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      <title>3è séquence 1 : Musique et dialogue by Catherine MARGALA</title>
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      <description>Comment s&#39;organise le dialogue en musique</description>
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         <title>Chant</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>California dreaming</div>]]></description>
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         <title></title>
         <author>Cathmarg</author>
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         <title>California</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Démo Voix Filles</div>]]></description>
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         <title>California</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Démo Voix Garçons</div>]]></description>
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         <title>California</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>  Démo 2 voix</div>]]></description>
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         <title></title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div> " <strong><em>Oh happy day</em></strong>"</div>]]></description>
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         <title>La technique responsoriale</title>
         <author>Cathmarg</author>
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         <title>L&#39;orchestre</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277679</link>
         <description><![CDATA[<div>Une vidéo de rappel</div>]]></description>
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         <title>La forme Rondo</title>
         <author>Cathmarg</author>
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         <title>LES ORIGINES DU GOSPEL</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277681</link>
         <description><![CDATA[<div>L’histoire de la <strong>musique afro-américaine</strong> est liée à une <strong>terrible réalité</strong> : celle de <strong>l’esclavage</strong> (et donc du commerce triangulaire). En seulement deux siècles, deux millions d’esclaves sont déportés dans les colonies d’Amérique du Nord pour y travailler dans les plantations. </div>]]></description>
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         <title></title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Pour les esclaves dépouillés de tout ce qu’ils possèdent, l<strong>a musique devient un moyen de</strong> <strong>garder le lien avec leurs origines</strong> et leur culture. Ils mélangent des éléments musicaux hérités de l’Afrique avec des éléments de la culture musicale de leurs bourreaux. C’est ce <strong><em>métissage musical</em></strong> qui va donner naissance au <strong>Gospel</strong> (« God spell » : la parole de Dieu).</div>]]></description>
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         <title>Jeu rythmique et corporel</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>" KALIMBA"</div>]]></description>
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         <title></title>
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         <title>DES CONCERTOS</title>
         <author>Cathmarg</author>
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         <title>Concerto pour hautbois et orchestre</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>1er mvt  2ème mvt (3'03) - 3ème mvt (7'02)</div>]]></description>
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         <title>Les 4 saisons de Vivaldi</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Contraste sensibilité &amp; virtuosité</div>]]></description>
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         <title>Concerto pour piano -</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>1er Mouvement</div>]]></description>
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         <title>Concerto pour trompette</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>2nd mouvement</div>]]></description>
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         <title>&quot;CALL AND RESPONSE&quot;</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div><strong>On retrouve la technique du Call and Response, héritée des musiques afro-américaines, dans de nombreuses musiques actuelles </strong></div>]]></description>
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         <title>Dans la pop music</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Michael JACKSON, <em>Stranger in Moscow</em> </div>]]></description>
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         <title>Dans le rap :</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div> 113, Tonton du bled (1999) </div>]]></description>
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         <title>Dans l&#39;afro rap</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>MHD - AFRO TRAP Part.3 </div>]]></description>
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         <title>Dans le rock and roll : </title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div> Les BEATLES, Twist and Shout (1963) </div>]]></description>
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         <title>California dreamin&#39;s</title>
         <author>Cathmarg</author>
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         <title>&quot; Oh happy day</title>
         <author>Cathmarg</author>
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         <description><![CDATA[<div>Extrait du film Sister Act II</div>]]></description>
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         <title>INSTRU</title>
         <author>Cathmarg</author>
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         <title></title>
         <author>Cathmarg</author>
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         <title>Le concerto</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277700</link>
         <description><![CDATA[<div>Jeu de reconnaissance</div>]]></description>
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         <title>Test concerto</title>
         <author>Cathmarg</author>
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         <description><![CDATA[]]></description>
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         <title>Moanin</title>
         <author>Cathmarg</author>
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         <title>Chant responsorial</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277704</link>
         <description><![CDATA[]]></description>
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         <title>ACCORD PIANO</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277705</link>
         <description><![CDATA[]]></description>
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      <item>
         <title>Les dialogues en musique</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277706</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
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         <title>Concerto pour piano</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277707</link>
         <description><![CDATA[<div>L. V Beethoven - <br>3ème Mouvement</div>]]></description>
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         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
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      <item>
         <title>Musique antiphonique</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277708</link>
         <description><![CDATA[<div>On appelle musique antiphonique un dialogue musical entre deux ensembles (choeurs ou orchestres) qui se répondent.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
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         <title>KALIMBA</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277709</link>
         <description><![CDATA[<div>Percussions corporelles</div>]]></description>
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         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
         <guid>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277709</guid>
      </item>
      <item>
         <title>LE CONCERTO</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277710</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.larousse.fr/encyclopedie/musdico/concerto/166938" />
         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
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      </item>
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         <title>Moanin</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277711</link>
         <description><![CDATA[<div>Groupe Double six</div>]]></description>
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         <pubDate>2018-09-03 10:17:41 UTC</pubDate>
         <guid>https://padlet.com/Cathmarg/musiqueetdialogue/wish/277277711</guid>
      </item>
      <item>
         <title>Moanin, analyse</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/285915800</link>
         <description><![CDATA[<div>Cet extrait musical fait partie des standards de Jazz. Il s'agit d'une discussion entre le piano et le saxophone. Au début c'est le piano qui joue le thème qui est commenté par le saxophone (et la batterie et la contrebasse) puis cela s'inverse</div>]]></description>
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         <pubDate>2018-09-26 09:29:58 UTC</pubDate>
         <guid>https://padlet.com/Cathmarg/musiqueetdialogue/wish/285915800</guid>
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      <item>
         <title>Moanin Double six</title>
         <author>Cathmarg</author>
         <link>https://padlet.com/Cathmarg/musiqueetdialogue/wish/288017155</link>
         <description><![CDATA[<div>Les voix de femmes dialoguent avec les voix d'hommes en français accompagnées par une contrebasse, un piano et une batterie.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 09:59:56 UTC</pubDate>
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