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      <title>Silex Marta by Hille</title>
      <link>https://padlet.com/Silex/j814fuig9g5wq35l</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2023-09-17 20:01:09 UTC</pubDate>
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         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707648938</link>
         <description><![CDATA[<div>We talked about different things. You showed me some works and the research you have done. You like to work with language in relation to material. Your poetic sentences seem to be quite direct. The sentence and choice of material create an interesting tension. You use research in your work, like your research on the development of porn and how this changed over the years, how it turned people into objects due to among others mass consumption and capitalism. Maybe the American biographical drama television miniseries Pam &amp; Tommy is interesting (see post 1), chronicling the marriage between actress and model Pamela Anderson and Mötley Crüe drummer Tommy Lee, played by Lily James and Sebastian Stan. Respectively, during the period their unauthorized sex tape was made public. The series is also a reflection on the effect of the internet and how Tommy and Pamela both become objects, and at the same time it also zooms in on their breakup and how both fight after their breakup the image that has been created about them. You could also go into classical plays concerning break up like Medea (see post 2). Euripides's 5th-century BCE tragedy Medea depicts the ending of her union with Jason, when after ten years of marriage, Jason abandons her to wed King Creon's daughter Creusa, and Medea and her sons from Jason are to be banished from Corinth. In revenge, Medea murders Creusa with poisoned gifts.</div><div>Gradually in our talk, we talked about the theme of a breakup, also in relation to rage and anger. We were thinking that we could take this as a perspective, how for instance breakups are expressed in certain poems, movies, and so on. With also a special interest in anger and rage (see post 3). Like you did your research on porn (see post 4/Dworkin) you could also do research on the relation between breakup, (female) rage, or something else.&nbsp;</div><div>&nbsp;</div><div>&nbsp;</div><div>Maybe you find the article about Force/Violence by Simone Weil also interesting (post 5),&nbsp; she was intrigued by the effect of violence on people, how they turned due to this in things, also the ones that use or exploit violence (in English it is translated in Force but I think you can also use the word Violence) see post 5.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-09-17 20:03:14 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707648938</guid>
      </item>
      <item>
         <title>Pam and Tommy</title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707649562</link>
         <description><![CDATA[<div>Post 1:<br>#PamAndTommy</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Pam_%26_Tommy" />
         <pubDate>2023-09-17 20:04:25 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707649562</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707650485</link>
         <description><![CDATA[<div><br>#PamelaAnderson reputation was tainted when a #SexTape was released against her consent. Almost 30 years later, as she tries to move on, Hulu claims the right to Pamela’s body and story through their hit series ‘Pam and Tommy’.&nbsp;<br>In #2018, production began on a television show that should never have been made: a dramatisation of Pamela Anderson and Tommy Lee’s sex tape scandal, that would reignite personal trauma for Anderson<br><br></div>]]></description>
         <enclosure url="https://theoxfordblue.co.uk/how-the-media-stole-pamela-andersons-body/" />
         <pubDate>2023-09-17 20:06:01 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707650485</guid>
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      <item>
         <title>Medea</title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707652976</link>
         <description><![CDATA[<div>Post 2:<br>#Medea is an ancient #GreekTragedy written by #Euripides.<br><br>The plot centers on the actions of Medea, a former princess of the kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering his new wife as well as her own two sons, after which she escapes to Athens to start a new life.<br><br></div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Medea_(play)" />
         <pubDate>2023-09-17 20:11:08 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2707652976</guid>
      </item>
      <item>
         <title>Feminism/Rage/Anger/Breakup</title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708154357</link>
         <description><![CDATA[<div>Post 3:<br>#Feminism #Rage #Anger #Breakup</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-09-18 05:21:28 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708154357</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708159019</link>
         <description><![CDATA[<div>#SorayaChemaly#WomenAnger#Rage</div>]]></description>
         <enclosure url="https://www.simonandschuster.com/books/Rage-Becomes-Her/Soraya-Chemaly/9781501189562" />
         <pubDate>2023-09-18 05:25:09 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708159019</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708163608</link>
         <description><![CDATA[<div>#TheGirlsGuideToSurvivingABreak-Up#KrisDrewry</div>]]></description>
         <enclosure url="https://www.nytimes.com/2019/05/13/style/self-care/one-womans-guide-to-breaking-up.html" />
         <pubDate>2023-09-18 05:28:57 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708163608</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708168324</link>
         <description><![CDATA[<div>Women#Rage#Minorities</div>]]></description>
         <enclosure url="https://www.theguardian.com/lifeandstyle/2019/may/11/women-and-minorities-claiming-right-to-rage" />
         <pubDate>2023-09-18 05:33:06 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708168324</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708171592</link>
         <description><![CDATA[<div>The Functions of #FemaleRage</div><div><br>On the 50th anniversary of the #RoeVWade ruling, #MeganNolan analyses how #Women'sAnger has been fetishized in film and literature</div>]]></description>
         <enclosure url="https://www.frieze.com/article/functions-female-rage" />
         <pubDate>2023-09-18 05:35:56 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708171592</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708173161</link>
         <description><![CDATA[<div>#<a href="https://feminisminindia.com/author/sukanyas/">SukanyaShaji</a> We need more #AngryWomen in fiction, because fiction is an essential tool in making the political feel personal.</div>]]></description>
         <enclosure url="https://feminisminindia.com/2020/11/24/more-angry-women-fiction-female-rage-inner-worlds/" />
         <pubDate>2023-09-18 05:37:20 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708173161</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708174820</link>
         <description><![CDATA[<div><br>Once upon a time, women showing their #anger was frowned upon. But the #GenderAngerGap is widening, and women’s wrath is on the rise, about everything from police brutality to #DomesticInequality<br>#<a href="https://www.theguardian.com/profile/gabyhinsliff">GabyHinsliff</a></div>]]></description>
         <enclosure url="https://www.theguardian.com/lifeandstyle/2023/mar/04/lift-the-lid-and-theres-a-well-of-rage-why-women-are-mad-as-hell-and-not-afraid-to-show-it" />
         <pubDate>2023-09-18 05:38:55 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708174820</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708179776</link>
         <description><![CDATA[<div>Emerging at a time of intense #Anti-feministBacklash, #FatalAttraction is one of the most #Misogynistic films ever made. But as Paramount releases a TV reboot, we ask whether the #Vengeful, #ScornedWoman at its heart deserves a reappraisal</div>]]></description>
         <enclosure url="https://www.dazeddigital.com/film-tv/article/59771/1/its-time-to-forgive-the-villain-in-fatal-attraction" />
         <pubDate>2023-09-18 05:43:19 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708179776</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708182689</link>
         <description><![CDATA[<div>#TaylorSwift new <a href="https://www.youtube.com/watch?v=6DP4q_1EgQQ">song</a> #MadWoman reflects upon a sexist trope which has followed women from medieval witch trials, to the #Feminist movement, and into #ContemporaryPolitics.<br>#<em>EmmaEllingwood&nbsp;</em></div>]]></description>
         <enclosure url="https://ferauoft.medium.com/the-mad-woman-trope-from-salem-to-politics-8230f99733cf" />
         <pubDate>2023-09-18 05:45:51 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708182689</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708185299</link>
         <description><![CDATA[<div>#<strong><em>WomenOnTheVergeOfANervous Breakdown</em></strong> (<a href="https://en.wikipedia.org/wiki/Spanish_language">Spanish</a>: <em>Mujeres al borde de un ataque de nervios</em>) is a #1988 Spanish <a href="https://en.wikipedia.org/wiki/Black_comedy">black comedy</a> film written and directed by #<a href="https://en.wikipedia.org/wiki/Pedro_Almod%C3%B3var">PedroAlmodóvar</a>, starring <a href="https://en.wikipedia.org/wiki/Carmen_Maura">Carmen Maura</a> and <a href="https://en.wikipedia.org/wiki/Antonio_Banderas">Antonio Banderas</a>. The plot follows actress Pepa, who, after her lover Iván leaves without explanation, sets out to find the reason, and comes across an array of eccentric characters, including Iván's son from a previous relationship and her best friend Candela, who has been held captive by a Shiite terrorist cell.</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Women_on_the_Verge_of_a_Nervous_Breakdown" />
         <pubDate>2023-09-18 05:47:55 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708185299</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708188061</link>
         <description><![CDATA[<div>Post 5:&nbsp;<br>"The Iliad, or #ThePoemOfForce" (French: L'Iliade ou le poème de la force) is a 24-page essay written in #1939 by #SimoneWeil. The essay is about Homer's epic poem the Iliad and contains reflections on the conclusions one can draw from the epic regarding the nature of #Force in human affairs.</div>]]></description>
         <enclosure url="https://theanarchistlibrary.org/library/simone-weil-the-iliad" />
         <pubDate>2023-09-18 05:50:10 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708188061</guid>
      </item>
      <item>
         <title>Dworkin</title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708190615</link>
         <description><![CDATA[<div>Post 4:<br>#<strong><em>AndreaDworkin</em></strong> (September 26, 1946 – April 9, 2005) was an American #RadicalFeminist writer and activist best known for her analysis of #pornography.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-09-18 05:52:03 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708190615</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708193441</link>
         <description><![CDATA[<div>In this paper I will primarily employ the work of the postmodern theorist, #JeanBaudrillard, as a vehicle by which to <em>advance</em> contemporary debates on #pornography. By placing his work in conversation with the texts of other writers, I will attempt to extend this debate into a broader political, social and cultural context than in which it is usually addressed; one which situates the #PornographyIndustry within the potentially totalising effect that other industrialised technologies and markets have on the #consumer.</div>]]></description>
         <enclosure url="https://tinakinsella.wordpress.com/125-2/" />
         <pubDate>2023-09-18 05:54:17 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708193441</guid>
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      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708197555</link>
         <description><![CDATA[<div>#AndreaDWORKIN #PornographyMenPossessingWomen#1981</div>]]></description>
         <enclosure url="https://www.feministes-radicales.org/wp-content/uploads/2010/11/Andrea-DWORKIN-Pornography-Men-Possessing-Women-1981.pdf" />
         <pubDate>2023-09-18 05:57:37 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708197555</guid>
      </item>
      <item>
         <title></title>
         <author>Silex</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708199277</link>
         <description><![CDATA[<div>Why #AndreaDworkin is the #RadicalFeminist, visionary feminist we need in our terrible times</div>]]></description>
         <enclosure url="https://www.theguardian.com/lifeandstyle/2019/apr/16/why-andrea-dworkin-is-the-radical-visionary-feminist-we-need-in-our-terrible-times" />
         <pubDate>2023-09-18 05:59:09 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2708199277</guid>
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      <item>
         <title>Erin M Riley</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809187501</link>
         <description><![CDATA[<p>"Erin M. Riley’s (b. 1985)&nbsp;meticulously #crafted, large-scale tapestries depict #intimate, erotic, and psychologically raw imagery that reflects upon r#elationships, memories, #fantasies, #sexual #violence, and #trauma. Collaging personal photographs, images sourced from the internet, newspaper clippings, and other ephemera to create her compositions, the Brooklyn-based weaver exposes the range of women’s lived experiences and how trauma weighs on the search for self-identity (<a rel="noopener noreferrer nofollow" href="https://www.ppowgallery.com/artists/erin-m-riley#tab:thumbnails">https://www.ppowgallery.com/artists/erin-m-riley#tab:thumbnails</a>)"</p>]]></description>
         <enclosure url="https://erinmriley.com/section/510575-2022.html" />
         <pubDate>2023-11-30 15:09:14 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809187501</guid>
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      <item>
         <title>Frances Stark _ love letters</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809193805</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.culturedmag.com/article/2020/05/23/relationship-status-frances-stark-investigates-where-we-begin-and-end" />
         <pubDate>2023-11-30 15:13:26 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809193805</guid>
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      <item>
         <title> Lynn Hershman Leeson </title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809207614</link>
         <description><![CDATA[<p>Through her work, Leeson explored the constructed nature of feminine identity, molding her own hybrid being through the costumes, technologies and borrowed behaviors all women adopt.</p><p><br></p>]]></description>
         <enclosure url="https://www.lynnhershman.com/wp-content/uploads/2021/03/CR_LHL_XRayWoman_A.jpg" />
         <pubDate>2023-11-30 15:20:20 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809207614</guid>
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      <item>
         <title>Mary Beth Edelson</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809216803</link>
         <description><![CDATA[<p>Mary Beth Edelson was an American artist and pioneer of the feminist art movement, deemed one of the notable "first-generation feminist artists". Edelson was a printmaker, book artist, collage artist, painter, photographer, performance artist, and author.</p>]]></description>
         <enclosure url="http://accolagriefen.com/exhibitions/mary-beth-edelson-feminist-humor-as-political-device-at-princeton-university#!image-0" />
         <pubDate>2023-11-30 15:26:25 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809216803</guid>
      </item>
      <item>
         <title>Elin Magnusson</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809227983</link>
         <description><![CDATA[<p><em>In a room on the seventh floor in a cold city, two people are waking up. They hug each other hard, still, it’s not enough to be able to forget where one body starts and the other ends.</em></p><p>Neither of them has a sex or a face and they both wear more layers of skin than they ought to. Old disappointments and badly healed wounds have turned them into this. The hardened skin makes them ask for help to remember the sensation of heat. With a pair of scissors they ask each other for permission to expose, rip up and get in.<br>This is an inquiry to get rid of what’s been long since dead. It’s surgery. Something forgotten turns into a memory that later transforms into fingers, and finally a hand. Hair begins to smell and the sweat is pouring.</p><p>In close-ups about closeness we see the longing for something new.&nbsp;Art meets porn in a ripping horniness without censorship.</p>]]></description>
         <enclosure url="https://www.elinmagnusson.com/work/decoded-3x29e-3yhjs-wpnnh-npgkh-haz6w-w29bw-acnab" />
         <pubDate>2023-11-30 15:34:01 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809227983</guid>
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      <item>
         <title>Charlotte Javis</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809232575</link>
         <description><![CDATA[<p>Throughout history, semen has been revered as a magical substance – a totem of literal and symbolic potency. The project <em>In Posse</em> aims to rewrite this cultural narrative; to use art and science to collaboratively disrupt the patriarchy by making semen from “female” cells. The project is being developed in three parts – firstly, <em>In Posse</em> is on a journey to grow spermatozoa (sperm cells) from Charlotte’s body in collaboration with Prof. Susana Chuva de Sousal Lopes. At the same time, a female form of seminal plasma (the fluid part of semen) has been developed using material donated by multiple women, trans and gender non-binary people. Finally, the “female” semen is used a series of re-enactments of the ancient Greek women-only festival of Thesmophoria.&nbsp;&nbsp;</p><p><br></p>]]></description>
         <enclosure url="https://cjarvis.com/in-posse/" />
         <pubDate>2023-11-30 15:37:08 UTC</pubDate>
         <guid>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809232575</guid>
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      <item>
         <title>Louise Bourgeois with Tracey Emin</title>
         <author>noornuyten</author>
         <link>https://padlet.com/Silex/j814fuig9g5wq35l/wish/2809237621</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.moma.org/collection/works/153474" />
         <pubDate>2023-11-30 15:40:35 UTC</pubDate>
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