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         <title>Santiago Sebastián Caro Dunin-Borkowski</title>
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         <title>José Alexander Lezama Núñez</title>
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         <title>Andrea Lucia Salazar Diaz </title>
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         <title>Loyola Gozar Brenda Nilza</title>
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         <title>representación del terrorismo en las películas peruanas transmitidas en la ultima década </title>
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         <title>¿Cómo se representa el terrorismo en las películas peruanas transmitidas en la última década?</title>
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         <title>analizar la representación del terrorismo en las películas trasmitidas en la ultima década </title>
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         <title>Analizar los conflictos familiares observados en la representación del final</title>
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         <title>Analizar la violencia psicológica en la representación del terrorismo en las películas peruanas transmitidas en la última década</title>
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         <title>Analizar la violencia física en la época del terrorismo según la representación en las películas peruanas transmitidas en la última década</title>
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         <title>Dettleff, J. A. (2018). Representaciones de la ciudad ayacuchana en dos películas peruanas, durante el conflicto armado interno. Contratexto, (30), 181-204.</title>
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         <title>Samantha Bonelli Pradel </title>
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         <pubDate>2022-08-30 17:11:28 UTC</pubDate>
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         <title>Fabrizio Mathias Mendoza Herrera </title>
         <author></author>
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         <pubDate>2022-08-31 17:52:35 UTC</pubDate>
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         <title></title>
         <author></author>
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         <title>Sebastiani Heredia, H. M. J. (2018). Análisis comparativo de la narrativa audiovisual en las películas peruanas ‘La última tarde’y ‘La hora final’, Lima 2018.</title>
         <author></author>
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         <title>Terrorismo</title>
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         <pubDate>2022-09-01 12:32:05 UTC</pubDate>
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         <title>Producciones audiovisuales sobre el terrorismo</title>
         <author>vassallosambuceti2016</author>
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         <pubDate>2022-09-01 12:32:22 UTC</pubDate>
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         <title>Violencia física</title>
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         <pubDate>2022-09-01 12:32:38 UTC</pubDate>
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         <title>Violencia psicológica</title>
         <author>vassallosambuceti2016</author>
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         <title>Conflictos familiares</title>
         <author>vassallosambuceti2016</author>
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         <title>Meléndez Wurttele, K. E. (2019). Valoración social de la película “La hora final” alumnos del 5to año de educación secundaria de la IE Nº 88044, Coishco 2019.</title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2279216940</link>
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         <pubDate>2022-09-01 12:42:31 UTC</pubDate>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2279256845</link>
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         <enclosure url="https://renati.sunedu.gob.pe/handle/sunedu/952673" />
         <pubDate>2022-09-01 13:12:02 UTC</pubDate>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2279257950</link>
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         <enclosure url="https://repositorioacademico.upc.edu.pe/handle/10757/659324" />
         <pubDate>2022-09-01 13:12:37 UTC</pubDate>
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         <title>Dettleff (2018) menciona que &quot;Las películas, como artefactos culturales,  aportan  a  la  construcción  de  la memoria de un grupo social, y se genera un efecto de realidad a partir de la verosimilitud del relato&quot; (p.9)</title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2279309339</link>
         <description><![CDATA[<div>Brenda Loyola</div>]]></description>
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         <pubDate>2022-09-01 13:42:57 UTC</pubDate>
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      <item>
         <title>La postura de  Dickson (2013 p.74), la representación del Conflicto Armado Interno en el cine permitió que las victimas tuvieran oportunidad de alzar la voz y ser oídas. De esta manera, se logró evidenciar abusos que no se conocían por parte del ejército y los grupos subversivos, así como se retrató el sufrimiento que se vivió y así poder eliminar la ceguera colectiva. ( Citas de más de 40 palabras no llevan comillas y solo va el apellido del autor)</title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2279317212</link>
         <description><![CDATA[<div>Fabrizio Mendoza Herrera<br><br></div>]]></description>
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         <pubDate>2022-09-01 13:47:52 UTC</pubDate>
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      <item>
         <title></title>
         <author>vassallosambuceti2016</author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2283529348</link>
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         <pubDate>2022-09-05 23:33:27 UTC</pubDate>
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         <title></title>
         <author>vassallosambuceti2016</author>
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      <item>
         <title>Pastor, C. (2014). REPRESENTACIONES DEL CONFLICTO ARMADO INTERNO EN EL PERÚ ATRAVÉS DEL CINE. [Tesis de magister, PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ].</title>
         <author></author>
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         <pubDate>2022-09-07 23:30:57 UTC</pubDate>
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      <item>
         <title>Bernales, E. Gómez, L. (2017) Iberoamericana, XVII, 65 (2017), 93-106Trauma y aislamiento en La teta asustadade Claudia Llosa. Iberoamericana. América Latina, España, PortugalEnsayos sobre letras, historia y sociedad. Notas. Reseñas iberoamericanas, 17 (65), 93- 106.</title>
         <author></author>
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         <pubDate>2022-09-07 23:43:58 UTC</pubDate>
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         <title>Matriz para analizar antecedentes</title>
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         <title></title>
         <author>vassallosambuceti2016</author>
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         <pubDate>2022-09-08 13:26:26 UTC</pubDate>
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         <title></title>
         <author>vassallosambuceti2016</author>
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         <title></title>
         <author></author>
         <link>https://padlet.com/vassallosambuceti2016/jhc45ofd9j1ja6pd/wish/2288217358</link>
         <description><![CDATA[<div>Mauricio, V. (2019). En la boca del lobo. Construcción de una visión sobre el conflicto armado interno en el Perú.Recuperado de: https://doi.org/http://hdl.handle.net/10757/652073</div><div>‌</div>]]></description>
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