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      <title>Remake of THE WALL OF SOUND : THE WALL OF SILENCE by </title>
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      <description>Rock N Roll Sound Art by Alberto Francesco De Luca</description>
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      <pubDate>2023-11-04 17:37:59 UTC</pubDate>
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         <description><![CDATA[<div><a href="https://www.nme.com/blogs/nme-blogs/brighton-festival-fills-a-church-with-the-eternal-howl-of-lou-reed-s-guitars-764295">https://www.nme.com/blogs/nme-blogs/brighton-festival-fills-a-church-with-the-eternal-howl-of-lou-reed-s-guitars-764295</a></div>]]></description>
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         <pubDate>2023-11-04 17:37:59 UTC</pubDate>
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         <title>Why Fuzz Face Silicon vs Germanium transistors ?</title>
         <author>adeluca0620221_1</author>
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         <description><![CDATA[<div>I tried both types of fuzz faces  and and found the silicone version to be more responsive for my mission in this sound art project.</div>]]></description>
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         <pubDate>2023-11-04 17:37:59 UTC</pubDate>
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         <description><![CDATA[<p>"Hendrix himself: his dazzling technique combines with a use of feedback and fuzz to almost casually create music of stunning strength and inventiveness. His vocals are warm, wistful or lascivious on cue, and never less than engaging; what passes for banter between numbers is winningly self-effacing. This is peak Hendrixosity, a live performance that has probably never been bettered or was never recorded if it was."</p><p><br></p><p>(Lloyd Bradley, 2020)</p><p><br></p><p><a rel="noopener noreferrer nofollow" href="https://www.theguardian.com/profile/lloydbradley">https://www.theguardian.com/profile/lloydbradley</a></p>]]></description>
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         <author>adeluca0620221_1</author>
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         <description><![CDATA[<p>"The Wall of Sound, or simply the Wall, would occupy only a blip on the long horizon of the Dead's history, though it remains a touchstone for sound systems of all shapes and sizes, from <a rel="noopener noreferrer nofollow" href="http://motherboard.vice.com/blog/inside-despacio-soundsystem">boutique disco PAs</a> to the massive PAs deployed at any of today's mega festivals and at 61,500-seat stadiums like Soldier Field in Chicago, where the four surviving members of the Dead, including Weir and Lesh, wrapped up a string of farewell shows this weekend to commemorate the band's 50th anniversary."</p><p><br></p><p>(Brian Anderson, 2015)</p><p><br></p><p><br></p><p><br></p>]]></description>
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         <pubDate>2023-11-04 17:37:59 UTC</pubDate>
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         <title>Guitar Pick Ups</title>
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         <title>WALL OF SOUND  :  WALL OF SILENCE                     The Experiment </title>
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         <title>Marshall 4x12” celestion speakers </title>
         <author>adeluca0620221_1</author>
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         <description><![CDATA[<div><a href="https://youtu.be/nv9Qags1slw?si=6MOF_rZLKYmA5mGv">https://youtu.be/nv9Qags1slw?si=6MOF_rZLKYmA5mGv</a></div>]]></description>
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         <title>Wall Of Sound : Feedback Control </title>
         <author>adeluca0620221_1</author>
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         <title>Marshall 4x12” Cabinet (each cab contains 4x12” speakers </title>
         <author>adeluca0620221_1</author>
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         <title>EL34 valves</title>
         <author>adeluca0620221_1</author>
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         <title>Marshall 100 watt amplifier</title>
         <author>adeluca0620221_1</author>
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         <title>The classic Dallas Arbiter Fuzz Face</title>
         <author>adeluca0620221_1</author>
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         <title>Your truly in performance </title>
         <author>adeluca0620221_1</author>
         <link>https://padlet.com/adeluca0620221_1/hlq189xde8u9i6nd/wish/2776238119</link>
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         <author>adeluca0620221_1</author>
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         <title>Jimi Hendrix creating feedback at at the Monterey Pop festival 1967</title>
         <author>adeluca0620221_1</author>
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         <author>adeluca0620221_1</author>
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         <title>Fender Stratocaster Electric Guitar </title>
         <author>adeluca0620221_1</author>
         <link>https://padlet.com/adeluca0620221_1/hlq189xde8u9i6nd/wish/2776238123</link>
         <description><![CDATA[<div><a href="https://youtu.be/29W0AE_hfVw?si=nZyvEXApfdDy940s">https://youtu.be/29W0AE_hfVw?si=nZyvEXApfdDy940s</a></div>]]></description>
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         <pubDate>2023-11-04 17:37:59 UTC</pubDate>
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         <title>Marshall Stacks</title>
         <author>adeluca0620221_1</author>
         <link>https://padlet.com/adeluca0620221_1/hlq189xde8u9i6nd/wish/2776238124</link>
         <description><![CDATA[<div>Wall Of Marshall Stacks by Jim Marshall <br>Marshall 100watt Amplifier heads using 4xEL34 Valves + Speakers in cabinets. Each Stack is comprised of 1 Amplifier 2 Marshall Cabinets containing 4x12” Marshall Celestian speakers. = 1 angled top cab + straight bottom cab (1960a)top<br>1960b = bottom <br><br></div>]]></description>
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         <title>Feedback control </title>
         <author>adeluca0620221_1</author>
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         <title>Hammond reverb spring as used in organs</title>
         <author>adeluca0620221_1</author>
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         <title>Jimi Hendrix creates sonic art</title>
         <author>adeluca0620221_1</author>
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         <description><![CDATA[<div><a href="https://youtu.be/x-pw_uqq4Ao?si=0ZA8wrarYh2d0MGu">https://youtu.be/x-pw_uqq4Ao?si=0ZA8wrarYh2d0MGu</a></div>]]></description>
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         <title>Hammond Spring reverb</title>
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         <description><![CDATA[<div><br>As used in guitar and JC800 Marshall 100 watt valve amp<br><a href="https://youtu.be/G0NtdPhGZ7k?feature=shared">https://youtu.be/G0NtdPhGZ7k?feature=shared</a><br><br></div>]]></description>
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         <title>Fender Stratocaster 1960s  version as used by Jimi Hendrix </title>
         <author>adeluca0620221_1</author>
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         <title>Echo plex</title>
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         <author>adeluca0620221_1</author>
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         <author>adeluca0620221_1</author>
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         <title>Wall Projections</title>
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         <description><![CDATA[<div>Wall Of Silence = wall of silent Projections&nbsp;</div>]]></description>
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         <title>Classic Echo units</title>
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         <description><![CDATA[<p><br> <br>• .........................................................................<br>Remake Of Wall Of Sound : Wall Of Silence <br>............................................................................ <br> <br>
<br>
<br>
<br>
<br>
<br>
<br></p>]]></description>
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         <description><![CDATA[<p>"His creative use of the tools at his disposal set a precedent for tone crafting and sonic texturing that countless numbers of players continue to pursue today. Hendrix was able to vary his tones in seemingly endless ways that fail to sound dated decades later. With equal parts sonic braggadocio and understated elegance, Hendrix used his hands, his instrument, his effects, and most importantly his ears to concoct a brilliant synergy of sound and song rarely, if ever, equaled.</p><p><br></p><p>...</p><p><br></p><p>With a Fuzz Face<sup>®</sup> Distortion, Hendrix could elicit an endless variety of tones by using different pickup combinations, manipulating his guitar’s volume control, and picking at different areas of a string. This unruly stompbox not only gave him a full-on primal howl with its burly, fat-sounding fuzz tones—it afforded him remarkably detailed clean textures as well."</p><p><br></p><p>(Dunlop, 2017) </p><p><br></p><p><a rel="noopener noreferrer nofollow" href="https://lifestyle.jimdunlop.com/the-sonic-synergy-of-jimi-hendrix/">https://lifestyle.jimdunlop.com/the-sonic-synergy-of-jimi-hendrix/</a></p>]]></description>
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