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      <title>CONTEMPORARY PAINTING FALL 2025 by Charity Baker</title>
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      <pubDate>2025-10-07 10:39:05 UTC</pubDate>
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         <title>Technique</title>
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         <title></title>
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      <item>
         <title>Glimpse Upon Waking 1976</title>
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         <pubDate>2025-10-14 22:56:57 UTC</pubDate>
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         <title>Window-Sill, Lugano 1923</title>
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         <pubDate>2025-10-14 22:58:09 UTC</pubDate>
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         <title>Quarante Huit Quai d’Auteuil 1935</title>
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         <pubDate>2025-10-14 23:00:42 UTC</pubDate>
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         <title>Moonlight and Lamplight 1937</title>
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         <pubDate>2025-10-14 23:02:14 UTC</pubDate>
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         <title>Flower Table 1928</title>
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         <pubDate>2025-10-14 23:04:38 UTC</pubDate>
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         <title>Sandpipers, Alnmouth 1933</title>
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         <pubDate>2025-10-14 23:06:06 UTC</pubDate>
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         <title>The Hunter’s Moon 1955</title>
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         <pubDate>2025-10-14 23:07:41 UTC</pubDate>
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         <title>Recollect 1973</title>
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         <pubDate>2025-10-14 23:09:31 UTC</pubDate>
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         <title>Cyclamen and Primula  1923</title>
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         <pubDate>2025-10-14 23:14:35 UTC</pubDate>
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         <title>Jake and Kate on the Isle of Wight 1932</title>
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         <description><![CDATA[<p>after Winifried and Ben broke up, she painted portraits of her children in party hats that at the same time carry a hint of the sadness as the absence of their father.</p>]]></description>
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         <pubDate>2025-10-14 23:17:19 UTC</pubDate>
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         <title>Quai d&#39;Auteil 1932–1933</title>
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         <pubDate>2025-10-14 23:17:59 UTC</pubDate>
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         <title>Capari and Pomegranate, 1967</title>
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         <title>Daffodils and Hyacinths in a Norman Window c.1950–1955</title>
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         <pubDate>2025-10-14 23:22:23 UTC</pubDate>
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         <title>Kate and Jake, Isle of Wight 1932</title>
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         <title>Honeysuckle and Sweetpeas c.1945–1946</title>
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         <description><![CDATA[<p>juxtaposition of various yellows and magenta pink that is the key colour relationship of her painting</p>]]></description>
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         <title>Cumberland Hills 1948</title>
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         <pubDate>2025-10-14 23:29:47 UTC</pubDate>
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         <title>Summer 1928</title>
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         <title>&#39;Liberation of Colour</title>
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         <description><![CDATA[<ul><li><p><strong><em>Honeysuckle and Sweetpeas</em> (c. 1945–46):</strong> As she wrote in her article "Liberation of Colour," Nicholson discovered how a single color could make others glow. In this painting, she uses her signature magenta pink alongside various yellows—"gold and lemon and primrose each singing its note"—to bring the entire arrangement to life. She sought to create a visual "melody and harmony" with her compositions, much like a musical score.&nbsp;</p></li></ul>]]></description>
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         <pubDate>2025-10-14 23:37:50 UTC</pubDate>
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         <title>Les Fleurs des Viellard c1932
</title>
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         <pubDate>2025-10-14 23:39:08 UTC</pubDate>
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         <title>Tablecloth c1934</title>
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         <pubDate>2025-10-14 23:39:46 UTC</pubDate>
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      <item>
         <title>Dynamic relationships</title>
         <author>charitybaker2</author>
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         <description><![CDATA[<p><br/></p><p>For Nicholson, the interaction between colors was vital. She learned from Van Gogh the dramatic effect of complementary contrasts, and from Gauguin that the perceived intensity of a color depends on the size of its area. This led her to use colors in complex relationships, juxtaposing warm and cool tones, and transparent and opaque layers.</p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2025-10-14 23:44:31 UTC</pubDate>
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      <item>
         <title>Winifred Nicholson, 1893–1981</title>
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         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3632604088</link>
         <description><![CDATA[<p>Painter in oil, watercolour, gouache and pencil, especially of flowers and landscapes. Born in Oxford, she attended the Byam Shaw School of Art.</p>]]></description>
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         <pubDate>2025-10-15 00:38:31 UTC</pubDate>
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      </item>
      <item>
         <title>James Owens</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644051043</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:11:57 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644070389</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:22:41 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644070579</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:22:47 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644070792</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:22:55 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644070792</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071191</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:23:10 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071191</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071451</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:23:19 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071451</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071769</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:23:29 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071769</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071941</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:23:34 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644071941</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644072360</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:23:48 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644072360</guid>
      </item>
      <item>
         <title>James Owens</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644072582</link>
         <description><![CDATA[<p><a rel="noopener noreferrer nofollow" class="RouterLink__RouterAwareLink-sc-77e33c7f-0 dtSokS" href="https://www.artsy.net/partner/arusha-gallery">Arusha Gallery</a></p><p>London</p>]]></description>
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         <pubDate>2025-10-22 00:23:55 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644072582</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644074915</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:25:03 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644074915</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644076044</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:25:38 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644076044</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644076224</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:25:44 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644076224</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644082999</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-22 00:28:48 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3644082999</guid>
      </item>
      <item>
         <title>Vanessa Bell</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655474519</link>
         <description><![CDATA[<p>The work is an example of Bell's Post-Impressionist style, characterized by simplified forms, bold colors, and a focus on composition over realistic accuracy, a style she adopted after being influenced by exhibitions curated by art critic Roger Fry.</p><p><br></p>]]></description>
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         <pubDate>2025-10-29 00:22:12 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655474519</guid>
      </item>
      <item>
         <title>Milton Avery
Woman with Turban
1949</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655475674</link>
         <description><![CDATA[<p>Avery was celebrated for his simplified, powerful use of color in landscapes and figures. His flattened forms and harmonious, poetic color palettes influenced later generations of colorists, including Mark Rothko.</p>]]></description>
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         <pubDate>2025-10-29 00:22:56 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655475674</guid>
      </item>
      <item>
         <title>Marlene Dumas</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655484501</link>
         <description><![CDATA[<p>“I don’t paint people; I paint images.” The subjects of her loosely rendered paintings and ink drawings are generally taken from pictures culled from newspapers and magazines and invariably stand in for larger ideas. What Dumas explores in her work, then, is not really portraiture at all, but rather image-making itself.</p>]]></description>
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         <pubDate>2025-10-29 00:27:46 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655484501</guid>
      </item>
      <item>
         <title>Lisa Yuskavage</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655493355</link>
         <description><![CDATA[<p>Her paintings have a sensual and "sometimes polarizing" quality, using a palette that evokes both classical and contemporary sources. The work blurs the lines between traditional genres like portraiture, the nude, and landscape, while incorporating modern influences from popular culture.</p>]]></description>
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         <pubDate>2025-10-29 00:32:14 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655493355</guid>
      </item>
      <item>
         <title>Miriam Cahn,

Im Fernsehen Gesehen, 2011</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655502492</link>
         <description><![CDATA[<p>Miriam Cahn began using color in 1994, turned on to the formal and psychological power of mass media imagery and its gradual saturation. She cites Michelangelo Antonioni’s 1964 film Il deserto rosso (Red Desert) as a work that exposed her to the hyper-reality of color. With exquisite sensitivity, Cahn uses color to highlight choice parts of her figures—principally the genitals, breasts, lips, or eyes—suggesting fragility and fecundity and endowing her figures with a sense of inner life.</p><p><br></p>]]></description>
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         <pubDate>2025-10-29 00:36:47 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655502492</guid>
      </item>
      <item>
         <title>Pierre Bonnard</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655506503</link>
         <description><![CDATA[<p>Richly infused with hues of yellow, the canvas radiates a warm glow which contrasts with the somber tones of the artist’s form, emphasizing a sense of introspection and contemplation. The loose brushwork characteristic of Post-Impressionism enhances the emotional depth and evocative quality of the painting, drawing the viewer into the intimate scene.</p>]]></description>
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         <pubDate>2025-10-29 00:38:49 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655506503</guid>
      </item>
      <item>
         <title>Kerry James Marshall</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655508653</link>
         <description><![CDATA[<p>Carbon black, mars black, ivory black: these are the types of black Kerry James Marshall uses to color all of the people who have populated his paintings since 1980.  Marshall’s paintings often explode with color, while their central protagonists are always painted with deep, unequivocal black pigments.</p>]]></description>
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         <pubDate>2025-10-29 00:39:37 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655508653</guid>
      </item>
      <item>
         <title>Key characteristics of a colorist</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655521945</link>
         <description><![CDATA[<p><br/></p><ul><li><p><strong><mark>Color as the main subject</mark></strong><mark>: </mark></p></li><li><p><strong>Emphasis on relationships</strong></p></li><li><p><strong>Not just vibrant hues</strong></p></li><li><p><strong>Transcends reality</strong></p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2025-10-29 00:46:29 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655521945</guid>
      </item>
      <item>
         <title>MARIA LASSNIG</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655528333</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-10-29 00:50:12 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655528333</guid>
      </item>
      <item>
         <title>Emil Nolde (1867-1956)</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655531566</link>
         <description><![CDATA[<p>Kopf eines Jungen Mädchen</p>]]></description>
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         <pubDate>2025-10-29 00:51:58 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3655531566</guid>
      </item>
      <item>
         <title>PROJECT SERIES - 4 or more paintings over two weeks</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666730136</link>
         <description><![CDATA[<p>1. CHOOSE your favorite painting in art history</p><p>2. Recreate it</p><p>3. create multiple views of it</p><p><br></p>]]></description>
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         <pubDate>2025-11-05 00:32:51 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666730136</guid>
      </item>
      <item>
         <title>Claude Monet - Stacks of Wheat (End of Summer) - 1985.</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666738191</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-05 00:36:40 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666738191</guid>
      </item>
      <item>
         <title>Claude Monet</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666772761</link>
         <description><![CDATA[<p>Haystacks (Effect of Snow and Sun), 1891</p>]]></description>
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         <pubDate>2025-11-05 00:53:49 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666772761</guid>
      </item>
      <item>
         <title>Van Gogh</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666773320</link>
         <description><![CDATA[<p>Women Picking Olives, 1889</p>]]></description>
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         <pubDate>2025-11-05 00:54:08 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666773320</guid>
      </item>
      <item>
         <title>Édouard Vuillard</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666774007</link>
         <description><![CDATA[<p>The Album, 1895</p>]]></description>
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         <pubDate>2025-11-05 00:54:30 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666774007</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666777636</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-05 00:56:32 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666777636</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666778223</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-05 00:56:51 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666778223</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666779151</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-05 00:57:19 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666779151</guid>
      </item>
      <item>
         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3666883994</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-05 01:46:59 UTC</pubDate>
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         <description><![CDATA[<p>Les Ménines</p><p><br/></p><p>1982</p><p>oil on canvas</p><p>90 1/2 x 90 1/2 in.</p>]]></description>
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         <pubDate>2025-11-12 01:32:56 UTC</pubDate>
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      <item>
         <title>LOUIS CANE</title>
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         <description><![CDATA[<p>Les Ménines au balcon</p><p><br/></p><p>1984</p><p>oil on canvas</p><p>90 1/2 x 90 1/2 in.</p>]]></description>
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         <pubDate>2025-11-12 01:33:16 UTC</pubDate>
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      <item>
         <title>(1958) by Salvador Dali</title>
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         <description><![CDATA[]]></description>
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         <pubDate>2025-11-12 01:37:42 UTC</pubDate>
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      <item>
         <title>Edgar Degas</title>
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         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678305067</link>
         <description><![CDATA[<p>Variation on Velazquez's Las Meninas</p><p><br/></p><p>1857-58</p><p>31.2 x 25.1 cm</p><p>Oil on canvas</p>]]></description>
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         <pubDate>2025-11-12 01:39:05 UTC</pubDate>
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         <title>Print made by: Francisco de Goya</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678309973</link>
         <description><![CDATA[<p>After: Diego Velázquez</p>]]></description>
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         <pubDate>2025-11-12 01:42:14 UTC</pubDate>
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      <item>
         <title>Yasumasa Morimura</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678312408</link>
         <description><![CDATA[<p>Daughter of Art History, Princess A, 1990</p>]]></description>
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         <pubDate>2025-11-12 01:43:38 UTC</pubDate>
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         <title>VIK MUNIZ BRAZILIAN, B. 1961</title>
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         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678314440</link>
         <description><![CDATA[<p>(REPRO), 2019</p><p>Digital C-print</p><p>118.1 x 101.6 cm; (46 1/2 x 40 in.)</p>]]></description>
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         <pubDate>2025-11-12 01:44:56 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2025-11-12 01:46:15 UTC</pubDate>
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      <item>
         <title>THOMAS STRUTH (B. 1954)</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678318601</link>
         <description><![CDATA[<p>Museo del Prado 6, Madrid 2005</p>]]></description>
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         <pubDate>2025-11-12 01:47:35 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678318601</guid>
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      <item>
         <title>Franz StuckFamily portrait</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678324932</link>
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         <pubDate>2025-11-12 01:50:19 UTC</pubDate>
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      <item>
         <title>Eve Sussman, Still from 89 Seconds at Alcázar, </title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678326588</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-12 01:51:24 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2025-11-12 01:52:28 UTC</pubDate>
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      <item>
         <title>Dalí</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678331641</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-11-12 01:53:51 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3678337214</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Las_Meninas_(Picasso)" />
         <pubDate>2025-11-12 01:56:50 UTC</pubDate>
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      <item>
         <title>themes of Las Meninas</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3698604488</link>
         <description><![CDATA[<p><br></p><ul><li><p><strong>Illusion and reality</strong>: The painting constantly plays with what is real and what is a representation. The mirror reflects the King and Queen, who are not directly visible in the room, and the viewer is left to question who is being painted and who is observing.</p></li><li><p><strong>The artist's role</strong>: Velázquez includes himself in the painting, creating a self-portrait that elevates the status of the artist and the art itself. The large canvas he is working on, the viewer's position, and his gaze all contribute to a statement about his creative power and the significance of his work.</p></li><li><p><strong>The viewer's perspective</strong>: The composition is designed to put the viewer in a specific position, as if they are the King or Queen being painted. This makes the viewer an active participant in the scene, blurring the lines between observer and observed.</p></li><li><p><strong>Light and shadow</strong>: The use of light and shadow adds to the painting's sense of mystery. Light is used to create focus, such as on the Infanta, while darkness and shadows create depth and intrigue, further playing with the themes of reality and illusion.</p></li><li><p><strong>Power and hierarchy</strong>: While the painting appears to be a snapshot of court life, it is also a commentary on power, status, and the royal family. The inclusion of the Infanta Margaret Theresa as the focal point, surrounded by her retinue, can be seen as a portrayal of dominion.&nbsp;</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2025-11-26 00:19:28 UTC</pubDate>
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         <title>seven and five society</title>
         <author>charitybaker2</author>
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         <description><![CDATA[]]></description>
         <enclosure url="https://www.tate.org.uk/art/art-terms/s/seven-and-five-society" />
         <pubDate>2026-03-01 13:18:05 UTC</pubDate>
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      <item>
         <title>VII &amp; V Society</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3806885872</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.npg.org.uk/collections/search/group/1135" />
         <pubDate>2026-03-01 13:20:25 UTC</pubDate>
         <guid>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3806885872</guid>
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      <item>
         <title>Duccio, The Annunciation 1307/8-11 (National Portrait Gallery, UK)</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/jrwwh8ix71759a3z/wish/3806897199</link>
         <description><![CDATA[]]></description>
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         <pubDate>2026-03-01 13:41:37 UTC</pubDate>
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