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      <title>2.D non-fiction by MR</title>
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      <description>Non-fiction</description>
      <language>en-us</language>
      <pubDate>2018-03-04 19:05:39 UTC</pubDate>
      <lastBuildDate>2018-03-05 10:36:40 UTC</lastBuildDate>
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         <title>2. 	How does Rebecca Westcott argue for her views in text 2? Give examples from the text.</title>
         <author></author>
         <link>https://padlet.com/mr2/ihn5w04ou4zp/wish/237998981</link>
         <description><![CDATA[<div>In “How dark is too dark in children's books?” Rebecca Westcott takes her starting point in the book “Where The Wild Things Are”, which is banned from a lot of schools in the United States. She joins the debate about the fine line between a dark children’s book and a too dark children’s book. Her views is clearly presented in the end of the article, here she states that <em>“Children's writers need to take care when they write about everyday (...) with sensitivity and a huge awareness of their responsibilities.”.</em></div><div>She argues for her views by using different children's books, and explaining how they have affected her and others. She states in the article that <em>“I strongly wish that I hadn't read this book but the damage has been done (..) traumatic images that Shriver's words created in my head.”</em>. Here she is talking about a book she herself have read (“We Need To Talk About Kevin” by Lionel Shriver), and how deeply it has affected her. This is an example of how she uses her own experiences to argue for her views. Westcott also ends the article with a question from the writer Maurice Sendak, <em>“it is surely only right that we provide as many opportunities as possible for children to make sense of the world they live in?”</em>, and this is making the reader interested in hearing more. &nbsp;<br><br>By Bonita and Josefine<br><br></div><div><br></div>]]></description>
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         <pubDate>2018-03-05 10:26:14 UTC</pubDate>
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         <title>2.	How does Rebecca Westcott argue for her views in text 2? Give examples from the text. </title>
         <author></author>
         <link>https://padlet.com/mr2/ihn5w04ou4zp/wish/238000522</link>
         <description><![CDATA[<div>In the article “How dark is too dark in children’s book?”&nbsp; from the Guardian website September 2., 2014, Rebecca Westcott addresses her views on Children’s literature.</div><div>Rebecca Westcott believes that children should be allowed to choose for themselves, which books they find appropriate to read. Westcott appeals to ethos by underlining this argument with a story of her own son, who read Harry Potter: <em>“What he didn't feel ready for was the emotional storyline and, after reading the first book, made the decision to read the rest out of sequence.”</em> , this shows that she allowed her son to choose his own books, and let him deal with it emotionally by himself. Rebecca Westcott also uses an example of herself which shows even adults can choose books for themselves that they are either not ready to read, or can not deal with emotionally. Westcott does not only use ethos in this example, she uses pathos too, by appealing to her own emotions. Rebecca Westcott states <em>“Reading is an individual, independent affair and the things that impact on me may be completely bypassed by someone else.” </em>Westcott mean by this, every person has their own mind, every person has their own opinion for the books they read.<br><br>Written by Lucas and Melissa</div>]]></description>
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         <pubDate>2018-03-05 10:32:17 UTC</pubDate>
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         <link>https://padlet.com/mr2/ihn5w04ou4zp/wish/238000692</link>
         <description><![CDATA[<div><strong>2.	How does Rebecca Westcott argue for her views in text 2? Give examples from the text. </strong><br>The headline “How dark is too dark in children’s books?” of the article by Rebecca Westcott, is a rhetorical question, which catches the reader’s attention. It makes the reader reflect over the issues surrounding children’s literature.&nbsp;</div><div>She starts out by referring to an earlier event, which began the debate based on the question “How dark is too dark in children’s books?” She wins credibility as an author when she represents different opinions for and against age banding books as seen in the quote: “Those in favour believe that children's fiction pushes boundaries that aren't appropriate for all readers. Those against talk about restricting children's choices and alienating readers with a younger reading ability than their chronological age.” (Li. 12-14).&nbsp; At this point she remains objective and gives the reader a chance to establish their own opinion.&nbsp;</div><div>Westcott uses ethos and pathos in the description of her own experience (...) To be continued&nbsp;<br><br>Signe og Julie</div>]]></description>
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         <pubDate>2018-03-05 10:33:03 UTC</pubDate>
         <guid>https://padlet.com/mr2/ihn5w04ou4zp/wish/238000692</guid>
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         <title>2.	How does Rebecca Westcott argue for her views in text 2? Give examples from the text. </title>
         <author></author>
         <link>https://padlet.com/mr2/ihn5w04ou4zp/wish/238001380</link>
         <description><![CDATA[<div>In the text <em>“How dark is too dark in children’s books?” </em>Rebecca Westcott utilizes real life experiences with her son, to back up her arguments. She points out that all books are not suitable for all readers. <em>“As an adult reader, there are some books that I will never read because I know that I will struggle to deal with the subject matter”</em>, but she also point out that reading is an individual, independent affair and the things that impact some people may be completely bypassed by someone else. She claims that children are fantastic at self-policing their own reading and all they need is an adult to guide them towards the books that they are ready to read. She argues that children by adults with adult problems and that books are a good place for them to recognise their situation and wonder <em>“what would I do?”</em>.&nbsp;<br><br>Hjatle</div>]]></description>
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         <pubDate>2018-03-05 10:35:45 UTC</pubDate>
         <guid>https://padlet.com/mr2/ihn5w04ou4zp/wish/238001380</guid>
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      <item>
         <title>2. How does Rebecca Westcott argue for her views in text 2? Give examples from the text. </title>
         <author></author>
         <link>https://padlet.com/mr2/ihn5w04ou4zp/wish/238001476</link>
         <description><![CDATA[<div>First of all, the author of text two, “How dark is to dark in childrens litterature”, Rebecca Westcott, asks “<em>how dark is to dark in children’s books</em>?” in the headline to catch the reader’s attention. She makes the reader wonder and therefore making the reader continue reading. Westcott start out by telling about a personal experience including a conversation about her own books. She uses the conversation to make the reader understand who she is and what her standing point in this discussion is. The first-person narrator makes it easier for the reader to relate to the content of the text, because the reader maybe has experienced something similar. Through the article Westcott affect us using ethos. She mentions her experiences with her son but she also mentions her own limits when it comes to darkness in books. <em>“A few years ago a colleague recommended that I read</em><a href="http://www.guardianbookshop.co.uk/BerteShopWeb/viewProduct.do?ISBN=9781846687341"><em> We Need To Talk About Kevin</em></a><em> by Lionel Shriver … the book that has most deeply affected me and left me with mental images that I can't forget.”.&nbsp;</em></div><div><em><br>Petrine og Johanne</em></div>]]></description>
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         <pubDate>2018-03-05 10:36:05 UTC</pubDate>
         <guid>https://padlet.com/mr2/ihn5w04ou4zp/wish/238001476</guid>
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