet and piano ~3'

°Fiscal Music, for your consideration. (2024) piece for two midi keyboards/VST synthesizers 6'30''

°I Have Reached Infinity Many Times (2018) for ensemble ~9'

°Intermezzo (supposedly) (2023) for trio 1'

°Mind Your 🅱️anana (2020) for soprano and ensemble ~9'

°Music for Times of Bankrupcy (2024) for two pianos, adapted from Fiscal Music... ~5'30''

°Null Operator: Amorphisms on the Lack of Existential Purpose (2021) concerto for piano and ensemble ~25'

°Qu'est Devenue Cette Chanson? (2022) for string trio ~7'

°Shirat Elef HaShanim (2021) for mandolin, flute, and voices ~9'

°Sunset Stay (2018) for string quartet ~4'

°Trois Petites Nouvelles (2017) for piano and saxophone ~8'

°Waft (2021) for soprano and viola

Choral Pieces:

°Center of Mass (Kyrie and Gloria) (2019) for soloists, choir, and piano ~6'. Two movements exist, will be expanded upon comission.

°Dăi Doamne La Ploiești (2018) for soprano, 8 vocalists, piano and electronics ~3'. Short version, will be expanded upon comission.

°Everyday Madrigals (2022) for vocal quartet, electronics, and video ~12'

°The Hebrew Madrigal Book (2021-pres.) collection of 4-part madrigals in the Hebrew language

°Lament (2024) for choir a cappella, adaption from the Hebrew Madrigal Book. ~4'30''

Miscellaneous Pieces:

°Chat Play (2022) interactive chatroom environment

°Confessions (2022) video piece ~5'

°Die Offenbarungen der Letzten Macarena (2024) theater piece for improv actors, video, electronics, and local network. Duration est. 20'-30'

°Ḥatham (2019) improvisation piece for prepared piano to the choreography of Livnat Sapir Cohen

°REAL WORLD (2022) self-curated concert program for video, vocal ensemble, keyboard instrument, electronics (incl. virtual singers), internet, and sensors ~35'. Includes the pieces Almost Ironically and Everyday Madrigals

°Unakin (2024) performance piece / song cycle for singer and electronics ~21'

1. Lohe Wanthi (from Everyday Madrigals)

2. A Locked Garden (גן נעול)

3. Seeing a Human (בראות אנוש)

4. Pickles (חמוצים)

5. The Morning Song (שיר הבוקר)

6. Happy Is the Match (אשרי הגפרור)

7. I Knew It (ידעתי)

The songs are composed solely in the Hebrew language and do not have English counterparts (or any other language). In the end of every song an English translation is made available together with the original text.