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   <channel>
      <title>Exploring The Performing Arts by Alex Gjeli</title>
      <link>https://padlet.com/gjelial/jc8ibf2krk25</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2017-10-06 09:06:56 UTC</pubDate>
      <lastBuildDate>2025-10-01 17:15:24 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>What Is A Rehearsal?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/187868759</link>
         <description><![CDATA[<div>An rehearsal is an activity in the performing arts that occurs as preparation for a <strong>performance</strong> in <strong>music</strong>, <strong>theater</strong>, <strong>dance</strong> and related arts, such as <strong>opera</strong>, <strong>musical theater </strong>and <strong>film production</strong>. It is undertaken as a form of <strong>practising</strong>, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term "rehearsal" typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called "practicing", but when they practice the concerto with an <strong>orchestra</strong>, this is called a "rehearsal". The music rehearsal takes place in a music rehearsal space.</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Rehearsal" />
         <pubDate>2017-09-15 09:37:50 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/187868759</guid>
      </item>
      <item>
         <title>What Is A Performance?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/187869189</link>
         <description><![CDATA[<div>A <strong>performance</strong>, in the <strong>performing arts</strong>, generally comprises an event in which a performer or group of performers present one or more <strong>works of art </strong>to an <strong>audience</strong>. Usually the performers participate in <strong>rehearsal </strong>beforehand. Afterwards audience members often applaud.</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Performance" />
         <pubDate>2017-09-15 09:40:32 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/187869189</guid>
      </item>
      <item>
         <title>What Is Drama?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/187869923</link>
         <description><![CDATA[<div><strong>Drama</strong> is the specific <strong>mode </strong>of <strong>fiction represented </strong>in <strong>performance</strong></div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Drama" />
         <pubDate>2017-09-15 09:44:44 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/187869923</guid>
      </item>
      <item>
         <title>Lorenzo Jackson</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/188046460</link>
         <description><![CDATA[<div>Lorenzo Jackson, a member of Drama Group 48, talks about a typical day studying acting at Juilliard. His classes include movement with Moni Yakim, masks with Mina Yakin, speech with Kate Wilson, voice with Andrew Wade, singing with Deborah Lapidus, scene study with Rebecca Guy, and rehearsal for Chekhov's 'Three Sisters.'</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=nnQQFy9CA5A" />
         <pubDate>2017-09-15 17:47:32 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/188046460</guid>
      </item>
      <item>
         <title>Stanislavski Acting Method</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/193795638</link>
         <description><![CDATA[<div>"Actors can be dull as well as public appearances can be boring. Why does it happen? What should we do? As far back as 80 years ago Konstantin Stanislavsky found a solution. It was the Method. But few were those, who could explain its basics in a simple and clear way. We took a chance.<br>As we see it, we managed to. The three core principles of the Method: <br>------------------------------------------------------------&nbsp;<br>1. Super-objective (Why do we need it all?)<br>----------------------------------------------------------<br>2. Action (Only struggling is of the interest)<br>----------------------------------------------------------<br>3. Belief in circumstances (reel of imaging) in a simple animated video.<br>-----------------------------------------------------------<br>It is useful both for novice actors and for anyone who wants to perform eloquently in public".</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=WaanuRvpfFU" />
         <pubDate>2017-10-04 11:35:34 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/193795638</guid>
      </item>
      <item>
         <title>Crying Real Tears</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194599779</link>
         <description><![CDATA[<div>In This Video Paul Brighton Tells How You Can Real Cry In Stage By Bringing An Old Memory Of Your Life</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=qWaUuYO5vGc" />
         <pubDate>2017-10-06 09:09:47 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194599779</guid>
      </item>
      <item>
         <title> One Minute of Brilliant Acting Advice</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194600834</link>
         <description><![CDATA[<div>In The Video Robert De Niro Show A Brilliant Acting Advice In One Minute</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=S4K2znuYjwI" />
         <pubDate>2017-10-06 09:14:25 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194600834</guid>
      </item>
      <item>
         <title>Sam Mendes on his rehearsal process</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194601263</link>
         <description><![CDATA[<div>In this extract from a live Platform event, Sam Mendes talks to Mark Leipacher about his approach to rehearsals.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=JevThnO92_c" />
         <pubDate>2017-10-06 09:16:11 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194601263</guid>
      </item>
      <item>
         <title>Stanislavski in Practice - The Film - acting exercises</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194601473</link>
         <description><![CDATA[<div>"Stanislavski in Practice the Film takes you through the key areas of the Stanislavski system with practical exercises to help you work on yourself as an actor. Including exercises on imagination, tempo rhythm, free body and communicating using invisible rays. 'A must for any student of acting serious about their profession"<br><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=b0whzQfMN2g" />
         <pubDate>2017-10-06 09:17:00 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194601473</guid>
      </item>
      <item>
         <title>Goodnight Mister Tom</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194604624</link>
         <description><![CDATA[<div>Goodnight Mister Tom is a movie about a kid moving to a strangers house because of war in Britain here you could get a example how naturalistic acting looks like by doing pauses by showing emotion  and etc.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=eYJBkfKtCvM" />
         <pubDate>2017-10-06 09:30:52 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194604624</guid>
      </item>
      <item>
         <title>Naturalistic Acting By (Us Soldiers</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/194605290</link>
         <description><![CDATA[<div>In this video these actors are dressed like  soldiers.  Their naturalistic acting is shown by their emotions:<br>1)Upset<br>2)Happy<br>3)Exited<br>4)By Doing Pauses<br><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=YdwEKaH9uQ4" />
         <pubDate>2017-10-06 09:33:51 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/194605290</guid>
      </item>
      <item>
         <title>What&#39;s the purpose of the scene?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/200875297</link>
         <description><![CDATA[<div>The purpose of the scene is to bring awareness to the audience and show the effect of moving environments</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-26 15:37:45 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/200875297</guid>
      </item>
      <item>
         <title>What are the issues that are tackled in this scene?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/200877334</link>
         <description><![CDATA[<div>The issues that are tackled in this scene are the two following: mental health problems and war with its consequences. William's Mother  has mental health issues and  William  is moving to another part of the country because of  war and he lives with a stranger.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-26 15:41:12 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/200877334</guid>
      </item>
      <item>
         <title>What&#39;s the character super objective in this scene?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/200882657</link>
         <description><![CDATA[<div>My character super objective in this scene is that  I need to find a place  to live.I also need to behave to Mr. Tom. <br>                                ~William</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-26 15:49:26 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/200882657</guid>
      </item>
      <item>
         <title>What&#39;s the stage action?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/200884461</link>
         <description><![CDATA[<div>My stage action is that i need to behave so Mr.Tom doesn't beat me</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-26 15:52:09 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/200884461</guid>
      </item>
      <item>
         <title>5 Tips For Acting</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/204816243</link>
         <description><![CDATA[<div>In this video Todd Bruno will show you 5 tips for acting</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=CzQEF-z6H_U" />
         <pubDate>2017-11-08 14:21:27 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/204816243</guid>
      </item>
      <item>
         <title>What is ‘Naturalistic’ theatre acting?</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/206655535</link>
         <description><![CDATA[<div><strong>Naturalistic  </strong>acting is when a play is realistic and is not exaggerated the play has to be realistic or it is not <strong>naturalistic </strong>acting. <strong>Naturalistic </strong>acting is by doing <strong>dramatic pauses </strong>and etc.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-14 11:34:32 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/206655535</guid>
      </item>
      <item>
         <title>                                                                                METHODS &amp; TIPS</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207606518</link>
         <description><![CDATA[<div>                                                                                            <strong>Videos//Methods//Tips</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-16 11:36:53 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207606518</guid>
      </item>
      <item>
         <title>                                                                           NATURALISM THEATRE</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207608380</link>
         <description><![CDATA[<div>                                                                                       <strong>Videos//Methods//Tips</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-16 11:44:55 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207608380</guid>
      </item>
      <item>
         <title>                                                                                   PHYSICAL THEATRE</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207609831</link>
         <description><![CDATA[<div>                                                                                                 <strong>Videos//Methods//Tips</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-16 11:50:31 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207609831</guid>
      </item>
      <item>
         <title>Things I Know To Be True Trailer</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207610456</link>
         <description><![CDATA[<div>''Frantic Assembly and State Theatre Company of South Australia present, Things I Know To Be True, a new play by Andrew Bovell''.<br><br>''Watch their trailer for  UK production of Things I Know To Be True 2016. After the critically acclaimed tour in 2016, Things I Know To Be True will be touring the UK this Autumn 2017''.<br><br>''As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations''.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=4D8j81Pag4M" />
         <pubDate>2017-11-16 11:53:03 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207610456</guid>
      </item>
      <item>
         <title>Rosie&#39;s monologue - &quot;Berlin&quot; Things I know to be true</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207611503</link>
         <description><![CDATA[<div>Rosie's monologue from the popular play. Physical theatre piece by Frantic Assembly.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=DuoT4MJkmO0" />
         <pubDate>2017-11-16 11:56:51 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207611503</guid>
      </item>
      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207612523</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/prod/221252536/c3a03b91e66c4dc2df28cf90475e7d3d/7514.jpg" />
         <pubDate>2017-11-16 12:01:06 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207612523</guid>
      </item>
      <item>
         <title>Things To Be True </title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207612627</link>
         <description><![CDATA[<div><strong><em>Things I Know To Be True</em></strong> is a theatre production produced by <a href="https://en.wikipedia.org/wiki/State_Theatre_Company_of_South_Australia">State Theatre Company South Australia</a> and <a href="https://en.wikipedia.org/wiki/Frantic_Assembly">Frantic Assembly</a>.The play is naturalistic <strong><mark>"but features a great use of non-naturalistic physical movement to emphasise the emotional connection between the characters following the story of the Price Family and their problems".</mark></strong>The play is set in <a href="https://en.wikipedia.org/wiki/Adelaide">Adelaide, Australia</a>, <strong><mark>"which is where the play held its World Premiere in May 2016. It subsequently toured the United Kingdom twice".</mark></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-16 12:01:29 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207612627</guid>
      </item>
      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207613332</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/prod/221252536/82c435e06ed0b502913e9355c8274121/7515.jpg" />
         <pubDate>2017-11-16 12:04:27 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207613332</guid>
      </item>
      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/207613476</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/prod/221252536/1dc19faa836854ae6eaa8722bc83246b/things_i_know_to_be_true.jpg" />
         <pubDate>2017-11-16 12:05:08 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/207613476</guid>
      </item>
      <item>
         <title>The Origin Of Naturalistic Acting</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208032763</link>
         <description><![CDATA[<div><mark>Naturalism was developed in the late 19th and early</mark><a href="https://en.wikipedia.org/wiki/Twentieth-century_theatre"><mark> </mark></a><mark>20th centuries. </mark><strong><mark>"</mark></strong><mark>It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies.</mark><strong><mark>"</mark></strong><mark>Naturalism was first advocated explicitly by </mark><strong><mark>Emile</mark></strong><a href="https://en.wikipedia.org/wiki/%C3%89mile_Zola"><strong><mark> </mark></strong></a><strong><mark>Zola </mark></strong><mark>in his </mark><strong><mark>1880 </mark></strong><mark>essay entitled </mark><em><mark>Naturalism on the Stage</mark></em><mark>.</mark></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-17 10:04:14 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208032763</guid>
      </item>
      <item>
         <title>Physical Theater Play</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208035992</link>
         <description><![CDATA[<div>In this addition Darren Stevenson   Heather  Stevenson<br>Jonathan Lowery<br>Andrew Salmon<br>Avi Pryntz Nadworn<br>they are doing a physical theater play which they do it by moving the body showing emotions and etc.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=KhlShytmHLo" />
         <pubDate>2017-11-17 10:17:13 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208035992</guid>
      </item>
      <item>
         <title>The Seagull</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208038126</link>
         <description><![CDATA[<div>The Seagull is an naturalistic play by the actors named: Lloyd Cooney, Nicholas Gleaves, Lloyd Hutchinson, Raphael Sowole, Adelayo Adedayo, Michele Austin, Paul Higgins, Lesley Sharp, Cherrelle Skeete, Nicolas Tennant and Brian Vernel</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/prod/221252536/9a5b637f3c791387cc230512d7ef18a7/The_Seagull.jpg" />
         <pubDate>2017-11-17 10:26:10 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208038126</guid>
      </item>
      <item>
         <title>The Seagull Trailer - Lyric Hammersmith Uk</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208043280</link>
         <description><![CDATA[<div>This is the trailer of the seagull by</div><h1> Lyric Hammersmith</h1>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=RJa_GO8Y8Kw" />
         <pubDate>2017-11-17 10:45:50 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208043280</guid>
      </item>
      <item>
         <title>Lyric Hammersmith</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208043792</link>
         <description><![CDATA[<div>Youtube Channel</div>]]></description>
         <enclosure url="https://www.youtube.com/user/LyricHammersmith" />
         <pubDate>2017-11-17 10:47:46 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208043792</guid>
      </item>
      <item>
         <title>Kirsty Oswald - Things I Know To Be True | Interview | Frantic Assembly | Digital Theatre Plus</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208044216</link>
         <description><![CDATA[<div><strong><mark>Kirsty Oswald discusses playing the youngest Price child, Rosie, in Frantic Assembly’s Things I Know To Be True. Kirsty talks about the family that developed through rehearsing the play, the physical and emotional exhaustion that the production provokes, and describes the movement of the piece as loving familial support made manifest.</mark></strong></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=E7CrbmIbhSo" />
         <pubDate>2017-11-17 10:49:23 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208044216</guid>
      </item>
      <item>
         <title>Scott Graham - Frantic Assembly | Interview | Digital Theatre Plus</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208054226</link>
         <description><![CDATA[<div><strong><mark>Scott Graham, Artistic Director of Frantic Assembly, explores the honest and collaborative process of developing the physical and textual language of Things I Know To Be True, alongside co-director Geordie Brookman, writer Andrew Bovell and a cast that grew into their characters as rehearsals progressed.</mark></strong><br><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=nVs_-Rq3BT0&amp;feature=youtu.be" />
         <pubDate>2017-11-17 11:33:42 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208054226</guid>
      </item>
      <item>
         <title>Ewan Stewart - Imogen Stubbs | Interview | Things I Know To Be True | Digital Theatre Plus</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208054745</link>
         <description><![CDATA[<div><strong><mark>Ewan Stewart and Imogen speak to DT+ in this interview. The actors who bring to life Mrs and Mr Price in Things I Know To Be True discuss the complexities of portraying the laughter and fault lines, mapped out over the course of a 30 year marriage, in a single production. They discuss the similarities between themselves and their characters, the unique experience of crafting a show with Frantic Assembly and the particularities of the on and off stage family that developed through that process.</mark></strong><br><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=xAKW22m35N4&amp;feature=youtu.be" />
         <pubDate>2017-11-17 11:36:01 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208054745</guid>
      </item>
      <item>
         <title>Natalie Casey - Interview | Things I Know To Be True | Frantic Assembly | Digital Theatre Plus</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055022</link>
         <description><![CDATA[<div><strong><mark>Natalie Casey discusses playing the eldest female Price sibling, Pip, in Frantic Assembly’s acclaimed production of Things I Know To Be True. She discusses the collaborative development of character, the gravitas of the subject matter, and the metaphors of familial trust being played out through the physicality of the piece.<br></mark></strong><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=u-JX8ynDL-w&amp;feature=youtu.be" />
         <pubDate>2017-11-17 11:37:29 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055022</guid>
      </item>
      <item>
         <title>Matthew Barker - Things I Know To Be True | Interview | Frantic Assembly | Digital Theatre+</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055322</link>
         <description><![CDATA[<div><strong><mark>Matthew Barker plays Mark and Mia in Frantic Assembly’s production of Andrew Bovell’s Thing I Know To Be True. In this interview Matthew discusses the extensive research into, sincere approach towards and delicate examination of gender dysphoria that characterised the play’s and the company’s storytelling, from first read-through, to audience response.<br></mark></strong><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=8xxfd2Lyz0M&amp;feature=youtu.be" />
         <pubDate>2017-11-17 11:38:50 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055322</guid>
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      <item>
         <title>Things I Know To be True: Sliding Furniture or &quot;Chair Olympics&quot;</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055677</link>
         <description><![CDATA[<div><strong><mark>A few weeks ago someone got in touch with the Frantic office to ask us a question about the moving set in Things I Know To Be True. <br>They asked, "My students and I are keen to know how you make the furniture slide so beautifully?"<br>Our Technical Stage Manager, Simon Legg, replied with this..<br>There are four basic techniques we use in conjunction with each other:<br>For large items that have to glide on stage like tables, sheds, fridges, etc we cover the bottom with either carpet or black serge.<br>For smaller furniture like chairs we attach small feet of PTFE (better known by its brand name 'Teflon') to the legs of the chair. We then give them a regular spray of PTFE spray (a lubricant made from Teflon) just to give them extra slidiness. You can buy pre-made PTFE furniture feet but we prefer to make our own by shaping blocks of the stuff to custom fit our chairs.<br>The third technique is our stage decking. For 'Things I know To Be True' we cover the stage in black wooden sheeting that's made for forming cement structures with. It has a very smooth surface so that when builders pour cement on to it, it has a flawless finish. We use the sheeting's smoothness to help reduce friction. This part of the method is the least important if you're on a budget. A high gloss ballet floor would also work.<br>The fourth, final and arguably the most important thing that makes the shows furniture glide the way it does is REHEARSAL! The actors spend a great deal of time in the rehearsal room practicing the moves so it becomes muscle memory. <br>Here's a fun video of Matt Barker practicing one of the chair slides from the show. As you'll see it's really not as easy as it looks in the performance...</mark></strong></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=bWAxPEzAqVs" />
         <pubDate>2017-11-17 11:40:29 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/208055677</guid>
      </item>
      <item>
         <title>Physical Theater</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/209450463</link>
         <description><![CDATA[<div>-Physical theater is anything that puts the human body at the centre of the storytelling process. As a result its often abstract in style, using movement in a stylised and representational way.<br>----------------------------------------------------------------------------<br>-Physical theater is the craft of building theater through physical actions,characterisation and stage composition.<br>----------------------------------------------------------------------------<br>-Its purpose is to: showcase, represent or symbolize ideas, storyline themes, moods stylistically and show case contrast and juxtapostioning.<br>----------------------------------------------------------------------------<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-22 14:02:39 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/209450463</guid>
      </item>
      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/213704814</link>
         <description><![CDATA[<div>"<strong><em>Always forwards never backwards" ~Frantic Assembly</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-06 14:19:57 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/213704814</guid>
      </item>
      <item>
         <title>                                                                POLITIC THEATRE//EPIC THEATRE</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/220168665</link>
         <description><![CDATA[<div>                                                                                          Video//Methods//Tips</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-01-10 14:21:53 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/220168665</guid>
      </item>
      <item>
         <title>Introduction to Brecht</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/220171220</link>
         <description><![CDATA[<div>This is an introduction video to Bertolt Brecht.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=Lk0baAeeqnE" />
         <pubDate>2018-01-10 14:26:22 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/220171220</guid>
      </item>
      <item>
         <title>Bertolt Brecht</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/220173171</link>
         <description><![CDATA[<div>Bertold Brecht was born in Germany <a href="https://en.wikipedia.org/wiki/Augsburg">Augsburg</a>, <a href="https://en.wikipedia.org/wiki/Kingdom_of_Bavaria">Bavaria</a> 10 February 1898  (as a chiu known as Eugen) and died 14 August 1956 of a heart attack at the age of 58 he is buried in the Dorotheenstädtischer cemetery on Chausseestraße in the <a href="https://en.wikipedia.org/wiki/Mitte">Mitte</a> neighbourhood of Berlin.Brecht started to write   political poetry and plays at an early age about social issues.    Brecht was nearly expelled from school in 1915 for writing an essay in response to the line "<a href="https://en.wikipedia.org/wiki/Dulce_et_decorum_est_pro_patria_mori"><em>Dulce et decorum est pro patria mori</em></a>" from the Roman poet <a href="https://en.wikipedia.org/wiki/Horace">Horace</a>, calling it <em>Zweckpropaganda</em> ("cheap propaganda for a specific purpose") and arguing that only an empty-headed person could be persuaded to die for their country. His expulsion was only prevented through the intervention of his religion teacher. He was branded a troublemaker at school and got expelled for writing anti-war poems. Brecht also became interested in Karl Marx's theories of socialism. "He was the main proponent of the genre named epic<a href="https://en.wikipedia.org/wiki/Epic_theatre"> </a>theater (which he preferred to call "dialectical theater").When he was young he was studying medicine and served in an army hospital in ww2 (world war 2). The terror that was happening in ww2 lead Brecht to many questions to society and politics. Brecht play writing began to include politics. His writing were so political that he was judged in Germany, so he worked at hollywood for a while. When Brecht moved back to Germany, he founded the "Berliner Ensemble" in 1945. Many people began to appreciate his work.</div>]]></description>
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         <pubDate>2018-01-10 14:29:55 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/220173171</guid>
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      <item>
         <title>Augsburg, Bavaria </title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224183094</link>
         <description><![CDATA[<div>This is where <strong>Bertolt Brecht</strong> was born and raised as a child.</div>]]></description>
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         <pubDate>2018-01-24 12:51:44 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224183094</guid>
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      <item>
         <title>Stamp from the former East Germany depicting Brecht and a scene from his Life of Galileo</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224185151</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-01-24 12:59:29 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224185151</guid>
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      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224986590</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/221252536/fdf706a21b8fad8683903fabcb48bb91/bbep.jpg" />
         <pubDate>2018-01-26 10:14:00 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224986590</guid>
      </item>
      <item>
         <title>Epic Theatre Bertold Brecht Techniques</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224989887</link>
         <description><![CDATA[<div>Breaking the fourth wall</div><div>This is where the wall between the audience and actors on stage is broken. Breaking the fourth wall is when an actor asks the audience a question or talks to them about something.<br><br>Montage</div><div>Short movie clips are put together, often to show factual events. Sometimes clips are edited to juxtapose each other, or sometimes the montages are used to highlight the issues Brecht is trying to communicate.<br><br>Use of song, music and dance</div><div>Some of Brecht’s work includes songs, music and dance. This helps to remind the audience that they are not watching real life. Sometimes the songs are juxtaposed ironically, with cheery upbeat music but with dark lyrics. One of the most famous song lyrics comes from Brecht’s ‘The Threepenny Opera’: ‘Who is the bigger criminal: he who robs a bank or he who founds one?’<br><br>Narration</div><div>Narration is used to remind the audience that they are watching a story. Sometimes the narrator will tell the audience what is about to happen in the story, before it happens, because if the audience knows the outcome then they may not get as emotionally involved.<br><br>Minimal set, costumes, props and lighting</div><div>Brecht believes the stage should be brightly lit at all times. That sets should not be realistic, just suggestive. And that actors should use minimal props, often only one per character. Also props can be used in several different ways, for example a suitcase may become a desk.<br><strong><br></strong>Coming out of character</div><div>Actors will sometimes come out character, often at heightened moments of drama, to remind the audience that it is a piece of fiction that they are watching.<br><br>Using placards</div><div>A placard, or projection screen can be used to give the audience some extra factual information, for example it might say how many people have died in a particular war. Placards can also be used to introduce characters in generic ways, e.g. ‘mum,’ or ‘dad.’ Placards are also used to introduce a new scene, or to tell the audience when one has finished.<br>Freeze frames/tableaux</div><div>The actors may go into a freeze frame, so as to break the action. Sometimes it’s done so that the audience can stop and think critically for moment. And sometimes it’s done so that the narrator can speak, or so that an actor can come out of character and perhaps break the fourth wall.<br><br></div><div>He used this techniques to make the audience not get emotionally engaged and question about it</div>]]></description>
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         <pubDate>2018-01-26 10:27:38 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224989887</guid>
      </item>
      <item>
         <title>An introduction to Brechtian theatre</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224992395</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=l-828KqtTkA" />
         <pubDate>2018-01-26 10:38:09 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224992395</guid>
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      <item>
         <title>Five Truths: Bertolt Brecht</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/224993410</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=62-gYcO6jrY" />
         <pubDate>2018-01-26 10:41:35 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/224993410</guid>
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      <item>
         <title>Graves of Helene Weigel and Bertolt Brecht in the Dorotheenstadt cemetery</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/227418614</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/221252536/159cdb56dc8e669e0bdef2e9ddc9a852/Brechtgrave.jpg" />
         <pubDate>2018-02-02 10:20:33 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/227418614</guid>
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      <item>
         <title></title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/227420204</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-02-02 10:26:24 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/227420204</guid>
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      <item>
         <title>This is a statue of Bertolt Brecht outside the Berliner Ensemble&#39;s theatre in Berlin</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/227422690</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/221252536/83789d8aab79ccd8b59f95a67bbf9f13/Cremer_Brecht.jpg" />
         <pubDate>2018-02-02 10:35:21 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/227422690</guid>
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      <item>
         <title>Berlin, Berliner Ensemble (Theater am Schiffbauerdamm)</title>
         <author>gjelial</author>
         <link>https://padlet.com/gjelial/jc8ibf2krk25/wish/227425647</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/221252536/ef503908a0329658e4bed48a803f20d1/Berlin_Berliner_Ensemble.jpg" />
         <pubDate>2018-02-02 10:47:41 UTC</pubDate>
         <guid>https://padlet.com/gjelial/jc8ibf2krk25/wish/227425647</guid>
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