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      <title>Site-Responsive Practices - Sophie Swoffer by Sophie Swoffer</title>
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      <description>Body, Space, Performance</description>
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      <pubDate>2021-12-18 15:46:20 UTC</pubDate>
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         <title>Nando Messias - The Sissy&#39;s Progress</title>
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         <description><![CDATA[<div><a href="http://www.nandomessias.com/sissysprogress.html">The Sissy's Progress - NANDO MESSIAS</a></div>]]></description>
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         <pubDate>2021-12-19 11:05:51 UTC</pubDate>
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         <title>Jill Orr - Falling and Flight Reclaimed</title>
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         <description><![CDATA[<div><a href="https://jillorr.com.au/e/falling-and-flight-reclaimed-01">Jill Orr / SERIES / EXHIBITIONS / Falling and Flight Reclaimed 01</a></div>]]></description>
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         <pubDate>2021-12-19 11:10:25 UTC</pubDate>
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         <title>Shunt - Dance Bear Dance</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 11:12:35 UTC</pubDate>
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         <title>Parts Per Million - Liberate Tate</title>
         <author>sophieswoffer2</author>
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         <description><![CDATA[<div><a href="https://www.interaliamag.org/audiovisual/liberate-tate-parts-per-million/">Liberate Tate - 'Parts Per Million' - Interalia Magazine</a></div>]]></description>
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         <pubDate>2021-12-19 11:15:30 UTC</pubDate>
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         <title>Iball, Helen (2012) ‘My Sites Set on You: Site-Specificity and Subjectivity in ‘Intimate Theatre,’’ in Birch A., Tompkins J. (eds.) Performing Site-Specific Theatre. Performance Interventions, London: Palgrave Macmillan, pp. 201-215.</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 11:18:20 UTC</pubDate>
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         <title>McAuley, Gay (2012) ‘Site-Specific Performance: Place, Memory and the Creative Agency of the Spectator’, The Journal of the Sydney University Arts Association, 27, [Online] Available from https://openjournals.library.sydney.edu.au/index.php/ART/article/view/5667/6340.</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 11:18:49 UTC</pubDate>
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         <title></title>
         <author>sophieswoffer2</author>
         <link>https://padlet.com/sophieswoffer2/jn6ldg02y6hpcfzn/wish/1955400550</link>
         <description><![CDATA[<div>◦<strong>Ownership and control</strong></div><div><br>‘Ownership brings with it power, authority, rights, boundaries, the policing of boundaries, rights of exclusion, rights of inclusion. Our sense of who we are and other people's sense of who we are is deeply bound up with where we are, and where we come from, so place is implicated in profound ways with both individual and group identity’ (McAuley, 2018: 30). &nbsp;<br><br></div><div>◦<strong>‘Sanitising’ sites</strong></div><div><strong><br>‘</strong>to point to an area of potential criticism that site-specific performance faces from those for whom the ignored aspects are important, and to suggest that there is often a fine line between choosing to focus on particular aspects of a site and glossing over important social issues.’ (Wilke, 2004: 100).</div>]]></description>
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         <pubDate>2021-12-19 11:28:16 UTC</pubDate>
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         <title></title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 11:30:19 UTC</pubDate>
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         <title></title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 18:37:51 UTC</pubDate>
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         <title>Wilke, Fiona (2004) Out of Place: The Negotiation of Space in Site-Specific Performance, Unpublished Thesis, University of Surrey.</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 18:42:40 UTC</pubDate>
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         <title>Solga, K. (2019) Theory for Theatre Studies: Space. London and New York: Methuen Drama.</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 18:44:58 UTC</pubDate>
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         <title>Casey, V. (2005) ‘Staging Meaning: Performance in the Modern Museum’, TDR: The Drama Review, 49(3), pp. 78-95.</title>
         <author>sophieswoffer2</author>
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         <pubDate>2021-12-19 18:45:35 UTC</pubDate>
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         <pubDate>2021-12-20 15:41:53 UTC</pubDate>
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         <title></title>
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