https://padlet.com/m_t_beckett/gobhsdinner Analysis of narrative codes and conventions within Get Out's "dinner" scene. Your group has been given a key scene and must create a PADLET page that highlights all of its codes and conventions. You MUST include at least one example of each of the codes (CAMELSSS) and AT LEAST 2 narrative conventions. Divide the codes and conventions up between your group members. EACH POST MUST HAVE a title of the code/convention being discussed, a still or sound clip where possible, and a brief discussion of the meaning created by the code/convention. en-us 2018-02-20 00:04:34 UTC 2023-02-20 00:14:59 UTC hello@padlet.com https://padlet-assets.s3.amazonaws.com/icons/Terminator.png m_t_beckett https://padlet.com/m_t_beckett/gobhsdinner/wish/233087976 This is a discussion of the meaning created by the code of acting within this still.]]> 2018-02-20 00:14:32 UTC https://padlet.com/m_t_beckett/gobhsdinner/wish/233087976 https://padlet.com/m_t_beckett/gobhsdinner/wish/233563648 Naturalistic high key lighting. Light sources are the lamps and candles.
At 21:50, Chris and Rose are leaning forward, into the light (representing innocence and safety). Meanwhile Jeremy is leaning back, making him less well illuminated than the two (the lighting shows his "dark" nature). Missy and Dean are in high key lighting. To show their facade is still up.]]> 2018-02-21 00:36:30 UTC https://padlet.com/m_t_beckett/gobhsdinner/wish/233563648 dhiyajamima31 https://padlet.com/m_t_beckett/gobhsdinner/wish/233564335 Throughout most of the dinner scene shows an unrestricted narrative.  As the scene progresses, the camera zooms in more on to the characters mirroring the uncomfortable tension that is happening between Chris and Jeremy]]> 2018-02-21 00:40:54 UTC https://padlet.com/m_t_beckett/gobhsdinner/wish/233564335