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      <title>Studio (Client Led) Reflective Padlet by </title>
      <link>https://padlet.com/30394888_/hprcbgxqrpgfktji</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-12-05 18:43:58 UTC</pubDate>
      <lastBuildDate>2025-01-17 15:06:11 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Pre-production. </title>
         <author>30394888_</author>
         <link>https://padlet.com/30394888_/hprcbgxqrpgfktji/wish/3248649656</link>
         <description><![CDATA[<p>Our themes we got assigned for our studio show were sport, volunteering, and civic pride. At the start of the year we discussed potential contacts for our studio show. One potential contact idea we had for the theme of sport was football coaches in Glasgow. This would relate heavily to the topic of sport and we could ask them questions such as “Why is sport so popular in Glasgow” and “How can Glasgow improve its future in sport?”. One idea we had for volunteering contacts was people who run homeless shelters and charities in Glasgow, such as; Refuweegee and Glasgow Care Foundation. One idea we had for Civic Pride contacts was music artists around Glasgow or people who fondly remember gigs in Glasgow from their youth. I emailed one youth football coach in Glasgow and one of the sport teachers in the college to see if I could interview him or a student studying sport. I never revived a response from either, next time I would have contacted more people in the sporting field. However, Jack Newall contacted the Chairperson of GADYFL and SYFA West Region Peter Glancey to be interviewed on stage and he responded saying he would be happy to do so. Me and Jack Newall watched the presenter audition video emailed to us by our lecturer Laura and decided that Alex Wilson would be a good choice for our studio show. We made a group chat about our studio project so we could keep up to the date with updates about guests, paperwork and the presenter. I was extremely active on this group chat and showed good communication skills by reminding people to keep up to date about studio deadlines and anything studio related. I asked and answered questions relating to the studio project and kept up to date with it frequently. </p><p><br></p><p>My role for our studio project was lighting director. I researched my role heavily using various sources such as ScreenSkills and Indeed which helped to develop my studio lighting skills. I completed a lighting plot and lighting notes which can be found on the HND 2B - Glasgow 850 Studio Production Notes Padlet. I collaborated with the director by asking him where he would like the guests and presenter to be seated on stage so I could make the appropriate lighting choices, such as the position of the key lights. </p><p><br></p><p>On the 8th November we had our first studio rehearsal which went well. I got familiar with the lighting equipment and how to set the lighting ques for the show. I had 3 different lighting cues; lighting rising up, lighting on, and lighting fading as the studio finishes and the credits roll. I started to implement some of the creative decisions I came up with when I was making my lighting plot, such as making the uplighters pink as pink is the same colour of the Glasgow 850 logo. I also started to implement some new creative decisions, like keeping the pink uplighters on throughout the entire show. The key and fill lights started to rise and fade during the start and end of the production but the pink lighters stayed consistent throughout. I thought this was a good creative decision and made the production look more polished and professional. </p><p><br></p><p>  </p><p><br></p>]]></description>
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         <pubDate>2024-12-05 19:03:04 UTC</pubDate>
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      <item>
         <title>Production</title>
         <author>30394888_</author>
         <link>https://padlet.com/30394888_/hprcbgxqrpgfktji/wish/3287360283</link>
         <description><![CDATA[<p>On the 29th of November we had studio show. The two guests that arrived were Peter Glancey and Jack Geddes. I showed good communication skills on set by politely but firmly asking the lighting assistant on set where I would like the key lights to be positioned. The key lights were used appropriately and were placed on each one of the guests in order to fully highlight the form and dimension of everyone (Presenter and guests) on stage. The fill lights were used to light up the shadowed parts of the stage. The pink uplighters stayed consistently throughout the show. Overall, I showed good communication and people skills on set and my creative lighting decisions helped to make the show look polished and professional. </p>]]></description>
         <enclosure url="" />
         <pubDate>2025-01-11 15:26:06 UTC</pubDate>
         <guid>https://padlet.com/30394888_/hprcbgxqrpgfktji/wish/3287360283</guid>
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      <item>
         <title>Studio Show 2 - Camera 2 </title>
         <author>30394888_</author>
         <link>https://padlet.com/30394888_/hprcbgxqrpgfktji/wish/3287838262</link>
         <description><![CDATA[<p>I was camera 2 for Studio Show 2. I showed professional social skills on set and maintained good etiquette throughout the entire production. I showed good camera skills and collaborated with the director (Briagh Graham) to see what camera shots she wanted for camera 2. I listened to her and preformed the camera shots she requested. I also checked the shot list in the Padlet before the production began to see what shots were needed. </p>]]></description>
         <enclosure url="" />
         <pubDate>2025-01-12 15:40:53 UTC</pubDate>
         <guid>https://padlet.com/30394888_/hprcbgxqrpgfktji/wish/3287838262</guid>
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