Module One by Caitlin Bligh

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Book

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Book

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Book

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Online Journal

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Online Journal

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Caroline Smith

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Loved looking at gore textures to inspire my work

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inspired me to add textures into deigns inspired by blood, stringy flesh and guts

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Interested in incorporating surrealism to push the weirdness

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Book about designs used during pregancy, childbirth and post partum and how they have developed through the years, helped create motifs and ideas

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I thought the projection of lace onto the skin almost looked like a tattoo, thinking maybe I could project my designs and photograph them

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At first I was really interested in prominent female figures in tattoo history and was thinking of creating work that told their stories. I really liked old circus posters and they were my main inspiration for a while.

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Looking at more illustrative ways to maybe document figures that weren't just posters. I liked the idea of a tattooed doll, in particular looking at the vintage look of paper dolls and stuffed dolls.

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Here my project turned to tattoo design instead of documentation, I started looking at how tattoos have evolved in style and motifs over the years. Looking at tattoo artists that I admire

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To make links to my essay I started looking at how tattoos can empower women. To generate themes and motifs, I paused looking at tattoos to look at what art inspires me first

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I found when trying to turn more positive examples of empowerment into motifs they often came out cliché or corny. I preferred looking at themes that are darker and gorier but still show women's strength

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Looking at tattoo artists that create unusual/gorier tattoos to inform my work. I was looking for inspiration on how to link my motifs and gore into a cohesive design. I liked the biomechanical look. Influenced my merge of surgical products and stringy gore parts