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      <title>Click and Collect: An online exploration of collections in the museum and on the mantelpiece by </title>
      <link>https://padlet.com/ml21yhf1/interpretationgroupproject</link>
      <description>Shelly’s reflective portfolio</description>
      <language>en-us</language>
      <pubDate>2022-10-21 21:37:29 UTC</pubDate>
      <lastBuildDate>2023-01-13 12:45:35 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Interpretation Brief </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2351274724</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-10-21 21:54:41 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2351274724</guid>
      </item>
      <item>
         <title>What do we know about it?</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2362460484</link>
         <description><![CDATA[<div>Location: Los Angeles, California, USA<br>Type: Art Museum (Private)<br>Types of collections: European paintings, drawings, illuminated manuscripts, sculptures, decorative arts, and photographs.<br>Eras of collections: BCE - present</div>]]></description>
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         <pubDate>2022-10-31 00:37:10 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2362460484</guid>
      </item>
      <item>
         <title>Who are we? </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2377376187</link>
         <description><![CDATA[<div>Individual Skills</div><ul><li>Video editing and Digitalisation</li><li>Creative Interpretation&nbsp;</li><li>Industry Knowledge&nbsp;</li><li>Creative Writing&nbsp;</li><li>History of Art Knowledge</li><li>Business and Marketing&nbsp;</li></ul>]]></description>
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         <pubDate>2022-11-09 19:05:09 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2377376187</guid>
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      <item>
         <title>European Enlightenment</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442123631</link>
         <description><![CDATA[<div>There are many objects from European countries, mentioned by Emily.&nbsp;</div>]]></description>
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         <pubDate>2023-01-12 11:22:48 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442123631</guid>
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      <item>
         <title>Imperialism</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442124130</link>
         <description><![CDATA[<div>But like before it became a museum, the objects in the Getty Centre were collected by Paul Getty, which means the collections were collected based on his personal preference.<br><br></div><blockquote>To think: is there any object that may be related to imperialism?&nbsp;</blockquote><div><br></div>]]></description>
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         <pubDate>2023-01-12 11:23:30 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442124130</guid>
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      <item>
         <title>Colonialism</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442124551</link>
         <description><![CDATA[<div>This might be a good starting point to discover how objects from other places end up in Getty Centre. And there are few articles were talking about returning artworks to their origins.&nbsp;<br><br></div>]]></description>
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         <pubDate>2023-01-12 11:24:01 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442124551</guid>
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         <title>A lot of ideas</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442125384</link>
         <description><![CDATA[<div>The relationship (meaning) between museums and their objects.<br><br>We thought about Colonialism, Imperialism and European Enlightenment, <strong>but we decided to do an exhibition about collecting and collections</strong>.&nbsp;</div>]]></description>
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         <pubDate>2023-01-12 11:25:03 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442125384</guid>
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      <item>
         <title>Collecting for the sake of collecting</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442129261</link>
         <description><![CDATA[<div>Getty Exhibition History: DUVEEN BROTHERS&nbsp;<br><br></div><div>‘Duveen Brothers’ kept cropping up when researching previous exhibitions held by the Getty; exhibitions included Chinese Porcelains, Dutch, English American, and Italian paintings.<br><br></div><div><br></div><blockquote><em>The Duveen Brothers was a firm of influential art dealers based in London, Paris, and New York from the late nineteenth to the mid-twentieth century. With Joseph Duveen (1869-1939) at the helm and the assistance of art experts, most notably Bernard Berenson (1865-1959), Duveen Brothers played a prominent role in the transfer of old master paintings, antique furnishings, and objets d'art from Europe to the United States.</em></blockquote><div><br></div><div><br>The online collection contains the manuscripts of the ‘documentation from the dealer’s library.<br><br></div><div><br><mark>Not very interesting for our exhibition, but it may give a fascinating insight into how things got to the Getty (context of a British Arts dealership in the late 1800s).</mark><br><br> How did they become in possession of Chinese porcelain and Italian art etc.?&nbsp;<br>How did they then interpret it?&nbsp;<br>Might we see the same type of power at play today?&nbsp;<br>Or did they positively impact ‘making art accessible to the public?&nbsp;<br>The centre also seems to use this history as a new interpretation starting point.&nbsp;<br><br></div><div><br>How does the Getty centre reflect on and interpret the Duveen Brothers' impact on Art collecting? They recently held a talk.<br><br></div><div><br></div><blockquote><strong>Tricks of the Trade: Duveen Brothers and the Market for the Decorative Arts, 1880–1940 - 5th May 2022</strong><br>https://www.getty.edu/visit/cal/events/ev_3122.html</blockquote><div><br></div>]]></description>
         <enclosure url="https://www.getty.edu/visit/cal/events/ev_3122.html" />
         <pubDate>2023-01-12 11:29:17 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442129261</guid>
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      <item>
         <title>Ideas we thought about to do </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442130395</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-01-12 11:30:23 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442130395</guid>
      </item>
      <item>
         <title>Who we have?</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442136327</link>
         <description><![CDATA[<div>Shelly YH Feng - Jewellery&nbsp;</div><div>Lauren Green - Coins&nbsp;<br>Laura Stoffers - Decorative Arts&nbsp;<br>Yifei Zheng - Paintings<br>Emily Doherty - Sculpture</div>]]></description>
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         <pubDate>2023-01-12 11:36:27 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442136327</guid>
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         <title>Research we&#39;ve done</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442146343</link>
         <description><![CDATA[<div>Unknown provenance or unlawfully acquired?</div><blockquote>A group of lifesize terracotta statues had been stolen and smuggled out of <a href="https://www.theguardian.com/world/italy">Italy</a>.</blockquote><div><br>Return the objects&nbsp;</div><blockquote>The museum is also working with the Italian culture ministry to return four other relics, including three works bought in the 1970s and an 1881 oil painting by Camillo Miola called The Oracle, after research by scholars concluded the objects had also been illegally removed from Italy.</blockquote><div><br>What we thought about this?&nbsp;</div><blockquote>Getty’s Mission Statement:<br><strong>“Getty advances and shares the world’s visual art and cultural heritage for the benefit of all.”</strong></blockquote><div>Do they ‘advance’ the world’s knowledge as they claim to? <br><br>How can we critique this? <br><mark>Drawing similarities between the UK history of museums being centred in colonialism.</mark></div><div><br>https://www.theguardian.com/culture/2022/aug/12/getty-museum-to-send-stolen-terracotta-statues-back-to-italy#:~:text=The%20Getty%20Museum%20in%20Los,and%20smuggled%20out%20of%20Italy</div>]]></description>
         <enclosure url="https://www.theguardian.com/culture/2022/aug/12/getty-museum-to-send-stolen-terracotta-statues-back-to-italy#:~:text=The%20Getty%20Museum%20in%20Los,and%20smuggled%20out%20of%20Italy" />
         <pubDate>2023-01-12 11:44:57 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442146343</guid>
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      <item>
         <title>Potentially looted artworks being acquired</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442152500</link>
         <description><![CDATA[<div>Stolen art? Ethics? Controversial objects in the collection</div><blockquote>Walsh, the former museum director, said: “We all agreed -- and the acquisition policy is clear -- that nothing would justify buying an object that we knew or strongly suspected was stolen.”</blockquote><div><br>Do they ‘advance’ the world’s knowledge as they claim to? <br><mark>Is this an ‘Americanised’ approach?&nbsp;</mark></div><div><br><br>https://www.latimes.com/archives/la-xpm-2005-sep-25-me-getty25-story.html</div>]]></description>
         <enclosure url="https://www.latimes.com/archives/la-xpm-2005-sep-25-me-getty25-story.html" />
         <pubDate>2023-01-12 11:51:09 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442152500</guid>
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         <title>Notes on Object selection </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442155040</link>
         <description><![CDATA[<ul><li>Items with good input from the Getty (eg. labels, notes), so we can evaluate the Getty’s interpretation</li><li>Various cultures&nbsp;</li><li>Various dates/timeframes</li></ul>]]></description>
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         <pubDate>2023-01-12 11:53:43 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442155040</guid>
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      <item>
         <title>BLM in museums</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442159359</link>
         <description><![CDATA[<div>Reframing narrative&nbsp;</div><ul><li>It doesn’t limit us to one period or era&nbsp;</li><li>Art objects with vandalism/protest on top REFRAMED in a new light&nbsp;</li><li>The vandalism/graffiti adds a new narrative to each object&nbsp;</li></ul><div><br></div><div>Reframing, how have they interpreted the object?</div><ul><li>Get people's reviews and thoughts on the exhibits</li><li>Use peoples tweets</li></ul><div><br></div><div>Subject</div><ul><li>Kris Graves's photographs of the heavily graffitied confederate the statue with projected portraits &nbsp;</li></ul><div><br></div><div>Action</div><ul><li>This exhibition explores the act of framing &amp; re-framing objects&nbsp; - who does this? Why?</li></ul><div>(how the museum/us are interpreting the objects)</div><div><br></div><div>Consequence</div><ul><li>Can we regain power through reframing something, eg. an object?</li></ul><div><br><br></div><div>This is a reminder that the Getty Centre has interpreted the objects one way/from one perspective. Things can be reimagined differently.&nbsp;</div><div><br></div><div><br><br>https://www.getty.edu/news/photographing-americas-racist-monuments/</div>]]></description>
         <enclosure url="https://www.getty.edu/news/photographing-americas-racist-monuments/" />
         <pubDate>2023-01-12 11:58:10 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442159359</guid>
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         <title>Notes on the Trick of the Trade lecture</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442167980</link>
         <description><![CDATA[<ul><li>The brothers played into the hands of their collector customers - dealt with well-known and famous artists, not investing in new artists. Purely financial gain.&nbsp;</li><li>They ‘created’ the market in America.&nbsp;</li><li>Importance of ‘bric-a-brac’ - a range of types of art to help the brothers survive changes in the market - eg Great Depression. Almost like staying on top of trends.&nbsp;</li><li>Focused only on the high-end luxury market</li><li>The Duveen Galleries - How did their approach to displaying items impact how we display them today? The idea of the ‘art studio’ (a place to study works) rather than a gallery for business. But ultimately, it worked for commercial benefit too.&nbsp;</li><li>Items that have come into contact with the Duveen Brothers appear to have permanently left Europe and got to America via them. Yet do have a significant ‘previous life’.&nbsp;<br><br></li></ul><div><br>Duveen understood the personalities of American millionaires and catered to them while also playing incredible mind games with them.<br><br></div><div><em>https://digitalcommons.sia.edu/cgi/viewcontent.cgi?article=1093&amp;context=stu_theses</em></div>]]></description>
         <enclosure url="https://digitalcommons.sia.edu/cgi/viewcontent.cgi?article=1093&amp;context=stu_theses" />
         <pubDate>2023-01-12 12:07:22 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442167980</guid>
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         <title>Collecting ancient art has been a pastime of the affluent since ancient Rome. </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442170539</link>
         <description><![CDATA[<ul><li><em>Making generalizations about the motivations of why people collect can be problematic. Social status, intellectual identity, and the display of wealth have all been enduring motivations for the collection of ancient art. Less understood is one aspect of collecting that hovers in the background but is ever present is the impulse to collect for the sake of collecting. The appreciation of beautiful art and the need to possess it should never be underestimated as a motivation to acquire. Collecting is a very personal activity, and individual reasons can vary from person to person. Very few collectors are one-dimensional, and their motivations are often multifaceted.</em></li></ul><div><br></div><ul><li><em>Some people collect bottle caps. Others collect rare ancient art. Collections can be seen as both worthless low-brow garbage and priceless high-brow art. For individuals their collections mean something to them, whether it is sentimental memories or part of their intellectual identity. Art collectors use their collections for various purposes. One of the most obvious reasons is for social status, but there are deeper intellectual and psychological factors that are behind the impulse of collecting art.</em></li></ul><div><br></div><div><a href="https://www.cntraveler.com/story/what-role-do-souvenirs-play-in-cultural-appropriation"><em>https://www.cntraveler.com/story/what-role-do-souvenirs-play-in-cultural-appropriation</em></a></div>]]></description>
         <enclosure url="https://www.cntraveler.com/story/what-role-do-souvenirs-play-in-cultural-appropriation" />
         <pubDate>2023-01-12 12:10:11 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442170539</guid>
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         <title>Art market? Market Demand for Art Collections</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442171754</link>
         <description><![CDATA[<div>We found Duveen Brothers as the primary source of acquisitions for the Getty Centre, allowing these works of art to travel from Europe to the United States via the dealer. Why does an art market exist? Why do these buyers of artworks buy them? It is because there is a demand to buy that art is stolen and smuggled into other countries, and we think that buying art is, in fact, a form of collecting. We don't just think of the act of taking something home; it's like people going on a trip and buying souvenirs of the place. Although we don't know if there are other meanings to souvenirs, buying souvenirs is a form of collecting.<br><br>The words of the man in the Korean dress inspire us. Rubens had never been to Korea, so how did he draw the man in Korean dress?<br><br><mark>Duveen brothers as an entry point<br></mark><br>Giving an overview of them, the time, surviving the great depression, and relevance for the market.&nbsp;Paving the way for the market and fascination with collecting in America.<br>Main Ideas<br>Collecting&nbsp;<br>Identity<br>Ownership<br><br>What does it have to do with forming an American identity, creating a story, and tracing a heritage back to Europe?<br><br>The reason the Getty exists is because of a personal collection!<br><br></div><ul><li>Desire for authenticity when collecting?&nbsp;</li><li>Do people want something authentic in their homes?</li><li>Obsession with getting something from “the other place”</li></ul><div><br>https://www.getty.edu/art/collection/object/103QWV</div>]]></description>
         <enclosure url="https://www.getty.edu/art/collection/object/103QWV" />
         <pubDate>2023-01-12 12:11:44 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442171754</guid>
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         <title>Do you ever want to put an object from a different culture into your home to decorate it? How do you feel about that?</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442179874</link>
         <description><![CDATA[<ol><li>Collecting for the sake of collecting</li><li>An institutional level and a personal level</li><li>Our personal collections of souvenirs etc.</li><li>Gettys personal collection</li><li>People posting their own collections and souvenirs</li></ol>]]></description>
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         <pubDate>2023-01-12 12:21:32 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442179874</guid>
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         <title>Introductory Label </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442181643</link>
         <description><![CDATA[<div><br></div><ul><li>First sentence as a question?</li><li>Gettys mission statement -&gt; advancement: "Getty advances and shares the world’s visual art and cultural heritage for the benefit of all." they connect themselves with world heritage</li><li>Who were the Duveen brothers, and what did they do?</li><li>Art market - objects from Europe coming to America (why are all these European objects here in LA)</li><li>Association with Europe vs first nation art</li><li>Ownership over the European objects</li><li>Specific historical context (overall timeframe) to introduce the issue</li><li>Why did this get to America?</li><li>Why do we collect?</li></ul><div><br></div><div><mark>Label stracutue <br></mark><strong><br></strong>Subject (the person, place, thing, or idea that is doing or being something)<strong><br></strong><br></div><div>Action (something happens or has been done, but crucially is active, not passive)</div><div><strong><br></strong>Consequences (so what), why should anyone care?<br><br></div><div><strong><br></strong>Example:People in the artic (SUBJECT) have ‘harnessed the weather and climate to thrive’ (ACTION 1), their way of life is being threatened by climate change (ACTION 2), we must pay attention to the people who will be affected first by climate change so we make the changes we need to make to mitigate climate change (CONSEQUENCE)</div>]]></description>
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         <pubDate>2023-01-12 12:23:12 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442181643</guid>
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         <title>Why do people collect?</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442185739</link>
         <description><![CDATA[<ul><li>Personal Identity</li><li>Branding</li><li>Emotional connection</li><li>Lived experiences and memory</li><li>Demonstration of wealth and power</li><li>Monetary</li></ul><div><br>What sort of things do people not collect?&nbsp;<br>Textiles and using the objects -&gt; Usability -&gt; Wearing clothes<br><br></div>]]></description>
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         <pubDate>2023-01-12 12:27:35 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442185739</guid>
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         <title>ETHICAL REVIEW</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442189004</link>
         <description><![CDATA[<ul><li>Informing participants how images will be used</li></ul><div><br>Originally we wanted to use street interview to increase the visibility of the exhibition, but we had to abandon this method because of the ethical review.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1859113358/8788fbc7a520ca11d93f48ffd881b7cb/___2023_01_12___1_06_04.png" />
         <pubDate>2023-01-12 12:31:06 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442189004</guid>
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         <title>Object Labels</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442191140</link>
         <description><![CDATA[<ul><li>General label explaining why people collect certain material objects e.g. coins, paintings …<br>(a couple of sentences focusing on particular themes)</li><li>Choose a few objects per section</li><li>One to two detailed labels&nbsp;</li><li>Maybe pose questions for the other items chosen<br>(why that object specifically has been collected, and the provenance)</li></ul>]]></description>
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         <pubDate>2023-01-12 12:33:01 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442191140</guid>
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         <title>Big idea: Why do people collect and what effects does that have on the objects in the Getty’s collection?</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442194175</link>
         <description><![CDATA[<div><br>The Getty’s collection (Subject) is based on J.Paul Getty’s personal collection and other objects that often used to be part of other personal collections as well.&nbsp;<br><br></div><div><br>So why do people collect? If we can understand that, we can also understand the museum's collection and its history in more depth. (Action)&nbsp;<br><br></div><div>Collecting affects us all! Almost one in three people in North America are collectors. By investigating the phenomena of collecting we not only start to better understand the museum as an institution, but we also gain insight into our own psychology. (Consequence)<br><br><br>Collecting and the reasons for collecting something?<br><br></div><div>&nbsp;Why do you collect and what impact does it have on your life and that of others?<br><br></div>]]></description>
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         <pubDate>2023-01-12 12:35:37 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442194175</guid>
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         <title>Label instruction</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442197733</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-01-12 12:38:59 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442197733</guid>
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         <title>V&amp;A text guideline</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442199565</link>
         <description><![CDATA[<div>https://www.vam.ac.uk/__data/assets/pdf_file/0009/238077/Gallery-Text-at-the-V-and-A-Ten-Point-Guide-Aug-2013.pdf</div>]]></description>
         <enclosure url="https://www.vam.ac.uk/__data/assets/pdf_file/0009/238077/Gallery-Text-at-the-V-and-A-Ten-Point-Guide-Aug-2013.pdf" />
         <pubDate>2023-01-12 12:40:56 UTC</pubDate>
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      </item>
      <item>
         <title>PAINTING</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442200613</link>
         <description><![CDATA[<div>https://www.getty.edu/art/collection/object/103RAH</div>]]></description>
         <enclosure url="https://www.getty.edu/art/collection/object/103RAH" />
         <pubDate>2023-01-12 12:42:00 UTC</pubDate>
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      </item>
      <item>
         <title>SCULPTURE</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442201716</link>
         <description><![CDATA[<div><a href="https://www.getty.edu/art/collection/object/103SNC">https://www.getty.edu/art/collection/object/103SNC</a></div><div><br></div>]]></description>
         <enclosure url="https://www.getty.edu/art/collection/object/103SNC" />
         <pubDate>2023-01-12 12:43:10 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442201716</guid>
      </item>
      <item>
         <title>Decorative Arts</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442206333</link>
         <description><![CDATA[<div><a href="https://www.getty.edu/art/collection/object/103RKD%20">https://www.getty.edu/art/collection/object/103RKD</a></div>]]></description>
         <enclosure url="https://www.getty.edu/art/collection/object/103RKD" />
         <pubDate>2023-01-12 12:47:26 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442206333</guid>
      </item>
      <item>
         <title>JEWELLERY</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442207776</link>
         <description><![CDATA[<div><strong><br>JEWELLERY INTRO TEXT&nbsp;</strong></div><div>When it comes to collecting items, clothing is not usually the first choice because it is not easy to keep and carry. However, decorative items that can be worn on the body are often chosen for collecting and commemorating.</div><div><br></div><div>Since ancient times, rare jewellery, precious metal accessories and watches have been popular among people and collectors, not only because they show one's taste and socio-economic status but also because they are heirlooms and commemorative. Hence, people are more willing to take the trouble to collect them.</div><div><br></div><div>We can determine the origin of these earrings and jewellery by the material, style, use, pattern, colour and content form, and the purpose of the jewellery, such as ritual or memorial, by the pattern and content form.</div><div><br>Why jewellery? <br><mark>Before looking at Jewellery, I was looking for textile or clothing objects. Unfortunately, Getty doesn't have enough collections in that specific category. I did see a pair of shoes, but that's the only one that fits my expectations. I wanted to choose something unusual that people don't want and but them home on holiday. </mark><br><strong><br>JEWELLERY&nbsp; MAIN OBJECT TEXT&nbsp;<br></strong><br></div><div>This amber and gold foils and filigree bead necklace was recognized by the Getty Centre as an Italian-made amber artefact. Aquileia, an important port city in southern Italy, often had raw amber stones imported from the North Sea and the Baltic Sea at the time, and the necklace had a strong Mediterranean style and was popular at the time, as amber and gold beads were considered to be a great wedding proposal tool at the time.</div><div><br></div><div><strong>Interesting Focus</strong></div><div>The necklace was donated to the Getty Centre in 1977 by Gordon McLendon, whose father-in-law was a partner in the controversial oil company, leading us to wonder if the acquisition and donation of this object were related to the oil background of the Getty Centre's founder.</div><div><br></div><div><br><a href="https://www.getty.edu/art/collection/object/103WH2">https://www.getty.edu/art/collection/object/103WH</a></div>]]></description>
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         <pubDate>2023-01-12 12:48:59 UTC</pubDate>
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      </item>
      <item>
         <title>COINS</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442208873</link>
         <description><![CDATA[<div><a href="https://www.getty.edu/art/collection/object/109KKJ?altImage=779dd5f1-3eaa-4a7b-b012-e912c3e4ee8c"><strong>https://www.getty.edu/art/collection/object/109KKJ?altImage=779dd5f1-3eaa-4a7b-b012-e912c3e4ee8c</strong></a></div>]]></description>
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         <pubDate>2023-01-12 12:50:09 UTC</pubDate>
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      </item>
      <item>
         <title>Exhibition blog </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442211230</link>
         <description><![CDATA[<div>https://ccsmgh.leeds.ac.uk/events/click-collect-an-online-exploration-of-collecting-at-the-museum-and-on-the-mantelpiece/</div>]]></description>
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         <pubDate>2023-01-12 12:52:27 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442211230</guid>
      </item>
      <item>
         <title>Jamboard</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442211777</link>
         <description><![CDATA[<div><a href="https://jamboard.google.com/d/12pMHB9vwj_qkNnF7ranKjm6pwHwPhjEf6Q8IMDqBxNw/edit?usp=sharing">https://jamboard.google.com/d/12pMHB9vwj_qkNnF7ranKjm6pwHwPhjEf6Q8IMDqBxNw/edit?usp=sharing</a></div>]]></description>
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         <pubDate>2023-01-12 12:53:01 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442211777</guid>
      </item>
      <item>
         <title>Label final version</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442213354</link>
         <description><![CDATA[<div><a href="https://docs.google.com/document/d/13BlenN_OUNlOpmsxP--CPz2UnLQoTl_lBLcbhOPPPv4/edit">https://docs.google.com/document/d/13BlenN_OUNlOpmsxP--CPz2UnLQoTl_lBLcbhOPPPv4/edit</a></div>]]></description>
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         <pubDate>2023-01-12 12:54:31 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442214733</link>
         <description><![CDATA[<div>https://docs.google.com/presentation/d/1MNFoIhO58_Jr_eKSiT1-alzK82fGV0QNIzlPIRJzfqA/edit#slide=id.g1a63ecd6c74_1_5</div>]]></description>
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         <pubDate>2023-01-12 12:55:54 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442214733</guid>
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      <item>
         <title>Instagram posts &amp; stories</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442220749</link>
         <description><![CDATA[<div>We were trying to add new posts and stories every day to engage with our followers. By posting celebrities' collections or non well known collection stories. </div>]]></description>
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         <pubDate>2023-01-12 13:01:23 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442220749</guid>
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      <item>
         <title>It was a video but it doesn&#39;t work on pptx </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442222029</link>
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         <pubDate>2023-01-12 13:02:45 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442222029</guid>
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      <item>
         <title>Presentation made me nervous </title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442222186</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-01-12 13:02:56 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442222186</guid>
      </item>
      <item>
         <title>Kainaat&#39;s feedback on my group project</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442306924</link>
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         <pubDate>2023-01-12 14:08:48 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442306924</guid>
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      <item>
         <title></title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442307301</link>
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         <pubDate>2023-01-12 14:09:03 UTC</pubDate>
         <guid>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442307301</guid>
      </item>
      <item>
         <title>My feedback to Kainaat&#39;s group project</title>
         <author>ml21yhf1</author>
         <link>https://padlet.com/ml21yhf1/interpretationgroupproject/wish/2442308733</link>
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         <pubDate>2023-01-12 14:10:09 UTC</pubDate>
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