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      <title>Dissertation semester 2  by Pearl Makayi</title>
      <link>https://padlet.com/pearlmakayi/iyvd4st261x3</link>
      <description> Research, Forms and Interviews </description>
      <language>en-us</language>
      <pubDate>2019-02-26 19:02:43 UTC</pubDate>
      <lastBuildDate>2024-05-30 14:53:06 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335582439</link>
         <description><![CDATA[<div>"However, dance involves an additional artistic component where ultimately performance on stage is judged not according to a score card as in aesthetic sports, rather on the ability of the dancers to forge an emotional connection with the audience." <br><br><br></div>]]></description>
         <enclosure url="https://blogs.bmj.com/bjsm/2018/08/16/what-is-dance-medicine/" />
         <pubDate>2019-02-26 19:05:38 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335582439</guid>
      </item>
      <item>
         <title>what is dance science/medicine </title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335605479</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://med.nyu.edu/hjd/harkness/students/dance-medicine-science-career#medicine" />
         <pubDate>2019-02-26 19:42:02 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335605479</guid>
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      <item>
         <title>NIDMS - QUOTE</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335617098</link>
         <description><![CDATA[<div><strong><br>IADMS ENHANCES HEALTH, WELL-BEING, TRAINING, AND PERFORMANCE IN DANCE BY CULTIVATING MEDICAL, SCIENTIFIC, AND EDUCATIONAL EXCELLENCE.<br><br></strong><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-26 20:01:41 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335617098</guid>
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      <item>
         <title>Best source
</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335640145</link>
         <description><![CDATA[<div>https://search-proquest-com.ezproxy.bolton.ac.uk/docview/2071013044?pq-origsite=summon</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-26 20:49:21 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335640145</guid>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335640286</link>
         <description><![CDATA[<div>https://www.iadms.org/page/A8</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-26 20:49:43 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/335640286</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337123271</link>
         <description><![CDATA[<div><sup>5.</sup> Somatics, a term that was originally coined by Hanna, refers to a wide field of practice that includes Feldenkrais Method®, Alexander Technique, Body Mind Centering® amongst other approaches. The soma, a word of Greek origin, means ‘the living body in its wholeness’ and, in relation to somatics, describes the first-person perspective of embodiment (Hanna <a href="https://www-tandfonline-com.ezproxy.bolton.ac.uk/doi/full/10.1080/19443927.2015.1027452#">1979</a></div><div><br></div><div>nice quote to describe understanding of the body. <br><br>Students spoke about the value of having somatics and anatomy in one semester. Knowing the muscles and feeling them helped bring awareness on how to work more effectively. The detail of the theory helped the articulation of the muscles. Although a focus on anatomy is not usually a characteristic of FM, the students found this useful in clearing confusion and making connections between the sensation of the body and anatomical structures in a class context<br><br><br>The results from this pilot have been overwhelmingly positive and support continued investigation into the integration of FM and other somatic approaches into dance technique classes. The researchers look forward to implementing further longitudinal research into the role of somatics within tertiary dance training, and the value of its application to not only the acquisition of dance skills but also the development of creativity and the growth of the performing dance artist.<br><br> https://www-tandfonline-com.ezproxy.bolton.ac.uk/doi/full/10.1080/19443927.2015.1027452</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-02 14:58:48 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337123271</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337473555</link>
         <description><![CDATA[<div>https://www-tandfonline-com.ezproxy.bolton.ac.uk/doi/abs/10.1080/07303084.2015.1086621#aHR0cHM6Ly93d3ctdGFuZGZvbmxpbmUtY29tLmV6cHJveHkuYm9sdG9uLmFjLnVrL2RvaS9wZGYvMTAuMTA4MC8wNzMwMzA4NC4yMDE1LjEwODY2MjE/bmVlZEFjY2Vzcz10cnVlQEBAMA==</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-04 14:33:32 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337473555</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337905063</link>
         <description><![CDATA[<div>...make the point that mastery of dance technique and skill acquisition is understand to be achieved through the dance student having an anatomical awareness and theoretical understanding of their physiology. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-05 14:10:54 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/337905063</guid>
      </item>
      <item>
         <title>what is dance medicine </title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/344610618</link>
         <description><![CDATA[<div>Dance medicine is a subdivision of sports medicine that utilizes the same basic orthopedic concepts. It studies motions common to dance, which may not be common to other athletic activity, and the injuries that develop secondary to these peculiar movements. The best defense mechanism against injury and overuse syndrome development is a well-toned, strong, flexible body. Appropriate alignment and range of motion of large joints are necessities for dance activity. Biomechanical analyses are useful in treating and guiding the dancer through injuries that she may incur as well as prevention of such injuries. "Forcing the turnout" is a common problem with many dancers. This motion causes pedal pronation and a myriad of overuse syndromes that can be related to pronatory changes.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-24 20:48:08 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/344610618</guid>
      </item>
      <item>
         <title>KEY LITERATURE </title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345191885</link>
         <description><![CDATA[<div>* 'the journal of dance medicine nd science' <br><br>This special issue of the <em>Journal of Dance Medicine &amp; Science </em>provides readers a fresh perspective on the field of athletic training and insight into the role of the athletic trainer as a present member on the world stage of dance medicine and science.</div>]]></description>
         <enclosure url="http://web.a.ebscohost.com.ezproxy.bolton.ac.uk/ehost/pdfviewer/pdfviewer?vid=2&amp;sid=c8f3588b-62dc-4152-99c7-869a0cd92799%40sdc-v-sessmgr05" />
         <pubDate>2019-03-26 11:40:44 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345191885</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345192784</link>
         <description><![CDATA[<div>"A clear understand- ing of athletic trainers is particularly important now as the orthopaedic sub-specialty of dance medicine and science continues to grow and relies more and more on the international community of dancers, teachers, choreographers, scientists, healthcare providers, and others to develop and share vital knowledge toward the ul- timate goal of supporting optimum health and Wellness among dancers."<br><br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-26 11:43:20 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345192784</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345214833</link>
         <description><![CDATA[<div>Certified athletic trainers have been involved in dance medicine and sci-</div><div>ence since at least 1981. <br> Currently they work in numerous dance settings including professional companies, col- legiate, university, and conservatory departments, and community pro- grams, as well as in clinical, research, and educational institutions. <br>In these settings athletic trainers act as a primary party responsible for injury prevention, body conditioning, first aid, injury evaluation and management, dance-specific rehabilitation, education, initial psychosocial intervention and referral.<br><br> They provide on-site athletic training services for dance class, rehearsal, and performance, as well as clinical time before and after these activities. Athletic trainers work with physicians in conducting pre-participation screenings to minimize injury and illness risk and to expedite care and referral to additional healthcare professionals when necessary. <br>Shared philosophical opinions and clear communication with the physician and other allied healthcare professionals facilitates timely and appropriate return to dance activity. <br>Athletic trainers may also communicate pertinent and legally appropriate information to the teacher and choreographer to assist with the injured dancer's safe transition back into class, rehearsal, and performance.</div><div>The articles presented in this issue exemplify the knowledge and skill that certified athletic trainers contribute to dance medicine and science. <br><br>injury prevention; clinical evaluation and diagnosis; immediate care; treatment, rehabilitation and reconditioning; organization and administration; and professional responsibility.4<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-26 12:35:35 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/345214833</guid>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808237</link>
         <description><![CDATA[<div>The <a href="https://www.theguardian.com/stage/royal-ballet">Royal Ballet</a> is rich in tradition, but the company’s 97 dancers are now supported by a 17-strong team of sports science and healthcare experts. “Our facilities are now similar to those of a Premier League football club,” explains Gregory Retter, clinical director of ballet healthcare. “Strength, jumping, force attenuation, cardiovascular fitness, psychological wellbeing and nutrition; all support the dancer to be free to create artistic excellence. This is a completely new concept in dance.”<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-30 18:44:36 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808237</guid>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808504</link>
         <description><![CDATA[<div>Many of the Royal Ballet’s innovations are inspired by a wave of game-changing new research overseen by the <a href="https://www.theguardian.com/science/2013/nov/29/vitamin-d-ballet-dancers-injury">National Institute of Dance Medicine and Science</a> (NIDMS). Launched in 2012, this collaboration of UK dance institutions and universities examines everything from dancers’ ankle mechanics to performance anxiety. <a href="https://www.trinitylaban.ac.uk/study/teaching-staff/emma-redding">Professor Emma Redding</a>, head of dance science at <a href="https://www.theguardian.com/education/trinitylaban">Trinity </a>Laban Conservatoire of Music &amp; Dance in south-east London, is a founding partner of NIDMS. “Dance has always been based on tradition and anecdote, but we started using words like ‘measure’ and ‘evaluate’, which are frowned upon in the arts world,” explains Redding, a former dancer. “People thought science might dilute the art. But we started asking, can’t we get dancers’ bodies and minds even stronger? Or even extend their capacities?”</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-30 18:47:56 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808504</guid>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808644</link>
         <description><![CDATA[<div>Trinity Laban’s Dance Science lab features wireless EMG equipment and face masks that can measure dancers’ muscle activity and oxygen uptake; an Optojump system, which uses infrared LED lights to analyse jumps; and a Tekscan pressure sensor, which gauges postural sway during pliés and pirouettes. This is where many ballet innovations are tested. “We have worked with choreographers like <a href="https://www.theguardian.com/stage/2017/oct/03/wayne-mcgregor-autobiography-dna-dance-sadlers-wells">Wayne McGregor,</a> but if you are paying to watch a professional ballet, you don’t want to see people with masks on,” smiles Redding. However, her findings are disseminated through journals and conferences to companies such as the Royal Ballet, which joined NIDMS last year. Research by current guest lecturer Kim Hutt, supervised by Redding, has shown how eyes-closed training can boost a dancer’s proprioception – a kind of “sixth sense” which helps them understand the relative position of their limbs on darkened stages.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-30 18:49:36 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346808644</guid>
      </item>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346904604</link>
         <description><![CDATA[<div>“Ballet’s old-school regime didn’t cater for the type of dancers we have become,” she explains, citing the relentless programme and high scrutiny. “Now we have higher demands of physicality, a more diverse repertoire, so many shows, and little recovery time. On stage, I now have the strength and confidence to keep pushing through and perform steps better. When productions return every few years I realise they feel easier.”</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-31 15:47:09 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346904604</guid>
      </item>
      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905037</link>
         <description><![CDATA[<div>Retter has noticed a cultural shift: “When I arrived, the nutritionist was seen as the person you visited if you had a disordered eating issue. Now she is the person dancers ask about how best to fuel their day.”</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-31 15:50:38 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905037</guid>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905369</link>
         <description><![CDATA[<div>“One dancer is jumping in the gym four weeks post-op, whereas 10 years ago he would still be on the sofa,” says Calvert.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-31 15:53:06 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905369</guid>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905599</link>
         <description><![CDATA[<div>Days later, I watch a performance of <em>Swan Lake</em>, attended by 2,256 spectators at the Royal Opera House and beamed to 1,084 cinemas in 29 countries worldwide. Memories of EMG graphs and pneumatic boots dissolve from my mind as the dancers enchant the audience with their ethereal talent, every gesture electrified with raw emotion, every limb flowing like shimmering silk. Science may be silently ushering ballet into the future, but dancers’ centuries-old talent for conjuring movements of impossible beauty with such effortless grace will forever remain ballet’s grand, unquantifiable mystery – and its greatest gift.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-31 15:54:42 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/346905599</guid>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/356753715</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://cdn.ymaws.com/www.iadms.org/resource/resmgr/Public/Bull_1-2_pp11-13_Wilson.pdf" />
         <pubDate>2019-05-03 20:14:12 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/356753715</guid>
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         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/356753910</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://pdfs.semanticscholar.org/6721/2c94bd6522470feda4cd62535164aecff3b5.pdf" />
         <pubDate>2019-05-03 20:14:56 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/356753910</guid>
      </item>
      <item>
         <title>places that advise dance biomechanics </title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/358834457</link>
         <description><![CDATA[<div>Sports and Dance Therapy - BSc (Hons) at London Metropolitan Uni<br><br>Dance science at trinity laban<br><br><br></div><h1>Moira McCormack - Uk</h1><div>http://iseh.co.uk/consultantdetails/musculoskeletal-research/118/Moira--McCormack<br>regulatory system <br><br><br></div><h1>OPDI Course Catalog</h1><div>https://www.ndeo.org/content.aspx?page_id=22&amp;club_id=893257&amp;module_id=196516<br><br><br>University of Roehampton <br><br><br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-10 12:01:50 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/358834457</guid>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/360569649</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://dance.barnard.edu/sites/default/files/melissa_kaufman-gomez.pdf" />
         <pubDate>2019-05-15 22:21:07 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/360569649</guid>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/360569919</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.thestage.co.uk/features/2018/will-technology-affect-future-dance-festival-international-dance-day/" />
         <pubDate>2019-05-15 22:22:55 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/360569919</guid>
      </item>
      <item>
         <title>Chantal Brindley</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361027781</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:18:55 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361027781</guid>
      </item>
      <item>
         <title>Charley Watson</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361027868</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:19:19 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361027868</guid>
      </item>
      <item>
         <title>Darcy Morgan Yates</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028689</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:23:57 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028689</guid>
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      <item>
         <title>Jasmine Denton-Fortine</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028792</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:24:31 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028792</guid>
      </item>
      <item>
         <title>Charley Watson</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028897</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:25:01 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361028897</guid>
      </item>
      <item>
         <title>Emily Simpson</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361029142</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:26:35 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361029142</guid>
      </item>
      <item>
         <title>Rosie Williamson</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361029269</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:27:20 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361029269</guid>
      </item>
      <item>
         <title>Saffron Shomlay</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361029480</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 01:28:28 UTC</pubDate>
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      </item>
      <item>
         <title>Samaria Simmons</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:29:55 UTC</pubDate>
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      <item>
         <title>Hannah Doherty</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:31:23 UTC</pubDate>
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      <item>
         <title>Asia Rene </title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:32:51 UTC</pubDate>
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      <item>
         <title>Corda Scarlett</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361030260</link>
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         <pubDate>2019-05-17 01:33:11 UTC</pubDate>
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      <item>
         <title>Kaitlyn Prull</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:33:39 UTC</pubDate>
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      <item>
         <title>Zantino Bustos</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:34:16 UTC</pubDate>
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      </item>
      <item>
         <title>Grace Windsor </title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:35:10 UTC</pubDate>
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      </item>
      <item>
         <title>Anna Smith- UK</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:46:47 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361032382</guid>
      </item>
      <item>
         <title>Anya Saternus - UK </title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361032426</link>
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         <pubDate>2019-05-17 01:47:10 UTC</pubDate>
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      </item>
      <item>
         <title>Gary Clarke - UK</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361032502</link>
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         <pubDate>2019-05-17 01:47:40 UTC</pubDate>
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      <item>
         <title>Anton Alexandrov - UK</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:48:05 UTC</pubDate>
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      <item>
         <title>Antony James - UK</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:50:05 UTC</pubDate>
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      <item>
         <title>Jon Chu- UK- Kingston</title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:51:02 UTC</pubDate>
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      <item>
         <title>Marco Carreon- US</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361033163</link>
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         <pubDate>2019-05-17 01:51:48 UTC</pubDate>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 01:59:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361036199</link>
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         <pubDate>2019-05-17 02:08:11 UTC</pubDate>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 02:09:43 UTC</pubDate>
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         <title></title>
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         <pubDate>2019-05-17 02:11:23 UTC</pubDate>
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      </item>
      <item>
         <title>Q1</title>
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         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118656</link>
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         <pubDate>2019-05-17 10:09:59 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118656</guid>
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      <item>
         <title>Q2</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118701</link>
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         <pubDate>2019-05-17 10:10:18 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118701</guid>
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      <item>
         <title>Q4</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118779</link>
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         <pubDate>2019-05-17 10:10:36 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118779</guid>
      </item>
      <item>
         <title>Q5</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118807</link>
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         <pubDate>2019-05-17 10:10:45 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118807</guid>
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      <item>
         <title>Q6</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118889</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-05-17 10:11:17 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118889</guid>
      </item>
      <item>
         <title>Q7</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118932</link>
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         <pubDate>2019-05-17 10:11:29 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361118932</guid>
      </item>
      <item>
         <title>Q8</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119009</link>
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         <pubDate>2019-05-17 10:11:56 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119009</guid>
      </item>
      <item>
         <title>Q9</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119066</link>
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         <pubDate>2019-05-17 10:12:11 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119066</guid>
      </item>
      <item>
         <title>Q10</title>
         <author>pearlmakayi</author>
         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119097</link>
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         <pubDate>2019-05-17 10:12:19 UTC</pubDate>
         <guid>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361119097</guid>
      </item>
      <item>
         <title>EMILY SIMPSON - UK.   GRACE WINDSOR - US. QUESTIONS</title>
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         <link>https://padlet.com/pearlmakayi/iyvd4st261x3/wish/361270305</link>
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         <pubDate>2019-05-17 17:29:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 17:57:10 UTC</pubDate>
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         <title></title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 17:58:36 UTC</pubDate>
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         <pubDate>2019-05-17 18:00:42 UTC</pubDate>
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         <title></title>
         <author>pearlmakayi</author>
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         <pubDate>2019-05-17 18:01:01 UTC</pubDate>
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