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      <title>Dramaturg by Makenna Yeske</title>
      <link>https://padlet.com/yeskem1348/jc8snyfxgc13</link>
      <description>Drama Class Hr 6</description>
      <language>en-us</language>
      <pubDate>2018-01-15 18:19:30 UTC</pubDate>
      <lastBuildDate>2026-01-30 00:42:22 UTC</lastBuildDate>
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         <title>Dramaturg Job Outlook</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221823011</link>
         <description><![CDATA[<div>The job outlook for dramaturges is stable with about 142,000 people in the workforce in 2014. From 2004 to 2014, the growth rate of people in the dramaturg industry has increased by 17.6 percent. <br>#DramaturgyIsOnTheRise<br><br>This information was retrieved from the CFNC website. <a href="https://www1.cfnc.org/Plan/For_A_Career/Career_Profile/Career_Profile.aspx?id=huxMMahDXAP2BPAXu4FK1nl7XAP2BPAXxXEwXAP3DPAXXAP3DPAX&amp;screen=5">https://www1.cfnc.org/Plan/For_A_Career/Career_Profile/Career_Profile.aspx?id=huxMMahDXAP2BPAXu4FK1nl7XAP2BPAXxXEwXAP3DPAXXAP3DPAX&amp;screen=5</a></div>]]></description>
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         <pubDate>2018-01-16 18:16:20 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221823011</guid>
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         <title>How Much Does a Dramaturg Make?</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221827664</link>
         <description><![CDATA[<div>On a yearly average, most dramaturges make around $52,150 to $61,557. Their hourly wages are about $25.07. The low is about $30,759 and the high can be up to $123,192. <br>#FairlyDecentOdds<br><br>This information retrieved at <a href="https://www.simplyhired.com/salaries-k-dramaturg-jobs.html">https://www.simplyhired.com/salaries-k-dramaturg-jobs.html</a></div>]]></description>
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         <pubDate>2018-01-16 18:27:48 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221827664</guid>
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         <title>What is a Dramaturg?</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221830688</link>
         <description><![CDATA[<div>A dramaturg is a “professional within a theatre or opera company who deals mainly with the research and development of plays or operas.” They are, generally, a historical consult who makes sure history-based productions are historically accurate. <br>#ThankGottholmEphraimLessing <br><br>Information retrieved from <a href="https://en.m.wikipedia.org/wiki/Dramaturge">https://en.m.wikipedia.org/wiki/Dramaturge</a>. The introduction. <br><br>Image retrieved from <a href="https://en.m.wikipedia.org/wiki/Gotthold_Ephraim_Lessing">https://en.m.wikipedia.org/wiki/Gotthold_Ephraim_Lessing</a></div>]]></description>
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         <pubDate>2018-01-16 18:34:32 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221830688</guid>
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         <title>History of Dramaturgy</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221943700</link>
         <description><![CDATA[<div>Gottholm Ephraim Lessing is said to be the “Father of Dramaturgy.” He first wrote about it in the 18th century Germany. Since then, American dramaturgy has put a new-found emphasis on play development. <br>#DadOfTheDramaturges #LessingStartedItAll<br><br>Article titled “A History Of Dramaturgy” and retrieved from <a href="http://www.theatermania.com/pittsburgh-theater/tmu/03-2012/a-history-of-dramaturgy_52365.html">http://www.theatermania.com/pittsburgh-theater/tmu/03-2012/a-history-of-dramaturgy_52365.html</a></div>]]></description>
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         <pubDate>2018-01-17 03:53:46 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221943700</guid>
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         <title>Who is Gideon Lester?</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221947782</link>
         <description><![CDATA[<div>Gideon Lester was the Resident Dramaturg at the A.R.T. For five years. His stage translations include works such as <em>Island of Slaves, La Dispute, Mother Courage, Woyzeck, King, Overload, </em>and <em>Amerika or the Disappearance, </em>as well as <em>Wings of Desire, Anne Frank, </em>and <em>Enter the Actress. </em><br><br>information: <a href="https://en.m.wikipedia.org/wiki/Gideon_Lester">https://en.m.wikipedia.org/wiki/Gideon_Lester</a></div>]]></description>
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         <pubDate>2018-01-17 04:37:59 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221947782</guid>
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      <item>
         <title>Oskar Eustis</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221949982</link>
         <description><![CDATA[<div>Oskar Eustis, currently the Artistic Director of the Public Theatre in New York, was once the dramaturg for the Eureka Theatre Company in San Francisco. His best known work is <em>Angels in America. </em>He says of dramaturgy in general, “It’s really important that those two (historic events and now) are both under the same umbrella.”<br>#HeAlsoHelpedWithHamiltonAHHH<br><br>Information retrieved from <a href="https://en.m.wikipedia.org/wiki/Oskar_Eustis">https://en.m.wikipedia.org/wiki/Oskar_Eustis</a><br>Image of Oskar Eustis from NYU Tisch School of Arts </div>]]></description>
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         <pubDate>2018-01-17 05:02:32 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/221949982</guid>
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      <item>
         <title>Dramaturgy: Not Just For The Stage</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222179787</link>
         <description><![CDATA[<div>This article explains how dramaturgy is transitioning from a mostly drama-involved career into a widespread, multi-engaging job opportunity with plenty of branches that don’t just involve the theatre, but other, completely diverse fields of occupations as well. <br>#AllTheWorldsAStage #HowItAffectsRealLife<br><br>Info / Article at <a href="https://theconversation.com/terrorism-truth-and-trust-how-dramaturgy-informs-real-life-32106">https://theconversation.com/terrorism-truth-and-trust-how-dramaturgy-informs-real-life-32106</a></div>]]></description>
         <enclosure url="https://theconversation.com/terrorism-truth-and-trust-how-dramaturgy-informs-real-life-32106" />
         <pubDate>2018-01-17 18:29:04 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222179787</guid>
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         <title>An Interview with Former Dramaturg Oskar Eustis</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222182681</link>
         <description><![CDATA[<div>Oskar Eustis talks about the show he was the dramaturg for and the processes both he and the show with its people went through to get it to where it was. </div>]]></description>
         <enclosure url="https://m.youtube.com/watch?v=oRp9AED4gGc" />
         <pubDate>2018-01-17 18:35:25 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222182681</guid>
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         <title>Gideon Lester, ‘Wings of Desire’</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222184982</link>
         <description><![CDATA[<div>This video explains how Gideon Lester adapted Wings of Desire for the stage. </div>]]></description>
         <enclosure url="https://m.youtube.com/watch?v=Twk9W6HAIDg" />
         <pubDate>2018-01-17 18:40:16 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222184982</guid>
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      <item>
         <title>Quotes on Dramaturgy by Gideon Lester</title>
         <author>yeskem1348</author>
         <link>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222185696</link>
         <description><![CDATA[<div>“‘My training is to be a chameleon -- my professional training,’ Lester says. As a dramaturg, ’you have to put your own ego aside and become attuned to the person you're working with.’”<br><br>‘“It's interesting to become the writer and have to assert a very strong artistic identity,’ Lester says. '’It’s a muscle that I haven't exercised very much: to develop a very strong voice, to state something loudly and clearly, but at the same time be prepared to let everything go. Because we simply have no time to have a fight that's about ego.’"<br>#PutAwayYourEgo #TeamSport<br><br>Quotes from <a href="http://archive.boston.com/ae/theater_arts/articles/2005/06/17/discovering_amerika/">http://archive.boston.com/ae/theater_arts/articles/2005/06/17/discovering_amerika/</a></div><div><br></div>]]></description>
         <enclosure url="http://archive.boston.com/ae/theater_arts/articles/2005/06/17/discovering_amerika/" />
         <pubDate>2018-01-17 18:41:55 UTC</pubDate>
         <guid>https://padlet.com/yeskem1348/jc8snyfxgc13/wish/222185696</guid>
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