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      <title>Julius Ceasar by </title>
      <link>https://padlet.com/nwalid299/hqn8sx8pvi7b</link>
      <description>Made by: Nada.H , Mary, Jana, Lyan, Sara


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      <language>en-us</language>
      <pubDate>2018-10-24 07:00:40 UTC</pubDate>
      <lastBuildDate>2024-11-21 21:29:55 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>3 Tweets from readers :</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297368661</link>
         <description><![CDATA[<div>1-William Shakespeare’s <em>Julius Ceasar</em> is a phenomenal play.<br>2- It is not quite historically accurate, the play allows the audience to dive deep into Roman history and learn about Roman culture.<br>3- One of the more emotional scenes is in Act III Scene II.  A crowd is gathered after Caesar’s funeral.  Brutus and Mark Antony both make speeches in front of the crowd.  The applications of pathos and ethos are remarkable in Mark Antony’s speech.  For example, when Mark Antony says, “My heart is in the coffin there with Caesar, and I must pause till it come back to me.” Brutus demonstrates some emotion in his speech, but Mark Antony’s was filled with more emotion.  While Brutus gives a defense of what he did and says “it was for the good of Rome,” while Mark Antony appeals to the crowd’s emotion by telling of the good that Caesar did and that it was wrong to take his life.</div>]]></description>
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         <pubDate>2018-10-26 13:15:28 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297368661</guid>
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         <title>Overview:</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297664215</link>
         <description><![CDATA[<div><strong><em>Julius Ceasar</em></strong><strong> ,</strong> one of William Shakespeare’s plays featuring a historical figure, was an interesting look at the death of Caesar at the hands of his friend Marcus Brutus. Looking at this like it’s a novel doesn’t really work, of course.  It’s a play, and was written to be dramatic.  The story within this book was rather brief and simple. Not at all complex. It’s a story of tragedy, and it just seems like everything goes wrong. But that’s the way of Shakespeare’s tragedies.<br><br></div><div>The edition I read has an extensive section on William Shakespeare, the source of the story (Plutarch), and commentaries by people involved in various productions of the play. Those are just extras that don’t factor into my review.<br><br></div><div>The story is very simple. It’s about the downfall of Julius Caesar at the hands of Marcus Brutus and his conspirators. On Caesar’s side is Marcus Antonius, who delivers a very famous speech. It’s full of drama, that’s certain. It’s not a particularly well-written story, as it’s overly dramatic, and sometimes reads as if there are no real emotions. Take Julius Caesar’s death, for example. I found it had very little impact on me. Sure, Caesar gives the very famous line, “Et tu, Brutè?” But his death was incredibly early in the play. It’s really not so much about Caesar, but more about his killers and those who come after him, such as Mark Antony. Surprisingly, Caesar isn’t in this play very much. We don’t really get to know him well. We get to know Brutus and Antony, though. The entire story goes like this (spoiler warning!): Brutus loves, but hates Julius Caesar. He decides to kill him because he doesn’t like the way he’s become. Caesar dies. Mark Antony makes a big speech, vows revenge. Big battle, and Brutus’ entire side dies. The end.<br><br></div><div>The characters are very unlikeable, as they usually are in Shakespeare’s tragedies. Mark Antony is maybe the most likeable character, though. Brutus is a hypocrite, loving Caesar, yet wanting him to die. Caesar was portrayed as a cold leader. Antony was the most passionate, and could be considered a protagonist. But I just couldn’t sympathise with anyone.<br><br></div><div>The setting was in Rome, of course. As it is a play, there’s little in the way of descriptions of the setting. You just have to imagine ancient Rome.<br><br></div><div>It’s difficult to review a play in book form, especially when the language is from the late 16th century. It’s quite different than modern English, though Shakespeare’s English is considered early modern English. However, it’s not easy to read because of the differences in the language. This edition has a lot of footnotes on each page, which is extremely helpful. It’s recommended that you read it with footnotes, or else you may completely miss the meaning of many words.<br><br></div><div>Overall, I would give this 3 1/2 out of 5 stars. It’s not my favourite play of Shakespeare’s, but it was enjoyable. I would recommend it to anyone who loves history (however inaccurate it may be) and classic plays. It’s also great for those who enjoy language.<br><br></div>]]></description>
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         <pubDate>2018-10-27 16:29:10 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297664215</guid>
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      <item>
         <title>Original Text:</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297676412</link>
         <description><![CDATA[<div> ENTER BRUTUS IN HIS ORCHARD <br>What, Lucius, ho!—I cannot by the progress of the stars Give guess how near to day.—Lucius, I say!—I would it were my fault to sleep so soundly.—When, Lucius, when? Awake, I say! What, Lucius!</div>]]></description>
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         <pubDate>2018-10-27 18:41:51 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297676412</guid>
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         <title>Modern Text:</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297709483</link>
         <description><![CDATA[<div> BRUTUS ENTERS IN HIS ORCHARD.<br> Lucius, are you there? I can’t tell by the position of the stars how near it is to daybreak—Lucius, are you there? I wish I had that weakness, to sleep too soundly. Come on, Lucius! Wake up, I say! Lucius!</div>]]></description>
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         <pubDate>2018-10-28 04:04:35 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297709483</guid>
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         <title>2 Reviews from readers:</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297710134</link>
         <description><![CDATA[<div>"I do think that this production is ultimately successful in bringing Julius Caesar into the modern era. While those unfamiliar with the Great Bard's work may find the play at times overly weighty and ponderous, it will more than entertain anyone with an even casual awareness of Shakespeare's work."<strong>Noel Schecter<br><br>"</strong>Chicago Shakespeare Theater’s somewhat modernized production of Julius Caesar both benefits from and suffers from the updating. Dion Johnstone, David Darlow, and Larry Yando (especially Larry Yando) do spectacular work here, but some of the tragedy that is the Battle of Phillipi gets lost in the spectacle inherent to a modern staging of the fog of war."<strong>J. Scott Hill</strong></div>]]></description>
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         <pubDate>2018-10-28 04:17:13 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297710134</guid>
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         <title>         Julius Ceasar</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297712839</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-10-28 05:19:35 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/297712839</guid>
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      <item>
         <title>Theatrical Conventions used by William Shakespeare in Julius Caesar</title>
         <author>nwalid299</author>
         <link>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/298385439</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-10-30 08:43:29 UTC</pubDate>
         <guid>https://padlet.com/nwalid299/hqn8sx8pvi7b/wish/298385439</guid>
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