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      <title>My favourite pieces of art all around the world by Sara Hernández García-Panadero</title>
      <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0</link>
      <description>“I don’t paint dreams or nightmares, I paint my own reality.” – Frida Kahlo</description>
      <language>en-us</language>
      <pubDate>2022-09-29 08:31:27 UTC</pubDate>
      <lastBuildDate>2022-10-17 17:29:11 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>The Sainte Chapelle, 1248 (France, Paris)</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319069010</link>
         <description><![CDATA[<div>The <strong><em>Sainte-Chapelle</em></strong> (Holy Chapel) was commissioned by King Louis IX (Saint-Louis) possibly from architect <strong><em>Pierre of Montreuil. </em></strong><br>The Sainte-Chapelle is considered among the greatest Gothic masterpieces of Christendom with the richest decoration found inside. The <strong>shrine </strong>is famous for housing an exceptional collection of 13th-century stained glass.<br>The <strong><em>stained-glass windows</em></strong> tell the story of the Bible, from Genesis to the Resurrection of Jesus Christ.<br>The <strong><em>nave </em></strong>is encircled by the statues of the 12 Apostles – the <strong><em>“Pillars of the Church”</em></strong> – set on the ribbed vault’s springing line.<br><br></div>]]></description>
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         <pubDate>2022-09-29 09:34:09 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319069010</guid>
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         <title>The Death of Marat, 1793, Jacques-Louis David</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319074381</link>
         <description><![CDATA[<div>The <strong><em>Death of Marat</em></strong> (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by <strong><em>Jacques-Louis David</em></strong> depicting the artist's friend and <em>murdered</em> French revolutionary leader, Jean-Paul Marat.<br>Created in the months after Marat's death, the painting shows <strong><em>Marat lying dead in his bath after his murder.</em></strong><br>The Death of Marat has often been compared to <a href="https://en.wikipedia.org/wiki/Piet%C3%A0_(Michelangelo)"><strong><em>Michelangelo's Pietà</em></strong></a><strong><em>.</em></strong> <br>He painted Marat, <strong><em>martyr of the Revolution</em></strong>, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light.<br><br></div>]]></description>
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         <pubDate>2022-09-29 09:38:54 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319074381</guid>
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         <title>The Last Supper , 1495-1498, Leonardo Da Vinci. </title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319171999</link>
         <description><![CDATA[<div><strong><em>The Last Supper</em></strong> (<a href="https://en.wikipedia.org/wiki/Italian_language">Italian</a>: Il Cenacolo or L'Ultima Cena) is a <a href="https://en.wikipedia.org/wiki/Mural">mural</a> painting by the Italian <a href="https://en.wikipedia.org/wiki/High_Renaissance">High Renaissance</a> artist<a href="https://en.wikipedia.org/wiki/Leonardo_da_Vinci"><strong><em>Leonardo da Vinci</em></strong></a><strong><em>.</em></strong><br> It depicts the <strong><em>dramatic scene</em></strong> described in several closely connected moments, in which <a href="https://www.britannica.com/biography/Jesus"><strong><em>Jesus</em></strong></a> declares that one of the <a href="https://www.britannica.com/topic/Apostle"><strong><em>Apostles</em></strong></a> will betray him. <br><strong><em>Leonardo’s version</em></strong> appears neatly arranged, with Jesus at the <strong><em>center</em></strong> of an extensive table and the Apostles to his <strong><em>left and right. </em></strong><br>Leonardo represented the space using <a href="https://www.britannica.com/art/linear-perspective"><strong><em>linear perspective</em></strong></a>, a technique rediscovered in the <a href="https://www.britannica.com/art/Renaissance-art"><strong><em>Renaissance</em></strong></a> that employs parallel lines that converge at a single vanishing point <strong><em>to create the illusion of depth on a flat surface.</em></strong><br><br></div>]]></description>
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         <pubDate>2022-09-29 11:01:32 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319171999</guid>
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         <title>The Veiled Virgin, 1818-1875, Giovanni Strazza. </title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319181783</link>
         <description><![CDATA[<div>The <strong><em>Veiled Virgin</em></strong> is a <a href="https://en.wikipedia.org/wiki/Carrara_marble"><strong><em>Carrara </em></strong></a><strong><em>marble statue</em></strong> carved in <a href="https://en.wikipedia.org/wiki/Rome">Rome</a> by <a href="https://en.wikipedia.org/wiki/Italy">Italian</a> sculptor <a href="https://en.wikipedia.org/wiki/Giovanni_Strazza"><strong><em>Giovanni Strazza</em></strong></a> (1818–1875), depicting the bust of a veiled <a href="https://en.wikipedia.org/wiki/Mary,_mother_of_Jesus"><strong><em>Virgin Mary</em></strong></a><strong><em>.<br></em></strong>The veil gives the appearance of being <a href="https://en.wikipedia.org/wiki/Translucent"><strong><em>translucent</em></strong></a>, but in fact, is carved of marble.<br>That statue may have been intended to <strong><em>symbolize</em></strong> Italy during the <strong><em>Risorgimento</em></strong> context. <strong><em>Risorgimento</em></strong> was a <strong><em>political</em></strong> and <strong><em>social</em></strong> movement that led to the <strong><em>unification</em></strong> of Italy in <strong><em>1861</em></strong>. <br><strong><em>The Veiled Virgin</em></strong> was probably meant in part to be a symbol of <strong><em>unification</em></strong> since she is one of the main <strong><em>religious figures</em></strong> of the <strong><em>Italian Catholic</em></strong> tradition and she represents a <strong><em>young </em></strong>pure <strong><em>woman </em></strong>like the <strong><em>new Italy</em></strong> was pure in intentions.</div>]]></description>
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         <pubDate>2022-09-29 11:09:44 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319181783</guid>
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         <title>Medusa&#39;s Head, 1597, Caravaggio. </title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319196351</link>
         <description><![CDATA[<div>Two versions of <strong><em>Medusa</em></strong> were created by <a href="https://en.wikipedia.org/wiki/Caravaggio"><strong><em>Michelangelo Merisi da Caravaggio</em></strong></a> – 1597 – depicting the exact moment <a href="https://en.wikipedia.org/wiki/Medusa">she was <strong><em>executed</em></strong></a><strong><em> </em></strong>by <a href="https://en.wikipedia.org/wiki/Perseus"><strong><em>Perseus</em></strong></a>.<br>Due to its <strong><em>bizarre</em></strong> and intricate <strong><em>design</em></strong>, the painting is said to complement <strong><em>Caravaggio's </em></strong>unique <strong><em>fascination</em></strong> with <strong><em>violence </em></strong>and <strong><em>realism</em></strong>.<br>The level of <strong><em>tenebrism</em></strong> and realism are well portrayed in this painting – creating a <strong><em>three-dimensional appearance</em></strong>. Medusa's <strong><em>cheeks</em></strong> and <strong><em>jawline</em></strong> are <strong><em>elongated</em></strong> to complement the <strong><em>nature</em></strong> of the <strong><em>painting</em></strong>. <br>Caravaggio's idea of <strong><em>using</em></strong> a <strong><em>convex shield</em></strong> as a canvas was to paint it from<strong><em> Perseus' point of view</em></strong> – in this instance, <strong><em>Medusa's reflection</em></strong> appeared on his <strong><em>shield</em></strong>, right before he <strong><em>killed her.&nbsp;</em></strong></div>]]></description>
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         <pubDate>2022-09-29 11:22:34 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319196351</guid>
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         <title>The Liberty Leading the People,1830, Eugène Delacroix.</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319205905</link>
         <description><![CDATA[<div><strong><em>Liberty Leading the People</em></strong> (<a href="https://en.wikipedia.org/wiki/French_language">French</a>: La Liberté Guidant le Peuple) is a painting by <a href="https://en.wikipedia.org/wiki/Eug%C3%A8ne_Delacroix"><strong><em>Eugène Delacroix</em></strong></a> commemorating the <a href="https://en.wikipedia.org/wiki/July_Revolution">July <strong><em>Revolution</em></strong></a><strong><em> of 1830</em></strong>.<br>A <strong><em>woman</em></strong> of the people with a <a href="https://en.wikipedia.org/wiki/Phrygian_cap"><strong><em>Phrygian cap</em></strong></a><strong><em> </em></strong><a href="https://en.wikipedia.org/wiki/Liberty_(personification)"><strong><em>personifying the concept of Liberty</em></strong></a><strong><em> </em></strong>leads a varied group of people forward <strong><em>over a barricade </em></strong>and the <strong><em>bodies</em></strong> of the fallen, <strong><em>holding</em></strong> the <strong><em>flag </em></strong>of the <strong><em>French Revolution.<br></em></strong>Delacroix depicted <strong><em>Liberty</em></strong> as both an <a href="https://en.wikipedia.org/wiki/Allegory"><strong><em>allegorical</em></strong></a><strong><em> goddess figure</em></strong> and a <strong><em>robust woman</em></strong> of the people. <br>The <strong><em>fighters</em></strong> are from a <strong><em>mixture of social classes</em></strong>, ranging from the <strong><em>bourgeoisie </em></strong>represented by the <strong><em>young man</em></strong> in a <a href="https://en.wikipedia.org/wiki/Top_hat"><strong><em>top hat</em></strong></a>, a <strong><em>student </em></strong>from the prestigious <a href="https://en.wikipedia.org/wiki/%C3%89cole_Polytechnique">École Polytechnique</a> wearing the <strong><em>traditional </em></strong><a href="https://en.wikipedia.org/wiki/Bicorne"><strong><em>bicorne</em></strong></a>, to the <strong><em>revolutionary urban worker,</em></strong> as exemplified by the<strong><em> boy holding pistols</em></strong>. <strong><em><br></em></strong><br></div>]]></description>
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         <pubDate>2022-09-29 11:30:53 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319205905</guid>
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         <title>Laocoön and His Sons, 1506, Agesandro, Polidoro and Atenodoro of Rodas.</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319625384</link>
         <description><![CDATA[<div>The statue of<strong> Laocoön and His Sons</strong>, also called the Laocoön Group (<a href="https://en.wikipedia.org/wiki/Italian_language">Italian</a>: Gruppo del Laocoonte), has been one of the most <strong><em>famous ancient sculptures</em></strong> found in <strong><em>Rome</em></strong> in <strong><em>1506</em></strong> and placed on public display in the <a href="https://en.wikipedia.org/wiki/Vatican_Museums"><strong><em>Vatican Museums</em></strong></a>. <br>The group has been called "<strong><em>the prototypical icon of human agony</em></strong>" in Western art. <br>The statue depicts <strong><em>Laocoön</em></strong>, the <strong><em>priest of Apollo</em></strong> from the city of Troy, and his two sons. They are <strong><em>locked</em></strong> in the <strong><em>death coils of two serpents</em></strong> on the steps of an altar.<br>The <strong><em>suffering</em></strong> is shown through the <strong><em>contorted expressions</em></strong> of the <strong><em>faces</em></strong>, which are matched by the <strong><em>struggling bodies</em></strong>, especially that of <strong><em>Laocoön himself</em></strong>, with every part of his body straining.&nbsp;<br><br><br></div>]]></description>
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         <pubDate>2022-09-29 15:30:34 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319625384</guid>
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         <title>Saturn Devouring His Son, 1819-1823, Francisco Goya. </title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319649552</link>
         <description><![CDATA[<div><strong><em>Saturn Devouring His Son</em></strong> is a painting by <a href="https://en.wikipedia.org/wiki/Francisco_Goya"><strong><em>Francisco Goya</em></strong></a>. It is traditionally interpreted as a depiction of the <a href="https://en.wikipedia.org/wiki/Greek_mythology"><strong><em>Greek myth</em></strong></a><strong><em> of the </em></strong><a href="https://en.wikipedia.org/wiki/Titans_(mythology)"><strong><em>Titan</em></strong></a><strong><em> </em></strong><a href="https://en.wikipedia.org/wiki/Cronus"><strong><em>Cronus</em></strong></a><strong><em>. </em></strong><br><strong><em>Fearing</em></strong> a <strong><em>prophecy</em></strong> foretold by <a href="https://en.wikipedia.org/wiki/Gaea">Gaea</a> that predicted he would be <strong><em>overthrown</em></strong> by one of his <strong><em>children</em></strong>, Saturn ate each one upon their birth.<br>The work is <strong><em>one of the 14 so-called </em></strong><a href="https://en.wikipedia.org/wiki/Black_Paintings"><strong><em>Black Paintings</em></strong></a> that Goya painted directly on the walls of his house between <strong><em>1819 </em></strong>and <strong><em>1823</em></strong>.<br>It was transferred to canvas after Goya's death and is now in the <a href="https://en.wikipedia.org/wiki/Museo_del_Prado"><strong><em>Museo del Prado</em></strong></a><strong><em> in </em></strong><a href="https://en.wikipedia.org/wiki/Madrid"><strong><em>Madrid</em></strong></a>.<br>Various interpretations of the<strong><em> meaning of the picture</em></strong> have been offered: the <strong><em>conflict</em></strong> between <strong><em>youth and old age</em></strong>, time as the devourer of all things, the <a href="https://en.wikipedia.org/wiki/Divine_retribution"><strong><em>wrath of God</em></strong></a>, and an <strong><em>allegory</em></strong> of the situation in <strong><em>Spain</em></strong>, where the <strong><em>fatherland</em></strong> <strong><em>consumed</em></strong> its own <strong><em>children</em></strong> in <strong><em>wars</em></strong> and <strong><em>revolution</em></strong>.</div>]]></description>
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         <pubDate>2022-09-29 15:43:49 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2319649552</guid>
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         <title>La Pietà, 1498, Michelangelo Buonarroti.</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2320783629</link>
         <description><![CDATA[<div>The <strong><em>Pietà</em></strong> (Italian; 1498–1499), key work of <a href="https://en.wikipedia.org/wiki/Italian_Renaissance_sculpture"><strong><em>Italian Renaissance sculpture</em></strong></a> by Michelangelo<a href="https://en.wikipedia.org/wiki/Michelangelo"><strong><em> Buonarroti</em></strong></a>, is now in <a href="https://en.wikipedia.org/wiki/St._Peter%27s_Basilica">St. Peter's Basilica</a>, <a href="https://en.wikipedia.org/wiki/Vatican_City"><strong><em>Vatican City</em></strong></a>.<br>This famous work of art depicts the <strong><em>body of </em></strong><a href="https://en.wikipedia.org/wiki/Jesus"><strong><em>Jesus</em></strong></a> on the lap of his mother <a href="https://en.wikipedia.org/wiki/Mary_(mother_of_Jesus)"><strong><em>Mary</em></strong></a> after the <a href="https://en.wikipedia.org/wiki/Crucifixion_of_Jesus"><strong><em>Crucifixion</em></strong></a>. <br>The structure is <a href="https://en.wikipedia.org/wiki/Pyramid"><strong><em>pyramidal</em></strong></a>, and the <a href="https://en.wikipedia.org/wiki/Vertex_(geometry)">vertex</a> coincides with Mary's head. <br>The <strong><em>figures</em></strong> are quite <strong><em>out of proportion.</em></strong><br><em>Christ's face</em> does <strong><em>not</em></strong> reveal signs of <a href="https://en.wikipedia.org/wiki/Passion_(Christianity)"><strong><em>the Passion</em></strong></a><strong><em>.</em></strong> <strong><em>Michelangelo</em></strong> did not <strong><em>want</em></strong> his version of the <em>Pietà</em> to represent death, but rather <strong><em>to show</em></strong> the <strong><em>"religious vision of abandonment and a serene face of the Son,".</em></strong>&nbsp;<br><br></div>]]></description>
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         <pubDate>2022-09-30 09:31:33 UTC</pubDate>
         <guid>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2320783629</guid>
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         <title>Taj Mahal, 1631, Ustad Ahmad Lahori</title>
         <author>saramiga74</author>
         <link>https://padlet.com/saramiga74/jipcwfvnyikjfsu0/wish/2323999889</link>
         <description><![CDATA[<div>The <strong><em>Taj Mahal</em></strong> is located on the right bank of the Yamuna River. <strong><em>Mughal Emperor Shah Jahan</em></strong> built it in <strong><em>memory</em></strong> of his wife <strong><em>Mumtaz Mahal.</em></strong><br>One such genius plan is <strong><em>placing a tomb</em></strong> at one end of the <strong><em>quadripartite</em></strong> garden, which added rich depth and <strong><em>perspective</em></strong>. <br>The Taj Mahal is a perfect <strong><em>symmetrical</em></strong> planned building, emphasizing <strong><em>bilateral</em></strong> symmetry along a central axis on which the main features are placed.</div>]]></description>
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         <pubDate>2022-10-03 15:20:01 UTC</pubDate>
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