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      <title>Modernism &amp; More by Taylor Mauldin</title>
      <link>https://padlet.com/tmauldin2/modernism_and_after</link>
      <description>principles of modernism</description>
      <language>en-us</language>
      <pubDate>2017-09-07 17:13:14 UTC</pubDate>
      <lastBuildDate>2025-11-02 16:29:05 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186196245</link>
         <description><![CDATA[<ul><li><strong>Relevance</strong></li><li><strong>Reproduction</strong></li><li><strong>Personality</strong></li><li><strong>Unconventionality</strong></li><li><strong>Experience</strong></li></ul>]]></description>
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         <pubDate>2017-09-10 23:21:55 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186196245</guid>
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      <item>
         <title>Relevance</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186196662</link>
         <description><![CDATA[<div>Successful artwork in all forms stays relevant over time, politically, culturally, and socially. It is undeniably one of the key contributing factors in the "modern" of modernism. If it cannot be produced ahead of it's time, if society isn't discussing it 20 years from now, can it truly be modern? Every artist contributes something to the world that is later consumed as content into the future!</div>]]></description>
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         <pubDate>2017-09-10 23:27:29 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186196662</guid>
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      <item>
         <title>Reproduction</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186197208</link>
         <description><![CDATA[<div>Today, it's extremely common for us to buy, or even sell, mass produced prints of artwork we like or create. Production is influenced socially and economically, and with the embrace of industrialization between major shifts in art (impressionism to post-impressionism, expressionism to fauvism, all the way to dada and surrealism etc.) the concept modernity was based on the need and ease for cheap reproduction. This was driving force that brought about methods such as lithography, into popularity. </div>]]></description>
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         <pubDate>2017-09-10 23:35:32 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186197208</guid>
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      <item>
         <title>Personality</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186197891</link>
         <description><![CDATA[<div>Works of modernist art either have their own narratives an personalities, or are tied to that of their creator's. Personality is not only infectious, but influences the style of those around it, and those in the future. Many modernist works reflect the work of their current peers at the time, or improve upon the path paved by their predecessors using their personal voice within the modern era.&nbsp;</div>]]></description>
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         <pubDate>2017-09-10 23:43:24 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186197891</guid>
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      <item>
         <title>Unconventionality</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186198646</link>
         <description><![CDATA[<div>No matter where or when modernist art is made, it is likely much more unconventional and status quo defying than the works before it. It raises questions, pushes the boundaries of what is and isn't acceptable, and begins conversations about how experimental art can truly be. For example, surrealism focused more on dreams and the subconscious, differing from more conventional art practices. Art is pushed, deconstructed, and then shaped back into something new over and over again. </div>]]></description>
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         <pubDate>2017-09-10 23:50:53 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186198646</guid>
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      <item>
         <title>Experience</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186203375</link>
         <description><![CDATA[<div>Every artist, consumer, and respective artwork has their own lens in which they view (or are viewed in) a work of art. Context changes due to every individual experience and everyone has their own understanding of how an artwork is viewed and relevant within their own lives and communities. No one's experience or understanding is truly all the same.</div>]]></description>
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         <pubDate>2017-09-11 00:29:50 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186203375</guid>
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         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186221614</link>
         <description><![CDATA[<div>Drucker, Johanna, et al. "Modernism." <em>Encyclopedia of Aesthetics</em>. <em>Oxford Art Online</em>. Oxford University Press, accessed September 11, 2017<br><br>Drucker's entry on Modernism is a detailed and helpful combination essay on the aesthetics of the time,  in dance, music, traditions and more. </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-09-11 02:42:00 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186221614</guid>
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      <item>
         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186537228</link>
         <description><![CDATA[<div>Christov-Bakargiev, Carolyn. 2003. <em>I moderni = The moderns</em>. Milan: Skira.</div><div><br></div><div><em>The Moderns</em> is an excellent dive into 20th century contemporary artists and writers, their perspectives and place within modernism. It's helpful because it showcases the variety of artists that thrived between the boundaries of modernist and post-modernist, and how flimsy the veil between all labels within art can be.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-09-11 19:09:21 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186537228</guid>
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      <item>
         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186538551</link>
         <description><![CDATA[<div>Kroiz, Lauren. 2012. <em>Creative composites: modernism, race, and the Stieglitz circle</em>.<br><br>This book, focusing on twentieth century artist Alfred Stieglitz, has been interesting to read. It includes ideology, identity, and diaspora in it's perception of modernism. It is also a grand focus on individuality, focusing on artists like Sadakichi Hartmann and Georgia O'Keeffe.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-09-11 19:13:00 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186538551</guid>
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      <item>
         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/186539662</link>
         <description><![CDATA[<div>Trodd, Tamara Jane. 2015. <em>The art of mechanical reproduction: technology and aesthetics from Duchamp to the digital</em>.</div><div><br>Trodd's writing at first feels out of place in my search for modernist information, but in reality it's exactly what I needed to read. It's less about resisting technology, but seeing modernist art, much like Marcel Duchamp's, as a response to the mechanical advances of the time. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-09-11 19:16:17 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/186539662</guid>
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      <item>
         <title>Padlet Review #1</title>
         <author>pawasbajaj</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/189990291</link>
         <description><![CDATA[<div>1. Padlet wall set up: 10/10<br>2. Professor/TA are able to post comments on wall: 5/5<br>3. 3 printed books or journals, Decker Library in bibliography: 30/30<br>4. 1 article from Oxford Art Online in bibliography: 10/10<br>5. 1 appropriate resource of choice in bibliography: 0/10<br>6. 5 well-written, helpful, brief annotations: 20/25<br>Total points: 85/100<br><br>Unexcused lateness: 2 per day (24 hrs from time due), no maximum, until assignment is complete<br>Failure to use correct Chicago Manual Style format in bibliography: 2 per incorrect entry<br>Total deductions: 0<br>Total points for assignment: 85/100<br><br>Comments:<br>1 appropriate resource of choice in bibliography, and its respective annotation is missing. Marks deducted for that.<br><br>Good job otherwise, cheers!<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-09-22 03:56:42 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/189990291</guid>
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      <item>
         <title>N. C. Wyeth </title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192846228</link>
         <description><![CDATA[<div>Newell Convers Wyeth, North American, born October 22nd 1882, died 19th of October 1945. <br><br>While Wyeth is not generally associated with the modernism era, he was actively working during it and has personal relevance to me as an illustrator! He was culturally relevant in America, most famous for having illustrated pieces for Robert Louis Stevenson's T<em>reasure Island.&nbsp;<br><br></em><br></div>]]></description>
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         <pubDate>2017-10-02 04:02:02 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192846228</guid>
      </item>
      <item>
         <title>Henri Matisse</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192846947</link>
         <description><![CDATA[<div>Henri-Émile-Benoît Matisse, French, was born 31st of December in 1869, died 3rd of November 1954. <br><br>Matisse has a lot of global relevance even today as someone who changed everyone's perception of color, and how to use it. His work is still talked about as revolutionary, and now, we are still talking about his work in our classes. Whether you hate or love his work, it is undeniable that it has an immense impact on our artistic society. </div>]]></description>
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         <pubDate>2017-10-02 04:09:22 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192846947</guid>
      </item>
      <item>
         <title>Vincent van Gogh</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192846969</link>
         <description><![CDATA[<div>Vincent Willem van Gogh, Dutch, born the 30th of March 1853, died 29th of July 1890.<br><br>Vincent Van Gogh  is still a culturally and artistically relevant today. His work is iconic, and while it may not have been widely celebrated in his life, today we regard it as inspirational for his use of color.</div>]]></description>
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         <pubDate>2017-10-02 04:09:41 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192846969</guid>
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      <item>
         <title>Pablo Picasso</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192847096</link>
         <description><![CDATA[<div>Picasso, Spanish, born October 25th 1881, died April 8th 1973.<br><br>Picasso was a painter, sculptor, and more. He's renowned for evolving stylistically over time, unconventionally bringing some of the most well-known artwork into creation. Some of the eras of work he evolved through were post-impressionism, expressionism, surrealism, and cubism. </div>]]></description>
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         <pubDate>2017-10-02 04:10:55 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192847096</guid>
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      <item>
         <title>Egon Schiele</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192847398</link>
         <description><![CDATA[<div>Schiele, Austrian, born 12th of June 1890, died 31st of October 1918. <br><br>Egon Schiele had a short lived career, and was heavily influenced by the artist Gustav Klimt. Schiele's work has a personality and fluidity unlike any other. It was often regarded as grotesque, and still is, but every individual work has it's own character and expression. </div>]]></description>
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         <pubDate>2017-10-02 04:13:50 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192847398</guid>
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      <item>
         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/192953811</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-02 12:37:33 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/192953811</guid>
      </item>
      <item>
         <title>Kathe Kollwitz</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/193181815</link>
         <description><![CDATA[<div>Kollwitz, German, born 8th July 1867, died 22nd of April 1945. <br><br>Kollwitz, a painter, printmaker, and sculptor, had a pervasive narrative of tragedy within her work. A lot of the personality within it is stricken with grief, sadness, or feel plagued by anger. There's a strong sense of loss within artwork - building on age old themes of maternity, the death of family, etc. <br><br></div>]]></description>
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         <pubDate>2017-10-02 19:18:53 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/193181815</guid>
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      <item>
         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/193184038</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-02 19:24:28 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/193184038</guid>
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      <item>
         <title>Wassily Kandinsky</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/193185282</link>
         <description><![CDATA[<div>Wassily Kandinsky, Russian, born 16th of December in 1866, died 13th of December in 1944. <br><br>Kandinsky's work, being a printmaker and theorist, is characterized by large swathes of color, or line, in abstract forms. The personality in his own work comes out through the narrative of finding out how much color effects us</div>]]></description>
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         <pubDate>2017-10-02 19:27:07 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/193185282</guid>
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      <item>
         <title>Joan Miro</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207947170</link>
         <description><![CDATA[<div>Miro, Spanish, born 20th of April 1893, died December 25th 1983.&nbsp;<br><br>Joan Miro was a painter and sculptor, and while he belonged to many facets of art he was most notably a surrealist, and influenced by Picasso. </div>]]></description>
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         <pubDate>2017-11-17 00:34:40 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/207947170</guid>
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         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207949563</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-11-17 00:52:37 UTC</pubDate>
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      <item>
         <title>Marcel Duchamp</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207950117</link>
         <description><![CDATA[<div>Marcel Duchamp, French-American, born July 28th 1887, died October 2nd, 1968. <br><br>Duchamp was a visual artist who created work within the facets of Dada and Cubism, most known for his "ready-made's" and the satire that populated his work. </div>]]></description>
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         <pubDate>2017-11-17 00:57:15 UTC</pubDate>
         <guid>https://padlet.com/tmauldin2/modernism_and_after/wish/207950117</guid>
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         <title></title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207953664</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-11-17 01:23:44 UTC</pubDate>
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      <item>
         <title>Tom Huck Evil</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207956596</link>
         <description><![CDATA[<div>Tom Huck, American, born December 9th 1971. <br><br>Tom Huck is a printmaker who makes largely political, satirical, "low brow" artwork at a large scale. I thought I'd bring an artist to the table who uses a method of reproduction, but creates work that's very aggressive and anti-capitalist. </div>]]></description>
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         <pubDate>2017-11-17 01:44:35 UTC</pubDate>
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      <item>
         <title>Toulouse-Lautrec</title>
         <author>tmauldin2</author>
         <link>https://padlet.com/tmauldin2/modernism_and_after/wish/207957632</link>
         <description><![CDATA[<div>Henri de Toulouse-Lautrec, French, born November 24th 1864, died September 9th 1901. <br><br>Lautrec was a painter, printmaker, and illustrator. He was extremely influenced by the Japanese ukiyo-e prints of the period, and it's safe to say without them that his work would not have manifested the way it did. His lithograph posters are widely still reproduced today, too, and were a form of mass production used in tandem with society/economy at the time.  </div>]]></description>
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         <pubDate>2017-11-17 01:51:47 UTC</pubDate>
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