• Individually, use your phones or laptops to create a quick digital mood board for a fictional fashion shoot.

• Prompt: "A new line of sustainable clothing for young urban professionals."

• You need to find images that represent the mood, lighting style, location, model type, and posing style.

• Individual share their mood boards and explain their vision.

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Tracksuits and hoodies, Tennis-inspired outfits, Activewear.

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Japanese Fashion - Usually elusion and mysterious. It gives me doll and gothic vibes.

Korean Fashion - More stylish, your ordinary K-pop style of fashion.

US Fashion - Usually with heavy makeup, gowns and dress are part of model dressings.

Malaysian Fashion - With Tudung and usually wearing formal and golden!

Soft natural lighting and modern urban backdrops evoke a sense of calm, clarity, and conscious style.

Combination of brown, khaki, white

Suitable for cafe hopping, working outfit

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(Melissa Yee Mei Jun 24wkd05023)

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Title: "Who Is Robert Pattinson?"

He stares straight through the lens — bleached hair like static electricity, a cut on his nose, a spider tattoo sketched just above his brow. Chain around his neck, grill in his teeth. The clean tank top clashes with the chaos in his eyes.

This isn't the brooding vampire or the polished leading man. This is something raw. Unfiltered. Maybe even unhinged.

GQ didn’t just ask who Robert Pattinson is — they let him answer without saying a word. The cover is loud, messy, magnetic. A punk fever dream. A rejection of the pretty-boy myth he’s tried to kill for years.

This is not reinvention.

It’s revelation.

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A study in contrast and elegance. Black and white fashion captures timeless sophistication with bold silhouettes, sharp tailoring, and refined simplicity. Minimal yet powerful — where style speaks without color.

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Lim Wei San

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Minimalist style while focus on different texture of white and black

I used earthy tones and natural fabrics like linen to create a calm, organic mood. The silhouettes are loose and simple, showing comfort and ease, while the models pose naturally to reflect authenticity.

Elements like worn textures and handmade objects highlight the idea that flaws and aging can be beautiful. Overall, it’s about a peaceful, sustainable lifestyle with quiet elegance.

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This mood board radiates a sophisticated, elegant, and intentional lifestyle rooted in slow living, mindful luxury, and feminine empowerment.

Lisa’s fashion is chic but cool, often with a tomboy or sporty feel. Whether she’s on stage, at the airport, or at a fashion show, she always looks confident and unique. Many young people copy her outfits because they are trendy and easy to wear in real life.

I like this black-and-white photo because it catches the perfect moment. It shows an ordinary scene in a beautiful and balanced way.

Why I chose this photo:

I was drawn to the powerful contrast of color and expression. The red powder envelops the boy, creating a surreal, almost theatrical quality, while his intense gaze anchors the image, hinting at both playfulness and contemplation.

Eve Choy Li Jun 24WKD01705 DBNY2S1G1

It was taken by Steve McCurry in China.

The monk is standing on one leg in a calm and focused pose.

This shows the discipline and strength of Shaolin kung fu.

The photo tells a story of patience and practice.

I chose this photograph because the man’s smile amidst the floodwaters feels both resilient and hopeful. The old sewing machine he carries shows his determination to protect what matters most to him.The warm expression against the challenging environment creates a powerful contrast that deeply moves me.

At the same time, the warm wooden door frame and the calm reading scene add a sense of everyday life and storytelling to the image.

I chose this photo because it beautifully captures a father’s joy in buying ice cream for his children. His striking blue eyes shine with warmth and pride, making the moment feel deeply personal and full of love. The simple gesture, paired with his radiant smile, tells a touching story of care and connection.

I chose this photo because of the smile I think maybe he is having on his face that show to people while he is playing music that he is fill into the world of the music as well as the background is having a crying face makes it the place depressing and sad.

: Man Yao Chan

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I chose this photo by Henri Cartier-Bresson because it shows daily life in a lively public square. People are relaxing, reading, and talking, while the beautiful building in the background makes the scene more interesting. It feels like a moment that could happen at any time in history.

But I believe that if a deity is truly compassionate, they would not mind.

They would understand that this is simply a human finding a moment of rest in the midst of life’s weariness.

The way the child holds the umbrella and walks with their head down adds a quiet, powerful emotion to the scene.

It shows a man mid-leap over a puddle, his reflection dancing beneath him, capturing the split second before he lands.

The black-and-white tones make the scene feel timeless, turning a simple act into a graceful, almost poetic slice of life.

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This picture was taken in the year 1975 by henri cartier-bresson. It is the most iconic photograph bc it is nice and I find it unique bc while most photographers are not featured in the photograph, in this photo , you can see he is featured near the mirror which shows clear and fantastic composition pre planned . It shows two stories in one picture.

The composition is simple but smart, using light and shadow well.

Black and white colors make it feel calm and timeless.

Seville, 1933.

#HenriCartierBresson

I chose this photo because the photographer used the wall as a natural frame to capture children playing together. The children are from different races, genders, and backgrounds, including OKU, but they play peacefully. This photo inspiresme and reminds me that unity and kindness still exist in our world.

A group of women huddled together to overcome a disaster. The trees and the yellowish hue contrasts with their striking red sarees. This shows me that if women band together , we can overcome anything

This photo is from Henri Cartier Bresson. I choose this photo is because the poor person don't have somewhere to live only can simply find some place for rest. Even in the picture viewers also can see the man shirt is not wear properly.

The reflection in the puddle creates a beautiful symmetry that makes the scene more interesting.

It also shows movement and energy, which makes the picture feel alive.

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Through this image, I feel the emotions the photographer is trying to convey are depression and hopelessness. It appears to show open burning, with animals moving away from the burn site. Whatever caused the fire, it has destroyed the animals’ natural habitat, which is very wrong.

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I picked this photo because it looks really peaceful and beautiful. The sunset colors reflecting on the wet sand make it feel magical, and the camels walking together tell a cool story. It makes me want to be there and see it in real life.

Although this photo was black and white,but this photos give me the feeling of the warmth of family, the hope and expectation for children's growth.

I chose this photo because it tells a gentle, universal story of simplicity and connection. The moment between the monk and the cat feels intimate yet timeless, set against the serene backdrop of the monastery and its orderly garden. The composition layers foreground, middle ground, and background seamlessly, drawing the viewer into the scene. The warm earthy colors, pops of red flowers, and soft natural light create a calm, inviting atmosphere. Overall, it’s a photograph that radiates peace, humility, and the quiet beauty of everyday life.

I chose this photo because it beautifully captures a joyful moment between two children in Rome. The spontaneous laughter and playful energy make the scene feel alive, while the black-and-white tones add a timeless quality to the image.

The composition is classic Cartier-Bresson: perfectly timed, with the boy placed slightly off-center, moving into the frame, while the background softly blurs to emphasize his expression and motion. The depth of field draws our eyes directly to the boy, yet still hints at the lively street life behind him.

I chose Hyères, France (1932) because it beautifully shows the mix of stillness and motion. The curved staircase frames a cyclist passing by in a quick blur, making the scene feel both lively and balanced. The shapes and movement turn an ordinary moment into something timeless

This photo is a classic work by Henri Cartier-Bresson, included in his 1952 book The Decisive Moment. I chose it because it shows a simple and happy moment of people having a picnic by the river. The way they sit together and the boat in the background make the scene calm and nice. The black-and-white style gives it a warm and timeless feeling.

I choose this photo because it's vibrant colour - the cool blue, warm orange and deep red handprints which can create a striking contrast that immediately catches the eye. The way the child is running into the alley makes me wonder what is happening in the story. The red handprints on the wall make the picture feel playful but also a little mysterious.

The dark smoke and fiery glow create an apocalyptic scene, symbolizing the environmental devastation and innocent lives caught in conflict. It’s a haunting reminder of the war’s lasting scars on nature.

The contrast between movement and stillness creates a dynamic and artistic feel.

This photo, Behind the Gare Saint-Lazare, was taken by Henri Cartier-Bresson. I like it because it catches the perfect moment and shows an ordinary scene in a beautiful way.

I choose this photo because it captures the raw energy and teamwork of rural life. The movement of the farmer, the determined focus of the herding dog, and the motion of the sheep all create a dynamic, almost cinematic scene. The earthy tones of the dusty ground contrast with the cloudy sky, adding drama and atmosphere. It’s a candid slice of everyday work that speaks of dedication, cooperation between humans and animals, and the timeless rhythm of agricultural life.

Photographers shouldn’t choose only ethics or only awareness. Both can work together. The best photos raise awareness while still respecting the dignity of the people being photographed.

Carter’s photo made the world see the famine, but people asked if it was right to take the picture instead of helping the child. In Malaysia, street photography can show culture or social problems, but it may also invade people’s privacy.

Photographers should not choose only one side. If they ignore ethics, they may exploit people. If they ignore awareness, problems may stay hidden. The best way is to balance both, take photos that raise awareness but still respect people’s dignity.

In Malaysia, street photography also raises this issue. Photos of everyday people can show hidden social problems, but taking them without consent or in sensitive situations may disrespect privacy and dignity.

They need to always respect people’s dignity first. Then use the photo to raise awareness in a responsible way.

Kevin Carter’s 1993 photo in Sudan picture of the starving child with a vulture got the world’s attention and made people aware of the famine. But at the same time, he was also criticized for not helping the child, so it shows the big conflict between raising awareness and taking ethical responsibility.In Malaysia, street photography has the same kind of issue. On one hand, it shows real social life and even problems like poverty. On the other hand, sometimes people are photographed without permission, which can make them feel uncomfortable or disrespected.

I think photographers need to balance both. If you only care about awareness but ignore ethics, the photo might hurt people or cause controversy. But if you only care about ethics and avoid difficult topics, then important stories may not be told. The best way is to respect people as much as possible, while still capturing moments that can open the public’s eyes.

In Malaysia, street photos also raise issues of privacy and respect.

Photographers should try to balance ethics and awareness. They must respect people but also use photos to tell important stories.

street photographers face similar dilemmas on a smaller scale. Capturing poverty or vulnerable people in public can highlight social issues, but it may also invade privacy or strip dignity.

So should ethics or awareness come first? The answer lies in balance. A strong image should inform and move people, but never dehumanize its subject. By respecting dignity, seeking consent when possible, and providing context, photographers can raise awareness responsibly without sacrificing ethics.

I believe photographers should focus on capturing people’s joy rather than their suffering. Suffering should only be photographed if the intention is to create real change, to help people out of that suffering. Otherwise, it risks exploiting someone’s pain for the sake of an image. Photography should respect dignity while still having the power to raise awareness in a meaningful and compassionate way.

A photographers should be mindful of the potential impact of their images on individuals and communities. They need to consider issues like consent, privacy, and the potential for misrepresentation or exploitation.

Photographers should try to balance ethics and awareness. If they ignore ethics, their work may harm or exploit people. If they avoid awareness, important issues may stay hidden. By respecting people and still sharing real stories, photographers can use their work for positive change without causing harm.

In Malaysia, street photography can highlight social issues but may risk invading people’s privacy. Both examples show the conflict between raising awareness and respecting human dignity. Photographers should try to balance ethics with the need to inform society. By respecting subjects while telling the truth, photography can be both powerful and responsible.

Kevin Carter’s famine photo shows the power of raising awareness but also raises ethical questions.Street photography in Malaysia faces similar issues of consent and respect. I think the photographers should balance ethics and awareness by showing truth without harm.Because if photographers ignore ethics, they may exploit or harm people.

But if they ignore awareness, important issues stay hidden.

Balancing both lets them raise concern while still respecting human dignity.

This shows that awareness and ethics are closely linked. If a photographer only cares about awareness, they may exploit people; but if they only focus on ethics, important stories might stay hidden. The best way is to balance both raise awareness while still respecting the dignity and humanity of the subjects.

In Malaysia, street photography faces similar issues. Photographers often capture daily life, culture, and even poverty, which can raise awareness of social realities. However, taking pictures without consent can affect people’s dignity and privacy.

Therefore, photographers need to balance both ethics and awareness. Without awareness, important issues may remain invisible, but without ethics, images risk exploiting people. A responsible photographer should respect subjects while still telling powerful stories that can inspire change.

Kevin Carter’s 1993 famine photo made the world notice the problem, but many asked why he did not help the child. Street photography in Malaysia is similar because it can show social issues but may also hurt people’s privacy. Photographers should try to do both, making people aware while also respecting those they photograph.

• Raised huge global awareness about famine.

• But criticized for “exploiting” suffering instead of helping.

• Shows the moral dilemma: capture vs. intervene.

Street photography in Malaysia

• Often captures daily struggles or sensitive issues (poverty, homelessness).

• Raises awareness of social realities.

• But can invade privacy or misrepresent people.

Ethics vs. Awareness

• Ethics = respect, dignity, consent.

• Awareness = truth, exposure of hidden issues.

• Both can be balanced: show reality without dehumanizing.

• Photographers should ask: Does this image help or harm?

Conclusion

• Awareness is important, but ethics should come first.

• Without ethics, awareness becomes exploitation.

• Best path: balance both — tell the truth responsibly.

A balance is possible: photographers should respect ethics by gaining consent or portraying subjects with dignity, while still using their work to raise awareness. Ethics and awareness should go hand in hand, not one above the other.

Photographers should not simply choose between ethics and awareness; both can be balanced. By respecting the dignity of subjects, giving context, and being mindful of consequences, photographers can raise awareness responsibly.

Kevin Carter’s 1993 Sudan famine photograph and street photography in Malaysia highlights the tension between raising awareness and upholding ethical responsibility. Carter’s image exposed the harsh reality of famine but also came with criticism for exploiting suffering, while street photography can similarly document social issues it risks invading privacy or objectifying subjects. Rather than choosing one over the other, photographers should balance both by raising awareness while responsibly capturing impactful images while ensuring dignity, consent, and respect so its balance ensures that photography not only informs but also upholds human values.

Photographers need balance. If only focus on awareness, it becomes exploitation. If only focus on ethics, truth may stay hidden. The best way is to tell the truth but still respect people.

1.Carter’s Photo: His powerful image of a starving child drew global attention to the famine but sparked criticism over his failure to intervene, raising questions about whether photographers should prioritize documentation over direct aid.

2.Street Photography in Malaysia: Capturing candid moments in public spaces must balance artistic freedom with cultural sensitivity, consent, and privacy concerns.

Conclu：

While no single rule applies, the most responsible photography balances truth-telling with empathy, ensuring that the act of documenting does not overshadow the humanity of the subjects. Ethical awareness should guide—but not entirely restrict—the power of visual storytelling.

In Malaysia, street photographers also face this issue—raising awareness while respecting people’s privacy.

Photographers should balance both. Awareness is important, but ethics must be respected. Getting consent and protecting subjects shows responsible photography.

Street photography in Malaysia faces similar issues. Photographers capture candid images of daily life, sometimes highlighting poverty or social struggles. These pictures can raise awareness of real issues, but they may also invade privacy or misrepresent people, especially when shared widely online.

Photographers should not choose between ethics and awareness but aim to balance both. Respecting dignity, avoiding harm, and giving proper context allow images to inform society while remaining ethical.

In conclusion, Carter’s work and Malaysian street photography show that awareness and ethics are interconnected. A responsible photographer can raise awareness without crossing ethical boundaries.

Also, I think photographers can balanced ethics and awareness at the same time, they can ask for permission when possible especially in street photography. This also can be like a respect the subject dignity and show them as people, not just victims or social lower people. Besides that, photographer also can explain the story behind the photo so might not misunderstood.

Kevin Carter’s famine photo showed real suffering and made people aware, but many questioned if it was right. In Malaysia, street photos also raise awareness but may invade privacy. Photographers should balance ethics and awareness to respect people while telling the truth.

Photographers should care about the people they take pictures of. It’s possible to share important stories while being kind and respectful. Doing both helps us understand others better without hurting them.

I think photographers should balance both. Awareness is important, but it should not hurt the dignity of the people in the photo. A good photographer can raise awareness while still being ethical.

Photographers can balance ethics and awareness. They can take pictures that inform people while treating subjects with dignity, asking permission when possible, and explaining the context of the image. Being careful and respectful helps the audience take the message seriously without harming the people in the photo.

Carter’s photo and Malaysian street photography show that it is possible to both raise awareness and stay ethical. Thoughtful photographers can tell important stories while respecting human dignity.

Kevin Carter’s 1993 Sudan famine photograph and street photography both challenge the line between ethical responsibility and raising awareness by exposing global famine but raised questions about whether he should have helped the child instead of just taking the picture. Similarly, street photography can reveal social issues but sometimes violates people’s privacy.

Photographers should balance both ethics and awareness, because raising awareness is powerful, but it must be done without harming or exploiting the subjects. Ethical awareness makes the message more respectful and impactful.

Kevin Carter’s 1993 photograph of a starving child in Sudan and street photography in Malaysia both highlight the tension between raising awareness and maintaining ethical responsibility. Carter’s image brought global attention to famine but faced criticism for exploiting suffering, while Malaysian street photography raises concerns about consent and dignity. These examples show that photographers are not just observers—they hold power that affects real lives. Rather than choosing between ethics and awareness, photographers should balance both by being respectful, transparent, and intentional. Ethical photography can still powerfully raise awareness without harming its subjects.

However, it also sparked ethical controversy. Some argued that the photographer should not merely document, but instead put down the camera and help those innocent victims suffering from famine.

The image highlights the tension and struggle photographers face between bearing witness to history and fulfilling moral responsibility.

Whether it is Kevin Carter’s photograph of the Sudan famine or street photography in Malaysia, both demonstrate that images can not only raise public awareness but also trigger ethical controversy.

In my view, photographers should not regard “ethics” and “raising awareness” as opposites, but rather strive to balance the two. Only by revealing the truth while respecting human dignity can photography truly fulfill its social responsibility.

Kevin Carter’s 1993 Sudan famine photograph and Malaysian street photography both show the tension between ethics and awareness. Carter’s image raised global attention and aid but was criticized for exploiting the child’s suffering instead of helping. In Malaysia, street photography documents social realities but often raises issues of privacy and dignity since subjects are photographed without consent.

Rather than choosing between ethics and awareness, photographers should balance both—raising awareness while respecting human dignity. Images that exploit vulnerability risk harm, while overly strict ethics may silence important stories. Responsible photography means exercising compassion, respect, and critical judgment so that ethics and awareness can coexist.

I think that we should not choose only one side. If they ignore the ethics, they may harm their subjects. But if they ignore the awareness, problems stay hidden. The best way is to balance both by showing the truth of what happened and what we see but with respect.

Kevin Carter’s 1993 Sudan famine photograph and Malaysian street photography both highlight the tension between raising awareness and maintaining ethics. Carter’s image brought global attention to famine but was criticized for exploiting suffering. While Malaysian street photography can expose social realities yet risks invading privacy. Photographers shouldn’t choose one over the other; ethics and awareness must work together. Caus without ethics, awareness becomes exploitation, but without awareness, important issues remain unseen. A careful balance is the most responsible path.

I think both ethics and awareness can be balanced. Photographer should have ethical responsibility such as respecting human dignity and ensuring consent, at the same time they should raise awareness by telling important stories, exposing injustices, or showing social realities.

Chan Man Yao

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At the same time,this can proctect the privacy and dog itu of subject.

Photographers shouldn't simply choose between "ethics" and "awareness" but rather seek a balance. Completely ignoring ethics can make photography exploitative and dehumanizing; focusing solely on ethics can lead to overlooking social issues. The best approach is to let moral responsibility guide photography, respecting the dignity of those photographed while simultaneously conveying social messages through imagery. This way, photographs can be both powerful and harmless.

Similarly, street photography in Malaysia often captures real-life struggles, poverty, and cultural diversity. However, it can raise ethical issues, especially when subjects are photographed without consent. In a multicultural society like Malaysia, this can be seen as disrespectful or intrusive, even when the intention is to highlight social issues.

These examples show how photography can walk a fine line between raising awareness and respecting human dignity. Photographers should not ignore ethics for the sake of a powerful image. However, awareness is still important, images can inspire change and open people’s eyes to injustice.

In the end, ethics and awareness can be balanced. Photographers should act with empathy, protect their subjects, and be thoughtful about how their work is used. With the right approach, they can inform the public while still respecting the people they photograph.

In Malaysia, street photography also raises questions. It can show real culture, but taking photos without consent may hurt people’s privacy.

Photographers should try to balance both. Awareness is important, but ethics must guide how photos are taken. Respect and care can make both possible.

I think photographers should not choose only one side. If they only care about ethics, some stories will never be seen. If they only care about awareness, people in the photo may be hurt. The best way is to balance both: show the truth but also respect the people. Photographers can ask for permission, or take photos in a way that does not shame others. A strong photo should open people’s eyes, but also keep human dignity.

This shows that photographers need to balance both ethics and awareness. If they only focus on awareness, they might hurt or disrespect the people in the photos. If they only focus on ethics, some important stories may not be told. The best way is to do both—use photos to inform and inspire change, but also respect the dignity of the people being photographed.

I think that these two photography has both benefit and disadvantage because of capturing those picture may expose the reality of them but also raise awareness of society about the critical issue in society. In this context, I think that it is hard to balance up the ethical responsibilities and raise awareness. As ethical responsibility must be practice as to protect the concern of personal privacy but also without raise awareness, the real issue is less take care by the society and government. However, it also criticize on the reality of society.

For me, photographers should not have to choose between ethics and awareness. Both can and should be balanced. Ethics must be the foundation of their work. A photographer's first duty is to treat their subjects with respect. By doing so, the awareness they create will be more authentic and powerful.

Street photography in Malaysia presents a similar dilemma. Photographers often capture candid urban moments for artistic or documentary purposes, usually without consent. Legally, Malaysia lacks strict privacy or portrait rights and unless it involves harassment or stalking , such photography is not unlawful. Ethically, however, subjects may feel violated when photographed unknowingly.

The challenge is to balance ethics and awareness. Street photography gains its value from authenticity but respecting subjects’ dignity remains important. Constantly seeking consent could compromise natural expression but ignoring ethics risks exploitation.

Ultimately, photographers must act as responsible witnesses which raising awareness while minimizing harm, navigating the boundary between respect and the urgency to document.

Kevin Carter’s 1993 Sudan famine photo raised global awareness but also caused debate because people asked if he should have helped the child instead. In Malaysia, street photography also shows social issues but may invade privacy. Photographers should balance ethics and awareness by respecting subjects while still showing the truth. This way, both dignity and awareness can be achieved.

Photographers must balance ethics and awareness. Prioritizing one over the other can harm subjects or dilute the message. Ethical storytelling—with consent, context, and dignity—can powerfully raise awareness without exploitation. Therefore, both can and should be balanced for responsible photography.

Photographers should try to balance both — respect people while also spreading awareness. This way, photos can help without hurting.