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      <title>Art history 1  by Alyssa Pope</title>
      <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2023-01-06 06:28:21 UTC</pubDate>
      <lastBuildDate>2023-09-11 19:29:14 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Paleolithic art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436126540</link>
         <description><![CDATA[<ul><li>Some believe that the overlapping of animals represented the order of animal migrations.</li><li>fixed order: horses drawn first, then aurochs, then stags</li><li>Correspond to life cycles and mating cycles of the animals: spring, summer, and autumn</li><li>Represent life cycles and regeneration</li><li>First cave paintings discovered were dismissed as forgeries; idea that prehistoric could not be so sophisticated</li></ul>]]></description>
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         <pubDate>2023-01-07 00:01:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436126540</guid>
      </item>
      <item>
         <title>Neolithic Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436129911</link>
         <description><![CDATA[<div><br>(New stone age) End of ice age</div><div>Marked by:&nbsp;</div><ul><li>Permanent settlements; greater population, development of towns</li><li>First started to domesticate animals and plants (instead of hunting and gathering)—change not everywhere at once</li><li>Specialization of skills: pottery, weaving, making tools</li></ul>]]></description>
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         <pubDate>2023-01-07 00:13:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436129911</guid>
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      <item>
         <title>Ancient Near Eastern Art time line</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436131392</link>
         <description><![CDATA[<ul><li><strong>Sumerian</strong>: ca. 3000 BC<ul><li>invented city-states</li></ul></li><li><strong>Akkadian</strong>: ca. 2000 BC</li><li><strong>Babylonian</strong>: ca. 1700 BC</li><li><strong>Assyrian</strong>: ca. 700 BC</li><li><strong>Late Babylonian</strong>: ca. 600 BC</li><li><strong>Persian</strong>: ca. 500<br>BC</li></ul><div>The Library of Ashurbanipal is the oldest surviving royal library in the world.</div>]]></description>
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         <pubDate>2023-01-07 00:20:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436131392</guid>
      </item>
      <item>
         <title>Greek Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132801</link>
         <description><![CDATA[<div>5 Major Periods:</div><ul><li>&nbsp;Geometric (c.700 BC)</li><li>&nbsp;Orientalizing (c. 600 BC)</li><li>&nbsp;Archaic (c. 500 BC)</li><li>&nbsp;Classical (c. 400 BC)</li><li>&nbsp;Hellenistic (c. 300 BC)</li></ul><div><br></div>]]></description>
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         <pubDate>2023-01-07 00:26:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132801</guid>
      </item>
      <item>
         <title>Aegean Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132851</link>
         <description><![CDATA[<ul><li>Cycladic Art: c. 2500-1700 BC</li><li>&nbsp;Minoan Art: c.1700-1200 BC</li><li>&nbsp;Mycenaean Art: c.1700-1200 BC</li></ul>]]></description>
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         <pubDate>2023-01-07 00:27:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132851</guid>
      </item>
      <item>
         <title>Egyptian Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132881</link>
         <description><![CDATA[<div><br></div><div><br><br></div><div><br><br></div>]]></description>
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         <pubDate>2023-01-07 00:27:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132881</guid>
      </item>
      <item>
         <title>Etruscan Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132903</link>
         <description><![CDATA[<div><br></div><ul><li>Mirror</li><li>Adaptation of Greek tradition: character from Homer’s Iliad named Chalchas</li><li>Studies the liver of a sacrificial animal for omens; read signs in flight of birds, etc.: purely Etruscan</li><li>Seneca (Roman philosopher and statesman): “This is the difference between us and the Etruscans: Since they attribute everything to divine agency, they are of the opinion that things do not reveal the future because they have occurred, but that they occur because they are meant to reveal the future.”</li><li>Mirrors also revealed the future</li></ul><div><br>Shows how influenced by other cultures but remained distinct</div>]]></description>
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         <pubDate>2023-01-07 00:27:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132903</guid>
      </item>
      <item>
         <title>Roman Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132926</link>
         <description><![CDATA[<div><strong><br></strong><br></div>]]></description>
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         <pubDate>2023-01-07 00:27:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132926</guid>
      </item>
      <item>
         <title>Early Christian Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132949</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-01-07 00:27:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132949</guid>
      </item>
      <item>
         <title>Byzantine Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132966</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-01-07 00:27:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132966</guid>
      </item>
      <item>
         <title>Islamic Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132988</link>
         <description><![CDATA[<div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <a href="https://www.youtube.com/watch?v=QV7CanyzhZg&amp;list=PLy0B6ncmGtqcLNRmMA43e2cNFD2v5ZoF2">Theme</a>: Equality of the Arts<br><br></div><ul><li><strong>Islamic</strong>=Islamic art—music and slides</li><li><strong>Art</strong>= slideshow of mosques with contemporary music&nbsp;</li><li><strong>Theme</strong>=Crash course in world history (12:07—just use part: start at 3:58-9:11)</li><li>Each student teaches a slide? Why is this piece important? How does it fit in the body of Islamic art?</li><li>What are the three great monotheistic religions?&nbsp;<ul><li>Judaism, Christianity, and Islam (also known as the Abrahamic faiths: share in common the prophet Abraham and many holy sites, such as Jerusalem</li></ul></li><li><strong>Islamic Art not all religious</strong>: art of the Islamic world (like LDS bookstore is not all religious)</li><li><strong>Islamic art</strong> is a loose label because so many cultures involved</li><li><strong>Theme</strong>: equality of the arts (no distinction between applied and fine arts)</li></ul>]]></description>
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         <pubDate>2023-01-07 00:27:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436132988</guid>
      </item>
      <item>
         <title>Early Medieval Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133016</link>
         <description><![CDATA[<div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<a href="https://www.youtube.com/watch?v=QV7CanyzhZg">Theme</a>: “North and South”</div><ul><li><strong>Early</strong>=true early medieval music (long)</li><li><strong>Medieval</strong>=Mr. Nicky Middle Ages Song</li><li><strong>Art</strong>=short animated history of middle ages (3:35)</li><li><strong>Theme</strong>=crash course in history: :50-4:00</li><li><strong>Medieval</strong>=1000 year period; western Europe after Fall of Rome (476 AD)</li></ul>]]></description>
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         <pubDate>2023-01-07 00:28:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133016</guid>
      </item>
      <item>
         <title>Romanesque Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133045</link>
         <description><![CDATA[<div><strong>Churches served to protect from dark forces but also instilled fears in members </strong>(last judgment scenes, etc.)</div>]]></description>
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         <pubDate>2023-01-07 00:28:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133045</guid>
      </item>
      <item>
         <title>Gothic Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133075</link>
         <description><![CDATA[<ul><li><strong>Theme</strong>: <a href="https://www.youtube.com/watch?v=EGAumT8aNkk&amp;feature=youtu.be">Building</a> the Heavenly Jerusalem</li><li><strong>Gothic=</strong>cathedrals and music (4:36)</li><li><strong>Art=</strong>Chartres cathedral (8:15)</li><li><strong>Theme=</strong>Nova: Gothic Cathedrals</li><li><strong>Building: </strong>Nova: Cathedrals in Color (4:48)</li><li><strong>Gothic</strong>: reference to Goths (tribe who brought fall in Rome)—derogatory<ul><li>Marked by growth of cities and increasing importance of cathedrals</li></ul></li><li><strong>Romanesque </strong>mostly rural and monastic (schools part of monasteries)</li><li>now <strong>schools </strong>part of <strong>cathedrals</strong>; developed into universities</li><li><strong>4 areas of learning</strong>: theology, philosophy, law, medicine=universal learning</li><li><strong>Surplus in agriculture</strong>; new economy with money instead of barter; new middle class in cities (<strong>merchants</strong>)</li></ul>]]></description>
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         <pubDate>2023-01-07 00:28:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133075</guid>
      </item>
      <item>
         <title>Art in 15th-Century Flanders</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133112</link>
         <description><![CDATA[<div><strong>Jan van Eyck, Arnofini Portrait: </strong>National Gallery, London next to portrait; considered a masterpiece of the period (Flemish)</div><div><br>Smarthistory 7:07</div><div><br>Portrait=Waldemar Januszczak (start at 14:19)</div><div><br>Signature: Jan van Eyck was here, 1434</div><div><br>Subject<strong>? “Almost every object portrayed conveys the sanctity of the event, specifically, the holiness of matrimony” (Gardner’s Art Through the Ages)</strong></div><div><br>Giovanni Arnolfini, Italian merchant in Bruges</div><div><br>Textures, light ; space believable?</div>]]></description>
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         <pubDate>2023-01-07 00:28:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2436133112</guid>
      </item>
      <item>
         <title>Ancient Near Eastern Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2443989633</link>
         <description><![CDATA[<div>Sumerians invented:&nbsp;</div><ul><li>&nbsp; city-states</li><li>The wheel (c. 4000 BC)</li><li>the plow (c. 4000 BC)</li></ul><div><br></div><ul><li>Sumerians credited with dividing day into 24 hours and hours into 60 minutes; also credited with first writing (cuneiform); wedge-shaped reed stylus</li><li>c. 2900 B.C. Writing first invented not to record stories or poetry but to document surplus of crops and commodities: administrative (first pictographs and then abbreviated into abstract symbols)</li><li>c. 2150 B. C. Later wrote the Epic of Gilgamesh (one of earliest epics)</li><li>Could be reused; also put into clay envelopes</li><li>Millions of fragments survive because of cities being burned by enemies; fired clay</li></ul><div><strong>Cuneiform (c. 3000 BC)</strong></div><ul><li>Babylonian deed of sale. ca. 1750 BCE. This deed graphically shows the impressions made by the stylus in the soft clay</li><li>time period where they used cylinder seals to seal clay envelops that held tablets out of clay</li><li>they were wedged shaped</li><li>used a reed and press into clay</li></ul>]]></description>
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         <pubDate>2023-01-13 19:28:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2443989633</guid>
      </item>
      <item>
         <title>Babylon </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448825524</link>
         <description><![CDATA[<div><strong>Hebrew timeline:&nbsp;</strong></div><ul><li>c. 2000 B.C.: Akkadians expel the Hebrews from Mesopotamia<ul><li>Hebrews settle in Canaan (later called Israel) under Abraham</li></ul></li><li>c. 1600 B.C.: Hebrews move to Egypt (under Joseph); bound into slavery</li><li>c. 1200 B.C.: Hebrews delivered by Moses back to Canaan (Israel)</li><li>c. 1000 B.C.: David rules Israel; seized city Jerusalem from Canaanites; builds royal palace</li><li>c. 957 B.C.:&nbsp; David's son Solomon builds temple on Mount Moriah (where Abraham had prepared to sacrifice Isaac)</li><li>c. 587 B.C.: Babylonians (under King Nebuchadnezzar) destroy temple&nbsp;</li><li>c. 538 B.C.: Cyrus the Great of Persia defeats Nebuchadnezzar, Israelites rebuild temple</li><li>c. 331 B.C.: Alexander the Great defeats the Persians</li><li>c. 70 A.D.: Roman Soldiers destroy temple</li></ul>]]></description>
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         <pubDate>2023-01-18 18:53:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448825524</guid>
      </item>
      <item>
         <title>Neolithic art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448827035</link>
         <description><![CDATA[<div>Painted beaker, from Susa. ca 4000 BCE</div>]]></description>
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         <pubDate>2023-01-18 18:54:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448827035</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448832445</link>
         <description><![CDATA[<div>palace of Darius and Xerxes, Persepolis. c. 500 BCE</div><ul><li>&nbsp;had relief sculptures all around </li></ul>]]></description>
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         <pubDate>2023-01-18 18:58:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448832445</guid>
      </item>
      <item>
         <title>Paleolithic  escape</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448834647</link>
         <description><![CDATA[<div><br>&nbsp;Which technique was used to create this jade cong?<br><strong>b. Abrading the jade with sand<br></strong><br></div>]]></description>
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         <pubDate>2023-01-18 19:00:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448834647</guid>
      </item>
      <item>
         <title>Venus of Willendorf </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448836946</link>
         <description><![CDATA[<div><strong>Paleolithic Sculpture<br></strong><br>Discovered in Austria in 1908 on the banks of the Danube River during an excavation</div>]]></description>
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         <pubDate>2023-01-18 19:02:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448836946</guid>
      </item>
      <item>
         <title>Analytic Lens Chart</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448845182</link>
         <description><![CDATA[<div><strong>Formal qualities</strong></div><ul><li>medium</li><li>composition<ul><li>high aridic scale</li></ul></li><li>space</li><li>balance</li><li>repetition</li><li>size</li><li>Naturalistic or more stylistic</li></ul><div><strong>Iconography&nbsp;</strong></div><ul><li>What is the subject matter?</li><li>what is the story?</li><li>what is the symbolism?</li></ul><div><strong>Social-Historical Influences</strong></div><ul><li>religion?<ul><li>do we know anything about this</li></ul></li><li>interests and trends of society/ the king?</li><li>who commissioned the work?</li><li>what was the purpose of the work?</li></ul><div><strong>Personal or Spiritual </strong></div><ul><li>anything you want to</li><li>what impresses you about the work?</li></ul><div><br></div>]]></description>
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         <pubDate>2023-01-18 19:08:04 UTC</pubDate>
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      <item>
         <title>Babylonian deed of sale.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448847044</link>
         <description><![CDATA[<div>Babylonian deed of sale. ca. 1750&nbsp;</div><div>BCE</div><div>. This deed graphically shows the&nbsp;</div><div>impressions made by the stylus in the soft clay</div><ul><li><strong>Cuneiform (c. 3000 B.C.)</strong></li></ul><div><br></div><ul><li>Sumerians credited with dividing day into 24 hours and hours into 60 minutes; also credited with first writing (cuneiform); wedge-shaped reed stylus</li><li>c. 2900 B.C. Writing first invented not to record stories or poetry but to document surplus of crops and commodities: administrative (first pictographs and then abbreviated into abstract symbols)</li><li>c. 2150 B. C. Later wrote the Epic of Gilgamesh (one of earliest epics)</li><li>Could be reused; also put into clay envelopes</li><li>Millions of fragments survive because of cities being burned by enemies; fired clay</li></ul><div><br><br></div>]]></description>
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         <pubDate>2023-01-18 19:09:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2448847044</guid>
      </item>
      <item>
         <title>Egypt</title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451434223</link>
         <description><![CDATA[<div>Scholars believe that Thutmose used this bust of Nerfertiti as a model for other representations of Nefertiti for each of the following reasons EXCEPT<br>B. The inscription on the base<br><br>&nbsp;It does represent&nbsp;<br>A. The location where it was found<br>C. The lack of inlaid stone for the eyes<br>D. The general lack of finish<br><br><br></div>]]></description>
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         <pubDate>2023-01-20 18:44:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451434223</guid>
      </item>
      <item>
         <title>What theme seems most central in the Palette of Narmer?</title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451442370</link>
         <description><![CDATA[<div>A. Political unification<br>Main point to get&nbsp;<br>It's called a palette because it was a makeup palette<br>&nbsp; The wore makeup to protect their skin<br>It'd different because it's huge and had many unique carvings &nbsp;</div>]]></description>
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         <pubDate>2023-01-20 18:50:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451442370</guid>
      </item>
      <item>
         <title>Each of thr following cultural values of ancient Egypt is demonstrated by the pyramids of Giza except</title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451448222</link>
         <description><![CDATA[<div>D. The equality of men and women<br><br>It is:<br>A. The centrality of the afterlife<br>B. The connection of kings to the gods<br>C. The power of the king</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1941143529/a6a33c9df835bf650aa27441a73bf33a/Screenshot_20230120_115243_Canvas_Student_2.jpg" />
         <pubDate>2023-01-20 18:55:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451448222</guid>
      </item>
      <item>
         <title>What motivated the cultural changes that characterize Akhenaten’s reign?</title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451451116</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1941143529/e4262073ad149e362ce1d2906b45c294/image.png" />
         <pubDate>2023-01-20 18:58:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451451116</guid>
      </item>
      <item>
         <title>What evidence in this image demonstrates that Hunefer has led an ethical life and will be admitted to the afterlife?�</title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451452898</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1941143529/fa649b41d5d51a3c965b91a1334414a5/Screenshot_20230120_115919_Canvas_Student_2.jpg" />
         <pubDate>2023-01-20 18:59:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451452898</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451464858</link>
         <description><![CDATA[<div>There as imilarities between the palette and this&nbsp;<br>Registers&nbsp;<br>Hieratic scale&nbsp;<br>They both have kings bigger than the rest<br>They have feet in profile and breasts in frontal&nbsp;<br>They both have unique carvings on both sides&nbsp;<br>Both valuable </div>]]></description>
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         <pubDate>2023-01-20 19:11:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2451464858</guid>
      </item>
      <item>
         <title>Chapter 2</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457137052</link>
         <description><![CDATA[<div>Stylistic Periods:</div><ul><li>Sumerian: ca. 3000 BC</li><li>Akkadian: ca. 2000 BC</li><li>Babylonian: ca. 1700 BC</li><li>Assyrian: ca. 700 BC</li><li>Late Babylonian: ca. 600 BC</li><li>Persian: ca. 500 BC</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-26 05:24:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457137052</guid>
      </item>
      <item>
         <title>Mud bricks:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457141298</link>
         <description><![CDATA[<ul><li><strong>Mud bricks:</strong> made of clay and straw; used wet clay for mortar or bitumen (natural tar)<ul><li>Not much rock to build with, but lots of sand and mud</li><li>Advantages? Clay plentiful; uniform (wooden molds)</li><li>Disadvantages? Not fired; wear away with moisture</li></ul></li></ul>]]></description>
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         <pubDate>2023-01-26 05:30:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457141298</guid>
      </item>
      <item>
         <title>Cylinder seal</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457143571</link>
         <description><![CDATA[<ul><li>is a small pierced object, like a long round bead, carved in reverse (<a href="https://smarthistory.org/intaglio-process/">intaglio</a>) and hung on strings of fiber or leather.<ul><li>These often beautiful objects were ubiquitous in the <a href="https://smarthistory.org/ancient-near-east-cradle-of-civilization/">Ancient Near East</a> and remain a unique record of individuals from this era.</li><li>Each seal was owned by one person and was used and held by them in particularly intimate ways, such as strung on a necklace or bracelet.</li><li>When a signature was required, the seal was taken out and rolled on the pliable clay document, leaving behind the positive impression of the reverse images carved into it.&nbsp;</li><li>However, some seals were valued not for the impression they made, but instead, for the magic they were thought to possess or for their beauty.</li><li>The first use of cylinder seals in the Ancient Near East dates to earlier than the invention of cuneiform, to the <a href="https://smarthistory.org/prehistoric-art-landing/neolithic-landing/">Late Neolithic period</a> (7600–6000 B.C.E.) in Syria.&nbsp;<br><br><br></li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/dbb7edbe9364d3827eca6e6cd7ad3e4c/image.png" />
         <pubDate>2023-01-26 05:34:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457143571</guid>
      </item>
      <item>
         <title> Registers</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457150134</link>
         <description><![CDATA[<ul><li>Scenes were ordered in parallel lines, known as registers.</li><li>These registers separate the scene as well as providing ground lines for the figures.</li><li>Scenes without registers are unusual and were generally only used to specifically evoke chaos; battle and hunting scenes will often show the prey or foreign armies without groundlines.&nbsp;</li><li>Registers were also used to convey information about the scenes—the higher up in the scene, the higher the status; overlapping figures imply that the ones underneath are further away, as are those elements that are higher within the register.&nbsp;<ul><li>Narrative art</li><li>Registers</li><li>Hieratic Scale</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/200948781f63c30045ab9febea270740/image.png" />
         <pubDate>2023-01-26 05:47:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457150134</guid>
      </item>
      <item>
         <title>Composite view</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457150879</link>
         <description><![CDATA[<ul><li><strong>Hunefer</strong>: Smarthistory (7:39)</li><li><strong>Change in belief about afterlife</strong>: any member of the elite could enjoy an afterlife; book of the dead placed inside coffins (or mummies) to provide knowledge of how to progress to the hereafter</li><li>Back to same poses from past 3000 years (from tomb painting)</li><li><strong>Jackal man is Anubis</strong> (god of embalming); leads Hunefer in and weighs heart against feather (represents Ma’at, goddess of order and ethical behavior)</li><li><strong>Thoth </strong>(ibis-head=scribe of gods) records outcome</li><li><strong>Ammut </strong>(crocodile head, body of lion, back legs of hippo) waits to devour if unjust</li><li>Osiris seated above natron (salt used for preserving body) with sis (goddess of life) and her sister Hephthys</li><li><strong>4 sons of Horus</strong> stand on a white lotus blossom (symbol of rebirth); protected internal organs that were removed in embalming process</li><li><strong>Horus </strong>(with eye=god of sky) holds ostrich feather, representing the favorable judgment of Ma’at</li></ul><div>6. This work was meant to</div><ul><li>A. Provide guidance for entrance into the afterlife</li></ul><div><strong>Composite view </strong>(will continue for 2000 years): frontal view of eye, shoulders, profile view of head, legs,&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fbdbc134e7f88c8df98eb8c759702bad/image.png" />
         <pubDate>2023-01-26 05:48:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457150879</guid>
      </item>
      <item>
         <title>Hieratic scale/Hierarchical scale</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457190916</link>
         <description><![CDATA[<ul><li>Using "hierarchical" to describe who is bigger/more important make senses but I can never understand how "hieratic" is related to scale at all.</li></ul><ol><li>Hieratic scale refers to the portrayal of</li></ol><div>C. the most important person as larger in scale than the other figures<br><br></div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8ebf27b6e6337918fa4d81350406fecd/image.png" />
         <pubDate>2023-01-26 06:53:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457190916</guid>
      </item>
      <item>
         <title>ziggurats </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457191480</link>
         <description><![CDATA[<div>Began raising temples onto platforms-stepped pyramids called ziggurats (base—not temple itself)</div><ul><li>What do you know about the pyramids?</li><li>Only remaining of the 7 wonders of the ancient world</li><li>Unsurpassed in height for 4000 years</li><li><strong>Built by three ru</strong>lers (three generations); smaller pyramids for the queens; largest to smallest/oldest to newest:&nbsp; (Khufu, Khafra, Menkaure)</li><li>Each pyramid had a funerary temple at base and a causeway leading from another temple; funerary complex</li><li>Largest took 25 years to build (Khufu—also oldest); covers 13 acres at base and height of 450 feet</li><li><strong>Limestone or granite</strong>(different from ziggurats); Would be covered with smooth white limestone=casing</li><li>Who built?&nbsp;<ul><li>Discovery of a town for workers to the south of the plateau; likely that there was a permanent group of skilled craftsmen and builders who were supplemented by seasonal crews of approximately 2,000 conscripted peasants.&nbsp;</li></ul></li></ul><div><br>&nbsp;</div>]]></description>
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         <pubDate>2023-01-26 06:54:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457191480</guid>
      </item>
      <item>
         <title>stele</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457192624</link>
         <description><![CDATA[<ul><li>stone monument</li><li>Smarthistory: Stele of Naram-Sin (3:23)</li><li>Stele=marker stone</li><li>Themes of power and narrative</li><li>Naram-Sin grandson of Sargon; victory over Lullubi (people of Zagros mountains)</li><li>Instead of registers, diagonal lines as they ascend mountain</li><li>Orderly march contrasts with chaos of enemies</li><li>King: large scale, stands alone; bold stance (heroic); next to mountain peak (close to divine); horned crown indicates god; deifies himself (first Mesopotamian king to do so)</li><li>Solar deities above</li></ul><ol><li>The figures in this work are shown in</li></ol><div>D. a composite view</div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bba9cee26f49d0b7a13ce86d5b688231/image.png" />
         <pubDate>2023-01-26 06:56:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457192624</guid>
      </item>
      <item>
         <title>Lamassu</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457193572</link>
         <description><![CDATA[<div>Assyrian Art<br>&nbsp;c. 700 B.C.</div><ul><li>Every courtyard has a large gateway; every gateway guarded by 2 large animals (lamassu)</li><li>Smarthistory: Lamassu from the citadel of Sargon II (5:08)*</li><li>At gateways of citadel: lamassu=winged, human-headed bulls: not deities, but protectors</li><li>Carved out of limestone</li><li>Embody kings’ authority</li><li>5 legs: static in front, moving on sides</li><li>All-seeing</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/829a2d211e0b1767d39bec395ed65b5d/image.png" />
         <pubDate>2023-01-26 06:57:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457193572</guid>
      </item>
      <item>
         <title>orthostats</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457194359</link>
         <description><![CDATA[<div><br></div><ul><li>Inside royal palace, walls lined with gypsum slabs called orthostats: protected the mud brick from moisture and served to communicate stories; low relief images glorified the king; lion hunts and military conquests (some painted)</li><li><strong>Message: Assyria will always triumph—resistance is futile</strong></li><li>There is no escape (swimmers try); important part is narrative, not scale or space</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f104f170bd5dfe34242a978fdcd446a9/image.png" />
         <pubDate>2023-01-26 06:58:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457194359</guid>
      </item>
      <item>
         <title>columns </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457194990</link>
         <description><![CDATA[<div><br></div><ul><li>Columns&nbsp; used on a wide scale; reflects Egyptian art (bases and capitals have plant detail</li><li>Fluted column shafts reflects Greek influence.<ul><li><strong>fluting-&nbsp;</strong>&nbsp;in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point is called an arris.&nbsp;</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/656c48cd83da6c37ae6c9a1dc555d736/image.png" />
         <pubDate>2023-01-26 06:59:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457194990</guid>
      </item>
      <item>
         <title>Bull=Smarthistory</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457195978</link>
         <description><![CDATA[<div><br></div><ul><li>Smarthistory: Great Lyre form the “King’s Grave” (9:13)</li><li>Heraldic pose (Hercules pose)</li><li>Discovered by Woolley in one of the most lavish graves of Ur, “Queen” Pu-abi</li><li>Lyre with bull’s head; gold leaf and lapis lazuli (like lyre on standard of Ur</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9569f439ff6178d97a502b1a7a58af07/image.png" />
         <pubDate>2023-01-26 07:00:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457195978</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457197941</link>
         <description><![CDATA[<div><br></div><ul><li>Smarthistory: Standing Male Worshipper (4:47)*</li><li>Limestone, alabaster, gypsum (soft stone)</li><li>Largest 2 ½ feet</li><li><strong>Buried near the altar of temple at Tell Asmar</strong></li><li>What do you notice?<ul><li>Cylindrical; hands clasped; wide eyes; sharp elbows; not much body structure</li><li>Stiff skirts for men, drapery for women</li><li>Fringed skirt=dress of priests</li></ul></li><li>Idols? Or worshipers? (2 largest thought to be cult statues of Abu, god of vegetation)<ul><li>Wide eyes=all seeing; ward off evil spirits (Mesopotamian belief); always awake, alert</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9fc1434f4bc3b5f713349a577e913ce1/image.png" />
         <pubDate>2023-01-26 07:04:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457197941</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457198473</link>
         <description><![CDATA[<div><br></div><ul><li>Found in grave of an elite person by Leonard Woolley in 1920’s: interested in Biblical associations</li><li>Belief in afterlife—objects such as weapons, jewelry, vessels as well as servants: soldiers, musicians, attendants buried with the dead (drugged or hit with a hammer on the head)</li><li>Probably functioned as a stand for an offering to a deity (cylinder seals show a bowl balancing on the horns and cylinder)</li><li>Goats and rosettes associated with gods (like golden calf? Shows why Israelites might have created)</li><li>Gold leaf, lapiz lazuli, copper</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/26cb3b54fdd8816c29db4865c70f243c/image.png" />
         <pubDate>2023-01-26 07:05:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457198473</guid>
      </item>
      <item>
         <title>Neo-Sumerian </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457199363</link>
         <description><![CDATA[<div><br></div><ul><li>Renewal project of King Urnammu of Ur</li><li>3 layers<ul><li>temple at top (<strong>Shakhuru </strong>or a waiting place to be exalted or Enlighted)</li><li>then other layers under</li></ul></li><li>Dedicated to moon god, Nanna</li><li>Mud brick and (kilim) baked brick; a lot of it survived because exterior was fired brick<ul><li>interior would be sunbaked</li></ul></li><li>Buttresses give impression of strength; upward lines give energy</li><li>Saddam Hussein did restoration in 1980’s</li><li>Parked fighter jets next to ziggurat, assuming that American and coalition forces wouldn’t bomb; proved incorrect</li><li>Four levels</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6d4a6019fff82e13cdfa264e39290e05/image.png" />
         <pubDate>2023-01-26 07:06:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457199363</guid>
      </item>
      <item>
         <title>law code and Cloisonné </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457200228</link>
         <description><![CDATA[<div>Hammurabi was a Babylonian king who created one of the first . . .�</div><ul><li>A.&nbsp; &nbsp; &nbsp;law codes</li></ul><div><br><strong>Cloisonné </strong>is a more complicated technique using small inlaid wires (or strips) of color to form a pattern or design on a certain object.</div><ul><li>Smarthistory: Law Code Stele of King Hammurabi (3:16)</li><li>Hammurabi: most important king of Babylon</li><li>described himself as the “king who made the four quarters of the earth obedient.”</li><li>One of earliest written bodies of law</li><li>Black basalt; over 7’ high (stone)</li><li>Property law, penalties (includes “an eye for an eye”—like Hebrew Bible); also trial by river: if he sinks, guilty</li><li>Left: Hammurabi approaching Shamash (sun-god) (shoulders have sun rays); holds rope ring and measuring rod of kingship</li><li>Shows divinely ordained power</li><li>War booty; captured by Elamites</li><li>Over 300 laws; predates biblical text of law of Moses</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ad35a5195fb1db3812e7574f1f955d7a/image.png" />
         <pubDate>2023-01-26 07:08:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2457200228</guid>
      </item>
      <item>
         <title>lion hunt relief</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458543470</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2c5899faf2b2e0d9f700c4a047f25615/image.png" />
         <pubDate>2023-01-27 04:45:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458543470</guid>
      </item>
      <item>
         <title>Ishtar Gate (restored)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458544240</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ad8c2f73fbf7350bfaf11b0b37a7777d/image.png" />
         <pubDate>2023-01-27 04:47:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458544240</guid>
      </item>
      <item>
         <title>bull capital</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458545352</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b5fb08e3a49c8e1174d91ab83c885dc6/image.png" />
         <pubDate>2023-01-27 04:49:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458545352</guid>
      </item>
      <item>
         <title>Darius and Xerxes Giving Audience</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458545710</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b1c73e71044aee80e932f821007b31a9/image.png" />
         <pubDate>2023-01-27 04:50:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458545710</guid>
      </item>
      <item>
         <title>Chapter 3: Egyptian Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458547542</link>
         <description><![CDATA[<div><br></div><div><br></div><div>Stylistic Periods:</div><div><br></div><ul><li>Predynastic: c. 3000 BC</li><li>Old Kingdom: c. 2500 BC</li><li>Middle Kingdom: c. 2000 BC</li><li>New Kingdom: c. 1500 BC</li><li>Amarna Style: c. 1350 BC</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-27 04:53:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458547542</guid>
      </item>
      <item>
         <title>Mastaba</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458551778</link>
         <description><![CDATA[<div><br></div><ul><li><strong>KA</strong>=life force; believed ka lived after body died: Egyptians consumed with afterlife—like this life but better</li><li>Ka needed a place to dwell—mummification (or statue as backup--serdab)</li><li><strong>Tombs</strong>: permanent markers for deceased; expressed status of the dead (most people buried in shallow graves in cemeteries; perpetuated memory; preserved life force (ka); meant to last</li><li><strong>Mastaba</strong>=bench (Arabic) above a shaft that goes under the ground</li><li>Sometimes solid (<strong>mud brick </strong>or rubble); sometimes housed funerary chapel or equipment needed in funerary rituals also objects for daily life and enjoyment</li><li><strong>Statue</strong>=alternate place for ka if mummification failed</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c713d41c4560f9cbf8f1d4fa682aa28f/image.png" />
         <pubDate>2023-01-27 05:01:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458551778</guid>
      </item>
      <item>
         <title>necropolis</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458552489</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/88ff17b201dfceae3111d2ed29b72824/image.png" />
         <pubDate>2023-01-27 05:02:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458552489</guid>
      </item>
      <item>
         <title>step pyramid</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458553650</link>
         <description><![CDATA[<ul><li><strong>Saqqara</strong>=necropolis (city of the dead or cemetery)</li><li>Monumental mastaba for a king; steps to heaven? Wanted mastaba to seen over wall around necropolis</li><li><strong>Imhotep</strong>: <strong>one of first named architects</strong>; deified because of wisdom and knowledge of astronomy, architecture, and medicine</li></ul><div><br>4. This step pyramid evolved from</div><ul><li>C. a mastaba</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/aa8ef6c8237ba04b6d7bf9111390f02c/image.png" />
         <pubDate>2023-01-27 05:04:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458553650</guid>
      </item>
      <item>
         <title>canon </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458554001</link>
         <description><![CDATA[<div><br><strong>Canon</strong>=Standardized proportions of body—also stayed the same for a couple thousand years</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/61acb94621d6e2fc6f34fde5604bbbe8/image.png" />
         <pubDate>2023-01-27 05:05:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458554001</guid>
      </item>
      <item>
         <title>Cartouche and Cloissone</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458556257</link>
         <description><![CDATA[<div><br></div><ul><li>Jewelry used widely&nbsp; for living and dead (statues, mummies)</li><li><strong>Cloissone</strong>=enamel in metal work&nbsp;</li><li>Lotus columns, sphinxes trample enemies</li><li><strong>Cartouche </strong>with hieroglyphs of king’s name</li><li>Power to overcome foes and assert order (love of order! Symmetry)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8d4d9b60a635dce1bd32f3b3b76ad931/image.png" />
         <pubDate>2023-01-27 05:10:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458556257</guid>
      </item>
      <item>
         <title>Hypostyle hall and Sunken relief</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458556762</link>
         <description><![CDATA[<ul><li><strong>Hypostyle hall</strong>=room with many columns; heavy, stone-overwhelming to human scale; solid, permanent</li><li><strong>Sunken relief </strong>with sharp outlines to create cast shadows</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/623aee8f657da1f44518ee288a9d1faa/image.png" />
         <pubDate>2023-01-27 05:11:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458556762</guid>
      </item>
      <item>
         <title>Altar stele and  Akhenaten and Aten </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458558561</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Akhenaten</strong>=Smarthistory (5:02)*&nbsp;</li><li><strong>Altar stele</strong>: for small shrines in homes and gardens</li><li><strong>Aten </strong>(sun-god) no longer shown as falcon-headed figure but as a disk with rays</li><li>Animated children</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/abb5789c49ed19c55ce045d876d59381/image.png" />
         <pubDate>2023-01-27 05:14:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458558561</guid>
      </item>
      <item>
         <title>Menkaure and His Wife</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458580230</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fe95f41b4d37602fa2ffbbd22f0c49af/image.png" />
         <pubDate>2023-01-27 05:57:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458580230</guid>
      </item>
      <item>
         <title>scribe</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458580748</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f3e69e696aa0ba770e0058e762e6d1b5/image.png" />
         <pubDate>2023-01-27 05:58:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458580748</guid>
      </item>
      <item>
         <title>Feeding the Oryxes</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458581207</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/31627090af0d7be9001bceafec6bd138/image.png" />
         <pubDate>2023-01-27 05:59:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458581207</guid>
      </item>
      <item>
         <title>Temple of Hatshepsut</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458581656</link>
         <description><![CDATA[<div>3. What was the name of the female pharaoh for whom this temple was built?</div><ul><li>D. Hatshepsut<br><br></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/382c49ed2224636f63ee039364674a01/image.png" />
         <pubDate>2023-01-27 05:59:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458581656</guid>
      </item>
      <item>
         <title>King Hatshepsut</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458582006</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a019828b06ffcd653df491ac0e91e006/image.png" />
         <pubDate>2023-01-27 06:00:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458582006</guid>
      </item>
      <item>
         <title>Temple of Ramesses II</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458582254</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/00058cb0a8450624754e4ab55418bf10/image.png" />
         <pubDate>2023-01-27 06:00:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458582254</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458583553</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/af465252e30ef1b5c46cf80fc81493ce/image.png" />
         <pubDate>2023-01-27 06:03:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2458583553</guid>
      </item>
      <item>
         <title>Each of the following is known to be true about this image EXCEPT:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459335031</link>
         <description><![CDATA[<div>B. This object represents a goddess associated with love and marriage rituals.</div><ol><li>The Woman of Willendorf is approximately the size of</li></ol><div>B. a hand</div><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/60278222c6dd6c498bf9ad3ce4196e26/image.png" />
         <pubDate>2023-01-27 18:32:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459335031</guid>
      </item>
      <item>
         <title>cycladic, minoan, mycenean is what you will say instead of agearan sea</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459349074</link>
         <description><![CDATA[<ul><li>&nbsp;Cycladic Art: c. 2500- 1700 BC (Cyclades Islands)<ul><li>Ceramic; may have been palette for mixing cosmetics? Mirror?</li><li>abstract figures</li><li>Design: what do spirals remind you of? Fish/ boat<ul><li>could be referring to female birthing</li></ul></li></ul></li><li>Minoan Art: c. 1700-1200 BC</li><li>Mycenaean Art: c. 1700-1200 BC</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/90cb9ed28058964cfab664b568d6e1c4/image.png" />
         <pubDate>2023-01-27 18:46:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459349074</guid>
      </item>
      <item>
         <title>Cyclades figures</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459353179</link>
         <description><![CDATA[<ul><li>Many figures carved from local <strong>white marble</strong></li><li>Found in graves (face up); mostly female</li><li>Many sizes but <strong>same proportions</strong>—like Egyptian canon</li><li>Function? Can’t stand; didn’t exaggerate fertility<ul><li>idols or worship figures focusing on mother goddess&nbsp;</li><li>used to be painted</li><li>surrogates for servants/human sacrifices</li></ul></li><li>Problem: lack of context; many on market without provenance or documentation of findspot<ul><li>Beginning of tradition in Greece of making figure sculptures from local marble</li><li>Appeal to 20th –century artists: abstract, angular, clean lines; but evidence of painted eyes, hair, jewelry, body markings like tattoos</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a7ba21b1db59729828ef01955a33e3e8/image.png" />
         <pubDate>2023-01-27 18:49:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459353179</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459359934</link>
         <description><![CDATA[<ul><li>most figures that depicted men were musicians</li><li><strong>Harpist</strong>=Smarthistory (4;21)*</li><li>Male figures usually seated and playing instruments</li><li>Male musician: look at tubular shapes</li><li>Entertainment for dead?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f1a2959347ccd70a237d975fd40888b7/image.png" />
         <pubDate>2023-01-27 18:56:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459359934</guid>
      </item>
      <item>
         <title>Minoan Art: c. 1700-1200 BC (Island of Crete)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459361322</link>
         <description><![CDATA[<div><br></div><ul><li>Arthur Evens found remains of structure at Knossos; named it the Palace of Minos;</li><li>very maze like, complex, organized, like a labyrinth </li><li>Had courts, halls, shrines, workshops, storerooms, porches, living quarters, lightwells; about 1000 rooms</li><li>Lacked? Fortification: may have been so strong at sea that they had little fear of invasion</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/51ec57fe7e6d9fea4f461de20c550f68/image.png" />
         <pubDate>2023-01-27 18:57:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459361322</guid>
      </item>
      <item>
         <title>Columns, Crete</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459370752</link>
         <description><![CDATA[<ul><li>columns very specific to Crete, short columns&nbsp;<ul><li>taper down in oval shape</li></ul></li><li>Shows light well; open to nature</li><li>also columns: smooth shaft, tapers downward, oval shaft, cushion-like capitals; originally stone, replaced with concrete&nbsp;</li><li>Short columns=short people?</li><li>Wall paintings show that the capitals were black and the shafts red or white (repainted by Arthur Evans; old school archaeology, tried to recreate)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a87bb5bee5ac23b4ac93627a99083340/image.png" />
         <pubDate>2023-01-27 19:06:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459370752</guid>
      </item>
      <item>
         <title>Grandstand</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459371887</link>
         <description><![CDATA[<div><br></div><ul><li>Wall paintings—on dry or wet plaster</li><li>Columns; thought to be shrine in center because of bull horns; remains of similar architecture found on west side of the court<ul><li>crowd of spectators attending an event</li></ul></li><li>Brown =males</li><li>White=females</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/619e73f9710cabba63d87a07c5ba098d/image.png" />
         <pubDate>2023-01-27 19:07:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459371887</guid>
      </item>
      <item>
         <title>Prince Rahotep and His Wife</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459374866</link>
         <description><![CDATA[<div><br></div><ul><li>Found in mastaba at Gizeh</li><li>Similarities to above( menka? Frontal, rigid, ritualized gestures</li><li>Differences? Painted; carved from limestone—softer, less expensive; doesn’t have high polish&nbsp;</li><li>Rock-crystal pupils</li><li>Convention of representing males darker than females</li><li>Important (government official) but not royalty</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/14c036d8df3de41d1f0498ab9233e3dc/image.png" />
         <pubDate>2023-01-27 19:10:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459374866</guid>
      </item>
      <item>
         <title>Bull and importance </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459380180</link>
         <description><![CDATA[<div><br></div><ul><li>Mainland Mycenaeans took over Crete about 1450 B.C. but continued Minoan style</li><li>During Mycenaean occupation;&nbsp;</li><li>long legs, thin waists; consistent with Minoan representation of humans; also lively</li><li>Bull-leaping performance=ritual function?</li><li>Light-skinned female and dark skinned male (like Egyptian art)?&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/469060436ab4c109852070d2a415bc27/image.png" />
         <pubDate>2023-01-27 19:15:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459380180</guid>
      </item>
      <item>
         <title>Why did this figure used to be commonly called &quot;Venus of Willendorf?&quot;</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459386552</link>
         <description><![CDATA[<div>C. The name reflects early 20th-century beliefs about the figure's meaning.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-27 19:21:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459386552</guid>
      </item>
      <item>
         <title>What evidence supports the belief that the Woman of Willendorf was meant to be held in the hand?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459387366</link>
         <description><![CDATA[<div>D. The figure has no feet and can't stand on its own.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-27 19:22:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459387366</guid>
      </item>
      <item>
         <title>Stonehenge is an example of what type of construction?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459388444</link>
         <description><![CDATA[<div>A. Post and lintel</div><ol><li>Stonehenge comes from which period?</li></ol><div>c. Neolithic&nbsp;</div><ol><li>Stonehenge is an example of a</li></ol><div>D. Cromlech<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ed768c898fdf7fc61d02d45d7ce3e7d6/image.png" />
         <pubDate>2023-01-27 19:23:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459388444</guid>
      </item>
      <item>
         <title>3. We call the &quot;Paleolithic&quot; and &quot;Neolithic&quot; cultures those names because their tools were made of</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459389680</link>
         <description><![CDATA[<div>A. stone</div><ol><li>Which culture existed during the approximate time period of 8000-2000 BC (or BCE, before the Common Era)?</li></ol><div>B. Neolithic</div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7605e0c00cd7faac0e323655239a53d6/image.png" />
         <pubDate>2023-01-27 19:24:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459389680</guid>
      </item>
      <item>
         <title>The Standard of Ur was found in</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459392239</link>
         <description><![CDATA[<div>A. a burial site</div><ol><li>his side of the Standard of Ur shows scenes of</li></ol><div>c.war<br>The Standard of Ur shows each of the following EXCEPT</div><ul><li>B. A Standard being carried into battle</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/42ad039ee31b00a922424fa59f6dde8e/image.png" />
         <pubDate>2023-01-27 19:26:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459392239</guid>
      </item>
      <item>
         <title>1. The Egyptian pyramids were created to be</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459440455</link>
         <description><![CDATA[<div>B. Secure tombs for the Pharaohs</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6ca8536ddfff739373f198bb11d5bacd/image.png" />
         <pubDate>2023-01-27 20:22:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459440455</guid>
      </item>
      <item>
         <title>2. Which of the following would NOT describe Egyptian sculpture in general?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459441837</link>
         <description><![CDATA[<div>D.dynamic</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/80724450bcb595a883b22001f8e95e4f/image.png" />
         <pubDate>2023-01-27 20:23:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459441837</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459444148</link>
         <description><![CDATA[<div>5. In this work, the word "register" refers to the</div><ul><li>Guide lines<br><br></li></ul><ol><li>Found in temple of Hierakonpolis, where it had been buried along with other offerings to the god Horus (capital of predynastic Egypt)</li><li>So valuable that it has never been permitted to leave Egypt (unlike King Tut)</li><li>63.5 cm (over 2 feet); siltstone</li><li>Palette-stone for grinding and mixing minerals and pigments for cosmetics (black eyeliner reduces glare of sun); this one is ceremonial—found in temple of Hierakonpolis; might have been used for temple ritual (larger than normal)</li><li>Theme: conquest of lower Egypt and unification of upper and lower Egypt: pharaoh on this side wears hat of upper Egypt on this side and lower Egypt on the other; united under one leader for the first time</li><li>Falcon (Horus—god of the sky) on papyrus plants: also conquest of lower Egypt (where papyrus grew a lot) by upper Egypt</li><li>Hieratic scale: most important person larger and more formal; ground lines (bring order)</li><li>Conquest pose/mace pose</li><li><strong>Composite view </strong>(will continue for 2000 years): frontal view of eye, shoulders, profile view of head, legs,&nbsp;</li><li>Heads of cows on top=sky goddess (Hathor; goddess of love, music, beauty, and joy); identifies Narmer is a divine king; hieroglyphs in center spell his name</li></ol>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4a6e92ee1e249f6e72ac9b950c1f6bbe/image.png" />
         <pubDate>2023-01-27 20:26:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459444148</guid>
      </item>
      <item>
         <title>Babylon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459446657</link>
         <description><![CDATA[<div>The ancient city of Babylon was known for each of the following EXCEPT� �</div><ul><li>A. Its bull capitals</li></ul><div><br><br></div><ol><li><strong>Smarthistory: Ishtar Gate and Processional Way, Babylon, c. 575 BCE 6:49)</strong></li><li>Babylon in power again under Nebuchadnezzar II : builder of Biblical Tower of Babel, Hanging Gardens of Babylon</li><li>Royal palace: 5 huge courtyards</li><li>Faced with fired and glazed bricks</li><li>Ishtar gate=goddess of love and war (represented by lions); dragons=Marduk (chief Babylonian god); bulls=Adad (god of storms); other animals&nbsp; represent other gods</li><li><strong>Nebuchadnezzar overthrew temple in Jerusalem; called for Hebrew youth to serve him: Daniel, Shadrach, Meshach, Abed-nego</strong></li><li><strong>Nebuchadnezzar’s dream of a stone cut from the mountain and filling the whole earth (Daniel interprets)</strong></li><li><strong>Nebuchadnezzar created a golden image and commanded all men to worship it; Shadrach, Meshach, and Abednego refuse and are cast into the fiery furnace</strong></li></ol>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f273bdb3c587c3acb9b8a369f3775866/image.png" />
         <pubDate>2023-01-27 20:30:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459446657</guid>
      </item>
      <item>
         <title>Head of Akkadian Ruler, From Nineveh </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459453531</link>
         <description><![CDATA[<div><br></div><ul><li><strong>How does this work reflect power?</strong>: frontality (unchanging and eternal); strong symmetry/geometry (order, control); fine control of metal, most commonly associated with weaponry; combo of abstract and naturalistic</li><li>Eyes probably inlaid; gouged out during invasion of Nineveh in 612</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a985f0fff8b2f2246b242a3afb45ebd9/image.png" />
         <pubDate>2023-01-27 20:39:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459453531</guid>
      </item>
      <item>
         <title>Stele of Naram-Sin.r. </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459455609</link>
         <description><![CDATA[<div><br></div><ul><li>Smarthistory: Stele of Naram-Sin (3:23)</li><li>Stele=marker stone</li><li>Themes of power and narrative</li><li>Naram-Sin grandson of Sargon; victory over Lullubi (people of Zagros mountains)</li><li>Instead of registers, diagonal lines as they ascend mountain</li><li>Orderly march contrasts with chaos of enemies</li><li>King: large scale, stands alone; bold stance (heroic); next to mountain peak (close to divine); horned crown indicates god; deifies himself (first Mesopotamian king to do so)</li><li>Solar deities above</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fb714b403a9dbb182f0524147187a217/image.png" />
         <pubDate>2023-01-27 20:42:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2459455609</guid>
      </item>
      <item>
         <title>Chapter 4: Aegean Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461920218</link>
         <description><![CDATA[<div><strong><br>Aegean=instrumental music</strong></div><ul><li>1870’s--German amateur archaeologist Heinrich Schliemann excavated sites near the Aegean Sea (part of Mediterranean Sea) to search for evidence of the Greek poet Homer’s epic tales <em>The Iliad </em>and <em>The Odyssey</em>.<em>&nbsp; &nbsp;</em></li><li><br></li><li>We understand less about the Aegean civilization than we do about the cultures of Egypt and the ancient Near East because there are few written documents.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd53104af7db620b429c2d756f2f60ba/image.png" />
         <pubDate>2023-01-30 18:45:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461920218</guid>
      </item>
      <item>
         <title> Art of the Aegean Sea: Cycladic Art: c. 2500-1700 BC Cyclades Islands</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461922113</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:46:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461922113</guid>
      </item>
      <item>
         <title> Art of the Aegean Sea: Minoan Art: c.1700-1200 BC Island of Crete</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461925378</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:48:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461925378</guid>
      </item>
      <item>
         <title>Beaked jug</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461927433</link>
         <description><![CDATA[<ul><li><strong>Pottery</strong>: lively, organic forms</li><li>Started making pottery on wheel and exporting them to cities all around the Mediterranean—international industry</li><li>Large, rough vessels for storage, thin-walled for use in palaces</li><li><strong>Beak</strong>-shaped spout with eye</li><li>Seahorse shapes?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/72c0267dce4f1c74c644e032e550c2c4/image.png" />
         <pubDate>2023-01-30 18:49:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461927433</guid>
      </item>
      <item>
         <title>Octopus vas</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461929166</link>
         <description><![CDATA[<div><br></div><div>Two of the most prevalent subjects in Aegean art are the sea and &nbsp;<strong>Bulls</strong></div><ul><li>“marine style”</li><li>Clumps of algae between tentacles</li><li>Dynamic, emphasizes round shape of pot; curvy tentacles repeat shapes of handles</li><li>Beneath spout, tentacle forms circle the size of the opening at top as well as the openings under handle</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/636410800c3a5270854de59f51c20ef1/image.png" />
         <pubDate>2023-01-30 18:50:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461929166</guid>
      </item>
      <item>
         <title>Harvester Vase</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461930412</link>
         <description><![CDATA[<div><br></div><ul><li>Some vessels carved from stone; soapstone local; carved with stone tools of a harder stone</li><li>Traces of gold; often gilded</li><li>Ceremonial? Harvest feast? Later Greeks called rhyton</li><li>Energetic; 27 men sowing or harvesting; 4 singers;</li><li>Happy workers</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/53e165c9233611e8ce9c9b459e0c0f62/image.png" />
         <pubDate>2023-01-30 18:51:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461930412</guid>
      </item>
      <item>
         <title>Bull head</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461931915</link>
         <description><![CDATA[<ul><li>Another rhyton (ceremonial drinking vessel); carved from soapstone; rock crystal eyes, white shell inlaid around nose, gilded wood (restored—gold leaf remains found)</li><li>Incisions add texture</li><li>Hole in neck to fill with drink, spout below the mouth</li><li>Bulls important in Minoan ritual:&nbsp; Found in Egyptian tomb paintings carried by Cretans; prevalent motif; altars decorated with horns</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/67f4687d2bdf548ee0dc22324d0b9ace/image.png" />
         <pubDate>2023-01-30 18:52:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461931915</guid>
      </item>
      <item>
         <title> Art of the Aegean Sea:Mycenaean Art: c.1700-1200 BC Mainland Greece</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461932347</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:52:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461932347</guid>
      </item>
      <item>
         <title>Mycenae Greece</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461934064</link>
         <description><![CDATA[<div><br></div><ul><li>Aerial=Smarthistory: The “Palace” and Grave Circle A at Mycenae (4:12)*</li><li>Citadels most impressive remains (fortified cities)</li><li>Unlike Minoan buildings in Crete, Mycenaen sites were highly fortified; more warlike—<strong>culture focused on warfare</strong></li><li>Maybe because less protected?</li><li>Massive wall still survives; up to 20 feet thick; called “Cyclopean” (Greeks declared them the work of the Cyclopes—one-eyed giants)</li></ul><div><br>&nbsp;&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/80a204bf8cbe77b8ac9a466fe17da441/image.png" />
         <pubDate>2023-01-30 18:53:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461934064</guid>
      </item>
      <item>
         <title>Plan of palace and citadel at Tiryns, Greece. ca. 1400–1200 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461934766</link>
         <description><![CDATA[<div><br></div><ul><li>Another citadel site named by Homer</li><li>Homer described city “Tiryns of the Great Walls”</li><li>Massive blocks of limestone; irregularly shaped and wedged together with smaller stones and fragments of pottery</li><li>20 feet thick: Greeks thought they were built by Cyclopes (mythical race of one-eyed giants);</li><li>Still called “<strong>Cyclopean</strong>” architecture</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ed02bbb4e9641c490782161fabc44aa3/image.png" />
         <pubDate>2023-01-30 18:54:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461934766</guid>
      </item>
      <item>
         <title>Corbeled casemate at Tiryns, Greece. </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461935174</link>
         <description><![CDATA[<ul><li>Inner halls to store weapons called <strong>casemates;</strong> also place of safety during an assault</li><li><strong>Corbel</strong> technique: each layer of rock projects out slightly more than last layer until it meets at a pointed arch</li><li>Continuous corbel arch is corbel vault</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/60528f2177280b7c1e7ac436ba01f169/image.png" />
         <pubDate>2023-01-30 18:54:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461935174</guid>
      </item>
      <item>
         <title>The LiThe Lioness Gate, Mycenae, Greece</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461935807</link>
         <description><![CDATA[<ol><li>The triangular space of the Lion Gate is formed by the corbelling of the <strong>wall </strong>and is supported by the post and lintel construction of the <strong>doorway</strong></li><li>Which detail of the Lion Gate may reflect the influence of Minoan culture?<ol><li><strong>the central column</strong></li></ol></li><li>What mythological creature inspired the name describing the large stone masonry used by the Mycenaens?<ol><li><strong>cyclops</strong></li></ol></li></ol><ul><li><strong>Lioness</strong>=Smarthistory: Lion Gate, Mycenae (6:37)*</li><li>Another corbel arch filled with triangular slab</li><li>Principal entrance into citadel at Mycenae</li><li><strong>Post and lintel</strong>; corbel arch creates relieving triangle to take weight off lintel (25 tons itself)</li><li><strong>Lions or lionesses heraldic pose</strong> (mirror images): protectors (like lion gates by Hittites in Anatolia)</li><li><strong>Front paws</strong> on altars (Minoan) column also Minoan</li><li><strong>Dowel holes</strong> in necks suggest heads were different material</li></ul><div><br>Almost 10 feet high—first monumental sculpture on Greek mainland</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/390038d740a2849fbe4d77b35d7b7ce1/image.png" />
         <pubDate>2023-01-30 18:54:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461935807</guid>
      </item>
      <item>
         <title>Treasury of Atreus Interior</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461936352</link>
         <description><![CDATA[<ul><li>Inside tomb</li><li>Corbel vaulting in the round (rings) creates beehive shape</li><li>Earth above; stabilize layers of stone and creates hill which was encircled with stones.</li><li>Ashlar masonry; more refined and finished than cyclopean masonry<ul><li><strong>Ashlar masonry-&nbsp;</strong>finely dressed stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal.&nbsp;</li><li><strong>cyclopean masonry-&nbsp;</strong>a type of stonework found in Mycenaean architecture, built with massive limestone boulders, roughly fitted together with minimal clearance between adjacent stones and with clay mortar or no use of mortar.&nbsp;</li></ul></li><li>Size attracted attention and grave robbers</li><li>Largest circular dome until Pantheon (over 1000 years later)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/50f9722d9fa9e9d15c36b09c9740c601/image.png" />
         <pubDate>2023-01-30 18:55:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461936352</guid>
      </item>
      <item>
         <title>Mask of Agamemnon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461936827</link>
         <description><![CDATA[<ol><li>The Mask of Agamemnon<br>&nbsp;is one of many Mycenaean objects which were made of&nbsp;<ol><li><strong>Gold</strong></li></ol></li><li>It was found in&nbsp;<ol><li><strong>a tomb</strong></li></ol></li><li>Agamemnon was&nbsp;<br>______.<ol><li><strong>a legendary king in Greek mythology.</strong></li></ol></li><li>Which technique was used to produce the&nbsp;<br>Mask of Agamemnon<ol><li>made by <strong>Hammering</strong></li></ol></li><li>What leads some scholars to question the authenticity of the Mask of Agamemnon?<ol><li><strong>The facial features appear heavily restored and differ from similar masks found at the site.</strong></li></ol></li><li>Which statements are TRUE of Mycenaean culture?<ol><li>Many scholars believe Mycenae was more militaristic than other Aegean cultures of the period.</li><li>Objects found at burial sites are a primary source of information about this ancient culture.</li><li>Mycenaean culture possessed advanced metalworking techniques.</li></ol></li></ol><ul><li>Agamemnon=Smarthistory: Agamemnon&nbsp;</li><li>Excavation of Grave Circle A: Heinrich Schliemann discovered five death masks of hammered gold covering the faces of dead males</li><li>Individualized details (i.e. facial hair on some, not on others)</li><li>“I have gazed on the face of Agamemnon”</li><li>Trojan War (if it happened) would have been 1300-1200 BC, earlier than this mask; but could be a king</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/517faf65d59b701cf873eba39b092cf3/image.png" />
         <pubDate>2023-01-30 18:55:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461936827</guid>
      </item>
      <item>
         <title>Sophia Schliemann</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461937579</link>
         <description><![CDATA[<ul><li><br></li><li>Sophia Schliemann wearing treasures (gold) found by husband Max Schliemann</li><li>Publicity seeking</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a760284518f251a9ae57c035dfd2ac56/image.png" />
         <pubDate>2023-01-30 18:55:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461937579</guid>
      </item>
      <item>
         <title>Vaphio Cups. ca. 1500–1450 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461937870</link>
         <description><![CDATA[<ul><li><br></li><li>Two layers of gold (smooth inside)</li><li>Minoan influence? Long legs, thin waists, bull motif</li><li>Trapping with nets</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3e69e0f9c977b5489a68980ee1edb110/image.png" />
         <pubDate>2023-01-30 18:55:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461937870</guid>
      </item>
      <item>
         <title>Greek Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461939523</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Greek=</strong>&nbsp; Theme: “Seeking Perfection”</li><li><strong>Art=Mr. Nicky</strong></li><li><strong>Music=music with pictures (9:38)</strong></li><li><strong>Seeking=Glorious (One Voice)</strong></li><li>Greek art and architecture ancestors of western civilization: our idea of beauty comes from Greece</li><li>Represents height of cultural achievement for western civilization: artistic ideals and philosophical models such as democracy</li><li>Dualistic (like Egyptians): order and chaos, civilization and barbarians, reason and irrational</li><li><strong>3 sources of information: the works themselves, Roman copies, and writings—first to write at length about their artists</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3400d766b7bdacb16ee32912da2bba0b/image.png" />
         <pubDate>2023-01-30 18:56:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461939523</guid>
      </item>
      <item>
         <title>Our heritage from the Greeks:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461940465</link>
         <description><![CDATA[<div>Alphabet (alpha+beta= first two letters of Greek alphabet)<br>&nbsp;Politics (polis=city-state)<br>&nbsp; &nbsp;acropolis=high city<br>&nbsp; &nbsp;metropolis=mother city (most important, center)<br>&nbsp;Democracy (demos=people + kratos=rule, authority)<br>&nbsp;The Olympic Games (began in Olympia in 776 B.C.)<br>&nbsp;Mathematics (Euclid: parallel lines never meet; Pythagoras: Pythagorean &nbsp; Theorem)<br>&nbsp;Literature (Homer’s Iliad and Odyssey: Trojan War and return)<br>&nbsp;Theater (Sophocles; tragedy and comedy)<br>&nbsp;Philosophy (Plato, Aristotle, Socrates)<br>&nbsp;Marathon&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:57:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461940465</guid>
      </item>
      <item>
         <title>5 Major Periods:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461941145</link>
         <description><![CDATA[<ul><li>Geometric (c.700 BC)</li><li>&nbsp;Orientalizing (c. 600 BC)</li><li>&nbsp;Archaic (c. 500 BC)</li><li>&nbsp;Classical (c. 400 BC)</li><li>&nbsp;Hellenistic (c. 300 BC)</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:57:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461941145</guid>
      </item>
      <item>
         <title>map</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461942541</link>
         <description><![CDATA[<div><br></div><ul><li>Extends to Turkey to east, Egypt;</li><li>Common language (Greek)</li><li>Believed that anyone who didn’t speak Greek was a barbarian (lesser)</li><li>Battle of Marathon (490 B.C.): First invasian by Persians; Greeks defeated Persians; one soldier/messenger (Pheidippides) ran all the way from Marathon to Athens (about 26 miles) to tell the news and died after he arrived (didn’t really happen)</li><li>&nbsp; popularized in first modern Olympic games in Athens, Greece in 1896</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/880b16e50884efcd65d84f20c9d0b9ff/image.png" />
         <pubDate>2023-01-30 18:58:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461942541</guid>
      </item>
      <item>
         <title>Ancient Greek Art:Geometric Style: c.700 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461943188</link>
         <description><![CDATA[<div><br></div><ul><li>Oldest surviving style of Greek art; linear designs predominant</li><li>Known only through pottery, small bronzes</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 18:59:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461943188</guid>
      </item>
      <item>
         <title>Some common Greek vessel forms</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461945968</link>
         <description><![CDATA[<div>Pottery becomes an important art form</div><ul><li><strong>Amphora</strong>: used to store wine or oil, associated with female body</li><li><strong>Krater</strong>: used to mix wine (strong) and water) male figure<ul><li><strong>Volute Krater-&nbsp;</strong>bowl for mixing wine and water (Apulian red-figured)</li></ul></li><li><strong>Hydria</strong>: used to carry water</li><li><strong>Lekythos</strong>: held ointments, funerary offerings</li><li><strong>Kylix</strong>: drinking cup</li><li><strong>Aryballos</strong>: held perfume</li></ul><div><strong>Wells were the one place woman could go out in public&nbsp;</strong></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/363d4183daedcc493b925219f15614ed/image.png" />
         <pubDate>2023-01-30 19:01:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461945968</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461947368</link>
         <description><![CDATA[<ol><li>What was the original function of this large vase in ancient Greece?<ol><li><strong>It was a grave marker in a cemetery.</strong></li></ol></li><li>What is slip?<ol><li><strong>fine clay mixed with water used to decorate pottery</strong></li></ol></li><li>What indicates that this is a funerary scene?<ol><li>the figures are pulling at their hair</li><li>the central figure lying down</li></ol></li><li>What do you see in this detail that demonstrates the object was made during the LATE Geometric Period of Greek art?<ol><li><strong>the repeated animal forms in the decoration</strong></li></ol></li></ol><ul><li>is 5feet 1 inch tallk</li><li><strong>Slip</strong>- fine particles of clay that are suspended in water and then painted on the surface of the pot</li><li>Dipylon=smarthistory: Dipylon<strong> Amphora (c. 755-750 B.C.)&nbsp;</strong></li><li><strong>Geometric</strong>=Smarthistory:&nbsp; <strong>Krater (750-700 B.C.) 4:26 (in Met)</strong></li><li>Used as funerary markers over burials; holes in base for liquid offerings which would filter down to dead buried below (used amphora shape for women; krater shape for men)</li><li>Careful joining of parts (over 5 feet tall) and proportions: width=half the height, neck =half the body</li><li>Meander pattern; deer pattern echoes geometric patterns</li><li>Deceased woman lies on a bier with checkerboard shroud; mourners (professional mourners because important to have a lavish display; showed importance/status)—no reference to afterlife!&nbsp;</li><li>Figures appear toward 800 BCE; (also look like geometric shapes); same time as alphabet introduced and same time as Homer’s epic poems The Iliad and The Odyssey</li><li><strong>Dipylon</strong>=2 gates</li><li><strong>“Horror vacui”</strong>=fear of vacuum (empty spaces)</li></ul><div><br>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c1c41e15aa01d89f255f87ffff53e97c/image.png" />
         <pubDate>2023-01-30 19:02:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461947368</guid>
      </item>
      <item>
         <title>Common Greek ornamental motifs</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461948623</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Meander patter: </strong>A decorative motif of intricate, rectilinear character applied to architecture and sculpture (maze or Greek key pattern).</li><li><strong>Friezes: </strong>(1) A continuous band of painted or sculptured decoration. (2) In a Classical building, the part of the entablature between the architrave and the cornice. A Doric frieze consists of alternating triglyphs<strong>(an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them</strong>) and metopes <strong>(The rectangular recessed spaces between the triglyphs on a Doric frieze)</strong>, the latter often sculptured. An Ionic frieze is usually decorated with continuous relief sculpture.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b1a5a35f3ee03244f2d8ae81a8fcdf68/image.png" />
         <pubDate>2023-01-30 19:02:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461948623</guid>
      </item>
      <item>
         <title>Orientalizing Style: c. 600 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461979901</link>
         <description><![CDATA[<ul><li>Influence from the Near East and Egypt</li><li>&nbsp;“Orientalizing” motifs such as florals, sphinxes, and griffins</li><li><strong>Eastern influences</strong>: (Asia Minor); Turkey, Egypt, etc.</li><li>Greeks were <strong>good sailors</strong>; established settlements all over, brought back influences</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 19:23:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461979901</guid>
      </item>
      <item>
         <title>Griffin-head</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461985035</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Protome</strong>= decorative, protruding attachment, often on a vessel</li><li>Strong influences from Near East</li><li>(influence already felt from adoption of Phoenician alphabet)</li><li>Griffin fantasy creature from Near East</li><li>Cauldron mounted on 3 legs</li><li>Dedication to gods; showed status of donor (expensive)</li><li>Full of curves and countercurves; ready to spring alive</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f81c944e445fb3f5b0f0a784d9cb3670/image.png" />
         <pubDate>2023-01-30 19:27:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461985035</guid>
      </item>
      <item>
         <title>Ancient Greek Archaic Style: c. 500 BCE (600-480 BCE)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461985363</link>
         <description><![CDATA[<div>golden age for pots</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-01-30 19:27:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461985363</guid>
      </item>
      <item>
         <title>Columns</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461988966</link>
         <description><![CDATA[<div>important part of the greek temples was&nbsp;<strong>columns&nbsp;</strong></div><ul><li>not just one piece of stone</li><li>they have sections: called drums</li><li>have capitals</li></ul><div><strong>Doric Style</strong></div><ul><li>simple capital</li><li>no base</li></ul><div><strong>Ionic Style</strong></div><ul><li>more extravagant capital</li></ul><div><br></div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6b893c97330c17109a5e06a7533b4b94/image.png" />
         <pubDate>2023-01-30 19:30:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2461988966</guid>
      </item>
      <item>
         <title>entasis</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465059367</link>
         <description><![CDATA[<div><strong><br>Temple=smarthistory:ancient greek temples at Paestum&nbsp;</strong></div><ul><li>Greek colony in what is now Italy; 2 temples dedicated to goddess Hera, wife of Zeus; 2nd temple almost a century later; shows search for more perfect proportions</li><li>Difference in proportions; 6 columns across vs. 9 (started making even # of columns to show statue through center</li><li>Entasis (swelling 2/3 of the way up) stronger on earlier temple; adds sense of compressed energy, heavy weight</li></ul><div><strong>Temple=smarthistory:ancient greek temples at Paestum</strong></div><ul><li>Greek colony in what is now Italy; 2 temples dedicated to goddess Hera, wife of Zeus; 2nd temple almost a century later; shows search for more perfect proportions</li><li>Difference in proportions; 6 columns across vs. 9 (started making even # of columns to show statue through center</li><li>Entasis (swelling 2/3 of the way up) stronger on earlier temple; adds sense of compressed energy, heavy weight</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2a1b10629fa7f9c71f697fcc1b73cad0/image.png" />
         <pubDate>2023-02-01 18:39:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465059367</guid>
      </item>
      <item>
         <title>Meredith Schnell</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465061416</link>
         <description><![CDATA[<div>Dorric&nbsp;</div><ul><li>capital is on top (simple shape)</li><li>no base on bottom</li></ul><div><br></div><div><br><br></div><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4ea7e1add4f80b4fcc6a117f8fff1cb4/image.png" />
         <pubDate>2023-02-01 18:40:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465061416</guid>
      </item>
      <item>
         <title>Interior of Temple of Hera II. ca. 500 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465063844</link>
         <description><![CDATA[<ul><li>Greeks were seeking unity&nbsp;</li><li>Shows how a second story of columns was used to support the roof</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7a2d4da958e7ff9b0491a34f75657304/image.png" />
         <pubDate>2023-02-01 18:42:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465063844</guid>
      </item>
      <item>
         <title>Kore (Lady of Auxerre). ca. 630 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465066253</link>
         <description><![CDATA[<ul><li><strong>Archaic style period- </strong>have cheesy smiles&nbsp;</li><li>6ft tall</li><li>used for funerary purposes</li><li>found in storage vault&nbsp;</li><li><strong>Kore</strong>=Lady of Auxerre (smarthistory</li><li><strong>Kore </strong>(korai) female youth; <strong>kouros </strong>(korai) male youth</li><li>Literary sources say that Greeks created wooden sculptures of their gods for worship in the eighth century, but none survive since wood deteriorates</li><li>About 650 B.C., sculptors (like architects) began to work in stone</li><li>Greeks exposed to Egyptian art; geometric designs, similar proportions, frontal stance, single block of stone apparent (compare)</li><li><strong>Small</strong>—about two feet</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/85c34c2f8bbebba603135c3adbd6d49e/image.png" />
         <pubDate>2023-02-01 18:44:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465066253</guid>
      </item>
      <item>
         <title>Treasury of Atreus exterior</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465076005</link>
         <description><![CDATA[<ul><li>the use of <strong>corbelling </strong>to create this</li><li><strong>Treasury</strong>=Smarthistory: Treasury of Atreus (4:08)*</li><li>Tomb for elite</li><li>Entrance lined with stone-walled pathway</li><li>Dug into sloping ground; supported by corbel vault</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cefd1b29d42411ec007a1fbfc771e1ad/image.png" />
         <pubDate>2023-02-01 18:51:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465076005</guid>
      </item>
      <item>
         <title>Kouros (Youth). ca. 600–590 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465084824</link>
         <description><![CDATA[<ol><li>Which of the following features are NOT typical of kouros figures?<ol><li><strong>Ornate jewelry&nbsp;</strong></li></ol></li><li>The New York Kouros shows the influence of&nbsp;<ol><li><strong>Egyptian art</strong></li></ol></li><li>This is not a portrait of a real man, but an idealized figure, probably used as a grave marker.<ol><li><strong>true</strong></li></ol></li><li>The term Kouros refers to ______<ol><li>the Greek word for "youth."</li><li>a type of monumental nude sculpture from the Archaic period in ancient Greece.</li></ol></li><li>What was one function of Archaic Kouros figures?<ol><li><strong>They were grave markers.</strong></li></ol></li><li>How would this sculpture have appeared differently in ancient Greece?<ol><li><strong>It would have been brightly painted.</strong></li></ol></li><li>Which detail is NOT characteristic of all archaic Kouros figures?<ol><li><strong>naturalism and rounded anatomical forms</strong></li></ol></li></ol><ul><li>like a marker by a tomb stone</li><li>saying this was who he was</li><li>idealistic image of man</li><li>&nbsp;<strong>Kouros</strong>= New York Kouros</li><li><strong>Life size</strong>; called New York Kouros because it is at the MET</li></ul><div><strong>Compare with Menkaure:</strong></div><ul><li>Also rigid, frontal like Egyptian sculptures; from a block of marble (very cubic); also one foot forward like Menkaure, slim and broad-shouldered, arms by sides with fists; stylized hair</li><li>Different: free-standing (without block behind) (earliest large stone figural sculpture that can stand on their own); empty spaces; face more stylized; also musculature less modeled; nude</li><li>Egyptians forced nudity on slaves; Greeks considered public nudity acceptable for males, but not for females</li><li>Kouros figures were used as grave markers and votive offerings: same pose, one foot in front of the other, equal weight on both feet</li><li>Not a portrait but an idealized representation of virtues of the deceased: beauty, athleticism, aristocratic bearing (only wealthy could afford; showed status)</li></ul>]]></description>
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         <pubDate>2023-02-01 18:57:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465084824</guid>
      </item>
      <item>
         <title>Central portion of west pediment of Temple of Artemis, Corfu, Greece. ca. 600–580 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465092897</link>
         <description><![CDATA[<ul><li><strong>Pediment-</strong>a triangular space that forms the gable of a low-pitched roof and that is usually filled with relief sculpture in classical architecture.</li><li>High relief like Lion Gate; undercut so strongly that they appear to be independent of background; Medusa’s head overlaps frame (mistress of animals—dominance over nature)</li><li>Medusa’s two&nbsp; sons (Pegasus and Chrysaor) appear smaller to fit in pediment</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d9c4a9a910a61adddc9ead566b6ce61b/image.png" />
         <pubDate>2023-02-01 19:02:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465092897</guid>
      </item>
      <item>
         <title>Reconstruction of the east pediment of the Temple of Aphaia, Aegina, Greek, ca. 500–480 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465094525</link>
         <description><![CDATA[<div>classical </div><ul><li>Temple=smarthistory: pediments at Temple of Aphaia, Aegina (14:40)</li><li>Pediment figures on east side of Temple of Aphaia, Aegina replaced in c. 480 B.C; Persian invasion of Greece may have caused damage to earlier sculptures</li><li>New pediment depicts first sack of Troy by Herakles and Telamon, king of Salamis; west pediment shows second siege of Troy (in Homer’s Iliad) by Greek king Agamemnon (compares legendary battles and heroes of Aegina to historical event: navy of Aegina helped to overcome the Persians in 480 B.C.)</li><li>Figures fully in the round (independent of stone background); height varies to fit triangle shape <strong>but not scale</strong></li><li><strong>Goddess Athena</strong> in center presiding over battle between greeks and Trojans; symmetrical arrangement of poses on both halves of the pediment; balance, pattern;&nbsp;</li><li>Dying warriors in corners roll over into our space</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5d80f9752f326108b3887819358b3dc1/image.png" />
         <pubDate>2023-02-01 19:03:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465094525</guid>
      </item>
      <item>
         <title>Dying Warrior, from west pediment of the Temple of Aphaia. ca. 500–490 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465096585</link>
         <description><![CDATA[<div><br></div><ul><li>Corner space of pediment: west pediment</li><li>Props himself up on one arm</li><li><strong>Archaic smile</strong>: “superior to suffering”</li><li>west pediment was more arceic&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b585279122d09b0ef4b4d47f477a7e12/image.png" />
         <pubDate>2023-02-01 19:05:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465096585</guid>
      </item>
      <item>
         <title>Dying Warrior, from east pediment of the Temple of Aphaia. ca. 480 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465097742</link>
         <description><![CDATA[<div><br></div><ul><li>New east pediment: corner figure supported only by shield</li><li>Right shoulder moves into new plane; twists in agony of death (but Archaic smile; superior to suffering)</li><li>Body more modeled and organic than previous (although belly button mispaced, pectorals in chest don’t respond to strain of raised arm)</li></ul><div><br>Gazes downward; suggests introspection</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f270e126451b03662b1aab011c44a07a/image.png" />
         <pubDate>2023-02-01 19:06:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465097742</guid>
      </item>
      <item>
         <title>Exekias. Achilles and Ajax Playing Dice. Black-figured amphora. ca. 540–530 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465101906</link>
         <description><![CDATA[<ol><li>What is the source of Exekias's subject matter on this Greek amphora?<ol><li>The <strong>Illiad</strong></li></ol></li><li>How did the artist create the intricate figures on the shield of Ajax?<ol><li>He incised lines into areas of black slip.</li></ol></li><li>This work was signed by the potter&nbsp;<ol><li><strong>Exekias</strong></li></ol></li><li>This amphora is one of the finest examples of&nbsp;<ol><li>&nbsp; The black figure technique</li></ol></li><li>Which best describes the theme addressed by this scene?<ol><li>We cannot control our fate.</li></ol></li></ol><ul><li><strong>medium</strong>: black figure pottery&nbsp;</li><li><strong>arceic period</strong></li><li><strong>Exekias</strong>=smarthistory:&nbsp; Exekias, Attic Black-Figure Amphora with Ajax and Achilles Playing a Game (6:42)</li><li><strong>Black</strong>=Launchpad: Ancient Greece Vase Production and the Black Figure Technique (4:16)</li><li><strong>Figured</strong>=Smarthistory: Exekias, Dionysos kylix (3:52)</li><li>Archaic period was the golden age of Greek pottery</li><li>Exekias was the potter and the painter—master of black-figure pottery</li><li>Curve of backs echo shape of pot; spears form V</li><li>Relaxation but filled with tension; foreshadows tragic deaths of both (Achilles dies in battle; Ajax carries his body back to camp and kills himself in despair)</li><li>Black-figure process: &nbsp; painted figures with slip; engraved details<ul><li>&nbsp; fired with vents open (everything turns red)</li><li>&nbsp; closed vents (everything turns black)</li><li>&nbsp; opened vents again, pot cools; pot turns red, figures remain black</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7938082f760f095b07f65b5f2a785955/image.png" />
         <pubDate>2023-02-01 19:08:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465101906</guid>
      </item>
      <item>
         <title>Exekias, DionysoExekias, Dionysos Kylix, c. 530 B.C.Es Kylix, c. 530 B.C.E</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465108936</link>
         <description><![CDATA[<ul><li>Exekias, Dionysos Kylix, c. 530 BC</li><li>drinking cup- wine at drinking (male) parties</li><li>formal qualities- curves everywhere</li><li>story: Dionysos( god of wine) was on the run from  -turned all pirates to dolphins</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a87645b088f0e46876757707c81c1535/image.png" />
         <pubDate>2023-02-01 19:13:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465108936</guid>
      </item>
      <item>
         <title>Euthymides. Dancing Revelers. Red-figured amphora. ca. 510–500 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465116794</link>
         <description><![CDATA[<ul><li><br></li><li><strong>Red-figure pottery</strong>: reversed procedure by leaving figures red and filling in the background with black slip; more freedom with the brush and facility with line (doesn’t have to to be all in profile)</li><li>Exploration of human anatomy and different positions: one shoulder blade raised in response to raised arm, lots of movement, foreshortening of certain planes on the body (neither fully frontal or profile to show skill in rendering)</li><li>Male drinking party=<strong>symposia</strong></li><li>Euthymides signed: “As never Euphronios” (could do) (taunt to another painter)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ca9d44d0dfc526bcba96340aba488263/image.png" />
         <pubDate>2023-02-01 19:19:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465116794</guid>
      </item>
      <item>
         <title>Detail from Caputi Hydria, </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465117803</link>
         <description><![CDATA[<ul><li>c. 450 B.C.</li><li>Only men were permitted to make pots in ancient Greece, but women were permitted to paint them</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e98a7fb182687f5f2dc3f3e054f121ed/image.png" />
         <pubDate>2023-02-01 19:19:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465117803</guid>
      </item>
      <item>
         <title>The Greek Classical Style: c. 400 BC (480-323 BCE)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465118326</link>
         <description><![CDATA[<div><br></div><ul><li>Persians invaded Greek mainland under leadership of Darius I; Battle of Marathon in 490 B.C.; defeated by Greeks; attacked 10 years later under Xerxes I (son of Darius I); Persians defeated Greeks, took control of Athens, burned and pillaged temples and statues (signals end of Archaic period); Greeks finally defeated Persians in 480 B.C.; classical period begins here and ends at the death of Alexander the Great in the late 4th century B.C.</li><li>Search for perfect proportions in architecture and sculpture; more naturalism in the human form</li><li>Democracy new</li><li>Time of playwrights still known: Aristophanes, Sophocles, Euripedes---comedies and tragedies</li><li>Philosophers: Socrates, Plato, Aristotle</li><li>Perikles: patron of the arts, focused attention on beautifying Athens at the city’s highest point (acropolis)</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-01 19:20:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465118326</guid>
      </item>
      <item>
         <title>Kritios Boy. ca. 480 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465120104</link>
         <description><![CDATA[<ol><li>The restrained naturalism of the Kritios Boy prefigures which period of Greek art?<ol><li><strong>Classical</strong></li></ol></li><li>The contrapposto of the Kritios Boy can be seen in each of the following details EXCEPT<ol><li><strong>the facial expression</strong></li></ol></li><li>it is however:<ol><li>the shoulders</li><li>the hips</li><li>and the knees</li></ol></li></ol><ul><li><strong>late arctic&nbsp;</strong></li><li>Kritios=Smarthistory: Kritios Boy, c. 480 BCE (5:52)</li><li>Found in ruins after Persian sack of Athens (dated to shortly before attack)</li><li>What is new? One foot still forward but shift in weight: not perfectly even at hips and shoulders, right knee lower (contrapposto—Renaissance word=counterpoise); stands at ease</li><li>When one part of the body is engaged in a task, the rest of the body responds; suggests motion, life, impermanence; encourages viewer to see from all sides</li><li>Suggests bones and muscles inside</li><li>Polished marble=softer, more fleshlike</li><li>No Archaic smile! Turn of head; in own world of thought</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/596fdc86019c172cef1e58706d69d28d/image.png" />
         <pubDate>2023-02-01 19:21:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2465120104</guid>
      </item>
      <item>
         <title>Major Ancient Greek peroids</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467117267</link>
         <description><![CDATA[<ul><li>Archaic: 600- 480 BCE</li><li>Classical: 480-323 BCE</li><li>Hellenistic: 323- 146 BCE</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-03 04:51:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467117267</guid>
      </item>
      <item>
         <title>Nike of Samothrace (winged victory)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467152891</link>
         <description><![CDATA[<ul><li>Hellenistic period&nbsp;</li><li>greek art was extremely expressive</li><li><strong>Nike=Smarthistory: Nike (Winged Victory) of Samothrace, c. 190 BCE (2:46)</strong></li><li>Another victory monument; naval victories</li><li>Nike is landing on a prow of a ship (or preparing to take flight)</li><li>Lift of wings makes body appear weightless</li><li>Neither leg supports full weight (variation on contrapposto)</li><li>Wings and drapery give body energy</li></ul><div><br>Discovered in original location (rare): stood high on a terrace overlooking the theater and the sea</div><div>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e3f9e8bed21a8804003a027fe4ee4686/image.png" />
         <pubDate>2023-02-03 05:59:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467152891</guid>
      </item>
      <item>
         <title>Laocoon and his sons</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467154671</link>
         <description><![CDATA[<ol><li>1. Stylistically, this sculpture is an example of which of the following art historical periods?<ol><li>&nbsp;Hellenistic</li></ol></li><li>2. Which of the following narratives is illustrated by the sculpture?<ol><li>The death of a Trojan priest</li></ol></li><li>3. The sculptor whose work was most influenced by the work shown was<ol><li>Michelangelo</li></ol></li><li>4. The process used to produce this sculpture is&nbsp;<ol><li>&nbsp;subtractive</li></ol></li><li>5. The sculpture does all of the following EXCEPT<ol><li>exhibit classical repose</li></ol></li></ol><ul><li>Winkelmann: 4th century BCE Classical period</li><li>Summarizes <strong>Hellenistic </strong>style: old/young, pathos, theatrical</li><li><strong>Laocoon </strong>was a <strong>Trojan </strong>priest who tried to warn the Trojans that the gift from the Greeks was a trick (wooden horse)</li><li><strong>Apollo </strong>sent serpent to try to stop him (Athena also angry and caused an earthquake around Laocoon and blinded him)</li><li>Pliny wrote about a sculpture of Laocoon</li><li>Similar in style to altar of Pergamon; serpentine twisting</li><li>Important influence on Michelangelo</li><li><strong>Tension </strong>in sculpture and tension for the viewer between pain and beauty</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4071f1a9c5a35431ac77bb0c45440988/image.png" />
         <pubDate>2023-02-03 06:03:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467154671</guid>
      </item>
      <item>
         <title>Riace Warrior A, found in the sea off Riace, Italy. ca. 450 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467996929</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Riace=Smarthistory: Bronze casting (10:25) (lost wax method)</strong></li><li>found off coast of Italy in 1970’s</li><li>Surviving Greek bronzes are extremely rare (alloy of copper and tin)</li><li><strong>Lost wax technique</strong> (used by Near Eastern artists); additive process (build with clay) rather than subtractive (carving)</li><li><strong>Reflects </strong>light rather than absorbs</li><li>Added <strong>ivory </strong>and <strong>glass </strong>eyes, bronze eyelashes, copper lips and nipples</li><li>Silver teeth</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6498fe4315f6042a3173062d2abbb02b/image.png" />
         <pubDate>2023-02-03 19:02:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2467996929</guid>
      </item>
      <item>
         <title>Zeus. ca. 460–450 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468002939</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Zeus</strong>=Smarthistory: Artemesion Zeus or Poseidon (5:08)</li><li>In the act of throwing: probably Zeus casting a thunderbolt or Poseidon throwing trident; awe-inspiring power (arms longer than in nature)</li><li>Understanding of body in motion; expert in bronze casting—unusual to have an original Greek <strong>bronze </strong>statue (often melted down to reuse for weapons because expensive materials—copper and tin); discovered underwater 1928 (probably from a ship that sank on its voyage to Italy)</li><li><strong>Bronze </strong>allows for spatially freer forms than marble</li><li>Takes up a lot of space (suggested space); pushes off with one foot, steadies with the other; dramatically breaks out of kouros tradition of being closed; all-around views</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/25303b423a686dccbfb273ecb1b31593/image.png" />
         <pubDate>2023-02-03 19:07:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468002939</guid>
      </item>
      <item>
         <title>Anciet Greek: Classical period Doryphoros (Spear Bearer). Roman copy after an original of ca. 450–440 BCE by Polykleitos</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468006488</link>
         <description><![CDATA[<ul><li><strong>Compared to Roman copy</strong>: this one is softer, more languid, less muscle delineation</li><li>The counterbalance created by the weight-bearing and relaxed limbs of this figure is called<ul><li><strong>&nbsp;Contrapposto</strong></li></ul></li><li><strong>Doryphoros</strong>=Smarthistory: Doryphoros (5:07)</li><li><strong>Doryphoros </strong>means spear-bearer; Polykleitos called “canon” (ideal of proportion) (Egyptians also had a canon)</li><li>Known to us through several Roman copies; one of the most copied by the Romans for wealthy villas; this one found intact in Pompeii (Greeks didn’t use tree trunks)</li><li><strong>Balance</strong>: relaxed limb balances working limb on both halves</li><li>Part relates to part and all parts to the whole: whole body responds&nbsp;</li><li>Belief that harmony in all things (music, etc) could be expressed mathematically</li><li>Contemplation of beauty and harmonious proportions could be equated with the contemplation of virtue</li><li><strong>Polykleitos</strong>: “Beauty consists in the proportions, not of the elements, but of the parts, that is to say, of finger to finger, and of all the fingers to the palm and the wrist, and of these to the forearm, and of the forearm to the upper arm, and of all the other parts to each other.”</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bc38890178569fe27fca9cf73b5ecd1c/image.png" />
         <pubDate>2023-02-03 19:10:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468006488</guid>
      </item>
      <item>
         <title>Diskobolos (Discus Thrower). Roman copy after a bronze original of ca. 450 BCE by Myron</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468007950</link>
         <description><![CDATA[<ul><li>balanced</li><li>idealistic proportions (royalty- calm expression)</li><li>Famous in its own time (originally bronze); we know only through Roman copy</li><li>Suggests sequence of movements: spring (coiled ) in perfect balance</li><li>The head has been improperly restored and should be turned to look toward the discus. (?) Can pose be replicated?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/84fe1d980b9b0d4d5f6cfce8b4acaeff/image.png" />
         <pubDate>2023-02-03 19:11:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468007950</guid>
      </item>
      <item>
         <title>Riace Warrior A, found in the sea off Riace, Italy. ca. 450 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468008919</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Riace=Smarthistory: Bronze casting (10:25) (lost wax method)</strong></li><li>found off coast of Italy in 1970’s</li><li>Surviving Greek bronzes are extremely rare (alloy of copper and tin)</li><li><strong>Lost wax technique</strong> (used by Near Eastern artists); additive process (build with clay) rather than subtractive (carving)</li><li><strong>Reflects </strong>light rather than absorbs</li><li>Added ivory and glass eyes, bronze eyelashes, copper lips and nipples</li><li>Silver teeth</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd0711e79150437462ee2270f137dab0/image.png" />
         <pubDate>2023-02-03 19:12:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468008919</guid>
      </item>
      <item>
         <title>Akropolis (view from west), Athens. Propylaia, 437–432 BCE with Temple of Athena Nike, 427–424 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468009870</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Akropolis </strong>(high point; every city had one)</li><li>After Persian sack of 480, monuments on the akropolis (high point) were left in ruins for 30 years</li><li>479: Athenians drove out Persians but waited 30 years before rebuilding</li><li><strong>Perikles </strong>came into political power and wanted to glorify city of Athens;&nbsp;</li><li>Took treasury from Delian League (defense league) to Athens; used it to beautify Athens</li></ul><div><br>Monuments at Akropolis exemplify classical Greek art at its height</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0323c5c3bd94b19d31de4186814969f2/image.png" />
         <pubDate>2023-02-03 19:13:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468009870</guid>
      </item>
      <item>
         <title>Iktinos and Kallikrates. The Parthenon (view from the west). Akropolis, Athens. 447–432 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468011693</link>
         <description><![CDATA[<ul><li><strong>Doric orders</strong>.</li><li>no rough lines (all soft)</li><li><strong>Parthenon=smarthistory Parthenon: 16:03</strong></li><li><strong>Akropolis=Disney’s Donald in Mathmagic Land (watch 7:10-10:00—Notre Dame)</strong></li><li><strong>Parthenon </strong>dominant temple on the Akoropolis; dominates city and surrounding countryside</li><li><strong>Perikles </strong>took money from Delian league (allies against Persians) to build it</li><li>Sophisticated integration of parts; harmony; architecture and sculpture intertwined (see next slide for comparison with Temple of Hera II)</li><li>Wide—8 columns across; enormous 40+ foot statue of Athena (made of ivory and gold) inside U-shaped inner colonnade (we only know through descriptions)</li><li><strong>Ratio </strong>9:4 or 2x + 1=y (golden mean)&nbsp;</li><li>8 columns wide, 17 columns deep; also ratio of spacing between each column at lowest point also 9:4</li><li>Deliberate attempt to produce harmony through numerical relationships but with intentional departures—no strict geometric regularity</li><li>So looks like a living thing</li><li>Columns not vertical: lean in toward cella</li><li>Space between corner column and next column is smaller than the rest of the spacing</li><li>Platform bows up in center (about 4 inches higher than corners)</li><li>Each column capital slightly distorted to compensate bowed architrave; intentional distortions</li><li>Corrections of optical illusions: from a distance, straight horizontals appear to sag; when seen close up, a long straight line seems to curve</li><li>Gives it energy, life</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c5e5d3db7725d54fb0e3ee0c5617ae67/image.png" />
         <pubDate>2023-02-03 19:15:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468011693</guid>
      </item>
      <item>
         <title>Golden section</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468012056</link>
         <description><![CDATA[<div>2x+1=y</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-03 19:15:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468012056</guid>
      </item>
      <item>
         <title>Temple of Hera II at Paestum (c. 460 BC) (left)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468014104</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Left</strong>: Temple of Hera II at Paestum (c. 460 BC)</li><li><strong>Right</strong>: Parthenon (447-432 BC)</li><li>Parthenon looks lighter than Archaic temples (Temple of Hera II at Paestum); columns more slender, less pronounced entasis, smaller capitals</li><li>Spacing between columns wider; cornice projects less, entablature lower in relation to height of temple</li><li>Columns seem less burdened with weight; new ease</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/47ff30e028aae11d5fff461eacaeabe6/image.png" />
         <pubDate>2023-02-03 19:16:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468014104</guid>
      </item>
      <item>
         <title>Parthenon (447-432 BC) (right)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468014756</link>
         <description><![CDATA[<div>Each of the following are distortions used in the Parthenon to create the illusion of physical perfection EXCEPT</div><ul><li><strong>The metopes line up with the columns.</strong></li></ul><div>Why did architects model buildings in Washington, D.C. on the classical style of the Parthenon?</div><ul><li><strong>As a symbol of democracy</strong></li></ul><div><br></div><ul><li>stored ammunition in Parthenon&nbsp;</li><li><strong>Parthenon=smarthistory Parthenon: 16:03</strong></li><li><strong>Akropolis=Disney’s Donald in Mathmagic Land (watch 7:10-10:00—Notre Dame)</strong></li><li>Parthenon dominant temple on the Akoropolis; dominates city and surrounding countryside</li><li>Perikles took money from Delian league (allies against Persians) to build it</li><li>Sophisticated integration of parts; harmony; architecture and sculpture intertwined (see next slide for comparison with Temple of Hera II)</li><li>Wide—8 columns across; enormous 40+ foot statue of Athena (made of ivory and gold) inside U-shaped inner colonnade (we only know through descriptions)</li><li>Ratio 9:4 or 2x + 1=y (golden mean)&nbsp;</li><li>8 columns wide, 17 columns deep; also ratio of spacing between each column at lowest point also 9:4</li><li>Deliberate attempt to produce harmony through numerical relationships but with intentional departures—no strict geometric regularity</li><li>So looks like a living thing</li><li>Columns not vertical: lean in toward cella</li><li>Space between corner column and next column is smaller than the rest of the spacing</li><li>Platform bows up in center (about 4 inches higher than corners)</li><li>Each column capital slightly distorted to compensate bowed architrave; intentional distortions</li><li>Corrections of optical illusions: from a distance, straight horizontals appear to sag; when seen close up, a long straight line seems to curve</li><li>Gives it energy, life</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9a86e3461aca3741c6841e03cb86d671/image.png" />
         <pubDate>2023-02-03 19:17:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468014756</guid>
      </item>
      <item>
         <title>Model of Athena Parthenos by Pheidias. ca. 438 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468015795</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Athena </strong>(ivory and gold) with personification of Victory and shield; 40 feet tall; doesn’t survive</li><li>But largest group of surviving Classical sculptures comes from the Parthenon—most extensive decoration than any previous temple</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/eacafafa82a5662af21b4a327a392ddf/image.png" />
         <pubDate>2023-02-03 19:18:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468015795</guid>
      </item>
      <item>
         <title>Jacques Carrey. Drawings of east pediment of the Parthenon. 1674 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468017087</link>
         <description><![CDATA[<div><br></div><ul><li>In 1600’s <strong>Turks </strong>used to store ammunition and Venetians blew it up; a few still remain (drawing made before)</li><li><strong>Helios </strong>and <strong>chariot </strong>rises up with the sun on left; Selene and horse goes down with sun</li><li>stored ammunition in Parthenon </li><li><strong>Elegant </strong>solution to pediment shape</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/071abd58435c9f6a1edf0ee7dbe04d82/image.png" />
         <pubDate>2023-02-03 19:19:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468017087</guid>
      </item>
      <item>
         <title>East pediment of the Parthenon. ca. 438–432 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468026589</link>
         <description><![CDATA[<ul><li>wanted to celebrate victories</li><li>give thanks to Athena&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e94d3d59933acbfa4c0aeea331a17049/image.png" />
         <pubDate>2023-02-03 19:27:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2468026589</guid>
      </item>
      <item>
         <title>Three goddesses, from east pediment of the Parthenon. ca. 438–432 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470569104</link>
         <description><![CDATA[<div>Who was the artist responsible for the sculptural program decorating the Parthenon?</div><ul><li><strong>Phidias or Pheidias</strong></li></ul><div><br></div><ul><li><strong>East=Smarthistory: Sculpture from the east pediment of the Parthenon, c. 448-432 B.C. (4:58)</strong></li><li>East pediment represented birth of Athena from the head of Zeus in the presence of other gods</li><li>Swirling drapery gives a 3-D effect, makes us forget massiveness of block of marble; reveals body more than unclothed</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/32c9e9374a4ae1583b2d43a56fece888/image.png" />
         <pubDate>2023-02-06 18:29:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470569104</guid>
      </item>
      <item>
         <title>Lapith and Centaur, metope from south side of the Parthenon. ca. 440 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470570593</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Lapith</strong>=Smarthistory: Battle of the Lapiths and Centaurs, Parthenon Metope, c. 440 BCE (6:42)</li><li>92 metopes going all the way around the building; scenes of violent action</li><li><strong>Different battles</strong>; all depict tension between order and chaos, civilized and uncivilized (and therefore all allegories for Athenian victory over the Persians)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/610ded5ccbe7d73dbd05067feb7b0aa6/image.png" />
         <pubDate>2023-02-06 18:30:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470570593</guid>
      </item>
      <item>
         <title>Frieze above western entrance of the cella of the Parthenon Akropolis, Athens. ca. 440–432 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470573855</link>
         <description><![CDATA[<ul><li>Frieze also goes around all size; Ionic feature</li><li>Depicts procession: yearly festival to honor Athena</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/70bdb91761c1ba4952fa91de52cf971b/image.png" />
         <pubDate>2023-02-06 18:32:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470573855</guid>
      </item>
      <item>
         <title>North frieze of the Parthenon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470576067</link>
         <description><![CDATA[<ol><li>What subject appears on the Parthenon's ionic frieze?<ol><li>The Panathenaic Procession</li></ol></li><li>Which distortions in the Parthenon were used to create the illusion of physical perfection?<ol><li>Right angles are not used in the building.</li><li>The columns expand near their center.</li><li>The columns are not evenly spaced.</li><li>The metopes are of differing widths.</li><li>The stylobate (temple platform) rises near the center.</li></ol></li><li>Who was the artist responsible for the sculptural program decorating the Parthenon?<ol><li>Phidias</li></ol></li><li>Why did architects model buildings in Washington DC on the classical style of the Parthenon?<ol><li>&nbsp;As a symbol of democracy</li></ol></li></ol><ul><li><strong>Frieze=Smarthistory: Phidias, Parthenon Frieze (5:21</strong>)</li><li>Frieze on inside; painted bright colors</li><li>1800’s Lord Elgin brought fragments to British Museum; Acropolis Museum made recently; wants them back</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/138ad85535962d59feaac4f8042a4ba9/image.png" />
         <pubDate>2023-02-06 18:33:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470576067</guid>
      </item>
      <item>
         <title>East frieze of the Parthenon. ca. 440 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470578088</link>
         <description><![CDATA[<div><strong><br>East=Smarthistory: Plaque of the Ergastines (4:36)</strong></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8a55bee0f99fcab8837cd2ee58313a0b/image.png" />
         <pubDate>2023-02-06 18:35:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470578088</guid>
      </item>
      <item>
         <title>Reconstruction of painted Parthenon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470579448</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2dd0e0fd5744320c16d7e174aea72931/image.png" />
         <pubDate>2023-02-06 18:36:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470579448</guid>
      </item>
      <item>
         <title>Nike, from balustrade of Temple of Athena Nike. ca. 410–407 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470581468</link>
         <description><![CDATA[<div>Why is Victory adjusting her sandal?<br><strong>She's removing her shoes to walk on sacred ground.</strong></div><ol><li>1. This sculpture would have originally been viewed by visitors&nbsp;<ol><li>walking on the Sacred Way</li></ol></li><li>What is a parapet?<ol><li>a railing or low wall</li></ol></li></ol><ul><li><strong>Nike=Smarthistory: Nike Adjusting Her Sandal (4:17) (emphasizes eroticism)</strong></li><li>On parapet; would have been seen from below on the way to Akropolis; Procession like Parthenon frieze, but not Athenians but winged Nikai (personificatons of Victory—Nike)</li><li><strong>Pheidian style</strong>; Pheidias was chief overseer of all artistic projects sponsored by Perikles; none of his works survives, but we assume the other works are in his style</li><li>“wet cloth” style</li><li>Unbalanced pose, but has balance, grace; Nike takes off sandals to approach holy ground</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/143d51ad9dd46f7df5a8145585e5f330/image.png" />
         <pubDate>2023-02-06 18:37:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470581468</guid>
      </item>
      <item>
         <title>Grave Stele of Hegeso. ca. 410–400 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470610588</link>
         <description><![CDATA[<ol><li>1. Originally represented in paint, what object did Hegeso once hold in her hand?<ol><li>a necklace</li></ol></li><li>2. In addition to providing Hegeso's name, what other information is included in the inscription on this stele<ol><li>&nbsp;the name of her father</li></ol></li><li>3. What do the architectural details surrounding Hegeso and her servant reveal about ancient Greek culture<ol><li>that women occupied a domestic sphere</li></ol></li><li>4. Which detail best reveals a sense of body mass in the shallow space of this relief?<ol><li>the drapery falls on both sides of the chair</li></ol></li></ol><ul><li><strong>Grave=smarthistory Grave Stele of Hegeso (3:26)</strong></li><li>Also Pheidian style: drapery, serenity</li><li>Very low relief in background;</li><li>A woman and her slave&nbsp;</li><li>Pegasel is on the right- she is upper class because her feet don't touch the ground because of the stool</li><li>Memorial sculpture; became common type; thinking of her mortality?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/dc16d9290e4f797961d52b94c3af2c41/image.png" />
         <pubDate>2023-02-06 18:55:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470610588</guid>
      </item>
      <item>
         <title>Temple of Athena Nike. 427–424 BCE (view from east). Akropolis, Athens</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470613315</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Ionic style</strong>; may have been to unite regions of Greece by using their style; lighter, more decorative, more femininity like features, slender columns</li><li>First structure to greet a visitor to the Akropolis</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/406a40f75618996511bd026858e46bf5/image.png" />
         <pubDate>2023-02-06 18:57:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470613315</guid>
      </item>
      <item>
         <title>Mnesikles. The Propylaia, 437–432 BCE (view from west). Akropolis, Athens</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470614525</link>
         <description><![CDATA[<ul><li>Monumental gate at west end of Akropolis</li><li>2 buildings on sides of stairway; one used as art museum—first one!</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7bfc1d80644625b8741d7ba768d2d8e4/image.png" />
         <pubDate>2023-02-06 18:57:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470614525</guid>
      </item>
      <item>
         <title>The Erechtheion. 421–405 BCE (view from the southeast). Akropolis, Athens</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470616648</link>
         <description><![CDATA[<div>Caryatids</div><ul><li><strong>The=Smarthistory: The Erectheion (8:07)</strong></li><li><strong>Erechtheion= Smarthistory: Caryatid and Ionic Column, Erechtheion, 421-407 BCE (4:13)</strong></li><li>Stood alongside the Parthenon</li><li>West end has two porches;&nbsp;</li><li>Porch of the Maidens: 6 caryatids (figural column supports)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/75e60ffedb887ab0c02e17818b485f2b/image.png" />
         <pubDate>2023-02-06 18:59:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470616648</guid>
      </item>
      <item>
         <title>The Erechtheion. 421–405 BCE (Acropolis, Athens)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470617647</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6c428fdd0e2f93e94c90a1339b7bf2b6/image.png" />
         <pubDate>2023-02-06 18:59:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470617647</guid>
      </item>
      <item>
         <title>Ancient Greek: Late Classical (4th-Century BC) (300 BC)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470619759</link>
         <description><![CDATA[<div><br></div><ul><li>Peloponnesian War (Athens v. Spartans); devastating defeat in Athens, end of golden age of Athens</li><li>Political instability brought shift in mood; less optimistic view of man’s place in the universe</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-06 19:01:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470619759</guid>
      </item>
      <item>
         <title>Corinthian style in elevation</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470621118</link>
         <description><![CDATA[<div><br></div><ul><li>Late 5th cent BC</li><li>New order:&nbsp;<strong>Corinthian order</strong></li><li>taller, more slender columns</li><li>more detailed capitals (at the top)</li><li>Curly acanthus leaves (with small Ionic volutes)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/eee9a11d75366a40f46ba76915d30b78/image.png" />
         <pubDate>2023-02-06 19:02:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470621118</guid>
      </item>
      <item>
         <title>Polykleitos the Younger. Corinthian capital, from tholos at Epidauros. ca. 350 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470621767</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b0716ac877fb5565faf03354f774f432/image.png" />
         <pubDate>2023-02-06 19:02:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470621767</guid>
      </item>
      <item>
         <title>Late classical period Hermes. Roman copy after an original of ca. 320–310 BCE by Praxiteles</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470622623</link>
         <description><![CDATA[<ul><li>Also Roman copy; strut support and Roman sandals</li><li>Compare with Doryphoros: more slender, more languid contrapposto;&nbsp;</li><li>Held a bunch of grapes in front of baby Dionysos, foreshadowing role as god of wine</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/79ed6a88f69c6d78865404f0650cdc63/image.png" />
         <pubDate>2023-02-06 19:03:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470622623</guid>
      </item>
      <item>
         <title>Ancient Greek: Classical period Doryphoros (Spear Bearer). Roman copy after an original of ca. 450–440 BCE by Polykleitos</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470632141</link>
         <description><![CDATA[<ol><li>Which term refers to an ideal standard that could be studied and replicated?<ol><li>Canon</li></ol></li><li>What subject is depicted in the Doryphoros?<ol><li>a warrior</li></ol></li><li>Which statement is accurate?<ol><li>this is a Roman copy of a Greek sculpture from the Classical period.</li></ol></li><li>The Greeks based their ideal of beauty on ______<ol><li>the harmony of mathematical proportions</li></ol></li><li>Contrapposto is demonstrated in the ___________created by weight bearing and relaxed limbs of this figure.<ol><li>counterbalance</li></ol></li></ol><ul><li>The counterbalance created by the weight-bearing and relaxed limbs of this figure is called<ul><li><strong>&nbsp;Contrapposto</strong></li></ul></li><li><strong>Doryphoros</strong>=Smarthistory: Doryphoros (5:07)</li><li><strong>Doryphoros </strong>means spear-bearer; Polykleitos called “canon” (ideal of proportion) (Egyptians also had a canon)</li><li>Known to us through several Roman copies; one of the most copied by the Romans for wealthy villas; this one found intact in Pompeii (Greeks didn’t use tree trunks)</li><li><strong>Balance</strong>: relaxed limb balances working limb on both halves</li><li>Part relates to part and all parts to the whole: whole body responds&nbsp;</li><li>Belief that harmony in all things (music, etc) could be expressed mathematically</li><li>Contemplation of beauty and harmonious proportions could be equated with the contemplation of virtue</li><li><strong>Polykleitos</strong>: “Beauty consists in the proportions, not of the elements, but of the parts, that is to say, of finger to finger, and of all the fingers to the palm and the wrist, and of these to the forearm, and of the forearm to the upper arm, and of all the other parts to each other.”</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bc38890178569fe27fca9cf73b5ecd1c/image.png" />
         <pubDate>2023-02-06 19:09:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470632141</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470637055</link>
         <description><![CDATA[<ul><li>8 heads tall </li><li><strong>Apoxyomenos=Smarthistory: Lysippos, Apoxyomenos (Scraper) (4:16)</strong></li><li>Youth scraping oil from his skin with a strigil (way of washing after athletic event)</li><li><strong>Again taller</strong>: head is 1/8 of body’s length rather than 1/7 (Polykleitos’ Doryphoros) smaller head, taller body</li><li><strong>Arm stretches</strong> into our space; foreshortens arm, encourages view to move around to see range of motion; engages with environment</li><li>In his<em> Naturalis Historia</em> the Roman <strong>author </strong>Pliny the Elder (23-79 C.E.) reported that the statesman and general Agrippa placed the <em>Apoxyomenos</em>, a masterpiece by the very famous Greek sculptor Lysippos, in front of his thermal baths. The statue represented an athlete scraping dust, sweat and oil from his body with a particular instrument called “strigil.” Emperor Tiberius deeply admired the sculpture and ordered it be removed from public view and placed in his private palace. The Roman people rose up and obliged him to return the <em>Apoxyomenos</em> to its previous location, where everyone could admire it.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/107589ebae242c7e0c4369ef119e7a46/image.png" />
         <pubDate>2023-02-06 19:12:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470637055</guid>
      </item>
      <item>
         <title>Lysippos, Farnese Hercules, 216 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470637982</link>
         <description><![CDATA[<ul><li>Lysippos, Farnese Hercules, 4th cent. BC</li><li>They have him leaning on a post as to show that he is weary (irony of the weary pose and his muscles)</li><li>He has apples in his right hand that would have represented one of the 12 labors: apples of Hesperides</li><li>Lysippos made his head smaller than the head and changing the cannon of proportions from the classical period to give the figure more sense of elegance&nbsp;</li><li>Got the name because it was excavated by the Farnese family&nbsp;</li><li>Greek athletes sometimes dedicated sculptures to Hercules thanking him for their successes&nbsp;</li><li>Meant to represent Hercules and the strength he had&nbsp;</li><li>The man is muscular because it was to represent what they could have. This sculpture was in a place you would go to exercise.&nbsp;</li><li>Bulky&nbsp;</li><li>Symbol of strength and heroism&nbsp;</li><li>Pose leaning on a post</li><li><strong>Found in</strong>: Roman Baths of Caracalla</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2a09d55cc1350615bb7e8891a2cf7b80/image.png" />
         <pubDate>2023-02-06 19:12:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470637982</guid>
      </item>
      <item>
         <title>Niobid Painter. Red-figured calyx krater, from Orvieto. ca. 460–450 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470644662</link>
         <description><![CDATA[<ul><li>drank their wine from this</li></ul><ol><li>What was the function of a krater in Greek culture?<ol><li>To mix water and wine</li></ol></li><li>2. What subject matter is depicted on this side of the vase?<ol><li>A scene from the story of Niobid</li></ol></li><li>3. Why do art historians believe this vase reflects innovations in Greek wall painting of the time<ol><li>&nbsp;Literary discussions reveal a connection to the Greek wall painter Polygnotos.</li></ol></li><li>4. What is true about the red-figure technique of Greek vase painting?<ol><li>Interior details allow for greater naturalism in the figures.</li></ol></li></ol><ul><li><strong>Niobid=Smarthistory: Niobid painter, “Niobid Krater,” c. 460-450 BCE (6:04)</strong></li><li>Wall paintings lost but we see here similar ideas that were written of wall painters at the time: emotion and no single ground line: varying levels to show depth; undulates to suggest a rocky landscape</li><li>Story:&nbsp;<ul><li>Artemis and Apollo killed Niobids children&nbsp;</li></ul></li><li>mortal Niobe (granddaughter of Zeus) boasted that she had more—and more beautiful—children (7 daughters, 7 sons) than the goddess Leto, mother of Apollo and Artemis</li><li>Leto’s children shoot down Niobe’s sons and daughters in retribution for her pride</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3eeb8c8d5f0aa0ce06c983676303516b/image.png" />
         <pubDate>2023-02-06 19:17:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470644662</guid>
      </item>
      <item>
         <title>Ancient Greek Art: Hellenistic Period: c. 300 BCE (323-146 BCE)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470652837</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Hellenistic period</strong>=time from death of Alexander to Roman rule over Greece</li><li><strong>period of drama</strong></li><li>romans took over</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-06 19:22:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470652837</guid>
      </item>
      <item>
         <title>Hellenistic Greece</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470654510</link>
         <description><![CDATA[<ul><li>Conquests of Alexander the Great from Macedonia: Egypt, Persia, Mesopotamia, Afghanistan</li><li>Died at age 33 in 323 BC</li><li>Hellenistic period=time from death of Alexander to Roman rule over Greece</li><li>Greek culture prevailed over a vast territory; mixed with other cultural traditions</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/22562f8f1c8a0469c6991aa1f2fccf9b/image.png" />
         <pubDate>2023-02-06 19:23:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470654510</guid>
      </item>
      <item>
         <title>Theater, Epidauros. Early 3rd to 2nd centuries BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470656554</link>
         <description><![CDATA[<ul><li>Time of theatricality in all arts</li><li>Seating on hillsides for theater common; now architectural during Hellenistic period (built on natural slope)</li><li><strong>Stone seats</strong>; more than semi-circle; sections and horizontal corridor</li><li>Performance on level circle</li><li><strong>Skene </strong>(stage building) served as backdrop, storage, and dressing <strong>(where we get the word (scene for plays)</strong></li><li>Great acoustics! can hear at highest points (funnel shape carries)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/57218c194d937bd3b7aef6785576c7e8/image.png" />
         <pubDate>2023-02-06 19:25:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470656554</guid>
      </item>
      <item>
         <title>Apollonius, Boxer at Rest, c. 100-50 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470657901</link>
         <description><![CDATA[<div>What is the reason that very few bronze sculptures from ancient Greece exist today?</div><div><strong>The metal was often melted and used for other purposes</strong></div><ul><li>Apollonius, Boxer at Rest</li><li>made of <strong>Rare original bronze</strong>; lost wax casting, hollow</li><li>Athletic figure, but not ideal: older, defeated, wounded, broken nose, hashes, ear swollen</li><li><strong>Posture collapsing</strong>; shows exhaustion</li><li><strong>Pathos</strong>: evokes pity or sadness, emotional</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f3748509f37c6d17936bfebb7ae010e3/image.png" />
         <pubDate>2023-02-06 19:26:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470657901</guid>
      </item>
      <item>
         <title>Epigonos of Pergamon (?). Dying Trumpeter. Perhaps a Roman copy after a bronze original of ca. 230–220 BCE, from Pergamon, Turkey</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470660066</link>
         <description><![CDATA[<div>Each of the following is a characteristic of Hellenistic art EXCEPT</div><div><strong>A serene expression<br></strong><br></div><ul><li><strong>Dying</strong>=Smarthistory: Dying Gaul, c. 220 BCE (3:31)</li><li><strong>dramatic </strong>subjects</li><li><strong>roman copy</strong> of Greek sculpture</li><li>he wasn't Greek he was a <strong>Barbarian</strong></li><li><strong>Gauls </strong>considered barbarians; rough hair and moustache</li><li><strong>Enemy defeated</strong>; dies nobly (body powerful)</li><li>Different angles, foreshortening</li><li>The greater the enemy, the greater the victory</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8a37766f3ac59fc55ddaa572d6d84b0e/image.png" />
         <pubDate>2023-02-06 19:27:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470660066</guid>
      </item>
      <item>
         <title>West front of Great Altar of Zeus at Pergamon (restored)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470662072</link>
         <description><![CDATA[<ol><li>1. During the Hellenistic period, Greek territory expanded eastward to&nbsp;<ol><li>A. India</li></ol></li><li>What subject matter decorates the frieze of the<ol><li>E. The battle of the Giants and the Olympian gods&nbsp;</li></ol></li><li>What cultural belief of ancient Greece is symbolized by the Battle of the Giants and the Gods?<ol><li>C. that Greek civilization could overcome the chaos of the unknown</li></ol></li><li>Which common characteristic of Hellenistic art does NOT appear at the Altar at Pergamon?<ol><li>the technical accomplishment of the carving</li></ol></li></ol><ul><li><strong>Altar</strong>=Smarthistory: The Pergamon Altar (8:49)</li><li>What is classical? What is not? (high stairway, flat on top, frieze below instead of above)</li><li><strong>Highly emotional,</strong> dramatic style of Hellenistic art</li><li>Stood on a terrace at akropolis of Pergamon (Turkey)—Greek colony</li><li>Celebrating war victories</li><li>Huge frieze at the base: 7’ high, 400’ in length</li><li><strong>Subject</strong>: Battle of the gods and giants (symbolizing victories)</li><li><strong>Scholarly tradition</strong>: research, gods placed on different sides according to attributes (Olympian gods on east—rising sun; southern exposure were heavenly lights (Helios); shadowy north were gods of the night; gods of earth and sea on the west</li><li>Almost sculpted in the round; adds drama, plays on light and dark</li><li><strong>Lots of motion, twisting</strong> (also in hair and garments)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f39fc7d6ee843c3eb149ab9a6e03ecb7/image.png" />
         <pubDate>2023-02-06 19:28:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470662072</guid>
      </item>
      <item>
         <title>Athena and Alkyoneus, from east side of Great Frieze of the Great Altar of Zeus at Pergamon, second quarter of the 2nd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470663271</link>
         <description><![CDATA[<ol><li>Which formal devices in this detail contribute to heightened drama that is characteristic of Hellenistic art?<ol><li>the deeply carved surfaces</li><li>the circular composition</li><li>the use of diagonal lines</li><li>the expressions of the figures</li></ol></li></ol><div>Which formal devices in this detail contribute to heightened drama that is characteristic of Hellenistic art?<br><strong>the deeply carved surfaces<br>&nbsp;the circular composition<br>&nbsp;the use of diagonal lines<br>&nbsp;the expressions of the figures</strong></div><ul><li><strong>Athena</strong>: in control, crowned by by winged Nike</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fba40c4c2c2ecf384eb254e114e88944/image.png" />
         <pubDate>2023-02-06 19:29:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2470663271</guid>
      </item>
      <item>
         <title>Zeus, from east side of Great Frieze of the Great Altar of Zeus at Pergamon, second quarter of the 2nd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473946776</link>
         <description><![CDATA[<ul><li>Zeus also in control, shows his symbols the eagle and thunderbold</li><li>Set of symbols denoting overcoming chaos and military victories of the Greeks</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a75a0457e231a501af797159a373c284/image.png" />
         <pubDate>2023-02-08 18:49:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473946776</guid>
      </item>
      <item>
         <title>Zeus, from east side of Great Frieze of the Great Altar of Zeus at Pergamon, second quarter of the 2nd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473952536</link>
         <description><![CDATA[<ul><li>Zeus also in control, shows his symbols the eagle and thunderbold</li><li>Set of symbols denoting overcoming chaos and military victories of the Greeks</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f028e378c1ac9e340bd3d2bba78af0ee/image.png" />
         <pubDate>2023-02-08 18:53:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473952536</guid>
      </item>
      <item>
         <title>Drunken Old Woman. Roman copy of an original of the late 3rd or late 2nd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473954886</link>
         <description><![CDATA[<ul><li>Smarthistory: Statue of Sleeping Eros and Statue of an Old Market Woman (5:19); NOTE: The sculpture in the video is different than the one in this slide, but it addresses a similar theme.</li><li><strong>New themes</strong>: unidealized, real life people; old and young instead of ideal youth (<strong>Hellenistic realism)</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/48c581c5bba0f09284cbcbc6163345bb/image.png" />
         <pubDate>2023-02-08 18:55:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473954886</guid>
      </item>
      <item>
         <title>  Eros Sleeping, 3rd-2nd c. B.C.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473956467</link>
         <description><![CDATA[<div><strong>Sleeping Eros</strong>: child, irrational state</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/729d9f62c48533db1915fc786fced38a/image.png" />
         <pubDate>2023-02-08 18:56:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473956467</guid>
      </item>
      <item>
         <title>Boy Strangling a Goose, 3rd-2nd Century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473963404</link>
         <description><![CDATA[<div>made out of marble </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f2aeab6924dbd5519bad341e7cf4f265/image.png" />
         <pubDate>2023-02-08 19:00:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473963404</guid>
      </item>
      <item>
         <title>The Battle of Issos or Battle of Alexander and the Persians. Mosaic copy from Pompeii of a Hellenistic painting of ca. 315 BCE. ca. 100 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473964426</link>
         <description><![CDATA[<ol><li>1. This scene represents the turning point in a battle between the Greeks and the&nbsp;<ol><li>Persians</li></ol></li><li>2. Art historians believe this mosaic is based on&nbsp;<ol><li>ancient Greek painting.</li></ol></li><li>3. This mosaic was found in&nbsp;<ol><li>one of the most elaborately decorated mansions in Pompeii.</li></ol></li><li>The mosaic was buried under ash when Mount Vesuvius erupted in 79 C.E. and was preserved until the building was excavated<ol><li><strong>true</strong></li></ol></li><li>5. Each of the following gives the mosaic its sense of naturalism EXCEPT<ol><li>A. The use of decorative patterning</li></ol></li><li>ones that do are:&nbsp;<ol><li>the overlapping of shapes</li><li>the use of foreshortening</li><li>the use of modeling</li></ol></li></ol><ul><li>Alexander=Smarthistory: Alexander Mosaic, c. 100 BCE (5:53)</li><li>Mosaic: thought to be a copy of a Greek painting written about by Pliny the Elder</li><li>Turning point of a battel: Alexander vs. Darius III of Persia</li><li>Tension, torsion</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/47c6354a874ad284b864e18590ac7158/image.png" />
         <pubDate>2023-02-08 19:01:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473964426</guid>
      </item>
      <item>
         <title>Etruscan Art: c. 600-300 B.C.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473991588</link>
         <description><![CDATA[<ul><li>Rome was originally an Etruscan city</li><li><strong>&nbsp;At one time, the Etruscans ruled Rome.</strong></li></ul><ol><li>Etruscan art depicts upper-class women&nbsp;<ol><li><strong>Participating in public events</strong></li></ol></li><li>The Etruscans primarily influenced which other ancient culture?<ol><li><strong>rome</strong></li></ol></li><li>Several large-scale sarcophagus have been found representing&nbsp;<ol><li><strong>Male and female figures</strong></li></ol></li><li>We do NOT know what the figures on&nbsp;<br>Sarcophagus of the Spouses<br>&nbsp;once held.<ol><li><strong>true</strong></li></ol></li><li>Thanks to the Romans, an extensive library of Etruscan writing has survived.<ol><li><strong>false</strong></li></ol></li><li>The Etruscans traded primarily with the ancient Egyptians.<ol><li><strong>They traded with many cultures, such as the Greeks and Ancient Near East</strong></li></ol></li><li>Which ancient culture most influenced Etruscan architecture<ol><li><strong>Greece</strong></li></ol></li></ol><ul><li>Etruscan influence on ancient <strong>Roman </strong>culture:&nbsp; gladiator fights, hydraulic engineering, temple design, and religious ritual. In fact, hundreds of years after the Etruscans had been conquered by the Romans and absorbed into their empire, the Romans still maintained an Etruscan priesthood in Rome (which they thought necessary to consult when under attack from invading ‘barbarians’).</li><li><strong>DID NOT: </strong>&nbsp;At one time, the Etruscans ruled Rome.</li><li>Written records exist but mostly inventories</li><li><strong>Most of what we know comes from tombs</strong>; provided objects from everyday life for the afterlife of wealthy citizens (like Egyptians)</li><li>Close ties with Greece and ancient Near East</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5636715647c71bac852287c87bdbb536/image.png" />
         <pubDate>2023-02-08 19:19:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473991588</guid>
      </item>
      <item>
         <title>Italian Peninsula in Etruscan times</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473992553</link>
         <description><![CDATA[<ul><li>Etruscan territory: Po Valley to Naples</li><li>Miners: Became wealthy due to trade in local copper, iron, and silver; known for the metal working</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/850aafa0b152bbe80be4c18f513c1788/image.png" />
         <pubDate>2023-02-08 19:20:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2473992553</guid>
      </item>
      <item>
         <title>Chapter 4: Aegean Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476796946</link>
         <description><![CDATA[<div>&nbsp; &nbsp;Theme: “By the Sea”</div><div><br></div><ul><li>Cycladic Art: c. 2500 BC</li><li>Minoan Art: c.1500 BC</li><li>Mycenaean Art: c.1500 BC</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-10 18:27:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476796946</guid>
      </item>
      <item>
         <title>Fresco</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476799663</link>
         <description><![CDATA[<ul><li>a technique of mural painting executed upon freshly laid lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8e0f4ac63b7ff8f9a49fea35e5a5cb0c/Creaci_n_de_Ad_n__Miguel__ngel_.jpg" />
         <pubDate>2023-02-10 18:30:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476799663</guid>
      </item>
      <item>
         <title>Megaron</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476802220</link>
         <description><![CDATA[<ul><li>the great hall in very early Mycenean and ancient Greek palace complexes. Architecturally, it was a rectangular hall that was surrounded by four columns, fronted by an open, two-columned portico, and had a central, open hearth that vented though an oculus in the roof.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/49e9aec9d55d6edc7e5cb4f72f1b69d3/megaron.jpg" />
         <pubDate>2023-02-10 18:32:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476802220</guid>
      </item>
      <item>
         <title>Rhyton</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476803986</link>
         <description><![CDATA[<div>ceremonial drinking vessel</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-10 18:33:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476803986</guid>
      </item>
      <item>
         <title>Plan of the “palace” complex, Knossos, Crete. ca. 1500 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476806947</link>
         <description><![CDATA[<ul><li>Plan appears haphazard;&nbsp;</li><li>Greek legend&nbsp; called it labyrinth, home of the Minotaur, a half-human, half-bull creature who devoured the youths the Athenians offered him and whom the hero Theseus killed after penetrating the maze</li><li>Large central court in center</li><li>Palace? We don’t know but was center for manufacturing, administration, and commerce; political and sacred activities (shrine-like rooms)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4cfc5a538e9fdb04f3368e6a27147d94/image.png" />
         <pubDate>2023-02-10 18:36:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476806947</guid>
      </item>
      <item>
         <title>The “Queen’s Megaron,” from Knossos, Crete. ca. 1700–1300 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476807854</link>
         <description><![CDATA[<ul><li>Fragments found in a light well; some scholars think it was on the floor; reconstructed from many pieces</li><li>Organic; sea symbols; respect for sea animal and and plantlife; <strong>nature is the primary subject; contrast with rigidity of Egyptian representations)</strong></li><li>Found lots of storage jars for food</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2c575bfbe4e1b9fd74a30f5138aa173c/image.png" />
         <pubDate>2023-02-10 18:37:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476807854</guid>
      </item>
      <item>
         <title>Spring Fresco, from Akrotiri, Thera. ca. 1600–1500 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476808609</link>
         <description><![CDATA[<ul><li>Town called Akrotiri on one of Cycladic islands called Thera, about 60 miles north of Crete, was covered by ash during a volcanic eruption</li><li>Excavations began in 1967; better archaelogy! 10,000 pieces</li><li>Mostly landscapes; mountains, lilies, swallows</li><li>Seemed to love brilliant colors</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2d1813a330b944bed42eea789ef6c4d1/image.png" />
         <pubDate>2023-02-10 18:37:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476808609</guid>
      </item>
      <item>
         <title>Sarcophagus, from Cerveteri. ca. 520 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476816214</link>
         <description><![CDATA[<div>Etruscan art depicts upper-class women as</div><div><strong>participating in public events<br></strong>Which ancient culture most influenced Etruscan culture?</div><div><strong>. Greece</strong></div><ul><li>Walk through analytic lens chart (next slide)</li><li>Sarcophagus=Smarthistory: Sarcophagus of the Spouses (4:16)</li><li>Now sarcophagus represents whole bodies of a married couple</li><li>Held something in their hands: maybe cups or perfume or symbol of eternity (egg or pomegranate)</li><li>Terra cotta masters; would have been fired in separate pieces;</li></ul><div><br>Banquet scenes common in Etruscan art; sarcophagus would have held ashes of the deceased couple</div><div><br>Reclining couch for eating</div><div><br>at Etruscan banquets, men and women reclined and ate together (different from Greeks and other Mediterranean cultures) across a wide chronological range Upper class Etruscan women actively participated in public life—attending banquets, riding in carriages and being spectators at (and participants in) public events.&nbsp;</div><div><br>Also marital intimacy rarely seen in Greek art; no hieratic scale</div><div><br>Greek influence (archaic smiles, almond-shaped eyes) but liveliness, angularity, limbs sticking out Etruscan; lively, convivial</div><div><br>Similar pose in Louvre is still painted</div><div><br>Rest on pillows of wineskins; shows their enjoyment of wine&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d7754a0e0e44748263215cd21528f83b/image.png" />
         <pubDate>2023-02-10 18:44:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476816214</guid>
      </item>
      <item>
         <title>Vulca of Veii (?). Aplu (Apollo), from Veii. ca. 510 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476819439</link>
         <description><![CDATA[<div>6. This Etruscan sculpture was influenced by which period of Greek art?</div><div><strong>Archaic</strong><br>This sculpture of Apollo was made out of</div><div><strong>terra cotta<br></strong>This figure was originally placed</div><div><strong>on top of a temple</strong></div><ul><li><strong>Painted </strong>terra cotta (hollow arms)</li><li>Designed for the peak of the rooftop of a temple; Etruscan idea (not Greek) although mythology from Greece (maybe <strong>Apollo </strong>and Herakles fight for the golden hind?)—other figures may have been watching the struggle; dynamic</li><li>Centuries after these pieces were created, the Roman writer <strong>Pliny </strong>recorded that in the late 6th century B.C.E., an Etruscan artist by the name of Vulca was summoned from Veii to <strong>Rome </strong>to decorate the most important temple there, the temple of Jupiter Optimus Maximus. The technical knowledge required to produce terracotta sculpture at such a large scale was considerable and it may just have been the master sculptor Vulca whose skill at the Portonaccio temple earned a prestigious commission.</li><li><strong>Toga </strong>drapes body in ornamental designs; strong, sinewy legs; archaic smile like Greek but purposeful stride unlike Greek art at the time: Etruscan energy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6e6940dc10da1ef2582fdd4d7264fe83/image.png" />
         <pubDate>2023-02-10 18:47:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476819439</guid>
      </item>
      <item>
         <title>Compared to Greek art, Etruscan art seems to differ in its</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476821159</link>
         <description><![CDATA[<div>lively energy</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3bd977c0f043f8ee1aaef4954fb12640/Danseurs_et_musiciens_tombe_des_l_opards_e1537597725687.jpg" />
         <pubDate>2023-02-10 18:49:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476821159</guid>
      </item>
      <item>
         <title>Fibula, from Regolini-Galassi Tomb, Cerveteri. ca. 670–650 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476822353</link>
         <description><![CDATA[<ul><li><strong>Fibula</strong>=brooch; used as a pin to hold a garment together at the neck</li><li>11 ½ “ in length</li><li>Skill in <strong>metalwork </strong>(gold; also copper, iron, silver)</li><li><strong>Bottom </strong>portion covered by 55 gold ducks</li><li><strong>Upper</strong>: lions (look Near Eastern—suggest familiarity with; also objects imported from the ancient Near East were buried in tombs of this time)</li><li><strong>Contemporary </strong>with Orientalizing stage of Greek art</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2e8430b14256583955faf5470453e448/image.png" />
         <pubDate>2023-02-10 18:50:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476822353</guid>
      </item>
      <item>
         <title>Pendant representing the head of Acheloos, decorated with granulation. 6th century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476823182</link>
         <description><![CDATA[<ul><li>Skill at gold working</li><li><strong>Filigree </strong>(soldering gold wires to background) and <strong>granulation </strong>(soldering tiny gold balls onto background)</li><li><strong>Acheloos </strong>is a river god</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a684b63176ceb6ee73cfddead2994034/image.png" />
         <pubDate>2023-02-10 18:51:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476823182</guid>
      </item>
      <item>
         <title>Engraved back of a mirror. ca. 400 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476824112</link>
         <description><![CDATA[<div><strong>Mirror</strong></div><ul><li>made out of bronze</li><li><strong>Adaptation </strong>of Greek tradition: character from Homer’s Iliad named Chalchas</li><li>Studies the <strong>liver </strong>of a sacrificial animal for omens; read signs in flight of birds, etc.: purely Etruscan</li><li><strong>Seneca </strong>(Roman philosopher and statesman): “This is the difference between us and the Etruscans: Since they attribute everything to divine agency, they are of the opinion that things do not reveal the future because they have occurred, but that they occur because they are meant to reveal the future.”</li><li>Mirrors also <strong>revealed the future</strong></li><li>Shows how influenced by other cultures but remained distinct</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fcd776ebc663d5c01ea10023827593f3/image.png" />
         <pubDate>2023-02-10 18:52:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476824112</guid>
      </item>
      <item>
         <title>Aerial view of part of Banditaccia Cemetery, Cerveteri. 7th–2nd centuries BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476824945</link>
         <description><![CDATA[<ul><li><strong>Cerveteri</strong>= UNESCO Etruscan necropolises of Cerveteri and Tarquinia (2:57)</li><li>the <strong>majority </strong>of our knowledge about Etruscan art comes largely from their burials (cities buried under later civilizations)</li><li>Built <strong>Necropolis </strong>(city of the dead) outside cities; maybe mimicked houses of the time (arranged along streets like a city); often had beds, chairs, and other furniture carved out of the rock (tuff—volcanic rock)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2df0266456df6078497e681ea10be0eb/image.png" />
         <pubDate>2023-02-10 18:53:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476824945</guid>
      </item>
      <item>
         <title>Burial chamber, Tomb of the Reliefs, Cerveteri. 3rd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476825572</link>
         <description><![CDATA[<ul><li><strong>Volcanic </strong>rock known as tuff: easy to cut and hardens after exposure to the air</li><li>Everything deceased might want in the afterlife stuccoed onto walls (or cut out of stone): weapons, domestic animals, tools (similar to Egyptian practices)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9a122804a0601d2a90d9ed3b6acd7236/image.png" />
         <pubDate>2023-02-10 18:53:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476825572</guid>
      </item>
      <item>
         <title>Tomb of Hunting and Fishing, Tarquinia. ca. 530–520 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476826896</link>
         <description><![CDATA[<ul><li><strong>Tombs </strong>at Tarquinia underground with wall paintings painted when plaster was wet (fresco)</li><li>Correlates with Archaic period of Greek art; anatomy and drapery show Greek influence</li><li><strong>Subject</strong>—like Minoan (dolphins) and Egyptian (hunting scenes)</li><li>Hanging garlands probably used for funerary rituals (servant makes them above; other servant draws wine from large krater)</li><li><strong>Banquet </strong>scene above common; shows reclining man and woman (unlike Greek parties/symposia)</li><li><strong>Athletic games </strong>and <strong>musicians </strong>and <strong>dancers </strong>also common: everyday activities they enjoyed or funeral rituals? Romans described as highly religious but we don’t know belief system</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f7882c1cad44aa34072933d26fe4701c/image.png" />
         <pubDate>2023-02-10 18:54:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476826896</guid>
      </item>
      <item>
         <title>Tomb of the Leopards, Tarquinia. ca. 480-450 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476827405</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/468307ecc2749d5df389276ad2addab5/image.png" />
         <pubDate>2023-02-10 18:55:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476827405</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476827973</link>
         <description><![CDATA[<div>Detail of feet and shoes (pointed shoes for woman was common Etruscan style)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/321409fd813dbfdd7b5d4dd2ab9ccf1c/image.png" />
         <pubDate>2023-02-10 18:55:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476827973</guid>
      </item>
      <item>
         <title>Detail of man’s and woman’s head; high technical achievement in terra cottaWould have been elite couple Archaic Greek smiles, almond-shaped eyes</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476828574</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8fb46c928e7e3ddfd497336879b1ff76/image.png" />
         <pubDate>2023-02-10 18:56:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476828574</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476829085</link>
         <description><![CDATA[<div><br>Similar sarcophagus in Louvre still has paint: black hair on female, blond on male; darker skin on male (common)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/130525d7f2f3adbe59884903fb31ca0f/image.png" />
         <pubDate>2023-02-10 18:56:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476829085</guid>
      </item>
      <item>
         <title>     509 BCE: The Romans overthrow the Etruscans </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476829651</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-10 18:57:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476829651</guid>
      </item>
      <item>
         <title>Charun and Vanth from the Tomb of the Anina Family, Tarquinia. 3rd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476830450</link>
         <description><![CDATA[<ul><li>Later tomb paintings (contemporary with classical Greece) gloomier in subject: 2 demons at door to take souls to the underworld (no more happy dancing people)</li><li>Gloomier because of Roman conquest of Etruscan cities?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d648e2c6cace4687f97047a881049714/image.png" />
         <pubDate>2023-02-10 18:57:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476830450</guid>
      </item>
      <item>
         <title>Reconstruction of an Etruscan temple, as described by Vitruvius </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476831229</link>
         <description><![CDATA[<ul><li><strong>Etruscan temples no longer exist</strong>; worshipped mainly in nature</li><li>Probably influenced by temples in Greece around 600 B.C. but built with materials that didn’t survive (wood, mud brick); only stone foundations survive</li><li><strong>Non-Greek</strong>: pediment empty; columns not fluted (made of wood); columns don’t go all the way around; frontal entry (steps only in the front) the post and lintel construction</li><li>The ancient Roman architect Vitruvius wrote about Etruscan temples in his book <em>De architectura</em> in the late first century B.C.E. In his treatise on ancient architecture, Vitruvius described the key elements of Etruscan temples and it was his description that inspired Renaissance architects to return to the roots of Tuscan design and allows archaeologists and art historians today to recreate the appearance of these buildings.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3c9d50328dbac8a2f815eee0c5f75365/image.png" />
         <pubDate>2023-02-10 18:58:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476831229</guid>
      </item>
      <item>
         <title>She-Wolf. ca. 500 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476832239</link>
         <description><![CDATA[<ul><li>Etruscans also skilled at bronze casting (as in other metal work)</li><li>Stylized mane; tensed for attack: combination of naturalism and stylization</li><li>Babies added later by Renaissance artist: Romulus and Remus (roman legend: twin brothers abandoned as babies and nourished by a wolf; founders of Rome); Roman coins had images of wolf nursing the babies</li><li>In 2006, the Italian art historian Anna Maria Carruba and the Etruscologist Adriano La Regina contested the traditional dating of the wolf on the basis of an analysis of the <a href="http://en.wikipedia.org/wiki/Casting"><strong>casting</strong></a><strong> </strong>technique. <strong>Carruba </strong>had been given the task of restoring the sculpture in 1997, enabling her to examine how it had been made. She observed that the statue had been cast in a single piece using a variation of the <a href="http://en.wikipedia.org/wiki/Lost-wax_casting"><strong>lost-wax casting</strong></a> technique that was not used in ancient times; ancient Greek and Roman bronzes were typically constructed from multiple pieces, a method that facilitated high quality castings with less risk than would be involved in casting the entire sculpture at once. Single-piece casting was, however, widely used in medieval times to mould bronze items that needed a high level of rigidity, such as bells and cannon. Carruba argues, like Braun, that the damage to the wolf's paw had resulted from an error in the moulding process. In addition, La Regina, who is the state superintendent of Rome's cultural heritage, argues that the sculpture's artistic style is more akin to Carolingian and <a href="http://en.wikipedia.org/wiki/Romanesque_art">Romanesque art</a> than that of the ancient world.<a href="http://en.wikipedia.org/wiki/Capitoline_Wolf%23cite_note-laregina2006-8">[8]</a></li><li>Radiocarbon and <a href="http://en.wikipedia.org/wiki/Thermoluminescence">thermoluminescence</a> dating was carried out at the <a href="http://en.wikipedia.org/wiki/University_of_Salento">University of Salento</a> in February 2007 to resolve the question. The results revealed with an accuracy of 95.4 percent that the sculpture was crafted between the 11th and 12th century AD.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e624962d7a96abea4a1902c541f486c5/image.png" />
         <pubDate>2023-02-10 18:59:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476832239</guid>
      </item>
      <item>
         <title>Chimera, c. 400 B.C.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476832964</link>
         <description><![CDATA[<ul><li>c. 400 BC</li><li>Chimera (lion, goat, serpent) slayed by Bellerophon (wound on goat’s head) (Greek myth)</li><li>Inscription to Etruscan god Tinia</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/474ab53616e55353d0f9fe5e39e55ffc/image.png" />
         <pubDate>2023-02-10 19:00:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476832964</guid>
      </item>
      <item>
         <title>L’Arringatore (the Orator). Early 1st century BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476833812</link>
         <description><![CDATA[<ul><li>Style is Roman (raised arm, high boots), but inscription is Etruscan; also high quality of bronze work; on the brink of being absorbed into Roman culture; by 270 BC all Etruscan city-states had lost their independence to Rome</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e9e200a8c1da4e44aed3ce844477cb3c/image.png" />
         <pubDate>2023-02-10 19:00:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476833812</guid>
      </item>
      <item>
         <title>1. Which of the following is not one of the cultures that produced Aegean art?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476850039</link>
         <description><![CDATA[<div>Phoenician</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-10 19:16:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476850039</guid>
      </item>
      <item>
         <title>Early archaeologists associated this structure with mythology pertaining to</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476852488</link>
         <description><![CDATA[<div>a minotaur</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/039ba0d7260774b8ccf75ae15e27b41e/1024px_Palace_of_Knossos_Crete_Greece_9__43720533420_.jpg" />
         <pubDate>2023-02-10 19:18:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476852488</guid>
      </item>
      <item>
         <title>Plan of the agora at Athens</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476939436</link>
         <description><![CDATA[<div><strong>agora- </strong>a central public space in ancient Greek city-states. It is the best representation of a city-state's response to accommodate the social and political order of the polis. The literal meaning of the word "agora" is "gathering place" or "assembly".</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8d69bd8735e387593f83634e3c1807e6/image.png" />
         <pubDate>2023-02-10 20:54:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2476939436</guid>
      </item>
      <item>
         <title>Ancient Roman Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480079363</link>
         <description><![CDATA[<ul><li><a href="https://www.youtube.com/watch?v=frE9rXnaHpE">Theme</a>: “<a href="https://www.youtube.com/watch?v=u2Yk1CEgc4g">Just</a> Like Us”</li><li><strong>Ancient=True colors of Augustus (2:35)</strong></li><li><strong>Roman=Pompeii animation</strong></li><li><strong>Art=ancient Roman music (long)</strong></li><li><strong>Theme=Chariot Race (Ben Hur) (4 min)</strong></li><li><strong>Just=Piano Guys at Petra, Jordan</strong></li><li>Assign video above with reading</li><li>Roman civilization most accessible to study; lots of monuments, writings; yet hard to define what Roman art is</li><li>Used Greek styles, but not Greek philosophy (ideal, philosophical)</li><li>More concerned with the daily requirements of a huge population</li><li>Theater-like our 10-plex</li><li>Circus—like our Nascar racetrack</li><li>Colosseum—like NFL stadium</li><li>Baths—like our health clubs</li><li>90 stores—like our malls</li><li>Aqueduct—like our plumbing (sort of)</li><li><strong>Syncretism</strong>: brought diverse elements from different cultures together to create unique style (tolerant of non-Roman traditions)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d714b2519f74e952392ed845fb88a589/image.png" />
         <pubDate>2023-02-13 18:33:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480079363</guid>
      </item>
      <item>
         <title>Roman Empire in the early 2nd century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480080673</link>
         <description><![CDATA[<div><br></div><ul><li>Rome began as a small Etruscan village;</li><li>Combined parts of many cultures (cosmopolitan)</li><li>Tolerant/syncretic: pay your taxes, we’ll leave you alone (Christians wouldn’t)</li><li>Well-run administrative organization</li><li>&nbsp;military—special rights after serving in military for 20 years</li><li>&nbsp; citizenship—important (Paul: I am a Roman citizen)</li><li>Language&nbsp; Latin</li><li>&nbsp; some Greek</li><li>Calendar&nbsp; about 11 minutes short; changed in 1582 to Gregorian calendar (Pope Gregory)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e5f6ca7ea12201cdcf888b2cb48115fc/image.png" />
         <pubDate>2023-02-13 18:34:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480080673</guid>
      </item>
      <item>
         <title>Romans Noted For:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480081462</link>
         <description><![CDATA[<div>Romans Noted For:</div><ul><li>roads and bridges</li><li><strong>aqueducts </strong>and plumbing</li><li>importing original Greek art</li><li>making copies of Greek art</li><li>exploiting the arch and dome</li><li>perfecting the use of concrete</li><li>using art as political propaganda</li><li>using art as decoration</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-13 18:35:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480081462</guid>
      </item>
      <item>
         <title>Republican Period: 509-27 BC (c. 100 BC)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480083151</link>
         <description><![CDATA[<ul><li>509 BC—threw out last Etruscan king</li><li>146 BC—Rome overthrows Greece</li><li>46 BC—Julius Caesar became perpetual dictator; civil war</li><li>44 BC—Julius Caesar assasinated\</li></ul><div><strong><br>Etruscan Art: c. 600 B.C.&nbsp;</strong></div><ul><li><strong>Republican Period </strong>(c. 100 B.C.)—ruled by Senate and two elected consuls; gained most of its territorial empire during the republic</li><li><strong>Rubicon</strong>=dividing line between north and south; went over his territory with troops&nbsp;</li><li>“<strong>cross </strong>the Rubicon”=point of no return; “the die is cast”</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-13 18:36:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480083151</guid>
      </item>
      <item>
         <title>Temple of Portunus, Rome.  ca. 80–70 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480084530</link>
         <description><![CDATA[<ul><li><strong>Temple=T</strong>emple of Portunus, Rome (3:10) Section 1: Kailee Boren, Kyle Cox; Section 2: Angela MIller</li><li>Romans where more <strong>logical</strong>, thought more about how to sustain the columns and last longer</li><li>After <strong>conquest </strong>of Greece (146 BC), architects began using Greek forms more (had earlier)</li><li>Greek? Columns-- <strong>Ionic </strong>(capitals and base), pediment</li><li>Etruscan? Stairs just in front (not all around); on a podium</li><li>Roman? one big interior room; pseudo peripteral (<strong>engaged columns</strong>)—purely decorative, not supportive</li><li><strong>Columns </strong><strong><em>NOT </em></strong><strong>marble </strong>(considered extravagant); tufa or travertine (local stone); covered with white marble stucco</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8a5c684df08271ac7b5084b3e627ec7c/image.png" />
         <pubDate>2023-02-13 18:37:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480084530</guid>
      </item>
      <item>
         <title>Reconstruction of an Etruscan temple, as described by Vitruvius </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480085618</link>
         <description><![CDATA[<ul><li><strong>Etruscan temples </strong>no longer exist; worshipped mainly in nature</li><li>Probably influenced by temples in Greece around 600 B.C. but built with materials that didn’t survive (wood, mud brick); only stone foundations survive</li><li><strong>Non-Greek</strong>: pediment empty; columns not fluted (made of wood); columns don’t go all the way around; frontal entry (steps only in the front)</li><li>An ancient Roman <strong>architect </strong>by the name of Vitruvius wrote about Etruscan temples in his book <em>De architectura</em> in the late first century B.C.E. In his treatise on ancient architecture, Vitruvius described the key elements of Etruscan temples and it was his description that inspired Renaissance architects to return to the roots of Tuscan design and allows archaeologists and art historians today to recreate the appearance of these buildings.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cdbe05473719426d3724026f6ebca74f/image.png" />
         <pubDate>2023-02-13 18:38:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480085618</guid>
      </item>
      <item>
         <title>Arch, barrel vault, and groin vault</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480086842</link>
         <description><![CDATA[<ul><li><strong>groin vault-&nbsp;</strong>groined vault is produced by the intersection at right angles of two barrel vaults</li><li>Who invented the <strong>arch</strong>? Not Romans<ul><li><strong>Near Eastern architects, Egyptians, Greeks, Etruscans all used—</strong><strong><em>but usually underground</em></strong><strong>, utilitarian—not for monumental public buildings</strong></li></ul></li><li>Romans exploited the arch; put to widespread use</li><li>True arches very strong, stable (in contrast to corbeled arches): keystone, voussoirs</li><li>Used arch as a major building element</li><li><strong>Arcade</strong>=row of arches</li><li><strong>Arches </strong>into a <strong>tunnel</strong>=barrel vault</li><li><strong>Intersection </strong>of barrel vault=groin vault</li><li>Arch spun around? dome</li><li><strong>disadvantages: </strong>has a lot of weight at the top to keep the arch up</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5d0704654e91cc85b6c12185c2481a5b/image.png" />
         <pubDate>2023-02-13 18:39:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480086842</guid>
      </item>
      <item>
         <title>Sanctuary of Fortuna Primigenia, Praeneste (Palestrina). Late 2nd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480090516</link>
         <description><![CDATA[<ul><li>Built on <strong>hillside </strong>outside of city:</li><li><strong>Sanctuary </strong>to goddess Fortuna Primigenia</li><li>Discovered after Allied bombing</li><li><strong>Fortune telling</strong>: priests interpreted divine will by drawing lots</li><li>Used Arcades, arches, columns, ramps</li><li><strong>Used concrete</strong>! Molded structures over entire surface of hillside</li><li><strong>Concrete</strong>=cement with aggregate (stones, brick, etc.)</li><li><strong>Advantages</strong>: inexpensive, didn’t take skilled craftsmen, freedom from post and lintel linearity</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ba138c5410a5ff8ee305d475ec520c44/image.png" />
         <pubDate>2023-02-13 18:41:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480090516</guid>
      </item>
      <item>
         <title>Reconstruction of Sanctuary of Fortuna Primigenia, Praeneste</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480091331</link>
         <description><![CDATA[<ul><li>Dominates hillside; molded to fit in space: 7 levels</li><li>Constant ascension; all about experience</li><li>&nbsp;temple at top; level of shops (with arches)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a1c9559854fac115a5707b2baeda3113/image.png" />
         <pubDate>2023-02-13 18:42:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480091331</guid>
      </item>
      <item>
         <title>Theater complex of Pompey, Rome. Dedicated in 55 BCEProvisional reconstruction by James E. Packer and John Burge</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480093807</link>
         <description><![CDATA[<div><strong>Late Republic</strong>; first permanent theater in Rome</div><ul><li>Compare with Greek theater: on hillside, over 180 degrees, little building (skene)</li><li><strong>Roman</strong>: built from ground up with concrete (now freedom to build independent of the landscape) (gone now)</li><li>Exactly 180 degrees (seating)</li><li>Building (skene) goes whole width of building</li><li><strong>Galleries</strong>: shops, museums, commercial enterprise</li><li>If you put two theaters together, what do you have? <strong>Amphitheater </strong>(colosseum)</li><li>The actors had real fights on stage. Then, Emperor Domitian allowed a real death on the stage. At the end of the play “Laureolis” the villain has to be crucified, tortured and torn apart by a bear. The actor playing the villain left the stage and his place was taken by a criminal who was under the sentence of death.&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/560ce995f9ee4349759817ed7fe25ef9/image.png" />
         <pubDate>2023-02-13 18:44:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480093807</guid>
      </item>
      <item>
         <title>Theater, Epidauros. Early 3rd to 2nd centuries BCE (Hellenistic)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480094227</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0b8fd8da857904af9902a808551ffc00/image.png" />
         <pubDate>2023-02-13 18:44:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480094227</guid>
      </item>
      <item>
         <title>“Brutus.” Late 1st-century BCE head, modern bust </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480098155</link>
         <description><![CDATA[<div>Section 1: Hanah Allen, Kailee Boren, Kyle Cox; Section 2: Kristin Clement, Angela Miller, Sarah Scott</div><div><strong>Smarthistory: Capitoline Brutus (3:50</strong>)</div><ul><li><strong>2 governing bodies</strong>: Senate and People&nbsp;</li><li><strong>Honored </strong>political or military figures by putting their statues on public display (often in the Roman Forum—civic heart of the city)</li><li><strong>Many bronze</strong>—later melted down for coinage or weaponry</li><li><strong>Fragment </strong>of a full-length figure</li><li>Named in Renaissance “<strong>Brutus</strong>” (founder and first consul of the Republic)<ul><li>can say it was a&nbsp;<strong>republican leader</strong></li></ul></li><li>Slightly over life size</li><li>Powerful image but not classically ideal; more individual</li><li>What’s not ideal (wrinkles, sags) record a life of work, engagement</li><li>What is ideal? <strong>Looks </strong>intelligent, wise, thoughtful, resolute</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/763515184c2dde554209ffed5ec71731/image.png" />
         <pubDate>2023-02-13 18:47:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480098155</guid>
      </item>
      <item>
         <title>Veristic male portrait. Early 1st century BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480099020</link>
         <description><![CDATA[<div>Late Republic sculptors emphasized each of the following features in portrait sculpture EXCEPT�</div><ul><li><strong>Beauty</strong></li><li>Age</li><li>Blemishes</li><li>Wisdom</li></ul><div><br></div><ul><li><strong>Veristic</strong>=true to life</li><li><strong>Verism</strong>: showed every wrinkle, sagging skin, etc.; demonstrated that they had given their lives in service of the republic and had the values of hard work, wisdom, and community service</li><li><strong>Artists </strong>played up distinguishing marks rather than leaving them out: heightens noble Republican ideals associated with age—wisdom, experience, hard work</li><li>Also deep respect for family, tradition, and ancestry</li><li><strong>Veil</strong>=priest?</li><li><strong>Veristic</strong>=true to life</li><li><strong>Different ideals than Greeks</strong>: seniority=responsibility and experience</li><li>To run for office you had to be a certain age; an image marked by age showed proper qualifications</li><li>Why portrait likenesses? Pedigree chart? Came from practice of storing ancestral masks in the home? Good pedigree important in this society</li><li>Ancient historian Polybius wrote that before burying a family member, living relatives would wear ancestral masks in a funerary procession, parading the family’s history in front of bystanders</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bfd9fcd0f0eab994e47ba5ec39e1489f/image.png" />
         <pubDate>2023-02-13 18:47:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480099020</guid>
      </item>
      <item>
         <title>Empire Period:  c. 25 BC- 200 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480121086</link>
         <description><![CDATA[<ul><li>(c. 100 AD) Julius Caesar’s assassination in 44 BC was last effort to save republic/constitution; His heir, Octavian, became first Roman emperor; birth of Roman empire; brought period of greater stability</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-13 19:02:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480121086</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480122300</link>
         <description><![CDATA[<ul><li>c. 43 BC Julius Caesar (Imperator: military rank )</li><li><strong>Caesar Augustus</strong></li><li>First people to put images of <strong>living</strong> people on coins</li><li>Pharisees took counsel how they might entagle him in his talk: Is it lawful to give tribute unto Caesar, or not?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d7fc03d43fba2f4b79f892125dd64dc7/image.png" />
         <pubDate>2023-02-13 19:03:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480122300</guid>
      </item>
      <item>
         <title>Augustus of Primaporta. Possibly Roman copy of a statue of ca. 20 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480124047</link>
         <description><![CDATA[<div>In his ruler portraits, Augustus promoted an image of himself as each of the following EXCEPT</div><ul><li><strong>Older and wise</strong></li><li>Descended from the gods</li><li>A successful military leader</li><li>Youthful and athletic</li></ul><div><br></div><ul><li><strong>Augustus</strong>=Smarthistory: Augustus of Primaporta, 1st Century CE (4:52)</li><li><strong>6’ 8” (one of many copies);</strong> arm raised in oration</li><li>Changed government as first emperor; king in all but name</li><li>Became emperor at a young age—about 36; veristic portrait style of Republic wouldn’t serve him; looked to Greek style</li><li>Emperor for <strong>42 years</strong> (but always young in portraits)</li><li>Found in house of his wife Livia at Primaporta</li><li>Strengthens claim to authority (visual propaganda) (see next slide)</li><li><strong>Putto riding dolphin</strong>: Claimed he descended from Venus (also served as a strut to strengthen the marble)</li><li>Also refers to sea—naval victory over Mark Antony and Cleopatra in 31 BC</li><li>Divinely ordained power; elevates office of emperor</li><li><strong>Breast plate</strong>: scene of Parthians bringing flag back (after they stole) to Rome; also puts on cosmic plane (shows god of sky and goddess of earth)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/59fffd220176adb460ad58a808b65b96/image.png" />
         <pubDate>2023-02-13 19:04:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480124047</guid>
      </item>
      <item>
         <title>comparing Augustus of Primaporta to Doryphoros, by Polykleitos (c. 450 BC)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480154780</link>
         <description><![CDATA[<div>Clear references to past and clear message through references (I will lead you into a new golden age):&nbsp;</div><ol><li><strong>pose</strong>: classical Greek (Doryphorous); young, athletic, ideal body</li><li>clothes</li><li><strong>hairdo</strong>—like Alexander the Great (cowlick)</li></ol><ul><li>Casts Rome as Greece’s successor in cultural supremacy</li><li>Cowlick like Alexander the Great</li><li><strong>Putto riding dolphin</strong>: Claimed he descended from Venus (also served as a strut to strengthen the marble)</li><li>Also refers to sea—naval victory over Mark Antony and Cleopatra in 31 BC</li><li>Divinely ordained power; elevates office of emperor</li><li><strong>Breast plate</strong>: scene of Parthians bring flag back (after they stole) to Rome; also puts on cosmic plane (shows god of sky and goddess of earth)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/572f89a574fb314d6bf1b79d47482eea/image.png" />
         <pubDate>2023-02-13 19:25:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480154780</guid>
      </item>
      <item>
         <title>West façade of Ara Pacis Augustae. 13–9 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480155662</link>
         <description><![CDATA[<div>Each statement is true about the Ara Pacis of Augustus EXCEPT</div><ul><li><strong>It depicts the Roman re-enactment of the Panathenaic procession.</strong></li><li>It was commissioned by the Roman Senate to commemorate the "Roman peace."</li><li>It likely depicts specific individuals at a specific event on a specific date.</li><li>The numerous plants and animals are thought to represent fertility and abundance.</li></ul><div><br></div><ul><li>Ara=smarthistory: Ara Pacis Augustae, 10:40 Section 1: Deidre Wilson, Mary McLaughlin,&nbsp;</li><li><strong>Altar of Peace to commemorate Augustus’ </strong>return from successful military campaigns in what is now Spain and France (Gaul) and bringing peace to the empire after decades of civil war</li><li><strong>Public art</strong>: commemorative, propagandist; end of civil war, beginning of empire Caesar Augustus first emperor</li><li><strong>Augustus </strong>wanted to be remembered for ending war</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/031693443def5bb85b9c49caf517bce6/image.png" />
         <pubDate>2023-02-13 19:25:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480155662</guid>
      </item>
      <item>
         <title>Imperial Procession south frieze, Ara Pacis Augustae. 13–9 BCE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480156669</link>
         <description><![CDATA[<ul><li><strong>Procession frieze</strong> shows people on the day of the altar’s dedication; resemblance to Parthenon frieze&nbsp; (and raises importance)</li><li><strong>But different</strong>: shows real people: Livia and small children; importance of family heritage</li><li><strong>Frieze</strong>: people attending the event (real people going to a real event—different than Parthenon frieze)</li><li><strong>Message</strong>: rebuild the population (have children)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/173ba5e0878ab6f583bab11bebc4d556/image.png" />
         <pubDate>2023-02-13 19:26:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480156669</guid>
      </item>
      <item>
         <title>Portrait of Vespasian. ca. 75 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480157880</link>
         <description><![CDATA[<ul><li><strong>Later emperor</strong>; return to veristic style</li><li>After a year of civil war, trying to restore order</li><li><strong>Soldier in background</strong>; wanted to to emphasize public service, military success</li><li><strong>Vespasian </strong>was known for his wit as well as his military skills. When, during one of his attempts to boost the treasury, Vespasian raised a tax on public urinals. Titus, his son, complained that this was below imperial dignity. Vespasian is said to have held out a handful of coins from the new tax and said "Now, do these smell any different?" Even on his death bed Vespasian's wit did not desert him. He was perhaps parodying the idea of the deification of emperors, when he said "Oh dear, I think I'm becoming a god.”</li><li><strong>Skilled general and statesman</strong>; took part in the invasion of Britain in AD 43 and later, with his son Titus, put down a major Jewish revolt</li><li><strong>Colosseum </strong>was built with gold from Jerusalem</li></ul><div>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/33970204187364a06a044835a68255c3/image.png" />
         <pubDate>2023-02-13 19:27:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480157880</guid>
      </item>
      <item>
         <title>Tuscan and composite styles</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480158747</link>
         <description><![CDATA[<ul><li><strong>Romans </strong>added two new capitals</li><li><strong>Tuscan</strong>—like Doric but stood on a base; no flutes</li><li><strong>Composite</strong>—Ionic volute with Corinthian acanthus leaves</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e5a5015323eface32ac4a73f91e12853/image.png" />
         <pubDate>2023-02-13 19:28:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480158747</guid>
      </item>
      <item>
         <title>Exterior of Colosseum</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480160183</link>
         <description><![CDATA[<div>The Colosseum was built largely of</div><div><strong>Concrete <br></strong>The Colosseum functioned as a place of</div><div><strong>entertainment&nbsp;</strong></div><ul><li>It got its name <strong>Colosseum </strong>because there was a big statue in front of it and it was called a colossus so they just called it that &nbsp;</li><li>they used to call it the <strong>flavian amphitheater</strong></li><li>has 3 different types of columns&nbsp;<ul><li>ground level:&nbsp;<strong>doric</strong></li><li>next level:&nbsp;<strong>ionic</strong></li><li>third: <strong>Corinthian&nbsp;</strong></li><li>Top story: <strong>pilasters </strong>(attached rectangular columns) also of the <strong>Corinthian order</strong></li></ul></li><li><strong>First permanent amphiteather in Rome </strong>(under Vespasian); Vespasian died before it was finished and Titus (son) inaugurated it in 80 AD with over 100 days of games (9000 animals died)</li><li>One of <strong>largest buildings in the world;</strong> held over 50,000 spectators</li><li><strong>Seating </strong>by social rank</li><li>Made of <strong>concrete </strong>and faced with <strong>travertine</strong></li><li>Place for gladiator fights and mock sea battles—popular entertainment; many Christians executed here; but it was the Christian religion that finally put an end to the massacres. Emperor Constantine put a stop to the gladiator schools on 1 October 326 AD</li><li>Pillaged by Christians for 100s of years</li><li>Now being restored</li><li>Physically and visually lighter as it goes up: Tuscan, Ionic, Corinthian columns and then&nbsp; Corinthian pilasters</li><li>Could be covered (to shade on hot days); had tunnels, passageways, and an elevator below for lions</li><li>Held 50,000 people; 80 arched doorways to accommodate</li><li>Entertainment for the masses</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c92226b66fbbbc5bcf126fe6ac234a50/image.png" />
         <pubDate>2023-02-13 19:29:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2480160183</guid>
      </item>
      <item>
         <title>Colosseum, Rome. 72–80 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483917126</link>
         <description><![CDATA[<ul><li><strong>Colosseum seated people according to rank not religion </strong></li><li><strong>Section 1</strong>: Christiie Eck, Abby Folsom,; <strong>section 2</strong>: Whitney Blackburn, Cecilia Origel</li><li><strong>Colosseum</strong>=The Colosseum, Rome, 70-80 CE (8:34)</li><li><strong>Donut shape</strong>: inside ring concrete; outside ring concrete faced with travertine</li></ul><div>known for using <strong>concrete and arches&nbsp;</strong></div><div><strong>Advantages of concrete</strong>&nbsp;</div><ul><li>(<strong>cement+aggregate)</strong>: didn’t take specialized workers; much less expensive; could make shapes never before used (Greeks made theaters on a hillside—let landscape shape building; Romans shaped the landscape with their buildings</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5609d37a4b99117a91af1d4d2cdad065/image.png" />
         <pubDate>2023-02-15 18:29:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483917126</guid>
      </item>
      <item>
         <title>Marble head of the Emperor Titus, c. 70-81 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483920046</link>
         <description><![CDATA[<div><strong>British Museum</strong></div><ul><li>Titus was the son of the emperor Vespasian and campaigned with his father to crush the Jewish revolt in Judaea. In his short reign Titus had to deal with the eruption of Mt Vesuvius in AD 79, which destroyed Pompeii and Herculaneum, and a terrible fire that devastated Rome.</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/71859f1c88c7e5df39439467a324f781/image.png" />
         <pubDate>2023-02-15 18:31:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483920046</guid>
      </item>
      <item>
         <title>Arch of Titus, Rome. ca. 81 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483963121</link>
         <description><![CDATA[<ul><li>This triumphal arch commemorated the victory of Titus over<ul><li><strong>Jerusalem</strong></li></ul></li><li><strong>Arch</strong>=Smarthistory: Relief from the Arch of Titus, Showing the Spoils of Jerusalem being brought into Rome (6:34)</li><li>Started in <strong>Republic period</strong> to build <strong>commemorative arches</strong> to celebrate victories or as monument to dead; whole reason was to convey message (not to enclose space or people); earliest surviving free-standing arch in Rome</li><li>Also <strong>commemorative</strong>; <strong>Titus </strong>was son of Vespasian; built by Titus’ brother Domition at his death and becoming a god</li><li>Celebrating what? Probably apotheosis (divinization) of <strong>Titus</strong>: inscription and small relief panel describe Titus as a god (see next slide)</li><li><strong>Main relief panel</strong> under bay (inside of arch)</li><li>Situated at the highest point of the Sacra Via, the Arch of Titus (<em>Arcus Titi</em>) was erected by Domitian sometime after the death of his brother in AD 81, commemorating the capture of Jerusalem by Titus in AD 70.</li><li>"The Roman Senate and People (dedicate this) to the divine Titus Vespasianus Augustus, son of the divine Vespasian."</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d213ed5153501ec4b4773499aad4b10d/image.png" />
         <pubDate>2023-02-15 18:56:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483963121</guid>
      </item>
      <item>
         <title>Relief in bay of Arch of Titus, showing procession of spoils from the Temple in Jerusalem. ca. 81 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483964497</link>
         <description><![CDATA[<div><strong>Inside of arch</strong></div><ul><li><strong>Gold Menorah (lampstand</strong>), gold table for shewbread—spoils from temple in Jerusalem; Conquered Jerusalem 70 A.D. and destroyed the Second Temple; these objects were on display near the Arch of Titus (and described by historian Josephus</li><li>How does it show space? Overlapping and also different levels of relief—low relief in background; also space continues from side to side</li><li><strong>Triumphal arch</strong> recedes into space (comes out towards from side angle)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f003ffbe8cb7c2b1542f1bfb5f63b0e9/image.png" />
         <pubDate>2023-02-15 18:57:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483964497</guid>
      </item>
      <item>
         <title>Relief in bay of Arch of Titus, showing Titus riding in triumph</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483965439</link>
         <description><![CDATA[<ul><li>Across from previous</li><li>Titus on triumphal chariot</li><li>Horses in profile but chariot frontal—turning sharply</li><li>Behind Titus, personification of victory crowns him; (allegorical rather than accurate account of historical events: Titus father Vespasian also there, Titus followed him, Domitian rode beside them)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0154bd8d7f3b8c93a860b08d01b0e228/image.png" />
         <pubDate>2023-02-15 18:58:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483965439</guid>
      </item>
      <item>
         <title>Arch of Titus ca.81 CE (Arc de Triomphe, 1806-36)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483966581</link>
         <description><![CDATA[<ul><li><strong>honours </strong>those who fought and died for France in the <a href="http://en.wikipedia.org/wiki/French_Revolutionary_Wars">French Revolutionary</a> and the <a href="http://en.wikipedia.org/wiki/Napoleonic_Wars">Napoleonic Wars</a>, with the names of all French victories and generals inscribed on its inner and outer surfaces.</li><li>&nbsp;<strong>inspired by</strong> Arch of titus</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b3df5deb6b77bf4bf42fcc0df6e6b76a/image.png" />
         <pubDate>2023-02-15 18:59:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483966581</guid>
      </item>
      <item>
         <title>Portrait of Domitia Longina. Late 1st century CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483987858</link>
         <description><![CDATA[<ul><li><strong>Wife of Domitian</strong>, one of Vespasian’s sons</li><li>Hairstyle built around a framework (such as wicker); reflects status</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/07c7a0974417016241083ff444de065f/image.png" />
         <pubDate>2023-02-15 19:09:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483987858</guid>
      </item>
      <item>
         <title>Portrait of a Flavian Woman c. 90 CE.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483990184</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/424196c5b7e2f93741566181190c05e4/image.png" />
         <pubDate>2023-02-15 19:10:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483990184</guid>
      </item>
      <item>
         <title>High Empire</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483992588</link>
         <description><![CDATA[<ul><li>Nerva</li><li>Trajan</li><li>Hadrian</li><li>Antoninus Pius</li><li>Marcus Aurelius</li></ul><div><strong>Peak of Roman civilization</strong></div><ul><li>The <strong>5 good emperors</strong></li><li>And <strong>one bad one</strong> (son of Marcus Aurelius)</li><li><strong>Amphi</strong>=around</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-15 19:11:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2483992588</guid>
      </item>
      <item>
         <title>View of the Forum in Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484000372</link>
         <description><![CDATA[<ul><li><strong>Forum </strong>(pl. fora) center of every town (like Greek agora)</li><li><strong>Public space</strong> (buildings around a plaza: administrative, religion, law, politics)</li><li>Every new emperor built new one (alongside the last one)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7ff851e0a39460681878a19eabf3c73b/image.png" />
         <pubDate>2023-02-15 19:17:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484000372</guid>
      </item>
      <item>
         <title>Plan of the Fora, Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484000872</link>
         <description><![CDATA[<div><strong>Forums</strong></div><ul><li>place of government</li><li>place of shops</li><li>etc. </li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3030e67d113f1460b6cb679bd7546a6d/image.png" />
         <pubDate>2023-02-15 19:17:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484000872</guid>
      </item>
      <item>
         <title>Marble Portrait Bust of the Emperor Trajan, c. AD 108-117 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484002399</link>
         <description><![CDATA[<div><strong>British Museum</strong></div><ul><li>Nude portrait intended to recall classical Greek art</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c66cf55751250bd451c5888a95b3ce40/image.png" />
         <pubDate>2023-02-15 19:18:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484002399</guid>
      </item>
      <item>
         <title>Forum of Trajan, Rome. Restored view by Gilbert Gorski</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484005142</link>
         <description><![CDATA[<ul><li><strong>Trajan=Smarthistory Trajan’s forum (6:00)*</strong></li><li><strong>Rome=</strong>Markets of Trajan (3:55)*</li><li><strong>Trajan</strong> was emperor 98-117 AD</li><li><strong>Largest of the fora</strong>; funded by war spoils (message: war benefited); Trajan had extended Rome’s borders to its widest expansion</li></ul><div>1.<strong>basilica</strong>—focus: rectangular building (main structure)</div><div>2. <strong>Libraries </strong>(behind basilica) (one for Greek literature, one for Roman)</div><div>3. <strong>Temple</strong></div><div>4. <strong>excedra</strong>—round extentions where judge would sit</div><div>5. <strong>Column </strong>of Trajan (between libraries)—showed expansion of Trajan, exploits</div><ul><li>Middle of basilica taller to allow windows&nbsp;</li><li>400’x200’</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/01fef90b2a2f599120a88fe417e246a4/image.png" />
         <pubDate>2023-02-15 19:20:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484005142</guid>
      </item>
      <item>
         <title>Column of Trajan, Rome. 106–13 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484007471</link>
         <description><![CDATA[<ul><li><strong>Column</strong>=Smarthistory: Column of Trajan, completed 113 CE (4:55)—don’t show</li><li><strong>Center </strong>of forum of Trajan: one of the 5 “good emperors”</li><li><strong>Spiral staircase inside</strong>; could climb up and stand on viewing platform (statue used to be Trajan; now St. Peter)</li><li><strong>Huge scale </strong>for freestanding column—engineering feat</li><li><strong>Spiral frieze</strong>: continuous narrative, 2500 individual people</li><li><strong>Commemorates </strong>victory of Trajan over Dacians (Romanian)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/764efc0f59d75e74ac8ffe2a2caf7d3d/image.png" />
         <pubDate>2023-02-15 19:21:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484007471</guid>
      </item>
      <item>
         <title>Lower portion of Column of Trajan, Rome. 106–13 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484014414</link>
         <description><![CDATA[<div>The Column of Trajan was built with . .&nbsp;</div><div><strong>Marble blocks that were stacked</strong></div><ul><li><strong>Story begins at bottom</strong>: Roman army crosses Danube to reach what is now Romania; river is personified</li><li><strong>2nd band</strong>: Trajan speaks to soldiers, soldiers build fortifications</li><li><strong>3rd band</strong>: building camp and bridge</li><li><strong>4th</strong>: foot soldiers cross a stream, emperor addresses troops in front of Dacian fortress</li><li>(<strong>rarely shows combat</strong>: more about geographic, logistic, political aspects); why? Shows leadership, people lost family members in combat; also, emphasizes what is still in force (building, leadership)</li><li>Scenes merge together (<strong>continuous narrative</strong>)</li><li>How would they view? Meant to be walked around and around? In keeping with funerary ritual to keep harmful spirits away; Trajan’s ashes buried under base</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/82b1caeae176d58306e3021c0f299b9c/image.png" />
         <pubDate>2023-02-15 19:27:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484014414</guid>
      </item>
      <item>
         <title>Markets of Trajan</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484015001</link>
         <description><![CDATA[<div>made of concrete and faced with brick</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/010c96e0070634a9dd2db87a89412412/image.png" />
         <pubDate>2023-02-15 19:27:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2484015001</guid>
      </item>
      <item>
         <title>Great Ziggurat of King Urnammu, Ur, Muqaiyir, Iraq. ca. 2100 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486678608</link>
         <description><![CDATA[<ul><li>Renewal project of King Urnammu of Ur</li><li>Dedicated to moon god, Nanna</li><li><strong>Mud brick and baked brick</strong>; a lot of it survived because exterior was fired brick</li><li>Buttresses give impression of strength; upward lines give energy</li><li>Saddam Hussein did restoration in 1980’s</li><li>Parked fighter jets next to ziggurat, assuming that American and coalition forces wouldn’t bomb; proved incorrect</li><li>Four levels</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2ea79d5254a1f8c60e5dc3613a9d6af2/image.png" />
         <pubDate>2023-02-17 18:48:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486678608</guid>
      </item>
      <item>
         <title>Temple of Hatshepsut, Deir el-Bahri. ca. 1478–1458 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486679325</link>
         <description><![CDATA[<div>Pyramids invited looters; no more</div><ul><li><strong>Thebes</strong>: valley of the kings—cut into cliffs</li><li><strong>One entrance</strong>, guards (entrances were concealed after burial)—still looted—almost immediately</li><li><strong>Hatshepsut </strong>was chief wife and half sister of Thutmose II; became pharaoh when husband died (regent for young son)</li><li><strong>Mirrors setting in cliff</strong>; rises, strong horizontal ground-line, vertical lines of colonnades (like fissures in cliff)=order imposed on chaos (nature) just as king’s role was to impose order on chaos</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c5f1aa7bf810cd5e0fc0b94783470541/image.png" />
         <pubDate>2023-02-17 18:49:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486679325</guid>
      </item>
      <item>
         <title>Iktinos and Kallikrates. The Parthenon (view from the west). Akropolis, Athens. 447–432 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486679580</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d61fee3e0193e37c9885ddaa88342433/image.png" />
         <pubDate>2023-02-17 18:49:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486679580</guid>
      </item>
      <item>
         <title>Pantheon, Rome. 117–25 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486680236</link>
         <description><![CDATA[<div><strong>The Pantheon was built to contain a perfect sphere and was influenced by Greek mathematical ideas.</strong></div><ul><li>pan- all inclusive&nbsp;</li><li>theon- the gods<ul><li>temple to <strong>All </strong>7 Gods</li></ul></li><li><strong>best preserved Roman building,</strong> was always in use</li><li>best preserved piece of Roman architecture (because it became a church in 7th century AD) and most remarkable; built under Trajan’s reign, finished under Hadrian’s rule; Hadrian left Agrippa’s name in the inscription (first builder)</li><li><strong>First Pantheon</strong> (temple to all the gods) built by Augustus’ right-hand man Agrippa; fire destroyed. Then Domition built one, which was struck by lightning</li><li>Used to sit above the street on podium; now below (over centuries, the street level rose)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4ddfb76f232ae3ffb342b58b07393ed8/image.png" />
         <pubDate>2023-02-17 18:50:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486680236</guid>
      </item>
      <item>
         <title>Schematic drawing of Pantheon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486680761</link>
         <description><![CDATA[<ul><li><strong>Dome with temple front</strong>—still honors Greek façade; from entry court (columned porticoes) that would have been all that was visible; “surprise” inside</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/df08b605983617b25d8dbaaeeb73fc73/image.png" />
         <pubDate>2023-02-17 18:51:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486680761</guid>
      </item>
      <item>
         <title>Interior of Pantheon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486682427</link>
         <description><![CDATA[<div>Oculus=eye<br>Which of the following is NOT true of the Pantheon?</div><div><strong>The dome of the Pantheon was constructed with precisely cut marble bricks.</strong></div><ul><li>7 niches at cardinal points</li><li><strong>Oculus</strong>=eye at top of enormous dome (27-foot hole)</li><li>Confidence in use of concrete and its potential</li><li><strong>Material </strong>gets lighter and thinner on top:&nbsp;</li><li><strong>Coffers</strong>: to lighten the weight</li><li>Was painted&nbsp;</li><li>Sunlight coming through eye at noon on April 21 illuminated main door of Pantheon; birthday festival of Rome (Trajan planned?)</li><li><strong>Experience</strong>: in center, dome seems to spin (like watching starry sky); center of floor raised slightly; heightens sensation, slightly dizzying?</li><li><strong>Hadrian held court here</strong>: appeared as controller of his revolving universe (guests would have felt awed and manipulated by the space)</li><li>Different colors of marble in columns represented far-away areas of Rome’s authority&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ee544630dec25487f2cc0d2a6b0d3776/image.png" />
         <pubDate>2023-02-17 18:52:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486682427</guid>
      </item>
      <item>
         <title>Plan of Pantheon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486683453</link>
         <description><![CDATA[<ul><li>Play of circles and squares</li><li>Dome rests on 8 wide pillars in between alcoves (lightens solidity)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/144c28d1fb607256e5e4a66b0dc92294/image.png" />
         <pubDate>2023-02-17 18:53:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486683453</guid>
      </item>
      <item>
         <title>Transverse section of Pantheon</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486683934</link>
         <description><![CDATA[<ul><li>Perfect sphere 143’ diameter; dome and drum are equal height, total height is same as total diameter (143 feet); symbol of eternity and perfection</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/70eca93d92c6fee2a147215b6e4c5d81/image.png" />
         <pubDate>2023-02-17 18:54:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486683934</guid>
      </item>
      <item>
         <title>Thomas Jefferson, University of Virginia, 1819</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486684213</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5247271f8a755f0e38c13ce56f96d560/image.png" />
         <pubDate>2023-02-17 18:54:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486684213</guid>
      </item>
      <item>
         <title>Filippo Brunelleschi. Dome of Florence cathedral (Santa Maria del Fiore). 1420–36 Brunelleschi Dome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486684922</link>
         <description><![CDATA[<ul><li>After losing competition, went to Rome with friend Donatello to study ancient buildings</li><li>New competition from wool merchants’ guild (also competed with Ghiberti) 1417: building the dome for Florence cathedral</li><li>Feat of engineering as well as style; lifelong pursuit, symbol of spirit of Florence (classical reason combined with Christian belief)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/baa4f0361ad78a6bfc880324c2bce85a/image.png" />
         <pubDate>2023-02-17 18:55:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486684922</guid>
      </item>
      <item>
         <title>Portrait of Hadrian. After 117 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486685419</link>
         <description><![CDATA[<ul><li>Went back to Greek style</li><li>Loved all things Greek; First emperor to wear a beard (wanted to look like Greek philosopher)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2fb9bceb7624998dd3a6e3aba91c1cbd/image.png" />
         <pubDate>2023-02-17 18:55:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486685419</guid>
      </item>
      <item>
         <title>Marble Bust of Emperor Hadrian CIRCA 117-138 A.D. Villa Montalto-Negroni-Massimi, Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486688423</link>
         <description><![CDATA[<div>British Museum</div><ul><li>Not the same as above but shows likeness; real portraiture but idealized</li><li>Nude like Greek sculpture;&nbsp; shows that the emperor was heroic and almost god-like</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a1c123d448dd622d0eee714badd91c92/image.png" />
         <pubDate>2023-02-17 18:58:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486688423</guid>
      </item>
      <item>
         <title>Scenic Canal, Hadrian’s Villa, Tivoli. ca. 130–38 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486689289</link>
         <description><![CDATA[<ul><li><strong>Hadrian’s=</strong>Smarthistory: A Tour of Hadrian’s Villa with Dr. Bernard Frischer (8:03)</li><li><strong>Villa=</strong>Emperor Hadrian’s Private Retreat, The “Maritime Theater” at Hadrian’s Villa, Tivoli (5:00)</li><li><strong>Tivoli=</strong>Hadrian: The Imperial Palace, 2:25</li><li><strong>Ca=</strong>Smarthistory: Pair of Centaurs Fighting Cats of Prey from Hadrian’s Villa (c. 130 BCE)</li><li>Country estate of Hadrian (outside of Rome); 250 acres; many of the buildings designed by Hadrian</li><li>Looks like architecture follows line of natural landscape, but actually a lot of earth was moved to create the effect</li><li><strong>Lot of water features</strong>: pools, channels; add sound and motion, reflecting light, and coolness&nbsp;</li><li>Lots of mosaics, paintings, and sculptures</li><li>Wanted to evoke regions of the Empire</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0bbcd657e518ca0f89d7120e1b08ecd5/image.png" />
         <pubDate>2023-02-17 18:59:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486689289</guid>
      </item>
      <item>
         <title>Pair of Centaurs Fighting Cats of Prey from Hadrian’s Villa (c. 130 BCE)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486689811</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1731033b92f2a0c909079b0ed27c19d1/image.png" />
         <pubDate>2023-02-17 19:00:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486689811</guid>
      </item>
      <item>
         <title>Equestrian Statue of Marcus Aurelius. 161–80 CE  or 176 AD, </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486691194</link>
         <description><![CDATA[<div>Which of the following statements is true about the Equestrian Sculpture of Marcus Aurelius?</div><div><strong>It reflects a sophisticated knowledge of both human anatomy and the anatomy of the horse.</strong></div><ul><li><strong>Marcus=Smarthistory: Equestrian Statue of Marcus Aurelius, 173-76 CE (3:48)</strong></li><li>wrote philosophy  </li><li>Spared from being melted down in medieval period because Christians thought it was Constantine the Great, champion of Christianity</li><li><strong>Gesture of mercy;</strong> raised leg of horse once rested on a conquered barbarian; horse animated, but rider has perfect control</li><li><strong>Bearded </strong>(like Hadrian); interested in philosophy&nbsp;</li><li>Wrote “Meditations of Marcus Aurelius”—wrote during wars: What is left worth living for? Justice</li><li>Dreamy-eyed</li><li>Last of the 5 good emperors</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/48be62f127d783b861b45fbd63409fc4/image.png" />
         <pubDate>2023-02-17 19:02:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486691194</guid>
      </item>
      <item>
         <title>Late Empire: c. 300 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486692532</link>
         <description><![CDATA[<ul><li>Period of anarchy and disorder</li><li>Septimus Severus</li><li>Caracalla—killed wife and son because thought they were plotting against him</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-17 19:03:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486692532</guid>
      </item>
      <item>
         <title>Portrait of Constantine the Great. Early 4th century CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486693931</link>
         <description><![CDATA[<div>Originally the Colossus of Constantine was probably 40 feet high and stood . . .�</div><div><strong>in a niche in the Basilica of Maxentius and Constantine.</strong></div><ul><li>Constantine=Smarthistory: Colossus of Constantine (4:31)</li><li><strong>head:&nbsp;</strong>was 8ft tall</li><li>Figure 7.68 (Section 1: Mariya Amato, Merik Nielson; Section 2: Haven Young</li><li><strong>Colossus of Constantine</strong></li><li>Huge statue in his basilica; head is 8 ½ ‘ tall; was part of seated sculpture in basilica of Constantine (formerly Maxentius)</li><li>More portrait of office of emperor than what he looked like</li><li>What do you notice most? Eyes are disproportionately large and deeply carved</li><li>“Stiff frontality?” Looks straight ahead</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/21b99db308134a9997ef2b2596804838/8591671172_3f75599d75_b.jpg" />
         <pubDate>2023-02-17 19:04:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486693931</guid>
      </item>
      <item>
         <title>Arch of Constantine, Rome. 312–15 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486695156</link>
         <description><![CDATA[<div>Which of the following statements is true about the Arch of Constantine?</div><div><strong>&nbsp;It borrowed elements from other monuments to compare Constantine with good leaders from the past.</strong></div><ul><li><strong>Arch=Smarthistory: Arch of Constantine, c. 315 CE (10:56)</strong></li><li>Celebrates victory in civil war against Maxentius (10-year anniversary); time of turmoil in Roman history</li><li>&nbsp;dedicated to Constantine by the Senate and People of Rome</li><li>Associates Constantine with the 5 good emperors (in roundels)</li><li>Most of the sculptural reliefs taken from other monuments; gives him authority by association?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cda4ebb418148f52bc628b40eff6ef98/image.png" />
         <pubDate>2023-02-17 19:06:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486695156</guid>
      </item>
      <item>
         <title>Roman Art in the Provinces</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486710545</link>
         <description><![CDATA[<div><strong>Empire in Provinces&nbsp;</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-17 19:23:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486710545</guid>
      </item>
      <item>
         <title>Roman Empire in the early 2nd century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486711850</link>
         <description><![CDATA[<ul><li>Rome began as a small Etruscan village;</li><li>Combined parts of many cultures (cosmopolitan)</li><li><strong>Tolerant/syncretic</strong>: pay your taxes, we’ll leave you alone (Christians wouldn’t)</li><li>Well-run administrative organization<ul><li>&nbsp; <strong>military</strong>—special rights after serving in military for 20 years</li><li>&nbsp; <strong>citizenship</strong>—important (Paul: I am a Roman citizen)</li></ul></li><li>Language&nbsp; <strong>Latin</strong><ul><li>&nbsp; some Greek</li></ul></li><li>Calendar&nbsp; about 11 minutes short; changed in 1582 to Gregorian calendar (<strong>Pope Gregory</strong>)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7a43b29735898518fa8399b7b48489fb/image.png" />
         <pubDate>2023-02-17 19:24:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486711850</guid>
      </item>
      <item>
         <title>Hadrian’s Wall, 122 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486713188</link>
         <description><![CDATA[<ul><li><strong>Hadrian’s Wall</strong>: England; meant to separate civilized from barbarians (<strong>80- 84 miles long</strong>; at places on border of Scotland)</li><li>security installation&nbsp;</li><li><strong>Forts </strong>along the way with soldiers</li><li>Physical barrier but also psychological (Trajan had stretched borders; Hadrian sought to contain, control)</li><li><strong>A.D. 122</strong>&nbsp;</li><li>Hadrian</li><li>Roman discovery in Roald Dahl story</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/dba94b0e5e18b8170e435323ab3380d6/image.png" />
         <pubDate>2023-02-17 19:25:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486713188</guid>
      </item>
      <item>
         <title>Aqueduct, Segovia. 1st or early 2nd century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486713806</link>
         <description><![CDATA[<ul><li><strong>&nbsp;local stone (granite) without mortar</strong></li><li>symbol of Roman present- repeated arches</li><li>Art and Architecture in Roman provinces</li><li>As Rome’s borders spread, styles of art and architecture spread too; improved standards of living</li><li>Brought water from 10 miles away, mostly through underground channels</li><li><strong>118 arches</strong></li><li>Shows unmistakable Roman presence, dominion (even over nature)&nbsp;</li><li>Arches marching relentlessly across terrain;&nbsp;</li><li><strong>Used until WWI</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f243a5a9cea5a0a93ed644d3a47af593/image.png" />
         <pubDate>2023-02-17 19:26:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486713806</guid>
      </item>
      <item>
         <title>Aqueduct at Nimes, France</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486715774</link>
         <description><![CDATA[<ul><li>Pont du Gard (also in Nimes, France)</li><li>“science and art and all the wonderful bits in between”</li><li>Only above ground when it crosses river valley; continues underground</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/dd255054813bdc85e717bbc45e879732/image.png" />
         <pubDate>2023-02-17 19:28:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486715774</guid>
      </item>
      <item>
         <title>Ephesus (Turkey)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486716494</link>
         <description><![CDATA[<ul><li>Ephesus = Rick Steve (4:34)&nbsp;</li><li><strong>Theater </strong>in Ephesus (port city; now Turkey);&nbsp;</li><li><strong>Originally Greek</strong> (hillside, over 180 degrees)</li><li>But added to by Romans (larger skene)</li><li>Location of one of the 7 churches in the NT</li><li><strong>Paul </strong>denounced making of cult statues of Diana (Artemis)</li><li>Craftsmen got angry and got crowd in theater to denounce (Acts 19)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fcdfa64957965a6724b7da5138ad4378/image.png" />
         <pubDate>2023-02-17 19:29:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486716494</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486716902</link>
         <description><![CDATA[<ul><li><strong>Ephesus</strong>: Terrace houses; largest collection of Roman wall paintings next to Pompeii</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c9b8e8d683bf1e65318f81f9a2a7c0ad/image.png" />
         <pubDate>2023-02-17 19:30:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2486716902</guid>
      </item>
      <item>
         <title>Ephesus</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490116228</link>
         <description><![CDATA[<div>Ephesus: public latrines; drainage system underneath; entrance fee to use them</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ccdf5ae9874059a1274c30732e3af010/image.png" />
         <pubDate>2023-02-21 18:28:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490116228</guid>
      </item>
      <item>
         <title>El Khasneh, Petra, Jordan. Probably early 2nd century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490117605</link>
         <description><![CDATA[<ul><li><strong>El Khasneh</strong>=the Treasury</li><li>has <strong>Corinthian </strong>columns&nbsp;</li><li><strong>Tholos</strong>- temple in middle of pediment&nbsp;</li><li>Present day <strong>Jordan</strong></li><li><strong>Tomb</strong>; carved into a canyon (local Nabataean tradition)</li><li>Looks like temple façade with upper story on top of Greek temple front</li><li>Playing with <strong>Greek vocabulary</strong>; pediment broken above, tholos in between</li><li>Locals imagined that pirates had stored treasure in the finial of tholos; bullet holes in it</li><li>Combination of Roman and local (plant designs, playful use of vocabulary)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a761ffaafd5cf84cecb443e50da94117/image.png" />
         <pubDate>2023-02-21 18:29:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490117605</guid>
      </item>
      <item>
         <title>Portrait of a Woman, from Hawara in the Fayum, Lower Egypt. ca. 110–30 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490119211</link>
         <description><![CDATA[<ul><li>Lot of<strong> painted portraits preserved in Egypt</strong> because of sand; found attached to mummified corpses</li><li>Painted on wooden panels in encaustic (<strong>pigments in hot wax</strong>); durable and lustrous</li><li><strong>Roman dress and appearance</strong>, but Egyptian burial; combination of traditions</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c20168986a8d052a24faf3c6c4eb0f7c/image.png" />
         <pubDate>2023-02-21 18:31:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490119211</guid>
      </item>
      <item>
         <title>   Pompeii with view of Mt. Vesuvius</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490120953</link>
         <description><![CDATA[<ul><li><strong>Pompeii</strong>=Rick Steve’s Pompeii (4:38)</li><li>All inhabitance instantly died by the gases before the volcanic ash </li><li>City of Pompeii with Mt. Vesuvius (near Naples, Italy)</li><li><strong>Mt. Vesuvius </strong>erupted <strong>August 24, 79 A.D.</strong></li><li>City not covered with lava, but pyroclastic flow (gas with ash—300 degrees celsius);&nbsp;</li><li>Killed everyone instantly—dropped where they were</li><li>(hotter at Herculaneum; blew heads off)</li><li><strong>Then ash covered</strong>: bodies decomposed, made cavities (like plaster casts); archaeologists filled with plaster</li><li>Discovered 1750’s</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd5d45c39f3e1bf7370ff5c0caac7a07/image.png" />
         <pubDate>2023-02-21 18:32:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490120953</guid>
      </item>
      <item>
         <title>Reconstruction of Pompeiian domus</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490123189</link>
         <description><![CDATA[<ul><li><strong>Eruptian of Mt Vesuvius in 79 AD</strong> left Pompeii and Herculaneum under ash; preserved cities with utensils, furniture, etc.</li><li><strong>Domus </strong>(private home; for wealthy family)</li><li><strong>Vestibule</strong>=entrance</li><li><strong>Atrium</strong>=central hall lit by an opening in the roof</li><li><strong>Impluvium</strong>=pool to collect rainwater</li><li><strong>Cubicula</strong>=rooms</li><li>Back part for private family life;</li><li>Peristyle around open garden area</li><li><strong>Culina</strong>=kitchen</li><li><strong>Tabernae</strong>=food shops (taverns)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/de092e00edfb11bbc4288e88aeae2b84/image.png" />
         <pubDate>2023-02-21 18:34:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490123189</guid>
      </item>
      <item>
         <title>Atrium of the House of the Silver Wedding, Pompeii. 2nd century BCE–79 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490123799</link>
         <description><![CDATA[<ul><li>Atrium was where Romans kept portraits of ancestors</li><li>Bedrooms come off atrium</li><li>People conducted business in homes; usually in front area</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7ac27e16d0919a192e595d526243a638/image.png" />
         <pubDate>2023-02-21 18:35:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490123799</guid>
      </item>
      <item>
         <title>Model of apartment block (insulae)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490124657</link>
         <description><![CDATA[<ul><li>Less wealthy lived in insulae (like apartment buildings: shops on lower level, living quarters above&nbsp;</li><li><strong>Top floor best:</strong> ventilation, less smell; but no fire escape</li><li><strong>Shops </strong>in bottom</li><li>Streets with stepping stones (to cross sewage)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c5a127756a85cf33edd7fb5c20df9d68/image.png" />
         <pubDate>2023-02-21 18:35:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490124657</guid>
      </item>
      <item>
         <title>August Mau’s Four Styles of Pompeiian wall painting</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490126621</link>
         <description><![CDATA[<div>All paintings at Pompeii before 79 AD; so <strong>Early Empire</strong></div><div>Fresco paintings; <strong>preserved</strong></div><ul><li><strong>First style</strong>: made plaster look like marble paneling (expensive), bricks—faux finishes</li><li><strong>Second style</strong>: illusionistic; made rooms open up (architectural features)</li><li><strong>Third style:</strong> solid planes with panels of decorative painting</li><li><strong>Fourth style</strong>: mix of all styles</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/decdbe1861e63c351089bd6d4536bbfd/image.png" />
         <pubDate>2023-02-21 18:37:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490126621</guid>
      </item>
      <item>
         <title>First Style, or Incrustation Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490129648</link>
         <description><![CDATA[<div>foefinish- making plaster look like beautiful stone </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d5d64ff2eec9adc3ad635bf94597c916/image.png" />
         <pubDate>2023-02-21 18:38:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490129648</guid>
      </item>
      <item>
         <title>Second Style, or Architectural Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490130326</link>
         <description><![CDATA[<div>pushing the wall back- looks like you can go beyond the wall, but you can't</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4efdfd5923f1711e684f790a6eacd4d0/image.png" />
         <pubDate>2023-02-21 18:39:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490130326</guid>
      </item>
      <item>
         <title>Wall painting in a villa at Boscoreale, near Pompeii, mid-1st century B.C. </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490131098</link>
         <description><![CDATA[<div>has atmospheric perspective</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4e85631e742e0c8af415feaf3487707b/image.png" />
         <pubDate>2023-02-21 18:39:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490131098</guid>
      </item>
      <item>
         <title>Second Style wall painting, from the Villa of Publius Fannius Synistor at Boscoreale, near Pompeii. Mid-1st century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490132469</link>
         <description><![CDATA[<ul><li>Now in the MET museum&nbsp;</li><li>Architectural fantasy world; conveys sense of open space</li><li>Size and spatial relationships hard to determine</li><li>mostly did it on walls, never on floors</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a667de4a260f92b6f595516eeccf1eab/image.png" />
         <pubDate>2023-02-21 18:40:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490132469</guid>
      </item>
      <item>
         <title>Scenes of Dionysiac Mystery Cult, from the Villa of the Mysteries, Pompeii. Second Style wall painting. ca. 60–50 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490133266</link>
         <description><![CDATA[<ul><li>mystery ritual</li><li>second style</li><li><strong>Villa</strong>=Villa of Mysteries</li><li>Rites associated with mystery cult of Dionysos</li><li>(initiation into womanhood or marriage?)</li><li>Near life-size figures</li><li>What style?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/11b087e805e4cf900d151b5480123328/image.png" />
         <pubDate>2023-02-21 18:41:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490133266</guid>
      </item>
      <item>
         <title>Second Style wall painting of garden, from the Villa of Livia at Primaporta. ca. 20 BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490148058</link>
         <description><![CDATA[<ul><li>Figure 7.55&nbsp; (where Statue of Augustus of Primaporta is)</li><li><strong>Villa</strong>=Smarthistory: Villa of Livia, Painted Garden (4:04)</li><li>Filled with many identifiable plant species</li><li><strong>Atmospheric perspective</strong>: plants and animals less distinct as they recede into background</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c5a451034ca0859bcf23cf59645d6ad9/image.png" />
         <pubDate>2023-02-21 18:54:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490148058</guid>
      </item>
      <item>
         <title>Third Style, or Ornate Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490149259</link>
         <description><![CDATA[<ul><li>decorative style &nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/665954a9d318e2eb59cac7c13d07078f/image.png" />
         <pubDate>2023-02-21 18:55:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490149259</guid>
      </item>
      <item>
         <title>Fourth Style, or Intricate Style, Ixion Room, House of the Vettii, Pompeii. 63–79 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490157742</link>
         <description><![CDATA[<div>4th style=combination of the first 3 styles:</div><ul><li>1.) imitation marble paneling</li><li>2.) fantastic architectural vistas receding into space</li><li>3.) mythological scenes resembling panel pictures set into the wall&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/96986c3f2673608b38c705f1ed93bc2c/image.png" />
         <pubDate>2023-02-21 19:02:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490157742</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490158970</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/104dd832f87e65903d2f519b6df6db36/image.png" />
         <pubDate>2023-02-21 19:03:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490158970</guid>
      </item>
      <item>
         <title>Still-life painting of peaches and water jar, from Herculaneum. ca. 50 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490159939</link>
         <description><![CDATA[<ul><li><strong>4th style</strong>: sometimes put in still life panels; trompe-l’oiel (fool the eye) niches or cupboards and objects on the shelves</li><li><strong>Still-life painting</strong>: appeal to senses;&nbsp;</li><li><strong>Cast</strong>-<strong>shadows </strong>(but not a single light source; did light move?)</li><li><strong>Transparent glass</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/914e30a8a4228e7db67ead5f153fae5b/image.png" />
         <pubDate>2023-02-21 19:04:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490159939</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490162652</link>
         <description><![CDATA[<div>Ephesus: Terrace houses; largest collection of Roman wall paintings next to Pompeii</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8ded6b6ca144c735a8d0dbb61038d406/image.png" />
         <pubDate>2023-02-21 19:06:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490162652</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490162946</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/52093621bc9985bd1d9f19d9a1b0ff04/image.png" />
         <pubDate>2023-02-21 19:06:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490162946</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490163871</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/506c750bb61a9bfe144604d34760a433/image.png" />
         <pubDate>2023-02-21 19:07:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490163871</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490164211</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/799ef3c5f52cbd882baab91f365f1710/image.png" />
         <pubDate>2023-02-21 19:07:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490164211</guid>
      </item>
      <item>
         <title>Woman painting a fresco, House of the Surgeon, Pompeii (A.D. 79)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490164641</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/94548253a313d0bdf55e4ca5b076c2eb/image.png" />
         <pubDate>2023-02-21 19:08:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490164641</guid>
      </item>
      <item>
         <title>(reigned 211-217) Caracalla</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490165818</link>
         <description><![CDATA[<ul><li><strong>(reigned 211-217) Caracalla </strong>is remembered as one of the most notorious and unpleasant of emperors because of the massacres and persecutions he authorized and instigated throughout the Empire</li><li>&nbsp;ruled with brother, then had him <strong>murdered</strong>; also wife and daughter because he thought they were plotting against him</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/010f4444c2f6f791eddc4c012582fe74/image.png" />
         <pubDate>2023-02-21 19:09:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490165818</guid>
      </item>
      <item>
         <title>Baths of Caracalla, Rome. ca. 211–216 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490166599</link>
         <description><![CDATA[<ul><li>Over 950 baths in Rome at its peak; Caracalla baths most lavish and extensive; marble panels, sculptures</li><li>Social experience, commercial</li><li>To see and to be seen; like health spa, but also had lecture halls, libraries, and temples</li><li>Building covered 5 ½ acres, held 1600 people</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/82c7efaca7bd73ab7ded673f4b23b89c/image.png" />
         <pubDate>2023-02-21 19:10:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490166599</guid>
      </item>
      <item>
         <title>Plan of Baths of Caracalla</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490167521</link>
         <description><![CDATA[<ul><li><strong>Caldarium</strong>=hot water (heated from underneath by furnace below)</li><li><strong>Tepidarium</strong>=tepid</li><li><strong>Frigidarium</strong>=cold water</li><li><strong>Natatio</strong>=swimming pool</li><li><strong>palaestra</strong>=exercise area</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7ee00ba76c1b52b57c396c91cee239fa/image.png" />
         <pubDate>2023-02-21 19:10:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490167521</guid>
      </item>
      <item>
         <title>Diocletrian: Emperor from 284 to 305</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490169156</link>
         <description><![CDATA[<ul><li><strong>2 senior emperors and 2 junior emperors to rule this big land</strong></li><li>Diocletrian: Emperor from 284 to 305. Born to a family of low status; rose through the ranks of the military to become cavalry commander to the Emperor <a href="http://en.wikipedia.org/wiki/Carus">Carus</a>. After the deaths of Carus and his son <a href="http://en.wikipedia.org/wiki/Numerian">Numerian</a> on campaign in Persia, Diocletian was proclaimed emperor. The title was also claimed by Carus' other surviving son, <a href="http://en.wikipedia.org/wiki/Carinus">Carinus</a>, but Diocletian defeated him in the <a href="http://en.wikipedia.org/wiki/Battle_of_the_Margus">Battle of the Margus</a>. Diocletian's reign stabilized the empire; He appointed fellow officer <a href="http://en.wikipedia.org/wiki/Maximian">Maximian</a> as <a href="http://en.wikipedia.org/wiki/Augustus_(honorific)">Augustus</a>, co-emperor, in 286.</li><li>Diocletian delegated <a href="http://en.wikipedia.org/wiki/Galerius">Galerius</a> and <a href="http://en.wikipedia.org/wiki/Constantius_Chlorus">Constantius</a> as <a href="http://en.wikipedia.org/wiki/Caesar_(title)">Caesars</a>, junior co-emperors. Under this '<a href="http://en.wikipedia.org/wiki/Tetrarchy">tetrarchy</a>', or "rule of four", each emperor would rule over a quarter-division of the empire.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e01e5bac3441e6b0fee3e8b997b6ca09/image.png" />
         <pubDate>2023-02-21 19:12:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490169156</guid>
      </item>
      <item>
         <title>Portrait group of the tetrarchs. ca. 305 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490170819</link>
         <description><![CDATA[<ul><li>originated in <strong>Constantinople&nbsp;</strong></li><li><strong>Tetrarchs</strong>=Smarthistory: Portraits of the four Tetrarchs, c. 305 CE (6:07)</li><li>Many civil wars in Rome in 3rd century: borders overstretched, hard to govern;</li><li>Emperor Diocletian divided empire into two parts: east and west; 4&nbsp; <strong>tetrarchs </strong>were joint rulers</li><li><strong>Two groups</strong>; originally thought to have been atop columns;&nbsp; shows unity between east and west (all look the same)</li><li>Now in St. Mark’s in Venice (taken from Constantinople?)</li><li><strong>Military dress</strong>; caps represent powerful officer class (meant to show strength in time of uncertainty)? one has beard, one clean shaven (bearded to show senior member); otherwise, indistinguishable—not individualized</li><li>Made of porphyry—hard stone from Egypt: long used for imperial sculpture</li><li><strong>Proportions</strong>? Squat, not naturalistic; abstracted or stylized (authority resides in the office, not in the individual who holds the office;)</li><li>sameness underlines equality; embrace emphasizes unity</li><li>Bird-handled swords or hilts</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c8d5e631b079815f0d27a951480eb4aa/image.png" />
         <pubDate>2023-02-21 19:13:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490170819</guid>
      </item>
      <item>
         <title>Analytic Lens Chart</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490172317</link>
         <description><![CDATA[<ul><li>Stylistic Period</li><li>Formal Qualities</li><li>Iconography</li><li>Social-Historical Influences</li><li>What makes it special?</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-21 19:14:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490172317</guid>
      </item>
      <item>
         <title>Basilica of Maxentius, renamed Basilica of Constantine, Rome. ca. 307 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490174485</link>
         <description><![CDATA[<ul><li><strong>Basilica=Smarthistory: Basilica of Constantine, Rome, c. 306-312 (4:18)</strong></li><li>Basilicas started in <strong>Republic</strong>: civic halls; dignified setting for courts of law</li><li>Architects looked to bath buildings for inspiration: massive, uninterrupted spaces; probably largest roofed interior in Rome</li><li><strong>3 aisles</strong> (under <strong>barrel vaults </strong>and <strong>groin vaults</strong> in center; clerestory above (window in upper wall zone)</li><li><strong>Two entrances</strong></li><li>Constantine (one of <strong>tetrarchs</strong>) defeated Maxentius and took basilica for himself; gave his own name and placed colossal portrait in the western apse (semicircular recess at each end)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/81ba3b0c28ebca5b48fdcaa3a00564dc/image.png" />
         <pubDate>2023-02-21 19:16:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490174485</guid>
      </item>
      <item>
         <title>Basilica of Maxentius, renamed Basilica of Constantine. Reconstruction (after Huelsen)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490174950</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3b579df49d502dd65d4e1a8cecb2f9ab/image.png" />
         <pubDate>2023-02-21 19:17:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490174950</guid>
      </item>
      <item>
         <title>Forum of Trajan, Rome. Restored view by Gilbert Gorski</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490176512</link>
         <description><![CDATA[<div><strong><br>Trajan=Smarthistory Trajan’s forum (6:00)*</strong></div><div><strong>Rome=Markets of Trajan (3:55)*</strong></div><div>Trajan was <strong>emperor </strong>98-117 AD</div><div><strong>Largest of the fora</strong>; funded by war spoils (message: war benefited); Trajan had extended Rome’s borders to its widest expansion</div><ul><li>1.<strong>basilica</strong>—focus: rectangular building (main structure)</li><li>2. <strong>Libraries </strong>(behind basilica) (one for Greek literature, one for Roman)</li><li>3. Temple</li><li>4. <strong>excedra</strong>—round extentions where judge would sit</li><li>5. <strong>Column </strong>of <strong>Trajan </strong>(between libraries)—showed expansion of Trajan, exploits</li></ul><div>Middle of basilica taller to allow windows&nbsp;</div><div>400’x200’</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d3a1f660a24856da8494b81c19743959/image.png" />
         <pubDate>2023-02-21 19:18:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490176512</guid>
      </item>
      <item>
         <title>What’s different  about The Arch of Constantine? </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490178571</link>
         <description><![CDATA[<ol><li>1.Not commemorating a victory over another country, but victory over another Roman (Maxentius)</li><li>2.Most of the sculpture is spolia from other monuments</li><li>3.Style changes</li></ol><ul><li>Arch=Smarthistory: Relief from the Arch of Titus, Showing the Spoils of Jerusalem being brought into Rome (6:34)</li><li>Started in Republic period to build commemorative arches to celebrate victories or as monument to dead; whole reason was to convey message (not to enclose space or people); earliest surviving free-standing arch in Rome</li><li>Also commemorative; Titus was son of Vespasian; built by Titus’ brother Domition at his death and becoming a god</li><li>Celebrating what? Probably apotheosis (divinization) of Titus: inscription and small relief panel describe Titus as a god (see next slide)</li><li>Main relief panel under bay (inside of arch)</li><li>Situated at the highest point of the Sacra Via, the Arch of Titus (<em>Arcus Titi</em>) was erected by Domitian sometime after the death of his brother in AD 81, commemorating the capture of Jerusalem by Titus in AD 70.</li><li>"The Roman Senate and People (dedicate this) to the divine Titus Vespasianus Augustus, son of the divine Vespasian."</li><li><br></li><li>&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e103b6482e75014f1a053335a3cfa417/image.png" />
         <pubDate>2023-02-21 19:20:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490178571</guid>
      </item>
      <item>
         <title>Schematic drawing of Arch of Constantine showing reused sculpture</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490179154</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/293b01b450a7e549d72293fb22a15fe1/image.png" />
         <pubDate>2023-02-21 19:21:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490179154</guid>
      </item>
      <item>
         <title>Constantinian relief from Arch of Constantine</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490181477</link>
         <description><![CDATA[<ul><li>people are naturalistic, contrapposto&nbsp;</li><li>hieratic scale </li><li><strong>Frieze relief</strong>: short, stubby men; simplified (not classical—leads to medieval style)</li><li>Why change?&nbsp;</li><li><strong>Theories</strong>: lack of artists who could carve in classical style? Cultural decline? But using style of middle classes for centuries; art of the people? Like drawing on folk art styles?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/38be686035f71202528688c0c6d6767c/image.png" />
         <pubDate>2023-02-21 19:22:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490181477</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490181986</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2817eb077394ccb38558d37738ebd461/image.png" />
         <pubDate>2023-02-21 19:23:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490181986</guid>
      </item>
      <item>
         <title>Art of Ancient China</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490186362</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/05bc5813c8ec82071ef45822f3afa791/image.png" />
         <pubDate>2023-02-21 19:26:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490186362</guid>
      </item>
      <item>
         <title>Liangzhu culture (Neolithic Period)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490186691</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-21 19:27:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490186691</guid>
      </item>
      <item>
         <title>Jade Cong, c. 2500 B.C.E., Liangzhu culture (Neolithic Period)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490187373</link>
         <description><![CDATA[<ul><li><strong>Neolithic period </strong>(10,000 BC-2,000 BC)</li><li><strong>Liangzhu culture</strong>: delta area of Yangtze River</li><li>Expert rice growers</li><li><strong>Jade objects</strong>; jade most precious material—can’t be carved with a knife, had to be carved by rubbing with sand</li><li>Found in graves</li><li>No writing found; meaning is unknown</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2f565bbde10cedde0960a5013e58f45e/image.png" />
         <pubDate>2023-02-21 19:27:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490187373</guid>
      </item>
      <item>
         <title>Zhou Dynasty: 1046 BC – 256 BC</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490187911</link>
         <description><![CDATA[<div>Famous for bronzeware and the beginnings of three major Chinese philosophies:&nbsp;Confuscianism, Taoism, and Legalism</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-21 19:28:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2490187911</guid>
      </item>
      <item>
         <title>Da Ke Ding, bronze, Zhou Dynasty, c. 1046–771 BC</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491579683</link>
         <description><![CDATA[<div>Which of these statements is true?</div><div><strong>This work was a ritual vessel found in a temple</strong></div><ul><li>Ritual vessel (not for cooking meals); taotie animal mask motif</li><li>Connects earthly with heavenly</li><li>Bronze=copper with tin</li><li>Piece-mold—not lost wax method</li><li>Seams; cast in molds that could be reused; pieces soldered together</li><li>290 characters—major development in bronze age</li><li>Gift from the king to a court official; found in a temple</li></ul><div><strong>Shows Centralized Power:</strong></div><ul><li>Bronze-expensive</li><li>Weight-400 pounds</li><li>Ritual function-must have authority to perform rituals</li><li>Writing-shows elite owner (gift from king to elite official)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/27d6507e69c5104e1088e472a14bbe38/image.png" />
         <pubDate>2023-02-22 18:38:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491579683</guid>
      </item>
      <item>
         <title>Terracotta warriors from the mausoleum of the first Qin emperor of China, Qin Shihuang, c. 221-206 B.C.E., Qin Dynasty, painted terracotta</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491582376</link>
         <description><![CDATA[<div>Which of the following statements is NOT true?</div><div><strong>b. Some of the warriors are identical to each other</strong></div><ul><li>discovered by farmers in 1974</li><li>First Emperor’s burial complex (underground), meant to replicate his life on earth</li><li>ascended to the throne of the Qin state at age of 13 and immediately began to plan his burial, and more importantly, his underground palace</li><li>Over 7,000 terracotta warriors</li><li>Emperor Qin Shihuang unified China; standardized measurements, currency, writing</li><li>During his reign, he introduced the standardization of currency, writing, measurements and more. He connected cities and states with advanced systems of roads and canals. &nbsp;</li><li>Lined his burial complex with a treasury of riches and piles of precious gemstones said to represent the stars, sun and moon. He was deeply concerned with the universe and looked to the cosmos as a guide for crossing over to an immortal existence.</li><li>Unification of China is, without question, the greatest symbol of the Qin dynasty’s power and influence</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d886beb49fa405f509b387702a012707/image.png" />
         <pubDate>2023-02-22 18:40:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491582376</guid>
      </item>
      <item>
         <title>Fan Kuan, Travelers by Streams and Mountains,  ink on silk hanging scroll, Song Dynasty, c. 1000</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491583135</link>
         <description><![CDATA[<ul><li><strong>shanshui hua</strong> = “mountain water painting”</li><li><strong>About 7 feet tall</strong></li><li>Term for landscape painting (shanshui hua)=“mountain water painting”</li><li>From very early times, the Chinese viewed mountains as sacred and imagined them as the abode of immortals.</li><li>After the long period of political disunity (the Five Dynasties period), Fan Kuan lived as a recluse and was one of many poets and artists of the time who were disenchanted with human affairs. He turned away from the world to seek spiritual enlightenment.</li><li>Vision of man’s harmonious existence in a vast but orderly universe.&nbsp;</li><li>Mountains rise up; water flows down.&nbsp;</li><li>Neo-Confuscian thinkers saw mountains and water as symbols of the eternal process of change and of the balancing <em>yang</em> and <em>yin</em>, hard and flowing.</li><li>Neo-Confucianist view: Man’s harmonious existence in a vast but orderly universe</li><li>The Chinese term for landscape painting, shanshui hua, means</li><li><strong>&nbsp;Mountain water painting</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9b99b7cbe60b35540d6a499377d5979b/Fan_Kuan___Travelers_Among_Mountains_and_Streams___Google_Art_Project.jpg" />
         <pubDate>2023-02-22 18:40:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491583135</guid>
      </item>
      <item>
         <title>The David Vases, c. 1351, Yuan dynasty, 63.6 x 20.7 cm, Jiangxi province</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491583620</link>
         <description><![CDATA[<ul><li>The global nature of the Yuan Dynasty can be seen in the</li><li><strong>Blue color of the painted decorations</strong><ul><li>got it from cobalt in the middle east </li></ul></li><li><strong>Porcelain</strong>: pure, white clay</li><li><strong>Blue pigment</strong> in painted decorations from cobalt, which came from Iran</li><li>Shows global Mongol Empire, of which <strong>Yuan Dynasty</strong> was part</li><li>Dedicated at a Daoist temple in China in <strong>1351 </strong>(exact date in painted inscription)</li><li>Dragons, phoenix, vines and floral motives</li><li>Elephant handles; thought to have brass rings at one point and broken off</li></ul><div><strong>Form&nbsp;</strong></div><ul><li>Blue and white porcelain with intricate designs&nbsp;</li><li>Vases were modeled after bronzes&nbsp;</li></ul><div><strong>&nbsp;Function&nbsp;</strong></div><ul><li>The David Vases were made as an altarpiece along with a incense burner to honor a general who had recently been made into a god due to his supernatural wisdom, power, and ability to tell the future.</li><li>Made for the altar of a Doaist Temple&nbsp;</li><li>Along with an incense burner which has not been found (a typical alter set)&nbsp;</li><li>Was then owned by a Sir Percival David who then put them on display as part of a collection.</li></ul><div><strong>&nbsp;Content&nbsp;</strong></div><ul><li>Tall white vessels decorated with blue stylized dragons, birds, clouds and floral designs.&nbsp;</li><li>Elephant-head shaped handles</li><li>Neck and foot of vases: leaves and flowers&nbsp;</li><li>Dedication on the side of the neck of the vessels; believed to be earliest known blue and white porcelain dedication&nbsp;</li><li>Central section&nbsp;</li><li>Chinese dragons with traditional long bodies and beards</li><li>Dragons have scales and claws and are set in a sea of clouds&nbsp;</li><li>Inscription from one of the vases</li><li>“Zhang Wenjin, from Jingtang community, Dejiao village, Shuncheng township, Yushan county, Xinzhou circuit, a disciple of the Holy Gods, is pleased to offer a set comprising one incense burner and a pair of flower vases to General Hu Jingyi at the Original Palace in Xingyuan, as a prayer for the protection and blessing of the whole family and for the peace of his sons and daughters. Carefully offered on an auspicious day in the Fourth Month, Eleventh year of the Zhizheng reign”.&nbsp;</li></ul><div><strong>&nbsp;Context&nbsp;</strong></div><ul><li>The long dedication is one of the earliest known on Chinese blue and white vases.&nbsp;</li><li>The Blue Porcelain was imported from Iran&nbsp;</li><li>Chinese expansion into western Asia makes the cobalt blue available&nbsp;</li><li>These porcelain vases show the traditional Chinese porcelain making with its signature blue glaze on white porcelain and its dragon, floral, and other curvilinear motifs</li><li>It is one of the most important examples of blue and white porcelain in existence</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd511255a83f793f91785f2683b716ae/Room_95_David_Vases_6747.jpg" />
         <pubDate>2023-02-22 18:41:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491583620</guid>
      </item>
      <item>
         <title>Bodhisattva, probably Avalokiteshvara (Guanyin), Northern Qi dynasty, c. 550-60, Shanxi Province, China</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491584249</link>
         <description><![CDATA[<ul><li>This figure is identified as a Boddhisatva because of its<ul><li><strong>Princely robe and jewels</strong></li></ul></li><li>Bodhisattvas are&nbsp;<ul><li><strong>enlightened beings who are destined to become buddhas but postpone that final state in order to help humanity</strong></li></ul></li></ul><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8871c55af96cbe1fec390b7527e97367/DP213356.jpg" />
         <pubDate>2023-02-22 18:41:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491584249</guid>
      </item>
      <item>
         <title>Qin Dynasty: 221 BC–206 BC</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491585379</link>
         <description><![CDATA[<ul><li><strong>First Dynasty of Imperial China</strong></li><li>&nbsp;Known for centralized political power, a large military, and standardizations in currency, weights, measures, and writing</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-22 18:42:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491585379</guid>
      </item>
      <item>
         <title>Taotie Face</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491585979</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c86eaf3fcb8085ecc001db2cb70bf321/image.png" />
         <pubDate>2023-02-22 18:43:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491585979</guid>
      </item>
      <item>
         <title>Contour rivalry</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491586351</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/baaae740d2e51ee58b8eab499700ec5a/image.png" />
         <pubDate>2023-02-22 18:43:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491586351</guid>
      </item>
      <item>
         <title>Terracotta warriors cont.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491587215</link>
         <description><![CDATA[<ul><li>Each warrior has unique face and clothing</li><li>Bodies made in mass production with molds</li><li>Also horses, chariots, weapons</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/03527879cc9113624de38fa0f8e7dc7d/image.png" />
         <pubDate>2023-02-22 18:44:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491587215</guid>
      </item>
      <item>
         <title>Han Dynasty: 202 BC – 9 AD; 25–220 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491588176</link>
         <description><![CDATA[<ul><li><strong>Second imperial dynasty;</strong></li><li>&nbsp;Considered a golden age of Chinese history</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-22 18:44:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491588176</guid>
      </item>
      <item>
         <title>Funerary Banner, from tomb 1, Mawangdui, China, Han dynasty, c. 168 B.C.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491588928</link>
         <description><![CDATA[<ul><li><strong>Silk banner</strong> found on top of 4 nesting coffins</li><li><strong>Han Dynasty</strong> (2nd&nbsp; imperial dynasty); among earliest pictorial art</li><li>Images of heaven and the underworld</li><li>Moon and sun=supernatural realm above the human world</li><li><strong>Underworld</strong>: water and earth (fish, snake, pair of blue goats)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1f265924bebe44d7d594e63c52fe1a87/image.png" />
         <pubDate>2023-02-22 18:45:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491588928</guid>
      </item>
      <item>
         <title>Funerary Banner cont.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491589956</link>
         <description><![CDATA[<ul><li><strong>Heavenly realm</strong>: dragons, moon, sun, frog and blackbird</li><li>Two guards to heavenly realm</li><li>Lady Dai and her attendants:&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/330b0f01f8b1bc92a7594f87dd1f20a8/image.png" />
         <pubDate>2023-02-22 18:46:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491589956</guid>
      </item>
      <item>
         <title>Lady Dai</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491591735</link>
         <description><![CDATA[<ul><li><strong>Earliest known portrait in Chinese art (shown enjoying afterlife)</strong></li><li>With attendants; walking stick included in tomb</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fa96e849df01592ca22e6dbae3fd8490/image.png" />
         <pubDate>2023-02-22 18:48:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491591735</guid>
      </item>
      <item>
         <title>Lady Dai&#39;s death</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491592668</link>
         <description><![CDATA[<ul><li><strong>Mourners </strong>at her funeral</li><li><strong>Patterned </strong>silk on her coffin matches her silk robe above</li><li><strong>Shows depth</strong>: overlapping figures</li><li>Vases in background smaller than vases in foreground</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/30d4f8ef7679a4573726dd1706f0a3a5/image.png" />
         <pubDate>2023-02-22 18:49:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491592668</guid>
      </item>
      <item>
         <title>Flying Horse of Gansu, c. 200, Eastern Han Dynasty</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491596178</link>
         <description><![CDATA[<ul><li><strong>Bronze</strong></li><li>Found<strong> in a tomb</strong></li><li>Perfectly balanced on a flying swallow or other bird; seems to outrun the wind</li><li>Iconic emblem of China; one of 64 works forbidden to be sent for exhibition outside of China</li><li>represents <strong>courage, integrity, diligence and power</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/382effa00b917608fbc0e5b8404eb22d/image.png" />
         <pubDate>2023-02-22 18:51:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491596178</guid>
      </item>
      <item>
         <title>Tang Dynasty: 618–690, 705–907</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491597709</link>
         <description><![CDATA[<ul><li>Considered a golden age in Chinese history</li><li>&nbsp;Known for great poetry, art, and woodblock printing</li><li><strong>&nbsp;1271 to 1368 AD</strong></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-22 18:53:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491597709</guid>
      </item>
      <item>
         <title>Han Gan, Night-Shining White, Tang Dynasty, c. 750</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491600091</link>
         <description><![CDATA[<ul><li>MET</li><li><strong>Tang dynasty (618–907)</strong></li><li><strong>Handscroll</strong>; ink on paper</li><li>simplistic look to it</li><li>A leading horse painter of the Tang dynasty, Han Gan was known for capturing <strong>not only the likeness of a horse but also its spirit. </strong></li><li>This painting, the most <strong>famous </strong>work <strong>attributed </strong>to the artist, is a <strong>portrait of a charger of Emperor Xuanzong</strong> (r. 712–56).&nbsp;</li><li>With its <strong>burning eye</strong>, <strong>flaring nostrils</strong>, and <strong>dancing hoofs</strong>, the <strong>fiery</strong>-<strong>tempered </strong>horse epitomizes Chinese myths about Central Asian "<strong>celestial steeds</strong>" that "sweated blood" and were actually dragons in disguise.&nbsp;</li><li>The seals and inscriptions added to the painting and its borders by later owners and appreciators are a distinctive feature of Chinese collecting and connoisseurship.&nbsp;</li><li>The addition of more than one thousand years of seals and comments offers a vivid testimony of the work's transmission and its impact on later generations.</li></ul>]]></description>
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         <pubDate>2023-02-22 18:55:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491600091</guid>
      </item>
      <item>
         <title>Attributed to Zhou Fang, Ladies Wearing Flowers in Their Hair, Tang Dynasty (c. late 8th-early 9th century), handscroll, ink and color on silk</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491601166</link>
         <description><![CDATA[<ul><li><strong>Zhou Fang</strong> was a well-known court <strong>artist </strong>born to an <strong>aristocratic </strong>family</li><li>have pets, elegant dresses, wealthy, white pigment- sign of eliteness, shows some hieratic scale &nbsp;</li><li>Shows ideals of feminine beauty</li><li><strong>Right</strong>: two women play with a dog</li><li><strong>Middle</strong>: hierarchic scale (servant with a fan and larger court lady facing a crane)</li><li><strong>Left</strong>: Smaller woman shows depth; woman on the left catches a butterfly near a magnolia tree; turns attention to another dog</li><li>All show <strong>leisure</strong>, <strong>grace</strong>, <strong>elegance</strong>, and <strong>carefree </strong>life in the palace</li><li>Rich garments and accessories</li><li><strong>Flowers in hair</strong>: relates to a spring festival; pursuit of love and beauty</li><li>Eyebrows painted as butterfly wings</li><li>White pigment applied to skin</li><li>Leisure time</li><li>Hierarchical scale</li><li>The huge blossoms worn in the ladies’ high bun not only depicted a particular fashion of the time, but also a social custom performed by women during the springtime festival of “Flower Morning” in the Chinese tradition.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d4e264c9cec3b9e28fce606cbf6e869c/image.png" />
         <pubDate>2023-02-22 18:56:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2491601166</guid>
      </item>
      <item>
         <title>Song Dynasty: 960–1279</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494241164</link>
         <description><![CDATA[<ul><li>Known for technology, science, philosophy, mathematics, and engineering</li><li>&nbsp;First in world history to issue paper money</li><li>&nbsp;Inventors of gunpowder and gunpowder weapons</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 18:34:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494241164</guid>
      </item>
      <item>
         <title>Yuan Dynasty: 1271–1368 (1271 to 1368 AD)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494243134</link>
         <description><![CDATA[<div>Part of Mongol Empire founded by Kublai Khan</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 18:36:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494243134</guid>
      </item>
      <item>
         <title>Buddha of Medicine, c. 1319, Yuan Dynasty</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494245848</link>
         <description><![CDATA[<ul><li>Found in a <strong>monastery </strong>and sold to fund the restoration of the monastery</li><li><strong>Wall painting</strong> was the <strong>first </strong>important format of painting in China</li><li><strong>Buddha is spare</strong>; has relinquished all worldly ties</li><li><strong>Buddha’s hand gesture</strong>=mudras; also has elongated earlobes, cranial bump</li><li><strong>Yuan Dynasty</strong>; Mongols in control, unified China</li><li>Buddhism brought to China by Buddhist monks from India during the latter part of the Han dynasty (<strong>ca.</strong> <strong>150 CE</strong>) and took over a century to become assimilated into Chinese culture.</li><li>Style: contour lines, curvilinear lines, vibrant color; influenced by Tibetan art styles</li><li>For teaching purposes</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f7ba6d6ab3f3dc86bf6cf340fcad1006/image.png" />
         <pubDate>2023-02-24 18:38:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494245848</guid>
      </item>
      <item>
         <title>Huang Gongwang, Dwelling in the Fuchun Mountains, 1350, Yuan Dynasty, handscroll, ink on paper</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494248623</link>
         <description><![CDATA[<div><br></div><ul><li>Handscroll paintings were meant to be seen<ul><li><strong>from right to left</strong></li></ul></li><li>Over 22 feet long</li></ul><div><strong>Story</strong>:</div><ul><li>As the story goes, the handscroll escaped destruction because a nephew disobeyed his uncle’s dying wish. In the late Ming dynasty, a collector named Wu Hongyu was so fond of this handscroll that he put it next to him while sleeping and eating, even carrying it when he fled in bare feet during the Manchu conquest. On his deathbed in 1650, Wu instructed his nephew to burn the handscroll so that it could accompany him into the afterlife. The handscroll started to burn. Fortunately, Wu’s quick-thinking nephew saved it by substituting another painting, unbeknown to the near-death Wu.</li><li>Travel little by little</li><li><strong>visual feast of methods and techniques</strong>, with bold tones and <strong>subtle shades</strong>, <strong>wet </strong>and <strong>dry brushwork</strong>, sparse and dense applications of <strong>ink</strong>, as well as the twists and turns of <strong>calligraphic lines</strong>.</li><li>Varied thickness of brushstroke, different strokes</li><li>Detail and faded</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6be42ffde7c01c03f5ae3778edd60188/image.png" />
         <pubDate>2023-02-24 18:41:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494248623</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494250501</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f19fab6fef68b5ab272eca2908968a06/image.png" />
         <pubDate>2023-02-24 18:43:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494250501</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494252901</link>
         <description><![CDATA[<ul><li>Huang did not paint for the court or the art market, but painted for himself as form of leisure and self-expression.</li><li>He also belonged to the social class of literati. The literati were educated elites who were interested in painting, calligraphy and poetry.&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b56a0c64fcbb60979af32daa7cff6dec/image.png" />
         <pubDate>2023-02-24 18:45:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494252901</guid>
      </item>
      <item>
         <title>Fang Congyi, Cloudy Mountains, ca. 1360-70 (Yuan Dynasty) </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494253279</link>
         <description><![CDATA[<ul><li><strong>Handscroll</strong>; travel through little by little</li><li>Element of <strong>time</strong></li><li>Detail close up, fades away in background</li><li><strong>Metaphor </strong>for birth and death, idea of eternity</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e42b8ebdee856f5632f331738d289492/image.png" />
         <pubDate>2023-02-24 18:45:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494253279</guid>
      </item>
      <item>
         <title>Ming Dynasty: 1368 to 1644</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494254671</link>
         <description><![CDATA[<div>Followed the collapse of the Mongol-led Yuan dynasty<br>Known for:</div><ul><li>Great Wall (started earlier, but most of the Great Wall remaining today was built or repaired during the Ming Dynasty)</li><li>Construction of the Forbidden City in Beijing</li></ul><div><strong>&nbsp;</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 18:47:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494254671</guid>
      </item>
      <item>
         <title>Wang Lü, Landscapes of Mount Hua (Huashan), album leaf, 1384 (Ming Dynasty, China), ink on paper</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494255169</link>
         <description><![CDATA[<ul><li>Watch</li><li>Calligraphic brush, soft washes</li><li>Highlights craggy rocks and trees</li><li>Tiny human images</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/323567772e807257eb15982a1a17fa05/image.png" />
         <pubDate>2023-02-24 18:48:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494255169</guid>
      </item>
      <item>
         <title>Lan Ying, Whirling Snow on the River Bank, 1639, Ming Dynasty, Hanging Scroll, Ink on Silk</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494255816</link>
         <description><![CDATA[<div><strong>Mountain Water Painting</strong></div><ul><li>Mountains rise up; water flows down. The Chinese saw mountains and water as symbols of the eternal process of change and of the balancing <em>yang</em> and <em>yin</em>, hard and flowing.</li><li>Silk was white; snow depicted by leaving the silk unpainted</li><li>Travel up the scroll</li><li>See Bada Shanren, Lotus &amp; Ducks, c. 1696</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cbb17dbcaf04de6285520dd025c10041/image.png" />
         <pubDate>2023-02-24 18:48:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494255816</guid>
      </item>
      <item>
         <title>Bada Shanren, Lotus and Ducks, c. 1696 (Qing dynasty), ink on paper (hanging scroll)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494256078</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b151e4b1eebe9e37156f476e118f3b35/image.png" />
         <pubDate>2023-02-24 18:49:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494256078</guid>
      </item>
      <item>
         <title>Terracotta cinerary urn 3rd century BCE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494263991</link>
         <description><![CDATA[<ul><li>The frieze depicts an <strong>unidentified battle scene</strong>. The composition is repeated on many urns associated with workshops in Chiusi. According to the inscription, AV : LATINI : VELSIAL, this is the urn of Aulus Latinius, son of Velsia.</li><li>period: Hellenistic</li><li><strong>Medium:</strong> Terracotta, paint</li><li><strong>Dimensions:</strong> H.: 26 in. (66 cm)<br>Other: 11 3/16 in. (28.4 cm)</li><li><strong>Classification:</strong> Terracottas<br><br><br><br></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b18f4f958b4ad338214bb5addf9ec447/main_image.jpg" />
         <pubDate>2023-02-24 18:57:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494263991</guid>
      </item>
      <item>
         <title>Just Like Us:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494350020</link>
         <description><![CDATA[<ul><li>Theater</li><li>Circus</li><li>Colosseum</li><li>Baths</li><li>Aqueduct</li><li>Markets of Trajan (90 shops)</li><li>Monumental Columns and Arches&nbsp;</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 20:36:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494350020</guid>
      </item>
      <item>
         <title>Ancient Roman periods</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494350591</link>
         <description><![CDATA[<ul><li>Republican Period: c. 100 BC</li><li>Empire Period: c. 100 AD</li><li>Late Empire: c. 300 AD</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 20:37:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494350591</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494393737</link>
         <description><![CDATA[<ol><li>Late Republic sculptors emphasized which of the following features in portrait sculpture?<ol><li><strong>Age, Wisdom</strong></li></ol></li><li>Late Republic portraits are supposed to be true to life, but they may exaggerate. . .<ol><li><strong>The age of the figures</strong></li></ol></li><li>The senators who ruled Rome came from elite families.<ol><li><strong>true</strong></li></ol></li><li>Later Roman portrait sculpture, under the Emperor Augustus, looks back to the Greek ideals of age and wisdom.<ol><li><strong>false The Greeks idealized youth and beauty</strong></li></ol></li><li>In his ruler portraits, Augustus promoted an image of himself as . . .<ol><li><strong>Descended from the gods, a successful military&nbsp; leader, youthful and athletic</strong></li></ol></li><li>2. Which of the following are likely NOT represented on Augustus's breastplate?<ol><li><strong>Venus</strong></li></ol></li><li>Imperial Roman portraits were commonly distributed throughout the empire; this sculpture was found in______.<ol><li><strong>The Villa of Primaporta</strong></li></ol></li><li>Ara Pacis is one of the most important monuments from Augustan Rome. It was commissioned by the Roman Senate to commemorate the Pax Romana, the "Roman peace."<ol><li><strong>true</strong></li></ol></li><li>Augustus is said to have found Rome a city of brick and left it a city of granite, evoking an image of the golden age of Rome.<ol><li><strong>false</strong></li></ol></li><li>Art historians interpret the numerous plants and animals to represent&nbsp;<ol><li><strong>The fertility and abundance</strong></li></ol></li><li>In many ways the relief sculpture of the procession on either side of the Ara Pacis recalls the frieze on the Parthenon, recalling the golden age of Greece. However, it differs in which respects?<ol><li><strong>It likely depicts a specific event on a specific date;</strong></li><li><strong>It likely depicts specific individuals</strong></li></ol></li><li>1. The Colosseum was built largely of&nbsp;<ol><li><strong>Concrete</strong></li></ol></li><li>and made extensive use of&nbsp;<ol><li><strong>arches</strong></li></ol></li><li>People were seated in the Colosseum according to their&nbsp;<br>religion.<ol><li><strong>False (They were seated according to their status)</strong></li></ol></li><li>Identify the orders used in the Colosseum.<ol><li><strong>From bottom to top: Tuscan, Ionic, Corinthian, Corinthian pilasters</strong></li></ol></li><li>1. The spiral frieze that winds up Trajan's Column represents . . .<ol><li><strong>Trajan's two main wars with the Dacians</strong></li></ol></li><li>2. The Column of Trajan was built with . . .<ol><li><strong>Marble blocks that were stacked</strong></li></ol></li><li>3. The scenes in the frieze show battles and . . .<ol><li><strong>Camps of soldiers, building projects.</strong></li></ol></li><li>The facade of the Pantheon looks like an oversized Greek temple. All of the following contribute to this visual effect, EXCEPT the . . .<ol><li><strong>Latin inscription</strong></li></ol></li><li>The Pantheon was built to contain a perfect sphere and was influenced by Greek mathematical ideas.<ol><li><strong>true</strong></li></ol></li><li>Which of the following is NOT true of the Pantheon<ol><li><strong>The dome of the Pantheon was constructed with precisely cut marble bricks.</strong></li></ol></li><li>The Equestrian Sculpture of Marcus Aurelius is one of many equestrian sculptures to survive from antiquity.<ol><li><strong>false</strong></li></ol></li><li>The Equestrian Statue of Marcus Aurelius influenced Early Modern, Medieval, Renaissance, Baroque artists, who revived the ancient tradition of equestrian sculpture and celebrated individual human achievements.<ol><li><strong>Renaissance artists</strong></li></ol></li><li>The&nbsp;<br>Equestrian Sculpture of Marcus Aurelius reflects a sophisticated knowledge of both human anatomy and the anatomy of the horse.<ol><li><strong>true</strong></li></ol></li><li>1. Originally the Colossus of Constantine was probably 40 feet high and stood . . .<ol><li><strong>In a niche in the Basilica of Maxentius and Constantine.</strong></li></ol></li><li>2. Constantine moved the administrative center of the empire from Rome to&nbsp;<ol><li><strong>Constantinople</strong></li></ol></li><li>The emerging abstraction that is present in the Colossus of Constantine came to be associated with . . .<ol><li><strong>The rise of Christianity.</strong></li></ol></li><li>Artists borrowed stone from monuments to previous emperors and re-carved the faces of those emperors with the face of Constantine. (T or F)<ol><li><strong>true</strong></li></ol></li><li>The Arch of Constantine is&nbsp;<ol><li><strong>Unusual&nbsp;</strong>in that it celebrates a victory of a Roman, Constantine, over another Roman, Maxentius, at the Battle of the Milvian Bridge.</li></ol></li><li>The style of the frieze sculptures moves away from&nbsp;<ol><li><strong>The classicism and naturalism&nbsp;</strong>of earlier Roman art...</li></ol></li><li>&nbsp;and moves toward&nbsp;<ol><li><strong>Medievalism and abstraction&nbsp;</strong></li></ol></li><li>The Arch of Constantine borrowed elements from other monuments to show that Constantine was a good emperor just like<ol><li><strong>Trajan, Hadrian, and Marcus Aurelius</strong></li></ol></li></ol>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-24 21:47:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2494393737</guid>
      </item>
      <item>
         <title>Art 201-Indigenous America</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496867905</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 18:50:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496867905</guid>
      </item>
      <item>
         <title>North America</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496868847</link>
         <description><![CDATA[<ul><li>Ancestral Puebloan</li><li>Ancient Moundbuilders</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 18:50:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496868847</guid>
      </item>
      <item>
         <title>Ancestral Puebloan (Formerly Anasazi)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496869124</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 18:50:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496869124</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496870112</link>
         <description><![CDATA[<ul><li>Ancient Puebloans ancestors to the Pueblo Peoples today;</li><li>Used to be called Anasazi, but the contemporary Pueblos don’t like that name because it is a Navajo name that means ”ancient enemy”</li><li>Grew corn, beans, and squash on the mesa top</li><li>Domesticated turkeys</li><li>Made baskets and pottery</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/511f677a5c508cc74a84e4ec6f6cbe2e/image.png" />
         <pubDate>2023-02-27 18:51:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496870112</guid>
      </item>
      <item>
         <title> Cliff Dwellings, Ancestral Puebloan, 450–1300 CE, sandstone, Mesa Verde National Park, Colorado</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496870955</link>
         <description><![CDATA[<ul><li><strong>Mesa Verde Cliff Dwellings</strong></li><li>Made of s<strong>tone and mud</strong></li><li>The Mesa Verde cliff dwellers built circular, subterranean rooms called<ul><li><strong>kivas</strong></li></ul></li><li>Problems of preservation: lack of maintenance, tourism, forest fires, looting, pollution</li><li>Evidence of trade into Mexico—no borderline (modern and political)</li><li>Abandoned by 1300 (but not all at once): not sure why (weather? Water?)</li><li>Inhabited for 700 years</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ef5cb5a9e2be9db7c084842c0a8bcb29/image.png" />
         <pubDate>2023-02-27 18:52:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496870955</guid>
      </item>
      <item>
         <title>cliff cont.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496871962</link>
         <description><![CDATA[<ul><li>Stone and mud brick; also coated with plaster</li><li>Ingredients known, but not the recipe; trying to duplicate (sand, clay, and ash)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/af7fbb33d62f5b075d2d14a2f0f32d82/image.png" />
         <pubDate>2023-02-27 18:52:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496871962</guid>
      </item>
      <item>
         <title>Food storage in upper story</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496872652</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c489f61673f58a17c53232ba3c595ed8/image.png" />
         <pubDate>2023-02-27 18:53:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496872652</guid>
      </item>
      <item>
         <title>cont. inside</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496873494</link>
         <description><![CDATA[<ul><li><strong>Kiva</strong>=underground room (would have been covered with a roof over pilasters—see next slide)</li><li><strong>Belonged to women</strong></li><li>Used for ceremonies performed by men; matriarchal society</li><li>Niches held ceremonial objects: maca feathers, copper bells, fish hooks—things traded that came from far away</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2231a9f5bce74998b38a54a4256c8383/image.png" />
         <pubDate>2023-02-27 18:53:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496873494</guid>
      </item>
      <item>
         <title>Underground kiva</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496874486</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/24b1516066cf2aba0d8fd6221595fba6/image.png" />
         <pubDate>2023-02-27 18:54:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496874486</guid>
      </item>
      <item>
         <title>Hole in ground: sipapu: doorway for spirits to the underworld (symbolic)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496875898</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/85b8c9dcc986c1581a3c6c260ecc9a98/image.png" />
         <pubDate>2023-02-27 18:55:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496875898</guid>
      </item>
      <item>
         <title>Maya</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496876564</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d76fdb05659f638230b08db4a9bc17da/image.png" />
         <pubDate>2023-02-27 18:55:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496876564</guid>
      </item>
      <item>
         <title>Temple of the Inscriptions, Palenque, Maya, 5th-8th centuries</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496879223</link>
         <description><![CDATA[<ul><li>The pyramid consists of <strong>nine levels</strong>—the same number of stages found in the Maya underworld</li><li>(this same numerological association, which was pan-<strong>Mesoamerican</strong>,&nbsp;</li><li>is also seen at Temple I in Tikal and El Castillo in Chichen Itza).&nbsp;</li><li>Long considered a <strong>simple pyramid </strong>with a temple on top, in 1952, Mexican archeologist Alberto Ruz Lhullier discovered that the Temple of the Inscriptions also contains an interior burial chamber.&nbsp;</li><li>The <strong>tomb </strong>of <strong>King Pakal </strong>is found at the nadir, or lowest point, of the pyramid in a burial chamber that may have once been accessible by an interior stairway but was eventually sealed.</li><li>&nbsp;The location of the tomb is significant since King Pakal is buried in a subterranean chamber directly below the pyramid—and is therefore connected to the “earthly” realm.</li><li>&nbsp;In this way, Pakal inhabits both the world of the living and the dead.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/02a32cf5a68e9f458599e4186b98a49a/image.png" />
         <pubDate>2023-02-27 18:57:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496879223</guid>
      </item>
      <item>
         <title>Portrait Head of Pakal, Palenque, Mexico, c. 650-83, stucco</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496880122</link>
         <description><![CDATA[<div><strong>Maize god</strong>: hair resembles corn silk</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3a9de124a858c193cada34fa5066255b/image.png" />
         <pubDate>2023-02-27 18:58:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496880122</guid>
      </item>
      <item>
         <title>“El Castillo,” Chichén Itzá, Mexico, Maya, c. 800-900 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496881805</link>
         <description><![CDATA[<ul><li>Called temple of <strong>Kukulkán </strong>(Mayan name for the Aztec god Quetzalcoatl)</li><li><strong>3 examples pyramid designed as a calendar&nbsp;</strong><ul><li>Each side has 91 steps with a final step at the top, so there are 365 steps total</li><li>step for everyday of the year</li><li><strong>The Pyramid was constructed so that it marks the equinoxes</strong>—the two days of the year when there are equal amounts of day and night.</li><li>was built to reflect the Mayan astronomical year.&nbsp;</li></ul></li><li>Number of steps = <strong>365</strong></li><li>using two different calendars&nbsp;</li><li>equinox, has optical illusion on the stairs of a serpent</li><li><strong>18 </strong>terraces&nbsp;</li><li><strong>52 </strong>panels- represented the cycle where the solar and religious calendars came together</li><li>9 levels refer to the underworld (Xibalba)</li><li>Temple on top dedicated to Kukulcan</li><li><strong>El Castillo </strong>is aligned so that the spring or autumn equinoxes create an optical illusion.</li><li>&nbsp;As the sun sets, the north western corner of the terraces cast a shadow on the northern stairway, creating a diamond pattern representing a snake’s body.</li><li>The effect is enhanced by the huge snake heads carved at the bottom of the stairs.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8b3c6821d7e569077d376e6fc30d5266/image.png" />
         <pubDate>2023-02-27 18:59:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496881805</guid>
      </item>
      <item>
         <title>Serpent heads at the base of the northern staircase of El Castillo</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496882238</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/25ac339b4c36ea6f6be50948a05bc39d/image.png" />
         <pubDate>2023-02-27 18:59:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496882238</guid>
      </item>
      <item>
         <title>Shield Jaguar and Lady Xook, Lintel 24!!! and 25 of Temple 23, Yaxchilán, Mexico, Maya, c. 725 C.E. limestone</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496886272</link>
         <description><![CDATA[<ul><li><strong>King with torch and Lady K'abal Xook(queen)</strong></li><li><strong>lintel-</strong> or lintol is a type of beam that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. <strong>&nbsp;</strong></li><li>3 important ones<ul><li>While they appear to have been carved years apart from one another, they seem to show a narrative.</li></ul></li><li><strong>Queen bloodletting </strong>(<strong>Lady K'abal Xook</strong> pulling a thorned rope through her tongue)</li><li>On <strong>Lintel 24</strong>, Lady Xook pulls a thorned cord through her tongue so that she can bleed <a href="https://cdn.kastatic.org/ka-perseus-images/089978056109964d4cf0f6e46a94135ee2ce1b57.jpg">onto paper that fills a basket</a> on the ground before her. She is engaged in bloodletting—the ritual shedding of blood. Her husband, <strong>Shield Jaguar II</strong>, holds a lit torch above her. <strong>The glyphs (writing) on the top note Lady Xook’s titles, and mention that the events depicted occurred on 28 October 709 C.E.</strong></li><li>According to accompanying inscriptions, celebrated the birth of a son to one of the ruler’s other wives as well as an alignment between the planets Saturn and Jupiter</li><li>Takes place in a dark chamber or at night; Shield Jaguar holds a blazing torch</li><li><strong>Ceremonies </strong>induced an altered state of consciousness in order to connect the bloodletter with the supernatural world</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ff5fec28f01371653717a3fb245fffe5/image.png" />
         <pubDate>2023-02-27 19:02:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496886272</guid>
      </item>
      <item>
         <title>Inca</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496886865</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 19:03:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496886865</guid>
      </item>
      <item>
         <title>Aztec</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496889040</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 19:05:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496889040</guid>
      </item>
      <item>
         <title>Coatlicue, Aztec, from Tenochtitlán, Mexico City, ca. 1500. 11’6’ high</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496892751</link>
         <description><![CDATA[<div>This 10-foot carved figure represents<br><strong>aztec godess </strong></div><div><strong>coatilicue-&nbsp;</strong>Snakes-Her-Skirt</div><ul><li>snakes represent blood flowing out of her</li><li>stands for <strong>sacrifice- destruction, rebirth</strong></li><li><strong>a mother Goddess- </strong>fierce and loving</li><li><strong>Coatlicue</strong>=She of the Serpent Skirt</li><li><strong>Colossal statue</strong>—may have stood in the Great Temple complex</li><li><strong>Beheaded </strong>goddess</li><li>Wears a necklace of <strong>human hands and heart</strong>s<ul><li>its made of <strong>human hands and heart</strong>s</li></ul></li><li><strong>Entwined snakes</strong> form her skirt</li><li>All her attributes symbolize sacrificial death</li><li>From her neck <strong>writhe two serpents whose heads meet to form a tusked mask</strong></li><li>Hands and feet have great claws, which she used to tear the human flesh she consumed</li><li>This mother of the gods combined savagery and tenderness, for out of destruction arose new life</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5c8c52e60a0ecc45692e27079c6c0a15/image.png" />
         <pubDate>2023-02-27 19:07:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496892751</guid>
      </item>
      <item>
         <title>Templo Mayor (recostruction), Tenochtitlan, 1375–1520 C.E.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496896787</link>
         <description><![CDATA[<div>This ruins of this Aztec temple, which was destroyed by the Spanish conquistadors, were discovered underneath modern-day Mexico City. <br><strong>Tlaloc</strong>- God of Rain <br><strong>Huitzilopchtli</strong>- God of Sun and war<br>it has all these <strong>layers </strong>because represents secession of rulers&nbsp;<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ec537ba827c51eb027c383e3ee7b1e11/image.png" />
         <pubDate>2023-02-27 19:10:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496896787</guid>
      </item>
      <item>
         <title>The Coyolxauhqui Stone, Aztec, from the Great Temple of Tenochtitlán, Mexico City, c. 1500</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496901485</link>
         <description><![CDATA[<ul><li>The Coyolxauqui Stone was placed<ul><li><strong>&nbsp;At the foot of a pyramid staircase leading up to the temple</strong></li></ul></li><li><strong>Coyoloxauhqui</strong>- means bells&nbsp;</li><li>She is the <strong>moon God &nbsp;</strong></li><li><strong>scallops </strong>stand for- dismembered- dismantled&nbsp;</li><li><strong>Bloodletting </strong>and <strong>human sacrifice</strong><ul><li>&nbsp;intended to please the gods and sustain the great cycles of the universe, had a long history in Mesoamerica.&nbsp;</li></ul></li><li><strong>Aztecs </strong>seem to have practiced human sacrifice on a greater scale than any of their predecessors, even waging special battles expressly to obtain captives for future sacrifice</li><li>Almost every Aztec festival also included human sacrifice</li><li>Center of Aztec capital, Tenochtitlan, lies beneath the center of Mexico City</li><li>Temple-pyramid honored Aztec god Huitzilopochtli and the local rain god, Tlaloc</li><li><strong>2 great staircase</strong>s originally led to the double sanctuaries at the summit</li><li><strong>Commemorated Huizilopochtli’s </strong>victory over his sister and 400 brothers, who had plotted to kill their mother, Coatlicue (She of the Serpent Skirt).</li><li>War and Sun deity; Sun’s battle with the forces of darkness, the stars and moon</li><li><strong>Huizilopochtli chased </strong>away his brothers and dismembered the body of his sister, the moon goddess Coyolxauhqui (she of the Golden Bells, referring to the bells on her cheeks)</li><li><strong>Relief </strong>had been placed at the foot of the staircase leading up to one of Huizilopochtli’s earlier temples on the site</li><li><strong>Mythological theme </strong>carried contemporary political message; bodies of conquered enemies were sacrificed and then hurled down the Great Temple’s stairs to land on this stone</li></ul><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/68df7c6a2ccf63b3822e383797214984/image.png" />
         <pubDate>2023-02-27 19:14:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496901485</guid>
      </item>
      <item>
         <title>The Sun Stone (or The Calendar Stone), Aztec, reign of Moctezuma II (1502-20)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496903383</link>
         <description><![CDATA[<ul><li>5 periods or times of eras<ul><li>depicted in this</li></ul></li><li>person in the middle is <strong>sun God&nbsp;</strong></li><li><strong>5th era - 5th sun</strong><ul><li>end to this era was earthquake or sun falls to earth</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7515650ea4e521ea2a9e4aeab29f90e7/Piedra_del_Sol_en_MNA.jpg" />
         <pubDate>2023-02-27 19:15:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496903383</guid>
      </item>
      <item>
         <title>Monolith of Tlaltecuhtli (Earth Lord), 1502, Mexica (Aztec), stone</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496907145</link>
         <description><![CDATA[<ul><li>Most recent Aztec find--2014</li><li>doesn't stand up</li><li>she has a stream of <strong>blood </strong>coming out of her <strong>mouth</strong><ul><li>blood represents&nbsp;<strong>birth</strong></li></ul></li><li><strong>skulls </strong>on <strong>elbows</strong>- represents sacrifice</li><li>is a&nbsp;<strong>god or goddess of earth</strong></li><li>is sometimes depicted as a woman or man</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2174508a5f94690527491089999de6b8/image.png" />
         <pubDate>2023-02-27 19:18:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496907145</guid>
      </item>
      <item>
         <title>Monolith of Tlaltecuhtli (Earth Lord), 1502, Mexica (Aztec), stone</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496910412</link>
         <description><![CDATA[<ul><li>is in a position of giving birth<ul><li>swallows the sun every night</li><li>then it goes to the under world and then she spits the sun out in the day</li></ul></li><li>gives <strong>birth </strong>to <strong>earth</strong></li><li><strong>used for tomb-&nbsp;</strong>cover graves </li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c6586603a96bf462eba90cdbc0641c76/image.png" />
         <pubDate>2023-02-27 19:21:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496910412</guid>
      </item>
      <item>
         <title>South America</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496917695</link>
         <description><![CDATA[<div><br></div><ul><li>Cupisnique</li><li>Nasca</li><li>Tairona</li><li>Chavin de Huantar</li><li>Moche</li><li>Sicán</li><li>Inca</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1c8143a34f6dc30465526cc2ca6b828d/image.png" />
         <pubDate>2023-02-27 19:26:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496917695</guid>
      </item>
      <item>
         <title>Mosaic of a Double-headed Serpent, c. 15th-16th century, cedrela wood, turquoise, pine resin, oyster shell, hematite, and copal</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496918610</link>
         <description><![CDATA[<ul><li>An icon of Mexica (Aztec) art, this striking object was probably worn on ceremonial occasions as a pectoral (an ornament worn on the chest). It is carved in wood (Cedrela odorata) and covered with turquoise mosaic. The wood is hollowed at the back</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6f2b095a00dfbd984d054d8c8ebb87d4/image.png" />
         <pubDate>2023-02-27 19:27:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496918610</guid>
      </item>
      <item>
         <title>Nasca</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496919344</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 19:27:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496919344</guid>
      </item>
      <item>
         <title>Nasca, Mantle (“The Paracas Textile”), 100-300 CE, Paracas, Peru</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496921554</link>
         <description><![CDATA[<ul><li>Preserved almost 2000 years because buried beneath dry sands of southern Peru</li><li>Mummy wrappings; considered ceremonial</li><li>Cotton and camelid fibers (camelid fibers used for the embroidery and had to be obtained through long-distance trade)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8b1c708d8cfdd1d191f47a418b18820d/image.png" />
         <pubDate>2023-02-27 19:29:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2496921554</guid>
      </item>
      <item>
         <title>Ancient Moundbuilders</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497034138</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 21:02:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497034138</guid>
      </item>
      <item>
         <title>Great Serpent Mound, c. 1070, Adams County, Ohio </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497034833</link>
         <description><![CDATA[<ul><li><strong>largest serpent </strong>effigy in the world&nbsp;</li><li><strong>1,300 </strong>feet in length and ranges from one to three feet in height</li><li>Many native cultures in both <strong>North </strong>and <strong>Central </strong>America attributed <strong>supernatural </strong>powers to snakes or reptiles and included them in their spiritual practices.&nbsp;</li><li>The native peoples of the Middle Ohio Valley in particular frequently created snake-shapes out of copper sheets.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8f121568c4e4b1e550572508b2334964/image.png" />
         <pubDate>2023-02-27 21:02:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497034833</guid>
      </item>
      <item>
         <title>Great Serpent Mound, c. 1070, Adams County, Ohio </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497038631</link>
         <description><![CDATA[<ul><li>Aspects of both the <strong>zoomorphic form </strong>and the <strong>unusual site </strong>have associations with astronomy worthy of our consideration.&nbsp;</li><li><strong>The head of the serpent aligns with the summer solstice sunset, and the tail points to the winter solstice sunrise.</strong>&nbsp;</li><li><strong>Likewise, it has been suggested that the curves in the body of the snake parallel lunar phases, or alternatively align with the two solstices and two equinoxes.</strong></li><li>Some have <strong>interpreted </strong>the egg or eye shape at the head to be a representation of the sun.&nbsp;</li><li>Perhaps even the swallowing of the sun shape could document a solar eclipse.&nbsp;</li><li>Another <strong>theory </strong>is that the shape of the serpent imitates the constellation Draco, with the Pole Star matching the placement of the first curve in the snake’s torso from the head.</li><li>&nbsp;An <strong>alignment </strong>with the Pole Star may indicate that the mound was used to determine true north and thus served as a kind of compass.</li></ul><div>\</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/76b05c2583de21f79e3d4f948fde2d04/image.png" />
         <pubDate>2023-02-27 21:07:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497038631</guid>
      </item>
      <item>
         <title>Teotihuacan</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497039905</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0cdbaeac0fc40246c697786bb79f7789/image.png" />
         <pubDate>2023-02-27 21:08:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497039905</guid>
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      <item>
         <title>Pyramid of the Moon seen from the Avenue of the Dead, Teotihuacan, Mexico, c. 50-250</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497057446</link>
         <description><![CDATA[<ul><li>The Aztec name for this city of earlier peoples, Teotihuacan, means<ul><li><strong>&nbsp;City of the gods</strong></li></ul></li><li>along the axis of a road called <strong>Avenue of the Dead</strong><ul><li>the road lead straight to pyramid of the moon</li><li>pyramid of the sun was to the right of the road</li></ul></li><li><strong>pyramid of moon: built</strong> in 7 phases begun c. 100 C.E.<ul><li>7 building phase- most recent one is the one in the picture</li><li>sacrifice, monumental building, gods related to natural forces, city planning&nbsp;</li></ul></li><li><strong>pyramid of the sun: built</strong> in 1 phase, c the mid-1st century C.E.<ul><li>found a <strong>tunnel </strong>underneath it&nbsp;<ul><li>begins almost directly in the center of the base of the pyramid&nbsp;</li><li>cave-tunnel is natural but people also modified it</li><li><strong>caves are important </strong>in Mesoamerican history and religion places of origin, emergence, and fertility&nbsp;</li></ul></li></ul></li><li>pyramid built to <strong>recall </strong>the mountain that's behind it<ul><li>make their city a part of sacred landscape</li></ul></li><li>not sure what language <strong>Teotihuacanos </strong>spoke or how they called themselves</li><li>has a structure called <strong>Adosada</strong><ul><li>like an appendage to the pyramid&nbsp;</li><li><strong>Talud- tablero- </strong>architectural profile associated with TEotihuacan&nbsp;<ul><li>vertical table like structure with horizontal called <strong>talud&nbsp;</strong></li><li>might have functioned as a ritual platform&nbsp;</li></ul></li></ul></li><li><strong>2 major deities&nbsp;</strong><ul><li>storm God</li><li>Great Goddess<ul><li>related to rain and agricultural fertility</li></ul></li></ul></li><li><strong>pyramid of the sun</strong>- second largest pyramid built by cultures of <strong>Mesoamerica&nbsp;</strong></li><li><strong>pyramid of the moon</strong><ul><li>is about 43 meters high</li><li>likely had a temple at the top made of wood or something that didn't survive&nbsp;</li><li><br></li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/67b631658173801708247e73dbe4e6dc/image.png" />
         <pubDate>2023-02-27 21:27:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497057446</guid>
      </item>
      <item>
         <title>Veracruz</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497058392</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 21:28:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497058392</guid>
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      <item>
         <title>Yoke, c. 1 – 900 C.E., Classic Veracruz culture, greenstone, 11.5 x 38 x 41.5 cm</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497070461</link>
         <description><![CDATA[<div>Yoke, c. 1 – 900 C.E., Classic Veracruz culture, greenstone, 11.5 x 38 x 41.5 cm<br>This object from the Veracruz culture was symbolic of an object used for</div><div><strong>Playing a ball game</strong></div><div><br><strong>purpose: a ceremonial representation of a lighter protective guard worn by Mesoamerican ballgame players</strong>.</div><ul><li>The <strong>batrachian creature </strong>carved in the center of the yoke<ul><li>&nbsp;with its bulging eyes</li><li>small nostrils</li><li>elongated mouth parted by a curving tongue</li><li>has been identified as a depiction of an earth monster who resides at the <strong>entrance </strong>to the <strong>underworld</strong>.&nbsp;</li><li>Such imagery is appropriate for the ballgame with its resulting sacrifice of blood to nourish the earth and promote fertility</li></ul></li><li>Into the <strong>pattern </strong>of interlaces and scrolls on each side of the <strong>yoke</strong>,&nbsp;<ul><li>the artist incorporated a low-relief depiction of a helmeted human head, perhaps a representation of a <strong>ballplayer</strong>.&nbsp;</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/49e9a5891438df0bf0dda7d40441fb4c/image.png" />
         <pubDate>2023-02-27 21:43:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497070461</guid>
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      <item>
         <title>Chacmool, from the Platform of the Eagles, Chichén Itzá, Mexico, Maya, ca. 800-900 CE Stone, 4’10.5” high</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497078982</link>
         <description><![CDATA[<ul><li>One was discovered in the throne chamber inside an earlier pyramid within El Castillo.&nbsp;</li><li><strong>Chacmools represent </strong>fallen warriors reclining on their backs, holding receptacles for sacrificial offerings (probably of sacrificial victims)</li><li>Excavators discovered one in the throne chamber inside an earlier pyramid within the Castillo</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6ad5af4aca88ef86f6dd4f7ecfe3b059/image.png" />
         <pubDate>2023-02-27 21:49:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497078982</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497087904</link>
         <description><![CDATA[<ul><li>A ruler or other elites <strong>(including women</strong>), would let blood to honor and feed the gods, at the dedication ceremony of a building, when children were born, or other occasions.</li><li>&nbsp;Rulers needed to <strong>shed blood </strong>in order to maintain order in the cosmos.&nbsp;</li><li>The ruler was believed to be a descendent of the gods, and the act of bloodletting was of critical importance in maintaining their power and order in the community.&nbsp;</li><li><strong>Bloodletting </strong>was also an act related to rebirth and rejuvenation.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a4864ce3649158e17f46efe39d6512b1/image.png" />
         <pubDate>2023-02-27 22:02:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497087904</guid>
      </item>
      <item>
         <title>Lintel 25 (below)—</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497088843</link>
         <description><![CDATA[<ul><li><ul><li>from the central doorway—also focuses on a bloodletting ritual carried out by Lady Xook.&nbsp;</li><li>On Lintel 25 (above), the effects of bloodletting are on display.&nbsp;</li><li>The l<strong>oss of blood</strong> and the burning of incense produced hallucinations, which were desired in certain ritual contexts to access other realms.</li><li>&nbsp;In this lintel, Lady Xook (in the lower right) kneels before a <strong>vision serpent</strong>, from whose mouth emerges a figure.</li><li><strong>Vision </strong>of an ancestor emerging from the mouth of a serpent</li><li>&nbsp;A glyphic <strong>inscription </strong>(oddly, written backwards) in the upper left corner of Lintel 25 notes the date of Shield Jaguar II’s ascension to the throne in October 681.</li><li>&nbsp;The image and the inscription both reinforce the reign of the ruler and his dynastic ties, in this case via his wife.</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8959a29c7b86b2536cf4f9ec3328280e/image.png" />
         <pubDate>2023-02-27 22:03:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497088843</guid>
      </item>
      <item>
         <title>What does this woman hold in her left hand? Why is it significant?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497089939</link>
         <description><![CDATA[<ul><li>Lady Xook holds a <strong>bowl </strong>in her left hand while she looks up towards the rising serpent.&nbsp;</li><li>In addition to her <strong>patterned</strong> huipil (square-cut blouse), Lady Xook is festooned with a headdress, elaborate bracelets, earrings, and a necklace—likely made of jade.</li><li>&nbsp;In the bowl are pieces of paper stained with her blood.</li><li>&nbsp;She has likely <strong>burned </strong>the paper to allow the blood to ascend to the gods, and to bring about the vision serpent.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1c8d02831490f4ae5f12a985e454403b/image.png" />
         <pubDate>2023-02-27 22:04:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497089939</guid>
      </item>
      <item>
         <title>What are some possible interpretations for the figure in the center?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497090956</link>
         <description><![CDATA[<ul><li>The figure <strong>emerging </strong>from the vision serpent’s mouth is armed with a shield, spear and a war helmet.&nbsp;</li><li>He, too, <strong>wears </strong>an elaborate headdress, a breastplate and ear spools.&nbsp;</li><li>The identity of this figure is <strong>debated</strong>; some scholars claim it is an ancestral figure while other believe it is Shield Jaguar II or perhaps even Lady Xook.</li><li>A <strong>glyphic </strong>inscription (oddly, written backwards) in the upper left corner of Lintel 25 notes the date of Shield Jaguar II’s ascension to the throne in October 681. The image and the inscription both reinforce the reign of the ruler and his dynastic ties, in this case via his wife.</li></ul><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5975c479d88a865ed46a2dde54f2e624/image.png" />
         <pubDate>2023-02-27 22:05:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497090956</guid>
      </item>
      <item>
         <title>Tairona</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497098439</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 22:15:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497098439</guid>
      </item>
      <item>
         <title>Pendant in the form of a bat-faced man, northeastern Colombia, Tairona, after 1000 CE, 5 ¼” high</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497099939</link>
         <description><![CDATA[<ul><li>Intermediate area between Mesoamerica and Andean South America</li><li>Expert <strong>goldsmiths </strong>(although they had to obtain gold by trade—no local source)</li><li>Pendant depicts a bat-faced man with a <strong>large headdres</strong>s<ul><li>has 4 possible faces</li></ul></li><li>Served as an <strong>amulet or talismans r</strong>epresenting powerful beings who gave the wearer protection and status</li><li>Cut and hammered thin sheets of gold; also used lost-wax process</li><li>In local mythology, the first animal created was the bat</li><li>Harmony of repeated curvilinear motifs, rhythmic play of their contours, precise delineation of minute detail show aesthetic sensitivity</li></ul><div>1.More than one hundred known bat species in Panama; the bat has striking physical features and impressive abilities, such as adroit flight and locating prey at night.</div><div>2.Several features of the pendant resemble bats such as its large ears, interlocking canines, and partially folded wings with pointed contours. The triangular or leaf-like nose panel resembles that of the leaf-nosed bats (family <em>Phyllostomidae</em>).</div><div>3.(I see at least 4)</div><div>4.There is evidence of ritual specialists in ancient Central American societies: men and women who go through rigorous training about the natural and supernatural worlds to gain knowledge that helped them accomplish a goal for the community. The specialists may have animal assistants and they may also transform into these assistants during rituals to acquire the animal’s features and abilities. Beliefs and practices of ritual specialists may also help us understand the pyrite originally in the central depression (and possibly the three smaller ones:) ritual specialists used mirrors like doorways opening into the supernatural realm. Mirrors let them see parts of the universe invisible to the ordinary eye.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/40d67842dc75bb3b3e927ef33322f9bb/image.png" />
         <pubDate>2023-02-27 22:17:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497099939</guid>
      </item>
      <item>
         <title>Machu Picchu, Peru, c. 1450–1540</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497101576</link>
         <description><![CDATA[<ul><li><strong>royal estate </strong>for the first Inka emperor, Pachacuti Inka Yupanqui, in the middle of the 15th century</li><li>three days’ walk from the Inka capital of Cusco, and nearly <strong>3,000 </strong>feet lower in elevation</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f1712b8dc0b77b4f78d40a8b957ddf87/image.png" />
         <pubDate>2023-02-27 22:19:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497101576</guid>
      </item>
      <item>
         <title>Olmec</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497123643</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-02-27 22:51:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497123643</guid>
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      <item>
         <title>Colossal Head, La Venta, Mexico, Olmec, C. 900-400 B.C. Basalt, 9’4’ high</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497124099</link>
         <description><![CDATA[<ul><li>17 of these 10-ton colossal heads were found in the temple-pyramid plaza of the Olmec people in Mexico. Whom do scholars believe they represent?&nbsp;</li><li>Ruler portraits</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4962bd57ec6f4fe6bd1ec3e30c1b2839/image.png" />
         <pubDate>2023-02-27 22:51:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2497124099</guid>
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      <item>
         <title>Chapter 8: Early Christian and Byzantine Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499983725</link>
         <description><![CDATA[<ul><li><strong>Early=</strong>Jesus, the Very Thought is Sweet&nbsp;</li><li><strong>Christian=</strong>Mormon Tabernacle Choir: My Shepherd Will Supply My Need</li><li><strong>And=</strong>Mr. Nicky Byzantium</li><li><strong>Byzantine=</strong>Istanbul, by The Four Lads </li><li><strong>Art=</strong>Istanbul, by They Might be Giants&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/68c14902ebf27a953da8f9dbf7c1ba65/image.png" />
         <pubDate>2023-03-01 18:22:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499983725</guid>
      </item>
      <item>
         <title>Early Christian Art c. 250-400 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499988485</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Theme</strong>: “New wine in old bottles”</li><li><strong>Christian </strong>art <strong>before Constantine</strong>; nothing survives earlier than 200 AD</li><li><strong>Two main events influenced rise of Christianity</strong>:&nbsp;<ul><li>Paul spread gospel outside Jewish communities to Greco-Roman world;&nbsp;</li><li>Constantine adopted Christianity</li></ul></li><li><strong>Emperor Constantine </strong>had a dream of a cross and a banner in the sky that said “In this sign you will be victorious”</li><li><strong>313 </strong>issued <strong>edict </strong>of <strong>Milan</strong>: Christianity now legal in Roman empire (as well as other religions)</li><li><strong>325 </strong>called council of <strong>Niceaea </strong>(Nicene Creed)</li><li><strong>337</strong>—baptized on his <strong>deathbed</strong>; 100 years later, Christianity became religion of the Roman empire</li><li>“<strong>Early Christian</strong>” doesn’t designate style; art for or by Christians before the splitting off of the Eastern Orthodox church from western (Catholic) church</li></ul><div><br>Christians told stories using the vocabulary of classical art</div><div><br>No Christian art for 200 years after Christ; Christians stayed under radar of Roman rule; persecuted because of monotheism; wouldn’t take part in civic cults</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 18:26:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499988485</guid>
      </item>
      <item>
         <title>Earlist Christian Symbols</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499988903</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 18:26:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499988903</guid>
      </item>
      <item>
         <title>Chi Ro symbol, Catacombs of San Callisto, Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499990061</link>
         <description><![CDATA[<ul><li>The <strong>Chi Rho</strong> is formed by superimposing the first two (capital) letters <a href="https://en.wikipedia.org/wiki/Chi_(letter)">chi</a> and <a href="https://en.wikipedia.org/wiki/Rho_(letter)">rho</a> (<strong>ΧΡ</strong>) of the Greek word "<strong>ΧΡ</strong>ΙΣΤΟΣ" <em>=</em><a href="https://en.wikipedia.org/wiki/Christ"><em>Christ</em></a> in such a way to produce the <a href="https://en.wikipedia.org/wiki/Monogram">monogram</a>.&nbsp;</li><li><strong>Widespread </strong>in ancient Christianity, it was the symbol used by the <a href="https://en.wikipedia.org/wiki/Roman_Emperors">Roman emperor</a> <a href="https://en.wikipedia.org/wiki/Constantine_the_Great">Constantine I</a> as <a href="https://en.wikipedia.org/wiki/Vexillum">vexillum</a> (named <a href="https://en.wikipedia.org/wiki/Labarum"><strong>Labarum</strong></a>).</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a68644ba7e7280aca8aa94b9fb8fe230/image.png" />
         <pubDate>2023-03-01 18:27:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499990061</guid>
      </item>
      <item>
         <title>Alpha and Omega symbol, Catacombs of Domitilla, Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499991171</link>
         <description><![CDATA[<ul><li>The use since the <strong>earliest Christianity </strong>of the first and the last letters of the <a href="https://en.wikipedia.org/wiki/Greek_alphabet">Greek alphabet</a>, <a href="https://en.wikipedia.org/wiki/Alpha_(letter)">alpha</a> (<strong>α</strong> or <strong>Α</strong>) and <a href="https://en.wikipedia.org/wiki/Omega_(letter)">omega</a> (<strong>ω</strong> or <strong>Ω</strong>)<ul><li>derives from the statement said by Jesus (or God) himself&nbsp;</li><li>"I am Alpha and Omega, the First and the Last, the Beginning and the End" (<a href="https://en.wikisource.org/wiki/Bible_(King_James)/Revelation">Revelation 22:13</a>, also 1:8 and 21:6).</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9135e795c8efe66410f03a0d965c9358/image.png" />
         <pubDate>2023-03-01 18:28:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499991171</guid>
      </item>
      <item>
         <title>Ichthys/ Ichthus  Symbol</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499992870</link>
         <description><![CDATA[<ul><li><strong>Letters </strong>of the Greek work Christ</li><li>Story that early Christians could identify other Christians by drawing one line in the sand;<ul><li>&nbsp;if they met a fellow Christian, he/she would complete the fish drawing.&nbsp;</li><li>If not, it would just look like an innocent mark</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1c1140c83461c26adcb94f4c5a09287c/image.png" />
         <pubDate>2023-03-01 18:29:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499992870</guid>
      </item>
      <item>
         <title>Anchor Symbol</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499994385</link>
         <description><![CDATA[<ul><li><strong>Symbol of hope</strong>, <strong>safety</strong></li><li>Christ is the unfailing hope of all who believe in him: <a href="https://en.wikipedia.org/wiki/Saint_Peter">Saint Peter</a>, <a href="https://en.wikipedia.org/wiki/Paul_the_Apostle">Saint Paul</a>, and several of the early <a href="https://en.wikipedia.org/wiki/Church_Fathers">Church Fathers</a> speak in this sense.&nbsp;</li><li>The <a href="https://en.wikipedia.org/wiki/Epistle_to_the_Hebrews">Epistle to the Hebrews</a> <a href="https://en.wikisource.org/wiki/Bible_(King_James)/Hebrews">6:19–20</a> for the first time connects the idea of hope with the symbol of the anchor.<a href="https://en.wikipedia.org/wiki/Christian_symbolism">[24</a></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3d7cac8d299f48169f325ed73bbfef1e/image.png" />
         <pubDate>2023-03-01 18:30:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2499994385</guid>
      </item>
      <item>
         <title>Painted ceiling, Catacomb of Santissimi Pietro e Marcellino, Rome, Italy. 4th century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500008481</link>
         <description><![CDATA[<ul><li><strong>Catacomb=Smarthistory: Catacomb of Priscilla, Rome(Cameron Clements, Kaylie Johnson)</strong></li><li>Catacombs in Rome: underground burial places made of&nbsp; tufa stone—</li><li><strong>Niches </strong>for dead bodies (often looted)</li><li><strong>350 miles </strong>of catacombs under Rome</li><li>Never used for meetings; dark, stinky</li><li><strong>Wealthy families </strong>would create rooms with niches and painted ceilings to show status</li><li><strong>Center</strong>: Christ the Good Shepherd (lamb over shoulders); gentle, young man, no beard; after pagan symbol of charity (ancient sculptures of men carrying sacrificial animals on their shoulders)</li><li>“<strong>orant</strong>” <strong>positions</strong>: prayer</li><li><strong>3 scenes of Jonah</strong>: boat, being spit out, and reclining with withering plant (pose of Endymion in Roman art: perpetual sleep, never aged); Jonah a type of Christ: 3 days in belly of whale, 3 days in tomb; unites OT and NT</li><li><strong>Reflects Roman murals </strong>in style; Christ figure, pose of Endymion, division into linear sections (lunettes)</li><li><strong>Unites people </strong>from different backgrounds: Roman, Jewish, and Christian</li><li>Sketchy? Only used for burials (not a church); also dark; lit by oil lamps (niches in walls)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e7b60f3aec3be0652069b28b54a2cd3e/image.png" />
         <pubDate>2023-03-01 18:40:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500008481</guid>
      </item>
      <item>
         <title>Good Shepherd, Mausoleum of Galla Placidia, Ravenna, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500012162</link>
         <description><![CDATA[<div>Which of the following is NOT true of the Mausoleum of Galla Placidia in Ravenna?</div><div><strong>The mausoleum houses Galla Placidia's sarcophagus.</strong></div><ul><li><strong>Christ </strong>as <strong>Good Shepherd </strong>in landscape; now gold and purple robe (royal stature)</li><li><strong>Natural setting </strong>like Roman painting, but otherworldy because gold, glittering; Christ in the world but also heavenly&nbsp;</li><li><strong>Nimbus=halo</strong></li><li><strong>Golden mosaic </strong>robe; signs of change in representation</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f9c236d9e5df0227627ca4f689c423f6/image.png" />
         <pubDate>2023-03-01 18:42:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500012162</guid>
      </item>
      <item>
         <title>Sarcophagus of Junius Bassus. ca. 359 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500017889</link>
         <description><![CDATA[<div>Which of the following statements is true?<br><strong>Each of the scenes in this sarcophagus comes from the Old Testament.<br></strong>The sarcophagus of Junius Bassus reflects elements of classicism and elements of Early Christian art.<br><strong>true<br>I</strong>n the scene of Adam and Eve, the contrapposto is borrowed from the classical tradition, but the oversized heads are indicative of the early Christian style that was just then developing.<br><strong>true<br></strong>The Sarcophagus of Junius Bassus shows Early Christian artists inventing a new iconography, or visual language, for Christianity and its ideas.<br><strong>true</strong></div><ul><li><strong>stone coffin </strong>for a newly baptized Roman prefect; status of Christianity has changed</li><li><strong>Scenes </strong>from OT and NT (ties together Jewish faith and Christianity</li></ul><div>What looks <strong>classical</strong>?&nbsp;</div><ul><li>Niches with Columns, Latin inscription, dress, deep relief, figures have weight, distribute weight, drapery reveals bodies underneath;&nbsp;</li></ul><div><strong>Roman</strong>?&nbsp;</div><ul><li>stubbiness of late empire relief sculpture</li></ul><div><strong>Christian</strong>?</div><ul><li>&nbsp;Scenes from OT and NT (mixed up; Christ in center of both—Christ is god of the Old Testament as well as the New)</li></ul><div><strong>top L-R:</strong> Abraham sacrificing Isaac; type for God being willing to sacrifice his only son arresting of Peter</div><ul><li>&nbsp; Christ enthroned between Peter and Paul (official saints of city of Rome; related to Junius as high-ranking official); feet on Roman personification of the heavens; in position of lawgiver (like emperor)</li><li>&nbsp; Jesus being taken to <strong>Pontius Pilate</strong></li><li>&nbsp;<strong>&nbsp;Pilate on right</strong>—thinking, basin of water; sits on seat of authority (same as Junius Bassus)</li></ul><div><strong>Bottom l-r</strong>:&nbsp; suffering of Job</div><ul><li>&nbsp; <strong>Adam and Eve</strong>: led to death, resurrection</li><li>&nbsp; <strong>Triumphal entry</strong></li><li>&nbsp; <strong>Daniel </strong>in the lions’ den; his salvation is type for all through Christ</li><li>&nbsp; <strong>Paul </strong>led to martyrdom</li></ul><div>&nbsp;&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d17b98fca6df64cd19863e9355820e2e/image.png" />
         <pubDate>2023-03-01 18:46:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500017889</guid>
      </item>
      <item>
         <title>Early Byzantine Art (c. 330–750) c. 500 A.D. </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500020067</link>
         <description><![CDATA[<ul><li><strong>Emperor Justinian</strong><ul><li>(ruled 527 to 565)</li><li>Idolized Constantine<ul><li>wanted to rule it all&nbsp;</li></ul></li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 18:47:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500020067</guid>
      </item>
      <item>
         <title>Interior of Hagia Sophia, Istanbul, Turkey</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500022666</link>
         <description><![CDATA[<div>The dome of Hagia Sophia recalls the engineering brilliance of the</div><div><strong>Pantheon in Rome</strong></div><div>Procopius, the biographer of the Emperor Justinian, described the dome of Hagia Sophia as looking as though it was . . .</div><div><strong>"suspended from heaven."<br></strong>How did the architects of Hagia Sophia reconcile the round dome with the square floor plan?</div><div><strong>A. with pendentives</strong></div><ul><li><strong>Dome 184 feet tall</strong>, massive</li><li><strong>Rests on pendentives</strong>: walls are not supporting dome; thus full of windows which allow light to pour in and dome seems to float (windows at base of dome spaced closely together, as if the dome hardly touches the building itself): heavenly!</li><li><strong>Interior </strong>used to be covered with gold mosaics (gold leaf sandwiched between glass tesserae), so light would reflect off the gold and shimmer; also marble revetments and columns</li><li><strong>Dematerialized</strong>; worshipers would have felt effect</li><li><strong>No figures</strong>—leading up to iconoclasm</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8872d792d032d28a0347e0875512694d/image.png" />
         <pubDate>2023-03-01 18:49:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500022666</guid>
      </item>
      <item>
         <title>Greek figure of charity</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500025326</link>
         <description><![CDATA[<ul><li><strong>Old Testament </strong>and <strong>New Testament </strong>references to Christ the Good Shepherd; unites Jewish faith with Christian faith (many converts were Jewish)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/82e24a0d6d818add28e56a34a1482e88/image.png" />
         <pubDate>2023-03-01 18:51:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500025326</guid>
      </item>
      <item>
         <title>Typology</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500027657</link>
         <description><![CDATA[<ul><li>The <strong>study </strong>of <strong>types </strong>of <strong>representation </strong>in <strong>iconography</strong><ul><li>particularly the study of the way in which figures and scenes from the Old Testament were thought to prefigure those found in the New Testament.&nbsp;</li></ul></li><li><strong>Typology</strong>: idea that Old Testament stories prefigure/foreshadow the New Testament and the coming of Christ</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 18:53:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500027657</guid>
      </item>
      <item>
         <title>Endymion</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500028645</link>
         <description><![CDATA[<ul><li><strong>Endymion </strong>(like Jonah)</li><li>(Matt. 12:40)<ul><li><strong>40 </strong>For as Jonas was three days and three nights in the whale’s belly; so shall the Son of man be <a href="https://www.churchofjesuschrist.org/study/scriptures/nt/matt/12?lang=eng"><em>a </em>three</a> days and three nights in the heart of the earth.</li></ul></li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b3258ddf5e9b1b3e9c3b3ed37fb3fde1/image.png" />
         <pubDate>2023-03-01 18:54:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500028645</guid>
      </item>
      <item>
         <title>Woman with issue of blood healed by touching Jesus’ hem</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500032729</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/be14408c0066d5a9e093a6f4b64e4299/image.png" />
         <pubDate>2023-03-01 18:57:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500032729</guid>
      </item>
      <item>
         <title>Noah praying in ark</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500033132</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7e9c37be84b47f0716de3d4321e09612/image.png" />
         <pubDate>2023-03-01 18:57:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500033132</guid>
      </item>
      <item>
         <title>3 youths in fiery furnace (Shadrach, Meshach, Abednego)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500033727</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/444ef227234b41a08c158807b051fc9b/image.png" />
         <pubDate>2023-03-01 18:57:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500033727</guid>
      </item>
      <item>
         <title>Moses striking rock in the desert</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500034560</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6a152b90daf8a523494dea30000cc7ed/image.png" />
         <pubDate>2023-03-01 18:58:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500034560</guid>
      </item>
      <item>
         <title>Daniel in lions’ den</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500035153</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5a20e16798d88b779b7ea07670b8774f/image.png" />
         <pubDate>2023-03-01 18:58:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500035153</guid>
      </item>
      <item>
         <title>Thought to be first known image of Madonna and Child</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500035484</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c7dc3e8258adc24dacc4e3250da7d335/image.png" />
         <pubDate>2023-03-01 18:59:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500035484</guid>
      </item>
      <item>
         <title>The Greek letters Alpha and Omega (see Revelation 1:8, 11</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500036753</link>
         <description><![CDATA[<ul><li>appear on either side of this painting of Jesus Christ from the catacomb of Commodilla in Rome.&nbsp;</li><li>The painting was created in the fourth century A.D.</li><li>&nbsp;Christ has a beard and a nimbus (<strong>halo</strong>)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/32a9419c598e4a1b7c3963ce9f9bc4cd/image.png" />
         <pubDate>2023-03-01 19:00:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500036753</guid>
      </item>
      <item>
         <title>Sarcophagus, Santa Maria Antiqua, Rome, Italy. ca. 270 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500037841</link>
         <description><![CDATA[<ul><li><strong>Moved away from life</strong>-sized statues (idols worshiped in pagan temples)</li><li><strong>Sarcophagi</strong>: stone coffins; familiar themes</li><li><strong>L-R</strong>: Jonah with ship, sea monster, woman praying (orant), man with <strong>scroll</strong>=prophets/Christ as teacher, Christ the Good Shepherd, baptism of Christ (dove, water)</li><li><strong>Small</strong>: book suggests fear of making idolatrous image</li><li><strong>Blank faces</strong>: to be filled in with dead person and spouse? Strong marker, made in advance</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/95c540521a49992ec2c0a85eb1f717dc/image.png" />
         <pubDate>2023-03-01 19:00:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500037841</guid>
      </item>
      <item>
         <title>Classical philosopher pose</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500043185</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/518c46b3f271376e18f0945de714335e/image.png" />
         <pubDate>2023-03-01 19:04:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500043185</guid>
      </item>
      <item>
         <title>Plan of Old St. Peter’s, Rome, Italy. ca. 324–400 CE (after Frazer)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500045618</link>
         <description><![CDATA[<ul><li><strong>In Rome</strong>: Christian church is made official, but nowhere to meet</li><li><strong>nave: </strong>the central part of a church building, intended to accommodate most of the congregation. In traditional Western churches it is rectangular, separated from the chancel by a step or rail, and from adjacent aisles by pillars.</li><li><strong>transept: </strong>Separate space set perpendicular to the nave and aisles.</li><li><strong>aisles: </strong>is the part of a Roman basilica or a medieval Christian church that goes down the side of the nave, between the columns and the wall.</li><li><strong>gallery:&nbsp;</strong></li><li><strong>narthex: </strong>Entrance hall to early Christian Churches</li><li><strong>Atrium: </strong>from which the enclosed rooms led off, in the type of large ancient Roman house known as a domus. The impluvium was the shallow pool sunken into the floor to catch the rainwater.</li><li><strong>apse: </strong>alter- focal point, place of judgment seat, is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra.</li><li><strong>Several Christian </strong>churches built under <strong>Constantine’s reign</strong>: shows legitimacy of Christian faith (no longer only in private homes)</li><li><strong>Modeled after Roman basilica </strong>(made for public gatherings); good design for lots of people to gather (3000-4000 people); also associations with imperial Rome gave legitimacy</li><li><strong>Roman ideas</strong>: Long nave flanked by aisles;&nbsp;</li><li><strong>Made entrance </strong>at <strong>west </strong>end rather than the side; new focus of altar at east end (reminds us of Roman god <strong>Apollo</strong>) (not sacrifices for the gods but the holy Eucharist (Sacrament)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/aeb76d4f1f6c35a462ade006798b4a9f/image.png" />
         <pubDate>2023-03-01 19:06:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500045618</guid>
      </item>
      <item>
         <title>Reconstruction of Old St. Peter’s, Rome, Italy, as it appeared ca. 400 CE (after Krautheimer)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500047101</link>
         <description><![CDATA[<ul><li><strong>Clerestory</strong>=level with windows; <strong>Martyrium</strong>=building that holds remains of a martyr</li><li>made <strong>center taller</strong>; clerestory windows;&nbsp;</li><li><strong>Largest Constantinian church</strong>; Why Old St. Peter’s? torn down to make present St. Peter’s Basilica in Rome; drawings and literary sources exist</li><li>Stood directly over tomb of St. Peter; <strong>martyrium</strong>=building that holds remains or relics of holy person</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/de32c97b3a3e7696b72a0eb38c00c7dc/image.png" />
         <pubDate>2023-03-01 19:07:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500047101</guid>
      </item>
      <item>
         <title>Jacopo Grimaldi, Interior of Old St. Peter’s, Rome. Drawing, 1619</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500048114</link>
         <description><![CDATA[<ul><li><strong>wooden </strong>trusses for roof</li><li>marked by a <strong>shrine </strong>covered with a canopy called a baldacchino</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2b21b4988105c6be8266657f64b22de2/image.png" />
         <pubDate>2023-03-01 19:08:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500048114</guid>
      </item>
      <item>
         <title>Santa Sabina, Rome. ca. 422-432 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500048987</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f6f9e20a7cd1893a0e11d422d6142bff/image.png" />
         <pubDate>2023-03-01 19:09:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500048987</guid>
      </item>
      <item>
         <title>Interior of Santa Maria Maggiore, Rome. ca. 432–40 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500050617</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Santa</strong>=Smarthistory: Basilica of Santa Maria Maggiore, Rome, 5th Century AD (4:37) (don’t watch)</li><li><strong>Maria</strong>=Smarthistory: Santa Sabina, Rome (6:41)*</li><li><strong>Basilica </strong>plan like basilica in Roman forum, etc.; we can see what they would have looked like;</li><li><strong>Judge </strong>or <strong>emperor </strong>would be seated in apse; gives credentials to Christianity; also proven building form to hold a lot of people</li><li><strong>Old Testament </strong>scenes in mosaics—ties to Jewish religion</li><li><strong>First of many churches dedicated to Mary</strong>; many of the mosaic panels above the nave colonnade survive; also arch in back</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c70cdd83cfd772f3733c0e1aa6ab421b/image.png" />
         <pubDate>2023-03-01 19:10:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500050617</guid>
      </item>
      <item>
         <title>The Parting of Lot and Abraham and Shepherds in a Landscape,Santa Maria Maggiore, Rome. ca. 432-40 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500052748</link>
         <description><![CDATA[<ul><li><strong>Tesserae</strong>=small tiles of&nbsp; colored glass</li><li><strong>Early Christian mosaics </strong>more brilliant than Roman or Greek; used tesserae of colored glass instead of marble; also reflected light; made glittering surface</li><li><strong>Gold tesserae</strong>=gold leaf sandwiched between 2 clear glass pieces</li><li><strong>Abraham </strong>let <strong>Lot </strong>choose land; Lot chose plain (Sodom and Gomorrah—on right)</li><li>Abraham went towards <strong>mountains </strong>(land of Canaan)</li><li><strong>Interest </strong>in <strong>symmetry</strong>, <strong>structure</strong>; gap in center shows significance of the parting<ul><li>Condensed message, not details; (how do you show a lot of people?</li><li>Glances and gestures more important than realistic movement or 3-D form&nbsp;</li><li>Shepherds and sheep below</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/55b9007d158fa0606a27c034aca0b399/image.png" />
         <pubDate>2023-03-01 19:11:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500052748</guid>
      </item>
      <item>
         <title>Doors at the Basilica of Santa Sabina, Rome, c. 432 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500053804</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/581b46b366b9a54ac4528356c327e601/image.png" />
         <pubDate>2023-03-01 19:12:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500053804</guid>
      </item>
      <item>
         <title>Earliest known crucifixion scene</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500054100</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1afb2e1fd13f1eb1ff9a06cc9c351924/image.png" />
         <pubDate>2023-03-01 19:12:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500054100</guid>
      </item>
      <item>
         <title>Doors at the Basilica of Santa Sabina, Rome, c. 432 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500055610</link>
         <description><![CDATA[<div><br><strong>Left:</strong></div><ul><li>Moses in the desert (hand of God): typifies the life-sustaining water provided by Jesus (John 4:14, 1 Corinthinans 10:4)</li><li>Feast of quails</li><li><strong>Feast of manna</strong>: a type of the spiritual bread who came down from heaven to nourish humanity (John 6:32)</li><li><strong>Miracle </strong>of the <strong>rock </strong>(hand of God)</li></ul><div><strong>Right</strong>:&nbsp;</div><ul><li>Raising of Lazarus</li><li>Multiplication of loaves</li><li>Miracle at Cana</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4935738c9ae5984fd8d5b06c08f44dfc/image.png" />
         <pubDate>2023-03-01 19:13:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500055610</guid>
      </item>
      <item>
         <title>Interior (view through ambulatory into rotunda) of Santa Costanza, Rome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500057045</link>
         <description><![CDATA[<ul><li><strong>4 of the arches taller than the rest</strong>; suggests cross inside circle (sign of Christianity and of Constantine’s vision of victory)</li><li><strong>Bare walls</strong>; mosaics became decoration of choice—not Roman</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c103c1a87a9b1023dfa22590d5babb4f/image.png" />
         <pubDate>2023-03-01 19:14:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500057045</guid>
      </item>
      <item>
         <title>Plan of Santa Costanza, Rome. ca. 350 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500057984</link>
         <description><![CDATA[<ul><li><strong>Central plan </strong>capped by dome also during Constantine’s time; also Roman precedence—monumental tombs or mausoleums built by emperors</li><li>This one was mausoleum of Constantine’s daughter Constantia; built over catacomb; was attached to basilican church</li><li><strong>Narthex</strong>=entrance hall</li><li><strong>Ambulatory</strong>=circular aisle</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3fe4709263f986d441e779d24ced1b66/image.png" />
         <pubDate>2023-03-01 19:15:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500057984</guid>
      </item>
      <item>
         <title>Mausoleum of Galla Placidia, Ravenna, Italy. 425–50 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500060008</link>
         <description><![CDATA[<div><strong>Mausoleum</strong>: Smarthistory: Mausoleum of Galla Placidia, Ravenna (8:07) * (to around 5:00—before specific mosaics)</div><div><strong>Eastern and Western Roman Empires split c. 400 AD</strong></div><div>During 5th century, western empire threatened at all borders by migrating tribes (barbarians); Rome vulnerable to attack, so Emperor Honorius moved capital north to Milan and then Ravenna</div><div><strong>Galla Placidia </strong>named after Honorius’s sister</div><ul><li>Shape of plan? Greek cross (arms equal length)</li><li>Simple exterior</li><li>Last Early Christian church or <strong>first Early Byzantine church </strong>(or both)</li><li><strong>outside</strong>: plain</li><li><strong>Inside</strong>: full of decoration, heavenly</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/28c51990b226c39be7602d20639a2fb8/image.png" />
         <pubDate>2023-03-01 19:16:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500060008</guid>
      </item>
      <item>
         <title>Interior of Mausoleum of Galla Placidia, Ravenna, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500066915</link>
         <description><![CDATA[<ul><li><strong>But rich interior</strong>! Leave everyday world behind (like entering celestial room); also like model Christian: modest on the outside, glorious in spirit</li><li>Early Christian mosaics <strong>more brilliant </strong>than <strong>Roman </strong>or <strong>Greek</strong>; used tesserae of colored glass instead of marble; also reflected light; made glittering surface<ul><li><strong>Upper mosaic</strong>: apostles flank a pair of doves and fountain; symbolic of souls drinking from waters of paradise</li><li><strong>lower mosaic</strong>: Martyrdom of&nbsp; St. Lawrence (patron saint of librarians); roasted on grill; books in chest=word of God but also treasure (refused to surrender the riches of the church to Roman authorities)</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd808edf3e2dba6117ee593f5379127a/image.png" />
         <pubDate>2023-03-01 19:21:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500066915</guid>
      </item>
      <item>
         <title>Sarcophagus, Santa Maria Antiqua, Rome, Italy. ca. 270 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500067831</link>
         <description><![CDATA[<div>About 100 years earlier</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c1eafe0b22c1201226cebc06a9ecdc0a/image.png" />
         <pubDate>2023-03-01 19:22:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500067831</guid>
      </item>
      <item>
         <title>Byzantine Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500069454</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Theme</strong>: “New wine in new bottles”</li><li>Christian subjects using a new style</li><li>Designates art of the Eastern Roman Empire</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 19:23:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500069454</guid>
      </item>
      <item>
         <title>Byzantine Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500070220</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Early Byzantine </strong>(c. 330–750)</li><li><strong>Middle Byzantine </strong>(c. 850–1204)</li><li><strong>Late Byzantine </strong>(c. 1261–1453)</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 19:24:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500070220</guid>
      </item>
      <item>
         <title>Constantine</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500071496</link>
         <description><![CDATA[<ul><li><strong>Byzantium </strong>(Roman Empire in east) thrived<ul><li>Rome sacked <strong>3 times</strong>; capitol moved to Ravenna (faces east)</li><li>West part of Rome <strong>shrinks</strong>; Barbarians take over</li></ul></li><li>313 Constantine’s edict of Milan legalized Christianity</li><li>&nbsp;324 Constantine founded Constantinople (now Istanbul)</li><li>&nbsp;325 Constantine formed counsel of Niceae (Nicene Creed)</li><li>&nbsp;337 Constantine died</li><li>&nbsp;380 Christianity became official religion of the empire</li><li>&nbsp;391 pagan religions banned</li><li>&nbsp;395 empire divided into east and west; also church</li><li>&nbsp;404 Honorius moved capitol to Ravenna</li><li>&nbsp;410 sack of Rome, decline in western empire</li></ul><div>&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-01 19:25:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2500071496</guid>
      </item>
      <item>
         <title>Plan of San Vitale, Ravenna, Italy. 526–47 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502992237</link>
         <description><![CDATA[<div>Ravenna was an important Roman port city and served as the capital city for the western half of the empire.<br><strong>true<br></strong>Galla Placidia, daughter of Emperor Theodosius, ruled the Western Empire as<br><strong>Regent<br></strong>The Mausoleum of Galla Placidia was originally attached to a <br><strong>church<br></strong>Which of the following is NOT true of the Mausoleum of Galla Placidia? <br><strong>The mausoleum houses Galla Placidia's sarcophagus.</strong></div><ul><li><strong>Ravenna </strong>became capital of western Roman Empire; then became a stronghold for <strong>Byzantine </strong>rule in Italy (Emperor Justinian sought to reunite Roman empire)</li><li><strong>Most important </strong>building of Early Byzantine period</li><li>Like <strong>Mausoleum </strong>of <strong>Santa Constanza </strong>in Rome in plan (see next 2 slides) but now it is a church, not a mausoleum attached to a church; larger and richer in spatial effect</li><li><strong>Octagonal plan</strong>, dome over center but nave (circular now) opens into semicircular niches; makes rhythmic space</li><li><strong>Narthex </strong>at angle; Why? (don’t know); disorienting</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3e7aa40786aafc0e5ba364a254aee060/image.png" />
         <pubDate>2023-03-03 18:38:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502992237</guid>
      </item>
      <item>
         <title>Section of San Vitale, Ravenna, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502992658</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9a3b078069c63fac712eba940adcbac3/image.png" />
         <pubDate>2023-03-03 18:39:06 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502992658</guid>
      </item>
      <item>
         <title>Exterior of San Vitale, Ravenna, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502993703</link>
         <description><![CDATA[<ul><li><strong>Precedence </strong>in <strong>Ravenna </strong>for <strong>central plan </strong>and plain exterior; Façade looks like Galla Placidia (next slide)</li><li><strong>Not Roman basilica plan</strong>; central plan with dome dominated Eastern empire (Eastern Orthodox Church)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/940a4c0022b2dcc26ba59bf8cbc7d18b/image.png" />
         <pubDate>2023-03-03 18:39:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502993703</guid>
      </item>
      <item>
         <title>Mausoleum of Galla Placidia, Ravenna, Italy. 425–50 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502995297</link>
         <description><![CDATA[<ul><li><strong>last early Christian church</strong></li><li><strong>Mausoleum</strong>: Smarthistory: Mausoleum of Galla Placidia, Ravenna (8:07) * (to around 5:00—before specific mosaics)</li><li><strong>made of:&nbsp;</strong>recycled roman brick on exterior</li><li><strong>Eastern and Western Roman Empires split c. 400 AD</strong></li><li>During <strong>5th century</strong>, western empire threatened at all borders by migrating tribes (barbarians); Rome vulnerable to attack, so Emperor Honorius moved capital north to Milan and then Ravenna</li><li><strong>Galla Placidia </strong>named after Honorius’s sister</li><li>Shape of plan? Greek cross (arms equal length)<ul><li>Simple exterior</li><li><strong>Last Early Christian church or first Early Byzantine church (or both)</strong></li><li><strong>outside</strong>: plain</li><li><strong>Inside</strong>: full of decoration, heavenly</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/79f6a2ffff263cde509e4835a961b16a/image.png" />
         <pubDate>2023-03-03 18:41:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502995297</guid>
      </item>
      <item>
         <title>Interior (view toward the apse) of San Vitale, Ravenna, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502996130</link>
         <description><![CDATA[<ul><li><strong>Aisle </strong>has 2nd storey: gallery</li><li><strong>Clerestory </strong>windows and also windows below; flooded with light</li><li><strong>Interior </strong>lavishly decorated: heavenly</li><li><strong>Mosaics </strong>over altar: left, right, and above</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/55b82f2920b1dc3e5a5a61a8607f67a7/image.png" />
         <pubDate>2023-03-03 18:42:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502996130</guid>
      </item>
      <item>
         <title>Mosaic at San Vitale, Ravenna, Italy. ca. 547 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502996985</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/422089ff6cac69043769c61e2d81aba7/image.png" />
         <pubDate>2023-03-03 18:43:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502996985</guid>
      </item>
      <item>
         <title>Mosaic at San Vitale, Ravenna, Italy. ca. 547 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502997320</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/08bcf522865d1d578d0dd02a9f0a27f6/image.png" />
         <pubDate>2023-03-03 18:43:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502997320</guid>
      </item>
      <item>
         <title>Mosaic from Basilica of San Vitale, Ravenna, Italy (built A.D. 547) </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502998450</link>
         <description><![CDATA[<ul><li><strong>Angels </strong>announcing the birth of Isaac</li><li><strong>Abraham sacrificing Isaac</strong><ul><li>It is based on Genesis 18: 1-15: <em>And the Lord appeared to him </em>[Abraham] <em>in the vale of Mambre as he was sitting at the door of his tent, in the very heat of the day.&nbsp;</em></li><li><em>And when he had lifted up his eyes there appeared to him three men standing near him: and as soon as he saw them he ran to meet them from the door of his tent, and adored down to the ground. And he said: Lord, if I have found favour in thy sight, pass not away from thy servant. But I will fetch a little water, and wash ye your feet, and rest ye under the tree.&nbsp;</em></li><li><em>And I will set a morsel of bread, and strengthen ye your heart, afterwards you shall pass on: for therefore are you come aside to your servant. And they said: Do as thou hast spoken. Abraham made haste into the tent to Sara, and said to her: Make haste, temper together three measures of flour, and make cakes upon the hearth.&nbsp;</em></li><li><em>And he himself ram to the herd,, and took from thence a calf very tender and very good, and gave it to a yound man: who made haste and boiled it. He took also butter and milk, and the calf which he had boiled, and set before them: but he stood by them under the tree. And when they had eaten, they said to him: Where is Sara thy wife? He answered: Lo, she is in the tent. And he said to him: I will return and come to thee at this time, life accompanying, and Sara thy wife shall have a son. Which when Sara heard, she laughed behind the door of the tent. Now they were both old, and far advanced in years, and it had ceased to be with Sara after the manner of women.&nbsp;</em></li><li><em>And she laughed secretly, saying: After I am grown old and my lord is an old man, shall I give myself to pleasure?And the Lord said to Abraham: Why did Sara laugh, saying: Shall I who am an old woman bear a child indeed? Is there any thing hard to God? according to appointment I will return to thee at this same time, life accompanying, and Sara shall have a son....</em></li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/24bf01c13479c0cc29ba9cbce82209c4/image.png" />
         <pubDate>2023-03-03 18:44:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2502998450</guid>
      </item>
      <item>
         <title>a little bit early christan</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503001167</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-03 18:47:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503001167</guid>
      </item>
      <item>
         <title>Parallels Between Abraham’s Sacrifice of Isaac and Heavenly Father’s sacrifice of Christ</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503012849</link>
         <description><![CDATA[<ul><li>•Both births were announced many years before they were born</li><li>•Both births were miraculous</li><li>•Both were firstborn sons</li><li>•Both were willing sacrifices for both fathers and sons</li><li>•Both went to a place on a hill (in Jerusalem)</li><li>•Both had 3-day journeys</li><li>•Isaac carried the wood for the burnt offering on his back; Christ carried the cross</li><li>•Isaac was to be sacrificed in place of a lamb; Jesus Christ was the Lamb of God</li><li>•The ram caught in the thicket by his horns prefigures Christ’s crown of thorns</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-03 18:58:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503012849</guid>
      </item>
      <item>
         <title>The Abel and Melchizedech Arch Mosaic at San Vitale, Ravenna</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503015908</link>
         <description><![CDATA[<ul><li>This mosaic is on the right side of the space that precedes the presbytery, where the clergy celebrate the Eucharistic liturgy, which is considered a memorializing re-enactment of the sacrifice of Christ on the Cross. Appropriately, both this and <a href="https://www.christianiconography.info/Edited%20in%202013/Italy/sanVitPreSancLeft.html">the mosaic on the left side</a> focus on sacrifices in the Old Testament that prefigure the sacrifice of Christ on the Cross.</li><li>In the large lunette Abel offers a lamb and Melchizedech a loaf. The wine that Melchizedech also offered is already in a chalice on the altar. Like his garments, the structure behind Abel is simple and rustic, but in its shape and position it presages the church that stands behind Melchizedech, who is dressed as a priest. God's acceptance of the sacrifices is represented by the hand reaching down from the sky.</li><li>The sacrifice of Abel is in Genesis 4:1-8; that of Melchizedech, Genesis 14:18-20. Both sacrifices, of course, relate to the liturgy that is celebrated in this place. The bread and wine prefigures the elements of the Eucharist, and the lamb prefigures Christ himself.</li><li>On the right, Moses is feeding his sheep (lower register) when he comes upon the burning bush and is told to remove his sandals (upper register). His pallium and the scroll that he carries in his left hand mark him as a philosopher, just as the pallium and basket of scrolls do for Matthew in the upper left of the composition. The scroll has the additional function of signifying Moses' commission to lead the Israelites to freedom. This is pictured in <a href="https://www.christianiconography.info/Edited%20in%202013/Italy/sanVitPreSancLeft.moses.html">the corresponding segment</a> on the right side of the facing wall.</li><li>On the left Isaiah stands outside a city holding a scroll that is commonly his attribute. Together he and Moses represent "the Law and the Prophets," that is, the Old Testament, while the two evangelists above represent the New.</li><li>Between the Moses and Isaiah panels, angels hold a clipeus with a jeweled cross representing Christ, whose sacrifice is prefigured by those of Abel and Melchizedech and in whom "the Law and the Prophets" are fulfilled, according to Luke 24:44 and John 1:45. See a detailed <a href="https://www.christianiconography.info/Edited%20in%202013/Italy/sanVitPreSancLeft.crossAngels.html">explanation of the identical panel</a> on the facing wall.</li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/117c7781025a45aa12555a82f2b729ee/sanVitPreSancRight_oneThirdSize.jpg" />
         <pubDate>2023-03-03 19:01:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503015908</guid>
      </item>
      <item>
         <title>Isaac is a “type” of Christ</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503017363</link>
         <description><![CDATA[<div>More typology in San Vitale mosaics:</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-03 19:02:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503017363</guid>
      </item>
      <item>
         <title>Emperor Justinian and His Attendants, San Vitale, Ravenna, Italy. ca. 547 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503021636</link>
         <description><![CDATA[<ul><li>2 Mosaics over altar in apse (chancel)</li><li>Justinian emperor of eastern empire</li><li>Called “<strong>emperor who never sleeps</strong>” : ambition to rebuild Rome, built <strong>30 churches</strong></li><li>How is Justinian compared to Christ?<ul><li>Nimbus over head, purple robe, holds bread for Eucharist</li><li>Surrounded by <strong>12 </strong>(symbolic of 12 apostles)</li><li><strong>Shield</strong>: chi ro (monogram of Christ)</li><li>References to Christ shows political and spiritual authority: “divine kingship” (emperor, church, state (soldiers)</li><li><strong>Style</strong>: very different from short, squat figures of Junius <strong>Bassus sarcophagus</strong>; weightless, feet dangle, tall, thin, flat, huge eyes: BYZANTINE</li><li><strong>Static</strong>; <strong>no </strong>sign of <strong>movement</strong>; gold background suggests heaven; green ground suggests earth: belong to both</li><li>Have a <strong>mysterious </strong>presence, just like interior curving spaces</li><li>Shield with Christ’s monogram reminds us of Constantine vision and triumph; Justinian is an heir to Constantine, founder of Constantinople</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/eeab376cd459aa54d2a9fd23f18882de/image.png" />
         <pubDate>2023-03-03 19:06:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503021636</guid>
      </item>
      <item>
         <title>Empress Theodora and Her Attendants, San Vitale, Ravenna, Italy. ca. 547 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503022652</link>
         <description><![CDATA[<div><strong>Theodora</strong>: carries chalice for wine of Eucharist</div><div><strong>Hem of dress</strong>: 3 wise men bringing gifts, just as she brings an offering</div><ul><li><strong>Theodora</strong>: Justinian’s wife, 20 years younger (was his mistress and a courtesan); scandalous but became a shrewd advisor to Justinian; shown as a co-ruler (equal ground); became one of the most powerful women in the Byzantine Age<ul><li>Known for her intelligence; skillful military strategist; she pushed for laws against rape and for women’s rights to hold property and to inherit; helped to elevate the legal status of women</li><li><strong>Dazzling </strong>color, gold background, flat surface: BYZANTINE</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/eff870464ad16ba2c8d0fada4d4dc44d/image.png" />
         <pubDate>2023-03-03 19:07:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503022652</guid>
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      <item>
         <title>Exterior of Hagia Sophia, Istanbul, Turkey (532-537)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503023858</link>
         <description><![CDATA[<ul><li><strong>church meaning-&nbsp;</strong>5. The most accurate translation for the name of this church is <strong>Holy Wisdom</strong></li><li>The dome is the crowning achievement of Hagia Sophia, and in its ambitious scale, it recalls the engineering brilliance of the . . .<ul><li><strong>Pantheon in Rome</strong></li></ul></li><li>Hagia Sophia became a symbol of the strength of Constantine the Great.<ul><li><strong>F (Justinian)</strong></li></ul></li><li>Procopius, the biographer of the the Emperor Justinian, described the dome of Hagia Sophia as looking as though it was . . .<ul><li><strong>suspended from heaven</strong></li></ul></li><li>What element of the capitals in Hagia Sophia reflect the general shift away from the solidity of Greek and Roman&nbsp;</li><li>architecture?<ul><li><strong>They used drillwork to create a thin and dematerialized effect contradicting their support function.</strong></li></ul></li><li>Which of the following two architectural forms best describes the plan of Hagia Sophia? Select all that apply.<ul><li><strong>basilica</strong></li><li><strong>central plan</strong></li></ul></li><li>Which architectural element does NOT serve a structural function to support the dome of Hagia Sophia?<ul><li><strong>The windows at the base</strong></li></ul></li><li><strong>Symbol </strong>of Byzantium</li><li>Also under <strong>Justinian’s reign</strong>: this one in Constantinople (where Justinian ruled)</li><li><strong>Hagia Sophia</strong>=holy wisdom</li><li>Original church there commissioned by <strong>Constantine</strong>; destroyed by rioters who tried to overthrow Justinian; he immediately rebuilt; wanted to make greatest church in Christian world; took 5 years to build (532-537)</li><li><strong>Dome</strong>—184’tall&nbsp;</li><li>(<strong>4 minarets </strong>were added when it was made a mosque after Turkish conquest in 1453))</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8278f6d25e1074b393c96aeacea7fe70/image.png" />
         <pubDate>2023-03-03 19:09:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503023858</guid>
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      <item>
         <title>Plan of Anthemius of Tralles and Isidorus of Miletus.Hagia Sophia, Istanbul, Turkey. 532–37 CE (after V. Sybel)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503024477</link>
         <description><![CDATA[<div><strong>Basilica plan </strong>(longitudinal axis) with dome in center (circle in square) and half domes at either end (so also like centrally planned church);</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7bb8b51c93c851174d6fdeebc1b64d65/image.png" />
         <pubDate>2023-03-03 19:09:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503024477</guid>
      </item>
      <item>
         <title>Dome on pendentives</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503025064</link>
         <description><![CDATA[<ul><li>Dome <strong>supported by pendentives</strong>: weight on 4 piers; first example of this on a monumental scale (architects were mathemeticians)</li><li>Taller, lighter dome than <strong>Pantheon</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/614db6fe252e6c9fe0357a09de209adc/image.png" />
         <pubDate>2023-03-03 19:10:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503025064</guid>
      </item>
      <item>
         <title>Arcade and capitals, Hagia Sophia, Istanbul, Turkey</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503026101</link>
         <description><![CDATA[<ul><li><strong>Capitals </strong>also full of <strong>decorative carving</strong>; lacelike, doesn’t show function as solid weight-bearing form; surface decoration everywhere (expensive marbles imported from all around)<ul><li><strong>Thickness </strong>of walls and vaults hidden rather than emphasized; dematerialized</li><li>“<strong>illusion </strong>of unreality”</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4947560333b7233cd64eb47de588e058/image.png" />
         <pubDate>2023-03-03 19:11:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503026101</guid>
      </item>
      <item>
         <title>Capital contradicts task (bearing weight) rather than expressing it</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503026490</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c99c2558c5d1e39920426839b0dacfc1/image.png" />
         <pubDate>2023-03-03 19:11:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503026490</guid>
      </item>
      <item>
         <title>The Archangel Michael. Leaf of a diptych. Early 6th century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503037812</link>
         <description><![CDATA[<ul><li>is early byzantine </li><li><strong>Part classical </strong>(looks like winged victory); classical toga; hair looks like Roman portrait bust; rich drapery revealing legs underneath, naturalism</li><li><strong>Part Byzantine </strong>(still considered Roman Empire); not of this world; figure large compared to staircase (divine stature); feet hang over steps (weightlessness); feet appear to be between the columns, whereas upper body is in front: impossible</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/75ee91c147b05c3bbe67da583f467524/image.png" />
         <pubDate>2023-03-03 19:22:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503037812</guid>
      </item>
      <item>
         <title>Christ, Monastery of St. Catherine, Mount Sinai, Egypt. 6th century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503039895</link>
         <description><![CDATA[<div><strong>Iconoclastic Controversy c. 726-843</strong></div><ul><li><a href="https://www.youtube.com/watch?v=EmQ1TdoT-zE"><strong>Iconoclasts</strong></a>=Image Destroyers<ul><li>this is one of the only ones that was preserved&nbsp;<ul><li><strong>it was preserved: because </strong>no one checked to see if all ions where destroyed so this wasnt&nbsp;</li></ul></li><li>he is in a <strong>blessing pose</strong></li></ul></li><li><strong>Iconophiles</strong>=supporters of icons</li><li><strong>Icon</strong>=image of sacred person (usually Christ, Mary, or saints) used for personal and public veneration; belief that spirit of the person resided in them and that they could intercede for the person, offer protection</li></ul><div>Veneration or worship? If you worship image what does it become? (Idol worship)</div><ul><li><strong>Tension between two beliefs</strong></li></ul><div><strong>Supporters?</strong></div><ul><li>&nbsp;images help you to have faith by visualization; help you to feel something; claim that Christ had appeared with the Virgin to St. Luke and permitted him to paint their portrait together; miraculous images had appeared (models for icons)</li><li><strong>Iconoclasts </strong>(image destroyers): no graven images&nbsp;</li></ul><div><strong>Christ=Smarthistory: Theotokos Mosaic, 867, Apse, Hagia Sophia, Istanbul (5:01)</strong></div><ul><li>Most icons destroyed during period of iconoclasm (edict by Byzantine emperor Leo III in 726; lasted about 100 years); many of the surviving examples come from Monastery of St. Catherine at Mount Sinai in Egypt (where God spoke to Moses in burning bush (desert, isolated; too far away from Constantinople)</li><li>Monasteries began in Egypt in <strong>2nd </strong>and <strong>3rd centuries</strong>; withdrawal from worldly temptations to devote oneself to prayer and contemplation</li><li><strong>Christ</strong>: full frontal, large eyes; similar to Christ Pantocrator but more modeling</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2effcef84f57c987f9c05e3a8c2655cf/image.png" />
         <pubDate>2023-03-03 19:24:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503039895</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503045079</link>
         <description><![CDATA[<ul><li>The dome is the crowning achievement of Hagia Sophia, and in its ambitious scale, it recalls the engineering brilliance of the . . .<ul><li><strong>&nbsp;a. Pantheon in Rome</strong></li></ul></li><li>Hagia Sophia became a symbol of the strength of Constantine the Great.&nbsp;<ul><li><strong>false</strong></li></ul></li><li>What element of the capitals in Hagia Sophia reflect the general shift away from the solidity of Greek and Roman architecture?<ul><li><strong>They used drillwork to create a thin and dematerialized effect contradicting their support function.</strong></li></ul></li><li>&nbsp;Which of the following two architectural forms best describes the plan of Hagia Sophia?</li><li>&nbsp;<em>Select all that apply.</em><ul><li><strong>a</strong><strong><em>. </em></strong><strong>basilica</strong></li><li><strong>b. central plan</strong></li></ul></li><li>Which architectural element does NOT serve a structural function to support the dome of Hagia Sophia?<ul><li><strong>&nbsp;a. The windows at the base</strong></li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-03 19:29:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2503045079</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505635837</link>
         <description><![CDATA[<ul><li><strong>Encaustic </strong>(pigment in hot wax); like Roman portraits</li><li><strong>Similar </strong>in modeling, vibrant brushstroke; large eyes</li><li><strong>Frontal</strong>; direct bond with viewer</li><li><strong>Combination </strong>of physical and spiritual (big gold halo)</li><li><strong>Christ </strong>has a beard now (not youth of good shepherd depictions)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4c046997f6ac9afe62e230f0374f9fa2/image.png" />
         <pubDate>2023-03-06 18:39:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505635837</guid>
      </item>
      <item>
         <title>Monastery of St. Catherine, Mount Sinai, Egypt</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505636683</link>
         <description><![CDATA[<ul><li>Built between 548-565 AD</li><li>One of oldest <strong>working </strong>monasteries<ul><li>still works</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4ae0c477a0a2aea62d151c9c73ff4e1f/image.png" />
         <pubDate>2023-03-06 18:40:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505636683</guid>
      </item>
      <item>
         <title>Virgin and Child Enthroned Between Saints and Angels, Monastery of St. Catherine, Mount Sinai, Egypt. Late 6th century CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505638362</link>
         <description><![CDATA[<ul><li>Also from Monastery of St. Catherine in Mount Sinai</li><li><strong>Encaustic </strong>(pigment in hot wax); like Roman portraits</li><li><strong>Byzantine </strong>qualities?<ul><li>Long, thin, flattened ( a little knee)</li><li>Surface decoration; large heads; frontal; haloes</li><li>Hand of God at top</li></ul></li><li><strong>Classical?&nbsp;</strong><ul><li>contrapposto (a little knee sticking out)</li><li>&nbsp;Modeling- angels- not just frontal </li><li>angels above</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6309e45df03d1d05ba1f1ce40628767e/image.png" />
         <pubDate>2023-03-06 18:41:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505638362</guid>
      </item>
      <item>
         <title>Middle Byzantine Art (c. 850–1204) c. 900-1200 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505642154</link>
         <description><![CDATA[<div><br>Revived interest in classical art due to iconoclasm</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-06 18:44:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505642154</guid>
      </item>
      <item>
         <title>The Crucifixion and Iconoclasts, from the Khludov Psalter. After 843 CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505644309</link>
         <description><![CDATA[<ul><li>from a book called <strong>assaulter</strong><ul><li>the book of psalms&nbsp;</li></ul></li><li>destroying painting of Christ<ul><li>saying that those men as just as bad as those who helped crucify Christ</li></ul></li><li><strong>Victory </strong>of Iconophiles in 843</li><li><strong>Psalter </strong>contains book of Psalms from OT (sacred songs or hymns)</li><li><strong>Compares </strong>iconocasts to crucifiers of Jesus; vinegar-soaked sponge (right) like sponge used to whitewash icons</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e5a3b3ec78d6cc3ec713272a42f782ea/image.png" />
         <pubDate>2023-03-06 18:45:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505644309</guid>
      </item>
      <item>
         <title>Plan of Church of the Dormition, Daphni, Greece. 11th century CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505644942</link>
         <description><![CDATA[<ul><li>Dome in center, smaller domes</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/dbf4474ebb9310e1977d1959ede61c1a/image.png" />
         <pubDate>2023-03-06 18:46:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505644942</guid>
      </item>
      <item>
         <title>Interior (facing west) of Church of the Dormition, Daphni, Greece</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505645744</link>
         <description><![CDATA[<ul><li>Byzantine church near Athens; emphasis on verticality</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ebb5f5b67d01a826d70ae431e2b86858/image.png" />
         <pubDate>2023-03-06 18:46:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505645744</guid>
      </item>
      <item>
         <title>Christ Pantocrator, Church of the Dormition, Daphni, Greece. Dome mosaics</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505652105</link>
         <description><![CDATA[<ul><li><strong>Pantocrator</strong>=ruler and judge of the universe</li><li><strong>Dome </strong>in center like Hagia Sophia</li><li>is doing <strong>blessing </strong>pose<ul><li>his face is angry, rough, more realistic for that time period, look disappointed (looking away from us) </li></ul></li><li><strong>Christ Pantocrator</strong>=ruler and judge of universe; nimbus with cross; over-sized, awesome image (higher up, higher degree of holiness)<ul><li>IC XC abbreviation for Jesus Christ</li><li><strong>Holds book</strong>—word of God (he is the Word)</li><li><strong>Thumb </strong>touching finger=blessing gesture</li><li><strong>Royal</strong>: Purple robe, gold, huge; intimidating?</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/af7097acbdf6c96a8578ccb80b8b44a9/image.png" />
         <pubDate>2023-03-06 18:51:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505652105</guid>
      </item>
      <item>
         <title>The Crucifixion, Church of the Dormition, Daphni, Greece. Mosaic</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505663296</link>
         <description><![CDATA[<ul><li>marry- Jesus's mother is on the left<ul><li>wearing blue and has a halo around her head</li></ul></li><li>John is on the right<ul><li>he says to him to take care of his mother for him</li><li><strong>typography&nbsp;</strong></li></ul></li><li>New interest in showing <strong>crucifixion</strong>; we see suffering</li><li><strong>Gold background</strong>=Byzantine</li><li>Otherworldly with a little classicism: has some physical weight</li><li><strong>Mary</strong>, <strong>John</strong>: restrained suffering and sadness</li><li><strong>Flattened</strong>, stylized (gold rim on robe): looks heavenly</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3832d26a3a02f60074c554390743f2a7/image.png" />
         <pubDate>2023-03-06 18:58:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505663296</guid>
      </item>
      <item>
         <title>Aerial view of St. Mark’s, Venice, Italy. Begun 1063 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505672260</link>
         <description><![CDATA[<ul><li>Started as <strong>Byzantine church</strong>; largest and most lavish of later Byzantine</li><li>Called St. Mark’s because holds body of St. Mark</li><li>Begun <strong>9 years </strong>after official schism between Western (Catholic) and Eastern (Orthodox) churches; Venice belonged to East side</li><li><strong>Cathedral</strong>: houses bishop’s throne</li><li>Dome in center, <strong>4 domes </strong>around (Greek cross)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/43058ba542c473405030d3b28cf3aa2b/image.png" />
         <pubDate>2023-03-06 19:05:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505672260</guid>
      </item>
      <item>
         <title>Interior of St. Mark’s, Venice, Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505673021</link>
         <description><![CDATA[<ul><li><br></li><li><strong>St.=Smarthistory: St. Mark’s Basilica, Venice (4:52) (shows anastasis mosaic)</strong></li><li>Complete Byzantine flavor inside</li><li>Gold mosaics in <strong>interior</strong>: 40,000 feet of mosaics</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/90d3a2bd4a4713da390b448920858e70/image.png" />
         <pubDate>2023-03-06 19:05:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505673021</guid>
      </item>
      <item>
         <title>Interior of Monreale Cathedral, Italy. ca. 1180–90 CE</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505673851</link>
         <description><![CDATA[<ul><li><strong>Byzantine Christ </strong>(Pantocrator) over altar (although in western Europe—Sicily);&nbsp;</li><li>100 million individual tesserae</li><li><strong>Christ’s book</strong>: “I am the light of the world” (in Greek on one page, Latin on the other)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8f6333998202c5ca7e2db3eec0596f89/image.png" />
         <pubDate>2023-03-06 19:06:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505673851</guid>
      </item>
      <item>
         <title>Late Byzantine Art (c. 1261–1453) c. 1300 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505674368</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-06 19:06:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505674368</guid>
      </item>
      <item>
         <title>Madonna Enthroned. Late 13th century CE </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505675986</link>
         <description><![CDATA[<div><strong>Late Byzantine</strong></div><ul><li>National Gallery, Washington DC</li><li><strong>Tempera </strong>on wood with gold leaf but looks like mosaic tradition</li><li>Shows combination of <strong>east </strong>and <strong>west</strong>: graceful, elongated features Byzantine; also modeling in face; gold background; even more abstract than earlier Byzantine (sunbursts on drapery)</li><li>Play of naturalistic and abstract</li><li>Effect is neither flat or spatial (sort of architectural space—looks like colosseum)<ul><li><strong>Classical</strong>: Throne looks like colosseum</li><li><strong>eastern</strong>: Christ’s gesture of blessing; red background of angels in medallions</li><li>Uneasy space</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b38f7155838f159ead5abb80ce21e5d2/image.png" />
         <pubDate>2023-03-06 19:08:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2505675986</guid>
      </item>
      <item>
         <title>The Expansion of Islam to 850</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509071321</link>
         <description><![CDATA[<ul><li><strong>Muhammad </strong>was born in <strong>Mecca </strong>(now in Saudi Arabia) in 570 A.D.;<ul><li>&nbsp;orphaned, became a <strong>merchant</strong>, spent a lot of time meditating and had first religious experience in&nbsp;<ul><li>610: <strong>Angel Gabriel </strong>instructed him to write; went through period of self doubt but accepted his role as a prophet and began to preach about the one true God (Allah)</li></ul></li></ul></li><li>His writings form the Qu’ran<ul><li><strong>621 another vision</strong>: Angel Gabriel took him from Mecca to Jerusalem, where he ascended into heaven (where Dome of the Rock was built)</li><li><strong>622 </strong>He and his followers fled to Medina: beginning of Muslim calender; 629 returned to Mecca and cleansed the Kaaba of idols</li></ul></li><li>Follower of Islam religion=<strong>Muslim</strong></li><li>Muslims believe <strong>Muhammad </strong>was last of a line of prohets (including Moses, Abraham, and Jesus)</li><li><strong>20 </strong>percent of world population is Muslim</li><li><strong>Branches</strong>: Shiites=leader should be descendant of Muhammad&nbsp;</li><li>Sunnis= leaders don’t have to be descendants of Muhammad</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f86a46ef84ae463a81004528fb2672ec/image.png" />
         <pubDate>2023-03-08 18:43:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509071321</guid>
      </item>
      <item>
         <title>Interior of prayer hall, Great Mosque of Córdoba, Spain (begun 786)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509073580</link>
         <description><![CDATA[<div>This forest of columns is called a</div><div><strong>Hypostyle </strong>Hall</div><ul><li><strong>Western Islamic lands</strong>: classical influence</li><li><strong>Southern Spain </strong>(Andalusia)</li><li><strong>Hypostyle hall </strong>(means filled with columns) now forest of columns (500 columns)<ul><li><strong>Horseshoe arches</strong>, one on top of another; red and white voussoirs (horseshoe columns came from Visigoths who had taken over the area after the fall of Rome</li><li><strong>Voussoirs- </strong>a wedge-shaped or <a href="https://www.google.com/search?sxsrf=AJOqlzW0sx7TOnxyNwThlO-uTnLI3VGnzw:1678551284553&amp;q=tapered&amp;si=AEcPFx5hn0gxdHqlMdkaq7LnvtdUqrth47CcYSMuCzG0A6DYm_0ZIwao8If4sQ-_r0HFNKvq1xR2Gopmaag-a2toDFoYEmei2w%3D%3D&amp;expnd=1">tapered</a> stone used to construct an arch.</li></ul></li><li><strong>Large </strong>like Hagia Sophia or Old St.Peter’s but no centralized space</li><li>(<strong>creates illusion </strong>of limitless space)</li><li><strong>Repetition </strong>in columns, arches, and voussoirs reflect the timelessness of prayer</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f1780d52f089f37d7d80ac1e979c3e87/image.png" />
         <pubDate>2023-03-08 18:44:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509073580</guid>
      </item>
      <item>
         <title>Court of the Lions, Alhambra, Granada, Spain. Mid-14th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509076476</link>
         <description><![CDATA[<div>The palace at Alhambra incorporates</div><div><strong>metaphors for paradise on earth</strong></div><ul><li><strong>Ferdinand </strong>and <strong>Isabella </strong>expelled Muslims and Jews from Spain in the early 16th century;&nbsp;<ul><li>only Granada in the south remained under Muslim control; Moores (from Morocco)</li></ul></li><li><strong>Palace</strong>: incorporated metaphors for paradise on earth; only part remains</li><li><strong>Fountain </strong>on the backs of 12 lions; water comes from mountains</li><li><strong>Delicate </strong>carving; creates texture and lightness</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/19ed8de6f1947bc5e3e70881ddc02a15/image.png" />
         <pubDate>2023-03-08 18:46:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509076476</guid>
      </item>
      <item>
         <title>Mihrab (Prayer Niche) from Isfahan, Iran 1354–55</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509077891</link>
         <description><![CDATA[<div>A mihrab is a prayer niche pointing toward<br><strong>Mecca</strong></div><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1277d68f4231c01b799591253a18c5ac/image.png" />
         <pubDate>2023-03-08 18:47:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509077891</guid>
      </item>
      <item>
         <title>Similarities between Islam and Church of Jesus Christ of Latter-day Saints</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509084843</link>
         <description><![CDATA[<ul><li>fasting</li><li>they have the Hajj and feel sacrid there and the spirit and we have the temple<ul><li>they were sacred clothing (<strong>woman </strong>wear <em>A loose dress with full sleeves, white pants, white underclothing, and white socks</em><strong><em>- men</em></strong><em> wear- wear two pieces of white, unsewn, plain cloth as part of the Ihram – an Izar (waist-wrapper) and a Rida) we wear garments</em></li></ul></li><li>both give offerings, tithing and omphs &nbsp;</li><li>entry into sacred households- you have to be a part of that religion to enter<ul><li>whole city of Meca</li></ul></li><li>have fountain with 12 animals around it like our baptismal font&nbsp;</li><li>we believe as well as Islam that there is one God that we worship</li><li>both Abrahamic religions<ul><li>he is important to both our religions</li></ul></li><li>have pilgrimages and gather for it like we have people gather to Utah for general conference</li><li>&nbsp; both believe in resurrections</li><li>frequent prayer&nbsp;</li><li>a lot of art that symbolizes heaven on earth and what it will look like</li><li>similar attitudes of faith</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-08 18:53:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509084843</guid>
      </item>
      <item>
         <title>Taj Mahal, Agra, India. ca. 1650</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509088318</link>
         <description><![CDATA[<div>This structure functions as a</div><div><strong>tomb (</strong> mausoleum)<strong><br></strong>The structure's exterior is constructed primarily of</div><div><strong>&nbsp;marble<br></strong>This structure is located in<br><strong>india<br></strong>The four towers in the corners of the structure are<br>&nbsp;called<br><strong>minarets<br></strong>The structure’s exterior is constructed primarily of<br><strong>white marble<br></strong>The structure’s exterior is decorated with a combination of<br><strong>inlaid stone and verses from the Quran<br></strong>The pools and gardens surrounding the structure were designed to symbolize<br><strong>an Islamic vision of paradise</strong></div><ul><li><strong>Taj</strong>=10 facts about Taj Mahal<ul><li><strong>Meaning</strong>: “Crown of Buildings”</li><li><strong>Symmetrical</strong>; contributes to calm, imposing impression</li><li><strong>4 waterways</strong>, signifying paradise and its 4 rivers</li></ul></li></ul><div><strong>Royal tomb in Agra, India</strong></div><ul><li><strong>Commissioned </strong>by <strong>Shah Jahan </strong>in memory of his deceased wife Mumtaz Mahal</li><li><strong>White marble </strong>inlaid with colored stones in the form of flowers, vines, and calligraphy</li><li><strong>Formal </strong>garden with 4 pools</li><li><strong>Inscriptions </strong>suggest <strong>gardens </strong>of <strong>Paradise</strong>; domed buildling evokes throne of god; earthly version of divine paradise</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/78c864e1f3933362582e5f3e5f484776/image.png" />
         <pubDate>2023-03-08 18:55:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509088318</guid>
      </item>
      <item>
         <title>The Five Pillars of Islam</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509092030</link>
         <description><![CDATA[<div>1. The Profession of Faith (The Shahada): “There is no God but God, and Muhammed is his prophet”<br>2. Daily Prayers (Salat): Five times a day, point towards Mecca<br>3. Alms-Giving (Zakat): Donate a portion of earnings (or good deeds for those unable to donate money) to the poor<br>4. Fasting during Ramadan (Saum): Ninth month of the Islamic calendar; from dawn to dusk (no eating or drinking during daylight)<br>5. Pilgrimage to Mecca (Hajj): At least once during one’s lifetime; visit the Kaaba (shrine said to be built by Abraham and his son Ishmael)</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-08 18:58:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509092030</guid>
      </item>
      <item>
         <title>The Hajj in Mecca 2008</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509093693</link>
         <description><![CDATA[<ul><li><strong>Hajj</strong>=stories of modern pilgrimage (British Museum)</li><li><strong>Mecca</strong>=Ilkhanid Mihrab</li><li><strong>2008 Kaaba </strong>in center during Hajj (12th month of Muslim calendar); visitors walk around the Kaaba and try to touch or kiss or look at the black stone (given to Abraham by Angel Gabriel)</li><li><strong>Only Muslims </strong>can visit holy cities of Mecca and Medina (check points on roads into cities)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/963e0e88e613bf05a1095eaf7f9a581e/image.png" />
         <pubDate>2023-03-08 18:59:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509093693</guid>
      </item>
      <item>
         <title>Page with kufic script from an Abbasid Qur’an, probably from Tunisia. 9th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509099553</link>
         <description><![CDATA[<ul><li><strong>Unifying theme </strong>in art of Islam is reverence for the Word (the Qur’an):<ul><li>&nbsp;art of beautiful writing (calligraphy); always Arabic; high regard for literacy</li></ul></li><li><strong>Kufic </strong>alphabet of early Islam; written right to left</li><li>Often decorative designs are actually <strong>calligraphy</strong>; not a lot of figural art but more designs of words, plants, and geometric designs</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fbd1affa79e776225cb607ceb1e4846c/image.png" />
         <pubDate>2023-03-08 19:04:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509099553</guid>
      </item>
      <item>
         <title>Dome of the Rock, Jerusalem. ca. 690 and later</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509101594</link>
         <description><![CDATA[<ul><li>is a holy site to each of the following<ul><li>Christians, Jews and Muslims as the Haram al-Sharif.</li></ul></li><li><strong>Earliest major Islamic building </strong>to have survive in our time; 3rd holiest site (after Mecca and <strong>Medina</strong>); not a mosque but a shrine</li><li><strong>large rock in the center–</strong> believed to be the location where <strong>Abraham </strong>was prepared to sacrifice his beloved son Isaac.&nbsp;</li><li><strong>Today</strong>, Muslims believe that the Rock commemorates the night journey of Muhammad.&nbsp;<ul><li>One night the Angel Gabriel came to Muhammad while he slept near the Kaaba in Mecca and took him to Jerusalem.&nbsp;</li><li>From the Rock, Muhammad journeyed to heaven, where he met other prophets, such as Moses and Christ, witnessed paradise and hell and finally saw God enthroned and circumambulated by angels.</li></ul></li><li>Dome?<ul><li>&nbsp;Symbol for the vault of heaven; on octagonal base</li></ul></li><li><strong>Mount Moriah</strong>:&nbsp;<ul><li>site of Solomon’s Temple and the 2nd temple, Herod’s Temple (proclaimed that Jerusalem was under control of Islam)</li></ul></li></ul><div>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/587d8c649b2cdd58285d0e9cdada6304/image.png" />
         <pubDate>2023-03-08 19:05:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509101594</guid>
      </item>
      <item>
         <title>Cutaway drawing, Dome of the Rock, Jerusalem</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509102100</link>
         <description><![CDATA[<div><br>Appropriation from central plan Christian churches; columns and capitals from classical art</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0d25fb61d9336b6c20ffaad0e4dd395b/image.png" />
         <pubDate>2023-03-08 19:06:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509102100</guid>
      </item>
      <item>
         <title>Interior, Dome of the Rock, Jerusalem</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509103949</link>
         <description><![CDATA[<div>not a lot of figural art (no animals or humans appear here) but more designs of words (<strong>Arabic</strong>), plants (highly stylized), and geometric designs (not to worship idols—like <strong>Christianity </strong>and <strong>Judaism</strong>)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f2f1737ff20eaea3015df59f373044d1/image.png" />
         <pubDate>2023-03-08 19:07:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509103949</guid>
      </item>
      <item>
         <title>Schematic drawing of a generic Arab hypostyle mosque</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509105795</link>
         <description><![CDATA[<ul><li><strong>minaret</strong>- person goes up there to call the people to prayer&nbsp; (prayer niche)</li><li>All males required to gather for noon prayer on Friday (holy day)</li><li><strong>Qibla wall</strong>—faces Mecca</li><li><strong>Mihrab</strong>: niche that shows which direction to pray (on qibla wall)</li><li><strong>Minaret</strong>—tower for call to prayer</li><li><strong>Hypostlye hall</strong>=lots of columns</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/30744eb273ddba47d30dba787f2c2559/image.png" />
         <pubDate>2023-03-08 19:08:46 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509105795</guid>
      </item>
      <item>
         <title>The Expansion of Islam to 850</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509107702</link>
         <description><![CDATA[<ul><li>By 750 the Umayyad dynasty based in Syria was supplanted by the Abbasid dynasty (750-1258) in Mesopotamia. Abbasid mosques served as congregational mosques for large gatherings.&nbsp;</li><li><strong>Capital </strong>called <strong>Baghdad </strong>with a palace at Samarra. Round City of Baghdad was sacked by the Mongols in 1258. Samarra’s mud-brick ruins stretch along the Tigris.&nbsp;</li><li><strong>Islam </strong>is based on the teachings of the prophet Muhammad (ca. 570–632), known as the Messenger, who is said to have received the Word of Allah as a series of poetic recitations (in Arabic, the <em>Qur’an </em>with chapters called <em>sura</em> which were written down in 632 after his death) brought to him by the archangel <em>Jibra’il</em> (Gabriel).&nbsp;</li><li>The <em>Qur’an</em> with the <em>hadith</em> (remembrances) form Islamic religious practice and law. 5 Pillars of Islam: (1) To become Muslim you must recite “There is no God but God; Muhammad is the Messenger of God”. (2) Prayer:</li><li>&nbsp;five daily and weekly on Friday at noon for the Day of Congregation, (3) fasting: daylight hours during the lunar month of Ramadan, (4) pilgrimage (hajj): journey to Mecca during the lunar month of Dhu’l Hijja, (5) charity: tithing to benefit the sick and needy of the Islamic Community. (1) Protected status of the People of the Book: Jews and Christians (2) mistrust of certain images: statues of humans and animals as idolatrous, (3) high regard for literacy and individual reading of scripture, use of kufic script for art&nbsp;</li><li><strong>Kufic</strong>: One of the first general forms of Arabic script to be developed, distinguished by its angularity; distinctive variants occur in various parts of the Islamic worlds.<br><br></li></ul><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/df8946270cf7cc8ce5dbf84ffd986381/image.png" />
         <pubDate>2023-03-08 19:10:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509107702</guid>
      </item>
      <item>
         <title>Aerial view of the Great Mosque of Kairouan, Tunisia. 8th century and later</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509108694</link>
         <description><![CDATA[<ul><li>Based on <strong>courtyard house </strong>(cooler in courtyard; open air</li><li>Simplicity of the <strong>mosque </strong>reflects simplicity of Islamic prayer; no priestly ritual entrance (many entrances)</li><li><strong>Minaret</strong>, 2 small domes</li><li><strong>Raised </strong>roof indicates quibla wall with mihrab</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/45aa3514094f5798e276e38316fed607/image.png" />
         <pubDate>2023-03-08 19:10:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509108694</guid>
      </item>
      <item>
         <title>Minaret, Great Mosque of Samarra (Iraq), 848-852</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509111548</link>
         <description><![CDATA[<ul><li>By <strong>750 </strong>the <strong>Umayyad dynasty </strong>(661-750) based in Syria was supplanted by the Abbasid dynasty (750-1258) in <strong>Mesopotamia</strong>.&nbsp;</li><li><strong>Abbasid </strong>mosques served as congregational mosques for large gatherings.&nbsp;<ul><li>At the time, this was the <strong>world’s largest mosque</strong></li><li><strong>minaret </strong>is 171 ft. high</li><li><strong>Mosque </strong>was <strong>destroyed </strong>in 1278; only outer wall and minaret remain</li><li><strong>Minaret </strong>was originally connected to the mosque by a bridge;</li><li><strong>Constructed </strong>of sandstone</li><li><strong>Spiral conical design</strong></li></ul></li><li><strong>Capital </strong>called <strong>Baghdad </strong>with a palace at Samarra. Round City of Baghdad was sacked by the Mongols in 1258. Samarra’s mud-brick ruins stretch along the Tigris.&nbsp;</li><li><strong>Minaret</strong>: A tower on or near a mosque, varying extensively in form throughout the Islamic world, from which the faithful are called to prayer five times a day. <em>Muezzin</em>: person who calls for prayer because of beauty and power of the voice</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/958438a21f28c97883f5313268f5977f/image.png" />
         <pubDate>2023-03-08 19:12:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509111548</guid>
      </item>
      <item>
         <title>Mihrab, Great Mosque at Córdoba, Spain </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509112963</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2f1cb0d467e513cb3349d2cbe1275fcc/image.png" />
         <pubDate>2023-03-08 19:13:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509112963</guid>
      </item>
      <item>
         <title>Carved stone grille on qibla wall of Great Mosque of Córdoba. Mid-10th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509113750</link>
         <description><![CDATA[<ul><li><strong>Decorative mosaic </strong>and <strong>carved stone</strong>: intricate interlacing; geometric; reflection of God’s creative hand in the universe (order and beauty)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4028eba7e6a1bd3e3eac14b608d46359/image.png" />
         <pubDate>2023-03-08 19:14:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509113750</guid>
      </item>
      <item>
         <title>Mihrab dome, Great Mosque at Córdoba, Spain</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509114390</link>
         <description><![CDATA[<ul><li>Gold mosaics from Byzantine tradition</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e360408c7934862687b9217109a2daa0/image.png" />
         <pubDate>2023-03-08 19:14:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509114390</guid>
      </item>
      <item>
         <title>Detail of the Sanguszko figural-design carpet, from Iran. ca. 1575–1600</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509115293</link>
         <description><![CDATA[<ul><li><strong>Islamic art </strong>best known in western world through <strong>carpets </strong>(Persian rugs/Oriental Carpet)</li><li><strong>Rows </strong>of individual knots in a horizontal line form the designs<ul><li><strong>Flourishes </strong>in the <strong>middle east </strong>today; produced in nomadic villages and in urban commercial weaving establishments</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bc1796166f50b8b5f677fc2211e8b45a/image.png" />
         <pubDate>2023-03-08 19:15:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509115293</guid>
      </item>
      <item>
         <title>Madrasa of Ulugh Beg, Samarkand, Uzbekistan. ca. 1435</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509116675</link>
         <description><![CDATA[<ul><li><strong>Iwan</strong>=vaulted chamber</li><li><strong>Madrasa</strong>=school (college); astronomical observatory</li><li><strong>Massive iwan </strong>(vaulted entrance), 2 cylindrical minarets</li><li>Elaborate mosaics of colored tiles in geometric and vegetal patterns; rich variety and complexity</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/275cb5193127d156d073ff10845e1156/image.png" />
         <pubDate>2023-03-08 19:16:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509116675</guid>
      </item>
      <item>
         <title>Mughal Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509118363</link>
         <description><![CDATA[<ul><li>Akbar</li><li>Jahangir</li><li>Shah Jahan<ul><li><strong>3 emperors</strong>: Akbar (ruled 1555-1603), Jahangir (1603-1627), and Shah Jehan (1627-1658) (Akbar descended from Genghis Khan)</li><li>Akbar wished to unite Hinduism, Islam, and Christianity</li><li>Collected European art—introduced western perspective</li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-08 19:18:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509118363</guid>
      </item>
      <item>
         <title>Basawan and Chatar Muni, Akbar and the Elephant Hawai, from the Akbarnama, c. 1590</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509120523</link>
         <description><![CDATA[<ul><li>History of <strong>Akbar</strong>, 3rd Mughal emperor</li><li><strong>Miniatures</strong>: book illustrations, opaque watercolors</li><li><strong>Basawan</strong>=designer, Chatar Muni, colorist</li><li><strong>Akbar </strong>on <strong>elephant</strong>, pitted against another ferocious elephant; second one fled in defeat; Hawai chased it to a pontoon bridge</li><li><strong>Weight </strong>of the elephants capsized the boats, but Akbar managed to bring Hawai under control and dismount safely</li><li><strong>Allegory </strong>of his ability to govern and take charge of an unruly state</li><li>How does the artist emphasize chaos and danger?<ul><li>High horizon line, diagonals of bridge and shore, vivid gesture, elephant bursts through border of the scene</li></ul></li><li>Akbar encouraged political tolerance; unified diverse areas of India</li><li><strong>Artistic blend </strong>of Persian (his father was in exile in the Persian court), Indian, and Western traditions</li><li>Hindu shading</li><li><strong>Islamic patterning </strong>(where?)<ul><li>&nbsp;waves, calligraphy</li></ul></li><li>Elements of <strong>western </strong>perspective (where?)<ul><li>&nbsp;angles of castle, convincing ground</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d30967dbb8b1f4bfba80ad0340ce45b3/image.png" />
         <pubDate>2023-03-08 19:19:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509120523</guid>
      </item>
      <item>
         <title>Bichitr, Jahangir Preferring a Sufi Shaikh to Kings from the &quot;St. Petersburg Album,&quot; 1615-1618, opaque watercolor, gold and ink on paper</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509124144</link>
         <description><![CDATA[<div><strong>Miniature painting</strong></div><div>Story of <strong>Jahangir</strong>:</div><ul><li>Son of <strong>Akbar</strong>, 3rd Emperor of the Mughal Dynasty (Muslim)</li><li><strong>Akbar </strong>had no heir and consulted with a Sufi named <strong>Shaikh </strong>Salim (Islamic mystic) who promised a son would be born</li><li>Son named <strong>Salim</strong>; changed his name to Jahangir (“Seizer of the World”)</li><li><strong>Jahangir </strong>has flames of gold radiating from his head against a gold disc and crescent moon (day and night; symbolizes divine truth and emperorship)</li><li>Sits on circular form that mimics disc; the earth?&nbsp;<ul><li>Largest figure (hieratic scale)</li></ul></li><li><strong>Other figures</strong>: Shaikh, who accepts a gift with his robe (avoiding physical contact with royal person—taboo); see contrast in hands</li><li><strong>Ottoman Sultan</strong>: hands pressed together in respect</li><li><strong>King James I</strong> <strong>of England </strong>(copied; typical portrait would show hand on sword, but might appear threatening)</li><li><strong>Bichitr</strong>, <strong>artist</strong>; yellow robe tied on left shows he is Hindu (not Muslim); holds picture in which he appears with 2 horses and an elephant; gifts from emperor?<ul><li>Bichitr has dutifully indulged his patron’s desire to be seen as powerful ruler (in a position of superiority to other kings), but with a spiritual bent.</li></ul></li><li><strong>Hourglass </strong>shows Baroque interest in the theme of time</li><li><strong>Persian influence</strong>: border designs, calligraphy, elaborate carpet</li><li><strong>Western influence</strong>: shading, angels, cupids</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f1a8004a275f5018eb62dc9c89ab1e70/image.png" />
         <pubDate>2023-03-08 19:22:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509124144</guid>
      </item>
      <item>
         <title>Wine cup of Shah Jahan, from northern India. Mid-17th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509125821</link>
         <description><![CDATA[<ul><li><strong>translucent white jade </strong>for the emperor Shah Jahan (r. 1628-1657), bearded mountain goat from Kashmir, hard stone takes hundreds of hours of grinding, botanical realism</li><li>smaller than a seven inch hand</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6aa9f2a408b3b2f509ef21a670a2f0fb/image.png" />
         <pubDate>2023-03-08 19:24:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2509125821</guid>
      </item>
      <item>
         <title>Europe in the early Middle Ages</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512211791</link>
         <description><![CDATA[<ul><li><strong>Barbarian </strong>invasions from every side, mass migrations throughout Europe</li><li><strong>Anglo-Saxon art</strong>: Germanic tribes from Denmark invaded British Isles</li><li>Point out East Anglia</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bcc43e90a39291eb242d74cf3a12fcd6/image.png" />
         <pubDate>2023-03-10 18:38:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512211791</guid>
      </item>
      <item>
         <title>Early Medieval Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512212480</link>
         <description><![CDATA[<ul><li>Anglo-Saxon: c. 600 A.D.</li><li>&nbsp;Hiberno-Saxon: c. 700 A.D.</li><li>&nbsp;Viking: c. 800 A.D.&nbsp;</li><li>&nbsp;Carolingian: c. 800 A.D.</li><li>&nbsp;Ottonian: c. 1000 A.D.</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-10 18:38:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512212480</guid>
      </item>
      <item>
         <title>Anglo-Saxon Art c. 600 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512213498</link>
         <description><![CDATA[<ul><li><strong>Germanic </strong>tribes from Denmark that invaded the British Isles;&nbsp;</li><li>brought portable art, mostly metal (<strong>migratory</strong>)</li><li><strong>Metal </strong>workers had high social status</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-10 18:39:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512213498</guid>
      </item>
      <item>
         <title>		    Sutton Hoo Ship Burial Site</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512214590</link>
         <description><![CDATA[<ul><li>In east part of <strong>England</strong>; strange looking mounds on property of Edith Pretty; 1939 she asked archaeologist to investigate;&nbsp;<ul><li>smaller mounds first, found a few Anglo-Saxon objects alongside bodies (mostly raided by grave robbers)</li></ul></li><li><strong>Biggest mound </strong>found <strong>imprint </strong>of ship (wood had disintegrated); inside a ruined burial chamber full of treasures;&nbsp;<ul><li>what remains is metal or glass (weapons, silverware, coins, jewelry, iron helmet)</li></ul></li><li>Ship burial for important figure; maybe king; correlation between sea voyage and journey to eternal life</li><li><strong>Sutton=Sutton Hoo Ship Burial </strong>(4:23)</li><li><strong>Hoo</strong>=British Museum coverage of excavation of Sutton Hoo burial (1:00)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fef3f7bec118f844807b3f133006c924/image.png" />
         <pubDate>2023-03-10 18:40:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512214590</guid>
      </item>
      <item>
         <title>Gold buckle, from the Sutton Hoo ship burial. First half of 7th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512216105</link>
         <description><![CDATA[<ul><li><strong>animal interlacing&nbsp;</strong></li><li><strong>Celts </strong>already had tradition of intricate metal work; combined with <strong>Germanic </strong>tradition of animal style</li><li>Why <strong>animal </strong>style?<ul><li>&nbsp;Intertwining birds, serpents&nbsp;</li></ul></li><li><strong>Belt buckle</strong>; Solid gold; symmetrical</li><li><strong>Niello</strong>=black background made of metal alloy to make gold stand out</li><li>Intricate, tight design</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/80feabb3771aace12406091184ef3840/image.png" />
         <pubDate>2023-03-10 18:41:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512216105</guid>
      </item>
      <item>
         <title>Hinged clasps, from the Sutton Hoo ship burial. First half of 7th century </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512218455</link>
         <description><![CDATA[<ul><li><strong>Intertwined </strong>serpents, boars back to back</li><li>Evidence of cultural <strong>interchange</strong>; some of the objects have&nbsp; references to Christianity (i.e. silver bowls decorated with cross); little crosses here?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0f6d6a7bdcd432453d475692c099f5fc/image.png" />
         <pubDate>2023-03-10 18:44:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512218455</guid>
      </item>
      <item>
         <title>Purse cover, from the Sutton Hoo ship burial. First half of 7th century  (Sumerian, 2600 BC)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512219739</link>
         <description><![CDATA[<div>This purse lid from the Sutton Hoo ship burial suggests each of the following EXCEPT</div><div><strong>The Anglo-Saxons were primitive people who did not engage in commerce.</strong></div><div><strong>Cloisonne</strong>=“fenced in” (bronze outlines with garnet and enamel)<br><strong>Sutton</strong>=Smarthistory: Sutton Hoo Ship Burial (4.22)</div><div><strong>Hoo</strong>=British Museum, film of excavation (1 minute)</div><ul><li>Gold, enamel, and garnet purse cover; leather rotted away</li><li>Inlaid glass, enamel</li><li>Cloisonne (“fenced in”: bronze outlines)</li><li>Raptor eating duck</li><li>Bilateral symmetry</li><li>“<strong>hero pose</strong>”—man between 2 animals—does it look familiar?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f8a2f7eacf615882417eea42a82bb36e/image.png" />
         <pubDate>2023-03-10 18:45:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512219739</guid>
      </item>
      <item>
         <title>Sumerian, 2600 BC</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512221963</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1981337676a285d4da62a6b3718d7a8a/image.png" />
         <pubDate>2023-03-10 18:48:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512221963</guid>
      </item>
      <item>
         <title>Hiberno-Saxon Art c. 700 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512223916</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Irish </strong>(<strong>Hibernians</strong>)—never part of Roman Empire; readily accepted Christianity when missionaries came from England in 5th century</li><li>Became cultural and spiritual leaders of <strong>western Europe</strong></li><li>Developed own <strong>flavor </strong>of <strong>Christianity </strong>to fit local, rural way of life: sought solitude (like in Egypt);<ul><li>&nbsp;monasteries in isolated areas; became centers of learning and art</li></ul></li><li>Produced <strong>Christian books </strong>to spread the Word; not so interested in illustrating events but in decoration and design</li><li><strong>Hiberno-Saxon style</strong> combines metal-work animal style of <strong>Anglo-Saxon art with Christianity</strong></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-10 18:50:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512223916</guid>
      </item>
      <item>
         <title>during the Hiberno- Saxon time</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512229822</link>
         <description><![CDATA[<div><strong>isolation - <br></strong><strong><em>the monastic form that developed was largely independent of the Church of Rome</em></strong>.<br> <strong>scriptoria</strong>- a room set apart for writing, especially one in a <a href="https://www.google.com/search?sxsrf=AJOqlzXcVkRTTLZkNUV7dkaNDRLjdOL2Rg:1678925198594&amp;q=monastery&amp;si=AEcPFx5T0KBURMkmkHI1zFBnn9YqNygnSrnX6VJWm_aOnJq0Z3xMvWFqYWvyNAotSA8dYvrTMtzpZPFFvqxOBNiLwc5dTkbhxA%3D%3D&amp;expnd=1">monastery</a> where <a href="https://www.google.com/search?sxsrf=AJOqlzXcVkRTTLZkNUV7dkaNDRLjdOL2Rg:1678925198594&amp;q=manuscripts&amp;si=AEcPFx7pEwTCY394Z7UpbSmXuJYRDe_QxAdA7wVtpjfZ79PnGxs3hmkdiykOAVie7mfhDaE9Qb_SbraFYbAW685yoZ8-eSmhzAwQ2FfHOzRfWqwqLGFscZU%3D&amp;expnd=1">manuscripts</a> were copied.</div><div>&nbsp;desire to spread Christianity<br>&nbsp;combines metal-work animal style of Anglo-Saxon art with Christian themes</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-10 18:56:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512229822</guid>
      </item>
      <item>
         <title>St. Matthew, from the Book of Durrow, ca. 680.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512230475</link>
         <description><![CDATA[<ul><li>All about pattern, design; figure not important (frontal head, sideways feet)</li><li><strong>Playing card</strong>; unsophisticated?</li><li>More examples next slide</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2618f228f3aacf32d02c08ae328c203a/image.png" />
         <pubDate>2023-03-10 18:57:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512230475</guid>
      </item>
      <item>
         <title>Book of Durrow</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512231319</link>
         <description><![CDATA[<ul><li>came from the settlement Durrow</li><li>beginning of each book, had a page to introduce the writer, Matthew, etc.&nbsp;</li><li><strong>initial page- </strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/65e3fe6c3e41fa5a4934dec263962e49/image.png" />
         <pubDate>2023-03-10 18:57:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512231319</guid>
      </item>
      <item>
         <title>Cross page, from the Lindisfarne Gospels. ca. 700 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512233983</link>
         <description><![CDATA[<div>Each of the following features of this work is typical of Hiberno-Saxon art EXCEPT</div><div><strong>mythological narratives<br></strong>The intricate patterns and ornamental detail of this page from the Lindisfarne Gospels served to</div><div><strong>Encourage meditative contemplation<br>Illuminated manuscript- </strong>a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations.</div><div><strong>Miniaturist</strong>=artist (a painter of miniatures or an illuminator of <a href="https://www.google.com/search?sxsrf=AJOqlzUy8kKvmNogxzbgtK_2uz7ONij5Pg:1678925149765&amp;q=manuscripts&amp;si=AEcPFx7pEwTCY394Z7UpbSmXuJYRDe_QxAdA7wVtpjfZ79PnGxs3hmkdiykOAVie7mfhDaE9Qb_SbraFYbAW685yoZ8-eSmhzAwQ2FfHOzRfWqwqLGFscZU%3D&amp;expnd=1">manuscripts</a>).</div><div>Attributed to <strong>one person</strong>: Bishop Eadfrith</div><ul><li><strong>100 cafes killed to make this</strong></li><li><strong>Scriptorium </strong>part of <strong>monastery</strong>; copied large numbers of the Bible and other Christian books by hand to spread the word; active as missionaries in northern Europe</li><li><strong>Each book </strong>a <strong>sacred object</strong>; beauty needed to reflect importance of contents</li><li>Called illuminated manuscript: painter called miniaturist</li><li><strong>Complex</strong>! symmetry, exact; worked on a grid</li><li>“<strong>sacred riddle</strong>”; biting, clawing animals subdued by cross, converted to Christianity like the Celtic tribes themselves</li><li><strong>Three factors contribute</strong>: isolation, sophistication of scriptoria, desire to spread Christianity</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9f11734a2528159a1999ed68a9a598ce/image.png" />
         <pubDate>2023-03-10 19:00:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512233983</guid>
      </item>
      <item>
         <title>Carpet page, Lindisfarne Gospels</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512234951</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5b59897cabee29ced7bdbcdb7b6df2c1/image.png" />
         <pubDate>2023-03-10 19:01:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512234951</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512236005</link>
         <description><![CDATA[<ul><li>Gospel of Luke, Chi Ro monogram at the beginning of book of Matthew</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/25fb9ba7f98353603e050c90d67ab555/image.png" />
         <pubDate>2023-03-10 19:02:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512236005</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512237646</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/58f476db1bfd87c31321406f15c2edbf/image.png" />
         <pubDate>2023-03-10 19:04:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512237646</guid>
      </item>
      <item>
         <title>St. Matthew, from the Lindisfarne Gospels. ca. 700</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512238291</link>
         <description><![CDATA[<ul><li>The Lindisfarne Gospels was made at Lindisfarne Priory at a time of . . .<ul><li><strong>Invasions and political upheavals.</strong></li></ul></li><li>All of the following features are typical of Hiberno-Saxon art EXCEPT . . .<ul><li><strong>. meanders</strong></li></ul></li><li>The illustrations of the Lindisfarne Gospels show us that Hiberno-Saxon artists had a unsophisticated sense of design and little interest in detail.<ul><li><strong>false</strong></li></ul></li><li>What detail of Matthew's portrait page in the Lindisfarne Gospels suggests a Classical influence on Hiberno-Saxon art?<ul><li><strong>the figure's robes and posture</strong></li></ul></li><li>The intricate patterns and ornamental detail of this page from the Lindisfarne Gospels served to&nbsp;<ul><li><strong>encourage meditative contemplation</strong></li></ul></li><li>Images of writers of <strong>4 gospels </strong>(<strong>evangelists</strong>)</li><li>Moses behind curtain with closed book (<strong>vs</strong>. <strong>new revelation</strong>)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/48eb0cd727f5afca25b9e7de36a7eecd/image.png" />
         <pubDate>2023-03-10 19:05:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512238291</guid>
      </item>
      <item>
         <title>compare and contrast</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512239229</link>
         <description><![CDATA[<ul><li>Matthew page a lot different from Book of Durrow!</li><li>Compare and contrast (narrative, space, not just surface design;&nbsp;</li><li>Why?&nbsp;<ul><li>Contact with Rome</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/134726029649309575894ce55ebc5aa2/image.png" />
         <pubDate>2023-03-10 19:06:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512239229</guid>
      </item>
      <item>
         <title>Ezra Restoring the Bible, from the Codex Amiatinus. Early 8th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512240258</link>
         <description><![CDATA[<ul><li>An <strong>abbot </strong>of <strong>monastery </strong>near <strong>Lindisfarne </strong>(<strong>Jarrow</strong>) went to Rome and brought back manscripts; used them as models</li><li>One on left produced at <strong>Jarrow</strong>; what looks Roman?<ul><li>&nbsp; Ezra has weight on cushion; space</li></ul></li></ul><div><strong>Compare to right</strong></div><ul><li>How does miniaturist keep Hiberno-Saxon traditional devices?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c8a070dc819d1b0b2ca5aac072cb2df0/image.png" />
         <pubDate>2023-03-10 19:07:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512240258</guid>
      </item>
      <item>
         <title>Chi Ro Iota page, from the Book of Matthew, Book of Kells, ca. 800</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512247339</link>
         <description><![CDATA[<ul><li>Most <strong>elaborate codex </strong>of Celtic art<ul><li><strong>codex-&nbsp;</strong>a manuscript book especially of Scripture, classics, or ancient annals.</li></ul></li><li><strong>First letters </strong>of name of Christ</li><li><strong>Literacy rare </strong>and <strong>class</strong>-based; books symbols of authority; mystifying for outsider</li><li>Not as geometrical as lindsifarne gospels; humans for first time</li><li>Face at top of chi? 3 angels with wings?</li><li>Head at end of ro (p) (Christ?)</li><li>Cats and mice, butterflies, otters catching fish; original I Spy</li><li>Powerful connection with viewer (like icons)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e32806e7f2c17bb7a1bc8e31937fbbfd/image.png" />
         <pubDate>2023-03-10 19:14:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512247339</guid>
      </item>
      <item>
         <title>Detail book of Kells, cats and mice</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512249515</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e0d3587f324d8b9f58e1fd3d0084cd8b/image.png" />
         <pubDate>2023-03-10 19:16:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512249515</guid>
      </item>
      <item>
         <title>moth</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512249838</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1aba6c91c310061929b49458d6af47c2/image.png" />
         <pubDate>2023-03-10 19:17:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512249838</guid>
      </item>
      <item>
         <title>(Book of Kells) Breaks rectilinear mold Angel on left?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512250132</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2fb91ac7bc7e3bdb489c487a1e100c9e/image.png" />
         <pubDate>2023-03-10 19:17:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512250132</guid>
      </item>
      <item>
         <title>Oldest existing image in manuscript of Mary and Christ</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512250536</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/08e55cab741116cc5e71e3e844316829/image.png" />
         <pubDate>2023-03-10 19:17:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512250536</guid>
      </item>
      <item>
         <title>The 4 Evangelists</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512253035</link>
         <description><![CDATA[<div><strong>Matthew</strong>=man</div><div><strong>Mark</strong>=lion</div><div><strong>Luke</strong>=ox</div><div><strong>John</strong>=eagle</div><ul><li>Images of <strong>writers </strong>of <strong>4 gospels </strong>(<strong>evangelists</strong>) (left to right, starting at top)</li><li><strong>Matthew</strong>=man&nbsp; (Christ’s life as human) (all have wings)</li><li><strong>Mark</strong>=lion =resurrection of Christ (belief that lions were born dead)</li><li><strong>Luke</strong>=ox=in manger; also sacrificial</li><li><strong>John</strong>=eagle=poetic, soars through the air, divine</li><li>All of these creatures named in <strong>Revelation</strong>; most noble of each type of animal (king of each)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c38a93452b1755f729e8f7edf2767e37/image.png" />
         <pubDate>2023-03-10 19:20:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512253035</guid>
      </item>
      <item>
         <title>Viking Art c. 800 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512254143</link>
         <description><![CDATA[<div><br>Scandinavian countries also beyond Roman borders; shared animal style<br><strong>Charlemagne =Carolus Magnus= Charles the Great</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-10 19:21:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512254143</guid>
      </item>
      <item>
         <title>Burial ship, from Oseberg, Norway. ca. 834 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512259254</link>
         <description><![CDATA[<ul><li><strong>Burial ships </strong>(like at Sutton Hoo): this one preserved because of cold temperatures, no oxygen</li><li>Two women buried here; jewelry and metalwork stolen by grave robbers</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/113dfe8e183f5e35d00b1b523c908c0d/image.png" />
         <pubDate>2023-03-10 19:27:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512259254</guid>
      </item>
      <item>
         <title>Periods</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512737877</link>
         <description><![CDATA[<ul><li>Early Christian Art: c. 250 A.D.-400 A.D.</li><li>Early Byzantine Art: c. 500 A.D.</li><li>Middle Byzantine Art: c. 900-1200 A.D.</li><li>Late Byzantine Art: c. 1300 A.D.</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-11 15:55:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512737877</guid>
      </item>
      <item>
         <title>Schematic drawing of a generic Persian four-iwan mosque</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512748589</link>
         <description><![CDATA[<div>The Dome of the Rock is one of the earliest surviving buildings from the Islamic world.<br><strong>true<br></strong>The Dome of the Rock is a holy site that belongs to which religious traditions?<br><strong>Jews, Muslims, and Christians<br></strong>At the center of the Dome of the Rock is a large rock, which is believed to be the location where <strong>Abraham prepared to sacrifice Isaac&nbsp;</strong>and also the place where the Angel Gabriel took Muhammad after the miraculous night journey from the&nbsp;</div><div>Kaaba in Mecca.<br>Which of the following is NOT true of the Dome of the Rock?<br><strong>The mosaics in the Dome of the Rock contain no human figures or animals. While Islam does not prohibit the use of figurative art per se, it seems that in religious buildings, this proscription was upheld.<br></strong><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/37d33fb9b775ff57c1fa03869db4f37a/screen_shot_2014_12_11_at_85836_pm_14A3C384365594E0EA4.png" />
         <pubDate>2023-03-11 16:18:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2512748589</guid>
      </item>
      <item>
         <title>Animal Head, from the Oseberg burial ship. ca. 834</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514813560</link>
         <description><![CDATA[<div><strong>5 wooden posts</strong> decorated with monsters</div><ul><li>Head on one of the posts</li><li>Interlacing carved</li><li>Did Vikings wear horned helmets? No! Artistic device later</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bf8b9540e6578b81dfc618b3a1062090/image.png" />
         <pubDate>2023-03-13 17:34:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514813560</guid>
      </item>
      <item>
         <title>Carolingian Art c. 800 A.D.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514816133</link>
         <description><![CDATA[<div><br></div><ul><li><a href="https://www.youtube.com/watch?v=j4PI8dEWTGE&amp;list=PL56704755BDC8F135&amp;index=30"><strong>Charlemagne</strong></a><strong> </strong>and the <a href="https://www.youtube.com/watch?v=pyDPJENZOs0&amp;list=PL56704755BDC8F135&amp;index=31"><strong>Carolingian</strong></a><strong> </strong>Revival&nbsp;</li></ul><ol><li>Charlemagne instructed his artists at court to revive the artistic styles that were present in the days of&nbsp;<ol><li><strong>Constantine</strong></li></ol></li><li>The influence of the classical tradition is present in the Lindau Gospel Cover in the . .&nbsp;<ol><li><strong>cloth and drapery that the figures wear.</strong></li></ol></li><li>The figures are examples of&nbsp;<strong>Repoussé </strong>which is a metalworking technique where the artist hammers out the image on the reverse side.</li></ol><ul><li><strong>768 </strong>Charlemagne became king of Franks and established a new empire that dominated northern Europe (continental)</li><li><strong>800 </strong>became Holy Roman Emperor (named by Pope Leo III in Old St. Peter’s basilica in Rome on Christmas day: successor to Constantine, first Christian emperor)</li><li><strong>Goal</strong>: wanted to bring back glory of ancient Rome but in a Christian context<ul><li>&nbsp; wanted to clean up text of Bible; recognized that mistakes had crept in with copying; gathered scholars to make a master copy</li><li>&nbsp; wanted to standardize letters, punctuation to make things more clear to read and correct</li><li>&nbsp; wanted to educate varied societies (clergy) under his reign to worship properly; set up schools in monasteries; 1000’s of manuscripts produced</li><li><strong>Center in Aachen </strong>(now Germany; close to France, Belgium, Netherlands)</li></ul></li><li><strong>Period </strong>of Charlemagne and his<ul><li><strong>successors</strong>=Carolingian (Carolus</li><li><strong>Magnus</strong>=Charles the Great)</li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 17:35:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514816133</guid>
      </item>
      <item>
         <title>Equestrian Statue of a Carolingian Ruler (Charles the Bald?). 9th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514818407</link>
         <description><![CDATA[<ul><li>Charlemagne or Charles the Bald (his grandson)</li><li>Horse is his throne; orb=domination of the world</li><li><strong>Moustache</strong>—Barbarian</li><li>Wears fibula on cloak</li><li>Roman models?&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/51e48927b973d391cec95219cf241a42/image.png" />
         <pubDate>2023-03-13 17:37:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514818407</guid>
      </item>
      <item>
         <title>Marcus Aralias on left and Charles the Bald?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514819999</link>
         <description><![CDATA[<div><strong>similar</strong></div><ul><li>Reminiscent of equestrian portrait of Marcus Aurelius; recalls glory of ancient Rome</li></ul><div><strong>Different</strong>?&nbsp;</div><ul><li>size! 11 feet vs. 10 inches</li><li>Naturalistic detail vs. more simplified, abbreviated</li><li>But communicates message that Carolingian rulers were heirs to Roman imperial throne</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7ae18f0c91951ca5311d5dc629161f58/image.png" />
         <pubDate>2023-03-13 17:38:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514819999</guid>
      </item>
      <item>
         <title>Ezra Restoring the Bible, from the Codex Amiatinus. Early 8th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514821834</link>
         <description><![CDATA[<ul><li>An abbot of monastery near Lindisfarne (Jarrow) went to Rome and brought back manscripts; used them as models</li><li>One on <strong>left </strong>produced at Jarrow; what looks Roman?<ul><li>&nbsp; Ezra has weight on cushion; space</li></ul></li><li>Compare to right<ul><li>How does miniaturist keep Hiberno-Saxon traditional devices?</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d43d3605536e7e9de2c9194fb5dd7da5/image.png" />
         <pubDate>2023-03-13 17:39:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514821834</guid>
      </item>
      <item>
         <title>St. Matthew, from the Gospel Book of Charlemagne (Coronation Gospels). ca. 800–10</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514824042</link>
         <description><![CDATA[<ul><li>Said to have been found in <strong>Charlemagne’s tomb</strong>; later German emperors swore on this book during coronation</li><li>Classical influence! Shows how Charlemagne wanted to revive classical spirit; influenced by Roman wall painting (see next slide)</li><li>Even has Roman acanthus plant pattern in frame</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b5b1c480f8e758d34715fe1462c21889/image.png" />
         <pubDate>2023-03-13 17:41:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514824042</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514827173</link>
         <description><![CDATA[<ul><li><strong>Compare</strong>:&nbsp;<ul><li>robes show body structure;</li><li>Modeling in face, hands</li><li>Body, book and desk, and land create believable space</li><li><strong>Only halo flattens</strong></li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ec87ee5ff299848d99fed127002d05d1/image.png" />
         <pubDate>2023-03-13 17:43:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514827173</guid>
      </item>
      <item>
         <title>St. Matthew, from the Gospel Book of Archbishop Ebbo of Reims. ca. 816–35</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514829040</link>
         <description><![CDATA[<ul><li><strong>Combine the above two styles and you get this</strong></li><li><strong>Describe</strong>? Swirling energy, frenetic lines; caught in a Rexburg wind?</li><li><strong>Matthew </strong>seized with frenzy of divine inspiration</li><li><strong>Acanthus </strong>leaves like flames; abbreviated</li><li><strong>Unique</strong>! Book says it recalls endless interlaced movement of animal style; (?)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/35b95ae8354082e8ecf44bc7c7c2187a/image.png" />
         <pubDate>2023-03-13 17:44:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514829040</guid>
      </item>
      <item>
         <title>Front cover of binding, Lindau Gospels. ca. 870 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514830813</link>
         <description><![CDATA[<div>The sculptural figures in the Lindau Gospels cover are examples of a metalworking technique called</div><div><strong>Repoussé</strong><br>Works such as this were created in<br><strong>monasteries</strong><br>This work is evidence of...</div><div><strong>the flourishing of illuminated manuscript and codex production</strong><br>This portrayal of Christ primarily emphasizes...<strong><br>Christ's triumph over death</strong></div><ul><li><strong>Lindau</strong>=Smarthistory: Lindau Gospels Cover (6:01)</li><li>Gold cross and Christ</li><li><strong>Colored gems</strong>—raised on clawed feet or turrets; light can penetrate from beneath to bring out full brilliance (valuable!) raised stones also protect relief figures in repousse (tooled from underneath) when book is opened<ul><li>evoke a heavenly Jerusalem</li><li>glorify the word of God</li><li>catch and reflect the light</li></ul></li><li><strong>Reliefs </strong>have <strong>same energy </strong>(Reims style); expressive; but <strong>Christ </strong>has no expression, seems to stand</li><li>Does this remind you of anything?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bf04b2827b2a9ce6419bcda1c9525744/image.png" />
         <pubDate>2023-03-13 17:45:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514830813</guid>
      </item>
      <item>
         <title>Similar to Sleeping Beauty </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514844327</link>
         <description><![CDATA[<div>Book at beginning of Disney Sleeping Beauty (real book made; on display)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f9d88ddfc42e1086cc7026bdebd9903f/image.png" />
         <pubDate>2023-03-13 17:55:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514844327</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514851019</link>
         <description><![CDATA[<div>Charlemagne instructed his artists at court to revive the artistic styles that were present in the days of <br><strong>Constantine<br></strong>The influence of the classical tradition is present in the . . .<br><strong>cloth and drapery that the figures wear<br></strong>The figures are examples of&nbsp;<strong>Repoussé which is a metalworking technique where the artist hammers out the image on the reverse side.<br>&nbsp;</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 17:59:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514851019</guid>
      </item>
      <item>
         <title>Westwork, abbey church, with later additions. Corvey, Germany. Late 9th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514853014</link>
         <description><![CDATA[<ul><li><strong>Westwork</strong>- forepart, avant-corps or avancorpo is the monumental, often west-facing entrance section of a Carolingian, Ottonian, or Romanesque church. The exterior consists of multiple stories between two towers. The interior includes an entrance vestibule, a chapel, and a series of galleries overlooking the nave.</li><li><strong>Emphasis </strong>on western entrance: monumental westwork</li><li>Impressive height, symmetry, strength</li><li>Provided regal <strong>entrance</strong>; also <strong>functional</strong>: boys’choir positioned here; gathering place</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d9dbede10767672f43d71e709fb16d4c/image.png" />
         <pubDate>2023-03-13 18:01:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514853014</guid>
      </item>
      <item>
         <title>Ottonian Art 950-1000</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514854806</link>
         <description><![CDATA[<div><br></div><ul><li><strong>814 Charlemagne died</strong>; sons took over kingdom; lost power by end of century; Charles the Fat last king died 888</li><li><strong>Dark period</strong>: 850-950 (no effective central government, church became corrupt and mismanaged)</li><li><strong>Political power </strong>moved to present-day Germany; reestablished an effective central government: called Ottonian dynasty;</li><li><strong>Otto I (German)</strong> crowned HRE 962 by Pope John XII and revived ambitions of Charlemagne; then deposed pope for conspiring against him; worked on reforming church;</li><li>Sponsored many new religious buildings</li><li><strong>Otto </strong>III 983-1002</li><li>Tried to revive <strong>classicism </strong>(like Charlemagne); but more German</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 18:02:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514854806</guid>
      </item>
      <item>
         <title>Reconstructed plan, abbey church of St. Michael’s, Hildesheim, Germany. 1001–33 (after Beseler)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514855978</link>
         <description><![CDATA[<ul><li><br></li><li><strong>Bernward</strong>, bishop of Hildesheim, most ambitious patron of architecture</li><li><strong>Benedictine </strong>abbey church of St. Michael’s (monastic church)</li><li><strong>Two transepts </strong>with central towers; stair turrets at each end</li><li><strong>Division </strong>into threes (sections of transepts, supports of nave arcade</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/87abc1e5766ddaf083ff9315bcefffd7/image.png" />
         <pubDate>2023-03-13 18:03:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514855978</guid>
      </item>
      <item>
         <title>Exterior, abbey church of St. Michael’s, Hildesheim, Germany</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514856660</link>
         <description><![CDATA[<ul><li>bombed in WWII, rebuilt</li><li>Unity of design</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2698109b7be418b112f6ee07bc4fbfb0/image.png" />
         <pubDate>2023-03-13 18:04:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514856660</guid>
      </item>
      <item>
         <title>Interior, with view toward the apse (after restoration of 1950–60), abbey church of St. Michael’s, Hildesheim, Germany</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514857307</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ea4aead08d1e93b83ac39c0b392b95a9/image.png" />
         <pubDate>2023-03-13 18:04:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514857307</guid>
      </item>
      <item>
         <title>Doors of Bishop Bernward, Hildesheim cathedral (originally made for abbey church of St. Michael’s, Hildesheim), Germany. 1015</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514858707</link>
         <description><![CDATA[<ol><li>Bishop Bernward got the idea for his doors from seeing monumental doors . . .<ol><li><strong>on a pilgrimage to Rome.</strong></li></ol></li><li>In the bronze doors at Hildesheim, scenes on the left door show episodes from<ol><li><strong>Genesis</strong></li></ol></li><li>while scenes on the right door show events from&nbsp;<ol><li><strong>The life of Christ&nbsp;</strong></li></ol></li><li>In the bronze doors at Hildesheim, the scene of the <em>Crucifixion is paired with . . .</em><ol><li><strong>The Temptation in the Garden of Eden</strong></li></ol></li><li>Each of Bishop Bernward's bronze doors was cast using . . .<ol><li><strong>the lost wax process.</strong></li></ol></li></ol><ul><li><strong>Bishop Bernward </strong>commissioned sculptured bronze doors for St. Michael’s; known to excel in the arts</li><li><strong>16’ tall</strong></li><li>Bishop Bernward had been to Rome; may have gotten ideas there; each door cast as one piece of bronze (lost wax process---first monumental since antiquity)</li><li><strong>First doors </strong>since Early Christian period to show stories</li><li><strong>high relief</strong>; casts shadows</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d38b83a577cfe81e633a1519c4f2ad16/image.png" />
         <pubDate>2023-03-13 18:05:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514858707</guid>
      </item>
      <item>
         <title>Accusation and Judgment of Adam and Eve, from the Doors of Bishop Bernward, Hildesheim, Germany. 1015</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514861943</link>
         <description><![CDATA[<ul><li><strong>Expressive, gestural (becomes typical of German art up into 20th-century (German Expressionism)</strong></li><li>Finger of the Lord against void: focal point</li><li><strong>Doors</strong>=Smarthistory: Bronze Doors, St. Michael’s, Hildesheim, commissioned by Bishop Bernward, 1015 (4:23)</li><li>very finely done even though it wasn't very naturalistic. It shows to me that things don't have to look naturalistic to be great art, and I liked how stylized it all was. I think this piece is really timeless because of the craftsmanship involved and the emotion that is portrayed in the figures.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d5524e11edc365b3f6a5dc61344f5cb2/image.png" />
         <pubDate>2023-03-13 18:08:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514861943</guid>
      </item>
      <item>
         <title>Schematic diagram of the Doors of Bishop Bernward, abbey church of St. Michael’s, Hildesheim, Germany</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514863164</link>
         <description><![CDATA[<ul><li><strong>Left</strong>: OT, top to bottom</li><li><strong>Right</strong>: NT, bottom to top<ul><li>Parallel themes of redemption: look at Temptation and Fall</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f3f0b3c93f1a7331047cb27d5eea296d/image.png" />
         <pubDate>2023-03-13 18:08:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514863164</guid>
      </item>
      <item>
         <title>Temptation and Fall, from the Doors of Bishop Bernward, Hildesheim, Germany. 1015</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514864475</link>
         <description><![CDATA[<ul><li><strong>Tree of knowledge</strong>=original sin</li><li><strong>Opposite</strong>: Crucifixion: tree of cross (medieval Christians believed was made from Eden); instrument for redemption from original sin</li><li><strong>Adam’s </strong>and <strong>Eve’s </strong>hands flank cross-shaped tree; visual parallel to spears soldiers use to pierce Christ’s body on right</li><li>(references to guilt of Eve played up during Ottonian period)</li><li>Look at overlapping feet!</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/04dccfd6c3cdc51c13f70c433ba5ec2b/image.png" />
         <pubDate>2023-03-13 18:09:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514864475</guid>
      </item>
      <item>
         <title>Crucifixion, from the Doors of Bishop Bernward, Hildesheim, Germany. 1015</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514866083</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Tree of knowledge=</strong>original sin</li><li><strong>Opposite</strong>: Crucifixion: tree of cross (medieval Christians believed was made from Eden); instrument for redemption from original sin</li><li>Adam’s and Eve’s hands flank cross-shaped tree; visual parallel to spears soldiers use to pierce Christ’s body on right</li><li>(references to guilt of Eve played up during Ottonian period)</li><li>Look at overlapping feet!</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2666417c479bcaa5f3f8b196484358c3/image.png" />
         <pubDate>2023-03-13 18:11:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514866083</guid>
      </item>
      <item>
         <title>Otto III Receiving the Homage of the Four Parts of the Empire and Otto III Between Church and State, from the Gospel Book of Otto III. ca. 997–1000</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514869066</link>
         <description><![CDATA[<ul><li><strong>Commissioned </strong>for Otto III by his parents;&nbsp;</li><li><strong>Symbols </strong>of status as HRE: crown, eagle sceptor, orb with cross; lions on throne; political and spiritual leader (two domains)</li><li><strong>4 women</strong>=4 provinces; same pose as magi on gown of Theodora (also shows total authority)</li><li>Mixes Byzantine influence</li><li>died in early 20’s: end of Ottonian empire</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/35d452939c7b94823a2e3446573aeb2f/image.png" />
         <pubDate>2023-03-13 18:13:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514869066</guid>
      </item>
      <item>
         <title>Jesus Washing the Feet of St. Peter, from the Gospel Book of Otto III. ca. 997–1000</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514870239</link>
         <description><![CDATA[<ul><li>Gospel Book of Otto III has many illustrations of life of Christ</li><li><strong>gold background </strong>Byzantine</li><li><strong>Classical background </strong>(classicism via Byzantine influence)</li><li>Story told through glances and gestures; also hieratic scale (jesus’ active arm longer than passive arm)</li><li>Even toes active</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a73c72096f4b5900cd33bb95caf99d42/image.png" />
         <pubDate>2023-03-13 18:14:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514870239</guid>
      </item>
      <item>
         <title>Expulsion from the Garden[Panel from the Doors of St. Michael’s Cathedral, Hildesheim, Germany],bronze, 1015. Commissioned by Bishop Bernward, c. 960 – 1022</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514884372</link>
         <description><![CDATA[<div>Each of Bishop Bernward's bronze doors was created using</div><div><strong>Lost-wax casting</strong></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/52903fec2d67ff58c6777533d7078cac/Hildesheim__Dom__die_Bernwardst_r__Vertreibung_aus_dem_Paradies.jpg" />
         <pubDate>2023-03-13 18:24:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514884372</guid>
      </item>
      <item>
         <title>St. Luke, from the Gospel Book of Otto III. ca. 997–1000 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514885565</link>
         <description><![CDATA[<ul><li><strong>Luke </strong>holds up clouds with tongues of light</li><li><strong>Symbol </strong>(ox)&nbsp; surrounded by 5 Hebrew prophets and outer circle of angels</li><li><strong>Lambs </strong>drink life-giving waters that spring from Luke’s feet</li><li><strong>Inscription</strong>: “From the source of the fathers, the ox brings forth a flow of water for the lambs”&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9da968440e5cb26d62ff56d480345576/image.png" />
         <pubDate>2023-03-13 18:25:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514885565</guid>
      </item>
      <item>
         <title>Gero Crucifix. ca. 970</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514886294</link>
         <description><![CDATA[<ul><li><strong>Large</strong>-<strong>scale</strong>, free-standing sculpture rare in early middle <strong>ages</strong>: Why? fear of idol worship; preferred portable objects</li><li><strong>Monumental </strong>work here; life-size; wood</li><li><strong>Emphasizes </strong>expressive quality, emotion; physicality: hangs; dead weight; suffering (we feel suffering)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bc31524299fb6e0e57902f916c5dbdb6/image.png" />
         <pubDate>2023-03-13 18:25:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514886294</guid>
      </item>
      <item>
         <title>Front cover of binding, Lindau Gospels. ca. 870 Gero Crucifix. ca. 970</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514887841</link>
         <description><![CDATA[<div><strong>Similar</strong>: both show humanity of Christ</div><div><strong>Right</strong>: more expressive, physical suffering</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bbf6f18e965ec873394389f1a5744ba9/image.png" />
         <pubDate>2023-03-13 18:27:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514887841</guid>
      </item>
      <item>
         <title>Names for Christ</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514888601</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1db7007330d0641b91beaa9620a6f454/image.png" />
         <pubDate>2023-03-13 18:27:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514888601</guid>
      </item>
      <item>
         <title>Chapter 11: Romanesque Art c. 1100 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514982264</link>
         <description><![CDATA[<div><a href="https://www.youtube.com/watch?v=62J434N0w1c"><strong>Theme</strong></a>: Pilgrimage and Judgment Day<strong><br>Chapter=</strong>Jesu, the Very Thought is Sweet (5:19)</div><div><strong>11=</strong>Sting at Durham Cathedral</div><div><strong>Romanesque=</strong>Animated Bayeux Tapestry (4:25)</div><div><strong>Art=</strong>Gregorian Chants</div><div><strong>Theme=</strong>Jesus the Very Thought of Thee (BYU choirs): 4:05</div><div>Factors:&nbsp; &nbsp;</div><ul><li>growth in population and increase in prosperity;</li><li>&nbsp; Better farm machinery/methods: more crops;</li><li>&nbsp; increase in trade/ ability to travel: revitalization of cities; sharing of ideas, culture &nbsp;</li></ul><div><strong>&nbsp; Triumph of Christianity</strong>: Vikings, Franks, Gauls, etc. (the Barbarians)</div><div>&nbsp; <strong>Religious enthusiasm</strong>; veneration of holy relics—pilgrimages; first 2 crusades against the Muslim rule in the Holy Land; increase in monasteries</div><div>&nbsp;</div><div>&nbsp;&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/897ff522839dc1393bc108bf95c41af2/image.png" />
         <pubDate>2023-03-13 19:49:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514982264</guid>
      </item>
      <item>
         <title>Romanesque Art c. 1050-1150 AD</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514983043</link>
         <description><![CDATA[<div>What does “Romanesque” mean?</div><ol><li>relating to a style of architecture which <a href="https://www.google.com/search?sxsrf=AJOqlzU0UBQqJThZAmWhA3lGnDXIkNanYg:1678736990016&amp;q=prevailed&amp;si=AEcPFx5T0KBURMkmkHI1zFBnn9Yq_IurHvJqbIg8ZcPezT-JFtCj3kSNHF4_8ZuU9C20MHz5ItXXz6OQ335FJPnZuWTefIdStg%3D%3D&amp;expnd=1">prevailed</a> in Europe <em>c.</em> 900–1200, although sometimes dated back to the end of the Roman Empire (5th century).</li></ol>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 19:50:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514983043</guid>
      </item>
      <item>
         <title>Does this look “Romanesque?”</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514983722</link>
         <description><![CDATA[<div>Doesn’t look Romanesque</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7cffc4680f86a78e1bbf15c09139ee44/image.png" />
         <pubDate>2023-03-13 19:50:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514983722</guid>
      </item>
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         <title>Does this look “Romanesque?”</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984283</link>
         <description><![CDATA[<ul><li><strong>Prophets (Isaiah faces Jeremiah)</strong>; prophesies destruction at end of the world; on opposite side NT prophets Peter faces Paul (pairing of OT and NT symbolized fulfillment of law of Moses in Christ’s coming)— “spidery”</li></ul><div><br>Long, twisting body; why leg crossed?</div><div><br>Crossed Lions on front of trumeau: animate like in interlacing animal style; also surface decoration</div><div><br>Guard entrance; also to terrify and to encourage to refrain from sin</div>]]></description>
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         <pubDate>2023-03-13 19:51:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984283</guid>
      </item>
      <item>
         <title>Does this look “Romanesque?”</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984729</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d79693d0244ee51dab76925645245ad1/image.png" />
         <pubDate>2023-03-13 19:51:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984729</guid>
      </item>
      <item>
         <title>Architecture in Romanesque Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984902</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 19:51:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514984902</guid>
      </item>
      <item>
         <title>Nave and choir (looking east), church of San Vicenc, Cardona, Spain. ca. 1029–1040</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514986758</link>
         <description><![CDATA[<div><strong>Early Romanesque</strong></div><ol><li>Each of the following was an advantage of the Romanesque stone vaulted ceilings compared to Early Christian wooden trussed roofs EXCEPT<ol><li><strong>They let in more light</strong></li></ol></li></ol><ul><li>Amazing increase in building activity—to accommodate for pilgrimages/veneration of relics</li><li>Cardona in Pyrenees of northwest Spain (see map above)</li><li><strong>Needs</strong>: more space for visitors</li><li>&nbsp; <strong>needed </strong>to be <strong>fireproof</strong>: basilica planned churches had wooden trussed roofs; many destroyed by fire by marauders in earlier centuries</li><li>What’s different? stone barrel vaults instead of wooden truss roof; advantages?<ul><li>&nbsp; larger, wider, taller</li><li>&nbsp; less risk of fire</li><li>&nbsp; better acoustics</li></ul></li></ul><div><strong>Romanesque </strong>means Roman-like (mostly in architecture)</div><ul><li><strong>arches and barrel vault</strong>: Roman-like (Romanesque); but concrete technology lost (cut stone)<ul><li><strong>barrel vault-</strong>a vault forming a half cylinder.<ul><li>also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve along a given distance.</li></ul></li></ul></li><li>Distinct projections on piers (<strong>compound piers</strong>); support different parts; vertical emphasis, gives unity and harmony; major innovation of Romanesque<ul><li><strong>compound piers- </strong>is the <a href="https://en.wikipedia.org/wiki/Architecture">architectural</a> term given to a clustered <a href="https://en.wikipedia.org/wiki/Column">column</a> or <a href="https://en.wikipedia.org/wiki/Pier_(architecture)">pier</a> which consists of a centre mass or <a href="https://en.wikipedia.org/wiki/Newel">newel</a>, to which engaged or semi-detached shafts have been attached, in order to perform (or to suggest the performance of) certain definite structural objects, such as to carry <a href="https://en.wikipedia.org/wiki/Arch">arches</a> of additional orders, or to support the transverse or diagonal ribs of a <a href="https://en.wikipedia.org/wiki/Vault_(architecture)">vault</a>, or the tie-beam of an important roof.</li></ul></li><li><strong>Units </strong>of space called <strong>bays</strong><ul><li>a space created by a window-line <a href="https://www.google.com/search?sa=X&amp;biw=1536&amp;bih=760&amp;sxsrf=AJOqlzWVOGNmrOjbYcLNP21s0U75tWoKlw:1678927128846&amp;q=projecting&amp;si=AEcPFx5fvF8eNC6GbVKyEDo4Rywa4Bd2sGfXlC4rEfTZxm7OEdIVngUYoSRKWdwJ7bju2QDZVXhF-d-pVDMYv7q3mSU_j-abYw%3D%3D&amp;expnd=1">projecting</a> <a href="https://www.google.com/search?sa=X&amp;biw=1536&amp;bih=760&amp;sxsrf=AJOqlzWVOGNmrOjbYcLNP21s0U75tWoKlw:1678927128846&amp;q=outward&amp;si=AEcPFx5hn0gxdHqlMdkaq7LnvtdUGqyansEO0aj_5-aippsBJARS3285fRRASzGcm3cFLnEkWGdipjysPpPsyIjK7Z4htxdzZg%3D%3D&amp;expnd=1">outward</a> from a wall.</li></ul></li><li><strong>Overall effect</strong>: massive, strong, protective; limited light</li></ul>]]></description>
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         <pubDate>2023-03-13 19:53:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514986758</guid>
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      <item>
         <title>Interior, with view toward the apse (after restoration of 1950–60), abbey church of St. Michael’s, Hildesheim, Germany</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514987216</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/97f156a40750b0d19e2d0be4482301b6/image.png" />
         <pubDate>2023-03-13 19:54:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514987216</guid>
      </item>
      <item>
         <title>Advantages of stone barrel vaults vs. wooden trussed roofs:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988122</link>
         <description><![CDATA[<ul><li>Less risk of fire</li><li>Could be built taller and wider</li><li>Better acoustics</li></ul><div>No concrete technology! Lost with Roman empire</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2188c188d77e37cffbd172d7e030797e/image.png" />
         <pubDate>2023-03-13 19:55:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988122</guid>
      </item>
      <item>
         <title>Disadvantages of stone barrel vaults vs. wooden trussed roofs:</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988622</link>
         <description><![CDATA[<div>•Less light!</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5e87fc81abf85f3c992ed99b1907ec7a/image.png" />
         <pubDate>2023-03-13 19:55:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988622</guid>
      </item>
      <item>
         <title>Looks like a fortress! Symbolizes the church as a mighty fortress</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988944</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7fbf9e3058e07100b148d709297e9e61/image.png" />
         <pubDate>2023-03-13 19:56:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514988944</guid>
      </item>
      <item>
         <title>Pilgrimage</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514989136</link>
         <description><![CDATA[<div><br>Amazing increase in building activity—to accommodate for pilgrimages/veneration of relics</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 19:56:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514989136</guid>
      </item>
      <item>
         <title>Europe in the Romanesque period</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514990447</link>
         <description><![CDATA[<ul><li><strong>No central political authority </strong>(<strong>feudalism</strong>), but central spiritual authority of the pope acted as a unifying force throughout Europe</li><li>&nbsp; Growth in population and ability to travel<strong> because of&nbsp; trade, crusades, pilgrimages to visit holy relics</strong></li><li><strong>Pilgrimages</strong>: arduous travel part of allure<ul><li>&nbsp; <strong>1st choice</strong>: Jerusalem (controlled by Muslims); Crusades</li><li>&nbsp;<strong>&nbsp;2nd choice</strong>: Rome; Saints Peter and Paul buried there</li><li>&nbsp; <strong>3rd</strong> choice: Santiago de Compostela (Santiago=St. James)</li></ul></li><li>&nbsp; <strong>legend</strong>: taught in area of Spain; received vision; virgin Mary told him to go back to Jerusalem; martyred in Jerusalem by Herod Agrippa (grandson of Herod the Great); body put on boat, washed up at Compostela</li><li><strong>Pilgrimage route</strong>=better roads, spreading of ideas, buildings along the way, economic growth</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ef4baef1d8bea2d3a074de7ffd44fd44/image.png" />
         <pubDate>2023-03-13 19:57:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514990447</guid>
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      <item>
         <title>Why would people go on a pilgrimage?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514990726</link>
         <description><![CDATA[<div>1. to express Christian devotion<br>&nbsp;2. to purify the soul and perhaps even &nbsp; produce miraculous healing benefits.&nbsp;<br>&nbsp;3. to reduce time in purgatory<br>&nbsp;4. to gain forgiveness for a sin or crime<br>&nbsp;5. to travel and see some of the world</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-13 19:58:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514990726</guid>
      </item>
      <item>
         <title>The Pilgrimage Routes to Santiago de Compostela (“The Way of Saint James”)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514991883</link>
         <description><![CDATA[<ol><li>Which of the following are true of the central figure of Christ in the Last Judgment?<ol><li><strong>his body proportions are not naturalistic</strong></li><li><strong>he appears flattened, frontal and symmetrical</strong></li><li><strong>e is elongated</strong></li></ol></li><li>The almond shape that surrounds Christ is called a . . .&nbsp;<ol><li><strong>mandorla</strong></li></ol></li><li>Images of heaven and hell caused medieval people to consider . . .<ol><li><strong>their own standing before God</strong></li></ol></li></ol><ul><li>this Last Judgment tympanum in Autun was one of the first monumental sculptures since antiquity.</li><li><strong>Pilgrimage</strong>=Last Judgment Tympanum, 1:00-3:00 (about pilgrimage)</li><li><strong>Most significant </strong>social phenomena was ability for all classes to travel for trade, pilgrimage, and crusades</li><li>For most, pilgrimage to the <strong>Holy</strong> <strong>Land of Jerusalem</strong> was too far, too dangerous and too expensive. Santiago de Compostela in Spain offered a much more convenient option.</li><li><strong>holy shrine </strong>where bones, believed to belong to Saint James, were unearthed; had to go by sea or cross Pyrenees; dangerous (part of attraction—feeling of accomplishment)</li><li>The pious of the Middle Ages wanted to pay homage to <strong>holy relics (associated with special powers)</strong>, and pilgrimage churches sprang up along the route to Spain.&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7b66ea6489cc3242e33f95d2c555555b/image.png" />
         <pubDate>2023-03-13 19:59:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514991883</guid>
      </item>
      <item>
         <title>Bridge over the Arga River, Puente la Reina, Spain. 11th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514993183</link>
         <description><![CDATA[<ul><li>Pilgrimages required <strong>infrastructure</strong>;&nbsp;<ul><li>roads, hospitals, places to stay</li></ul></li><li><strong>All roads </strong>met at Puente la Reina before going to Santiago de Compostela</li><li><strong>Engineering feat</strong>; wide arches (65’ widest) punctuated by open arches at spandrels (lighten and give rhythm; purpose of passage)<ul><li>Reflection makes circle</li><li>toll</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d4c85cca9895bce78f7204104b1c26a7/image.png" />
         <pubDate>2023-03-13 20:00:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514993183</guid>
      </item>
      <item>
         <title>Reconstruction of cathedral of Santiago de Compostela (after Conant)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514993696</link>
         <description><![CDATA[<div><br>The two towers form the majestic entrance known as the <br><strong>westwork</strong></div><ul><li>What did they see when they got there?<ul><li>Journey through <strong>cathedral microcosm </strong>of larger journey: started at west end (towers); tower at <strong>crossing </strong>marks ceremonial space<ul><li><strong>crossing- </strong>is the junction of the four arms of a cruciform (cross-shaped) church.</li></ul></li></ul></li></ul><div>Progressed to east end</div><ul><li><strong>Apsidioles </strong>(apse-like chapels around apse) held relics<ul><li><strong>Apsidioles- </strong>a small or secondary apse, one of the apses on either side of the main apse in a triapsidal church, or one of the apse-chapels when they project on the exterior of the church, particularly if the projection resembles an apse in shape.</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ab83e2fdf379428b4eb4fe64c290ce6d/image.png" />
         <pubDate>2023-03-13 20:01:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514993696</guid>
      </item>
      <item>
         <title>Plan of cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (after Dehio)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514994720</link>
         <description><![CDATA[<div><strong>Pilgrimage plan church<br>apsidioles&nbsp;</strong></div><ul><li>The structures mentioned in the previous question were built to hold<ul><li><strong>reliquaries and relics<br></strong><br><br><br></li></ul></li><li>The arm that crosses the nave in the cathedral of Santiago de Compostela, Spain, thus creating a cross-shaped plan, is called the</li></ul><ol><li><ol><li><strong>transept</strong></li></ol></li></ol><ul><li>Journey through church like longer journey: station to station</li><li><strong>Enter </strong>at west end into <strong>narthex </strong>(<strong>foyer</strong>)</li><li><strong>Aisles </strong>could be walked through even during religious ceremony; make your way towards the east</li><li><strong>New</strong>: longer nave to hold more people, ambulatory around apse so you could walk all the way around and visit apsidioles containing relics</li><li><strong>Mathematical modular units</strong>: bays of nave and transept half of crossing; bays of aisles half size of nave bays and ¼ size of crossing; geometric organization<ul><li>Cross&nbsp;</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/91ff6b7d05bc4ca6d94314d5dca12392/image.png" />
         <pubDate>2023-03-13 20:02:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514994720</guid>
      </item>
      <item>
         <title>Nave of cathedral of Santiago de Compostela</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514995989</link>
         <description><![CDATA[<div><strong>nave- </strong>the central part of a church building, intended to accommodate most of the <a href="https://www.google.com/search?biw=1536&amp;bih=760&amp;sxsrf=AJOqlzWjioMS1pxGN6Z6B50dkogvEe1YAw:1678927385603&amp;q=congregation&amp;si=AEcPFx7ZOAeoFkpGqUrMOXsigWJpOZwC3CHz5tkl3x33s8LLfNhKrj0uuALibC6RtKIPog3r6VfS9t_g8Mk8j2qpLMch5YGNpXWYIMdljZM7SpLGHAzffu8%3D&amp;expnd=1">congregation</a>. In traditional Western churches it is rectangular, separated from the <a href="https://www.google.com/search?biw=1536&amp;bih=760&amp;sxsrf=AJOqlzWjioMS1pxGN6Z6B50dkogvEe1YAw:1678927385603&amp;q=chancel&amp;si=AEcPFx5hn0gxdHqlMdkaq7LnvtdU8UtpWvI4nPr0oVDEk8M1g54kXXg1-UyA4uGDFM32thBNt52c9i41Rx6_eWxxN3l1rufRVA%3D%3D&amp;expnd=1">chancel</a> by a step or rail, and from adjacent <a href="https://www.google.com/search?biw=1536&amp;bih=760&amp;sxsrf=AJOqlzWjioMS1pxGN6Z6B50dkogvEe1YAw:1678927385603&amp;q=aisles&amp;si=AEcPFx5wn31H4NEqJJOA5dASiILLHMgqkk_P4kGZNMkys2O-KSikKxzEUkLy7CRA0FiKBVEPqzOrDFqcUOfqoafaLIq-DxJvMg%3D%3D&amp;expnd=1">aisles</a> by pillars.<br><strong>great</strong></div><ul><li>Upper gallery to hold overflow</li><li>All parts integrated into the whole</li><li>Compound piers again with 4&nbsp; colonnettes that articulate structure</li></ul><div><strong>One problem:&nbsp;</strong></div><ul><li>light; No clerestory (problem with tall barrel vaults: exert outward push at springing):&nbsp;</li><li>Emulates nobility and grandeur of Roman architecture</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d2c89d8e7840679a638a6764355d3fc3/image.png" />
         <pubDate>2023-03-13 20:04:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2514995989</guid>
      </item>
      <item>
         <title>Reliquary casket with symbols of the four Evangelists. ca. 1150 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518154753</link>
         <description><![CDATA[<ol><li>A reliquary casket would hold<ol><li><strong>objects considered to have sacred power, such as body parts or items belonging to a saint</strong></li></ol></li></ol><ul><li><strong>champlevé- </strong><a href="https://www.google.com/search?sxsrf=AJOqlzWaXc0KmBSoeeyZ0ffTjFhbLFWNKg:1678903331088&amp;q=enamelwork&amp;si=AEcPFx5fvF8eNC6GbVKyEDo4Rywa4hR888TC5hWMdYnnlAvZ1jjakcWv8yyJofKJMFNPcJhtrqiNuTpxfzrtj4W_hZ8EzJaKfQ%3D%3D&amp;expnd=1">enamelwork</a> in which <a href="https://www.google.com/search?sxsrf=AJOqlzWaXc0KmBSoeeyZ0ffTjFhbLFWNKg:1678903331088&amp;q=hollows&amp;si=AEcPFx5hn0gxdHqlMdkaq7LnvtdU3YwywvEjeVFNozBOaz60Vvn4rkT9tQg949zh1n-D0vDgacEAgHDUjuGlxxXzMRhDqvCnJw%3D%3D&amp;expnd=1">hollows</a> made in a metal surface are filled with colored <a href="https://www.google.com/search?sxsrf=AJOqlzWaXc0KmBSoeeyZ0ffTjFhbLFWNKg:1678903331088&amp;q=enamel&amp;si=AEcPFx5wn31H4NEqJJOA5dASiILLJxkz0Ap5IVPum4LVcwZpmt6QyVAC6zEdqlKzuuzDVThdyvnMAPaKz88Iok3m4US1cz1TVA%3D%3D&amp;expnd=1">enamel</a>.</li><li><strong>Reliquary</strong>=holds a relic (a container for holy <a href="https://www.google.com/search?biw=1536&amp;bih=760&amp;sxsrf=AJOqlzXpWwip61BYnoCoW1tewz6k_bthKw:1678927406882&amp;q=relics&amp;si=AEcPFx5wn31H4NEqJJOA5dASiILLp23mDHeZSpewV9gMy4kEULlw-Nu0z0oEfinDESq7ixWTgst6ufmjxsuzl_Q4gJDNQ1G8Rw%3D%3D&amp;expnd=1">relics</a>.)&nbsp;<ul><li>&nbsp; example: clothing of Joseph Smith, box that held plates (Why important?)</li></ul></li><li><strong>Precious materials</strong>: enamel on copper<ul><li>Animal style interlace; like cloissonne but opposite; metal gouged out to create compartments for enamel</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d85c4df5908d85b6669cd431608f5e55/image.png" />
         <pubDate>2023-03-15 17:40:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518154753</guid>
      </item>
      <item>
         <title>St. Foy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518156065</link>
         <description><![CDATA[<div>Travelers would donate gemstones that now cover the reliquary</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7e1d96d1e70267b7988abbc33a79c0cb/image.png" />
         <pubDate>2023-03-15 17:41:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518156065</guid>
      </item>
      <item>
         <title>Sculpture in Romanesque Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518186564</link>
         <description><![CDATA[<div>weren't a lot of statues around for them to reference, looks like they make their metal work into the wall</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-15 18:03:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518186564</guid>
      </item>
      <item>
         <title>Lintel of west portal, church of Saint-Genis-des-Fontaines, France. 1020–21</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518187523</link>
         <description><![CDATA[<div><strong>Early sculpture</strong></div><ul><li><strong>mandorla</strong>- halo around whole being (Jesus)</li><li>Revival of <strong>monumental stone </strong>sculpture important development during <strong>Romanesque period</strong>; mostly small scale in early medieval</li><li>Continued influence of <strong>Celtic</strong>-<strong>Germanic </strong>and <strong>Byzantine </strong>styles in painting and sculpture; flat, hardly relief; just carved out</li><li>Christ on center with 2 semicircles=<strong>mandorla</strong>; heaven and earth (Christ presides over both realms); like body halo</li><li><strong>6 apostles in arched niches</strong>; heads fit in arches; individual features but very stylized; balance between structure and decoration just like in buildings</li><li><strong>Hiberno</strong>-<strong>Saxon interlacing</strong>; dependence on line for details in face, drapery; resembles earlier decorative arts in ivory and metalwork</li><li>Decorative details like metalwork: beading (see below); carvers found inspiration in what sculptural work there was</li><li>Vaguely <strong>classical columns</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5c0154235645068179c2c7b8a5dacbc0/image.png" />
         <pubDate>2023-03-15 18:03:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518187523</guid>
      </item>
      <item>
         <title>Benedictine Cloister, priory of Saint-Pierre, Moissac, France. ca. 1100</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518196109</link>
         <description><![CDATA[<ul><li>capitals- historiated capital<ul><li>tells a story</li></ul></li><li>Best-preserved <strong>medieval cloister</strong>; place for monks to contemplate, exercise (protected from elements, private)</li><li><strong>cloister- </strong>meditation and walking for munks &nbsp;</li><li><strong>Decorative </strong>capitals, pier; lots of decoration; some historiated <strong>capitals</strong>=story on them (<strong>Biblical</strong>)</li><li><strong>Benedictine Church</strong>; <strong>Bernard of Clairvaux</strong>: member of Cistercian order founded in opposition to opulence of <strong>Benedictines</strong>: excessive decoration distracting from monks’ vows to renounce earthly pleasures; simple life based on spiritual pursuits</li><li>&nbsp; <strong>complained </strong>about <strong>monstrous creatures </strong>(imaginative, hybrid animals typical during Romanesque) as well as expense that should be used to help poor</li><li>&nbsp; okay for lay people who need <strong>enticement </strong>to <strong>worship</strong>, but monks should be above that</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/826bcf362d529fa43e9ba57a138914b8/image.png" />
         <pubDate>2023-03-15 18:09:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518196109</guid>
      </item>
      <item>
         <title>Historiated capital</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518197890</link>
         <description><![CDATA[<div>Daniel in the lions’ den-&nbsp;<strong>hero pose</strong><br>praying</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/72e1efbe97d30a9216dfa8ba3e37eb04/image.png" />
         <pubDate>2023-03-15 18:11:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518197890</guid>
      </item>
      <item>
         <title>Abbot Durandus</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518198424</link>
         <description><![CDATA[<div>very flat, like metal work more than sculpture</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/25e9c1f11320f37d87f854ac1605fb6f/image.png" />
         <pubDate>2023-03-15 18:11:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518198424</guid>
      </item>
      <item>
         <title>St. Matthew, from the Book of Durrow, ca. 680.</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518198776</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/97278061acaa2f004415d82ce4698e73/image.png" />
         <pubDate>2023-03-15 18:11:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518198776</guid>
      </item>
      <item>
         <title>Romanesque portal ensemble</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518199350</link>
         <description><![CDATA[<ul><li><strong>Tympanum</strong>- the surface enclosed by the arch and <strong><em>lintel</em></strong> of an arched doorway, frequently carved with relief sculptures</li><li><strong>lintel- </strong>&nbsp;a horizontal beam spanning an openings, as over a window or door, or between two posts.</li><li><strong>trumeau- </strong>doorpost supporting lintel.</li><li><strong>Archivolt-&nbsp;</strong>the molding fram an arch. In Romanesque and Gothic architecture, each one of a series of arches framing the tympanum of a portal.</li><li><strong>Jamb-&nbsp;</strong>the side of a doorway or window frame. The jambs of the portals of Romanesque and Gothic churches are frequently decorated with figure sculpture. (jamb columns)</li><li><strong>voussoirs- </strong>a wedge-shaped or <a href="https://www.google.com/search?sxsrf=AJOqlzW1DRyVxbq6xkMG35_rW51V2Mz2nQ:1678904149793&amp;q=tapered&amp;si=AEcPFx5hn0gxdHqlMdkaq7LnvtdUqrth47CcYSMuCzG0A6DYm_0ZIwao8If4sQ-_r0HFNKvq1xR2Gopmaag-a2toDFoYEmei2w%3D%3D&amp;expnd=1">tapered</a> stone used to construct an arch.</li><li><strong>spandrels-&nbsp; </strong>the tapering triangular spaces formed by the intersection of two rounded arches at right angles—are necessary architectural byproducts of mounting a dome on rounded arches</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c8aead65c7554dbff6e797c0a87c1429/image.png" />
         <pubDate>2023-03-15 18:12:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518199350</guid>
      </item>
      <item>
         <title>South portal with Second Coming of Christ on tympanum, church of Saint-Pierre, Moissac. ca. 1115–30</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518209612</link>
         <description><![CDATA[<ul><li>spaces around doors became place for<strong> sculpture; </strong>related to <strong>architecture, sent message o</strong>n entrance; entering church becomes a rite of passage (you have finally arrived)</li><li>On pilgrimag road to Santiago de Campostela</li><li><strong>Typical Romanesque portal&nbsp; </strong>(vocabulary next slide)</li><li>Revelation 4:2-7; surrounded by four beasts of the apocalypse, two angels, 24 elders;</li><li><strong>Wavy line under feet</strong>= “the sea of glass like crystal”</li><li>Activity, energy, abstraction; fits scallop in jambs (sides of doorway) and trumeau (center support)—Islamic device</li><li><strong>4 evangelists</strong>: energetic, twisting forms; jerky movement</li><li>Drapery takes on life of its own; energy</li><li>Message? Be good or else (Christ is judge)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6cc7614dd448161187ebbb69d194d311/image.png" />
         <pubDate>2023-03-15 18:19:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518209612</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518211495</link>
         <description><![CDATA[<ul><li>Back to <strong>hieratic scale</strong>, registers</li><li><strong>24 elders </strong>= OT kings and prophets (forerunners of Christ)</li><li><strong>4 evangelists </strong>flank Christ</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f490ebbb84e3516c567f490149102f09/image.png" />
         <pubDate>2023-03-15 18:21:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518211495</guid>
      </item>
      <item>
         <title>Trumeau and jambs, south portal, church of Saint-Pierre, Moissac</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518214887</link>
         <description><![CDATA[<ul><li><strong>Prophets </strong>(<strong>Isaiah faces Jeremiah</strong>); prophesies destruction at end of the world; on opposite side NT prophets <strong>Peter </strong>faces <strong>Paul </strong>(pairing of OT and NT symbolized fulfillment of law of <strong>Moses </strong>in Christ’s coming)— “<strong>spidery</strong>”<ul><li><strong>Long</strong>, twisting body; why leg crossed?</li><li><strong>Crossed Lions </strong>on front of trumeau: animate like in interlacing animal style; also surface decoration</li><li><strong>Guard entrance</strong>; also to terrify and to encourage to refrain from sin</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/50d6bce66916a71769f5b7cea59382fe/image.png" />
         <pubDate>2023-03-15 18:23:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518214887</guid>
      </item>
      <item>
         <title>West portal, with Last Judgment by Gislebertus on tympanum, cathedral of Saint-Lazare, Autun, France. ca. 1120–35</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518219989</link>
         <description><![CDATA[<ul><li>The <strong>Last Judgment </strong>(most awe-inspiring subject in Christian art); weighing of souls; separation of saved from the damned</li><li>Christ large, dominates; under feet it says Giselbertus hoc fecit (made this)</li><li><strong>4 angels </strong>in corners sound trumpets of the Apocalypse (where)?<ul><li><strong>Bottom</strong>: dead rise from graves</li><li><strong>Far left</strong>: saved cling to angels to take to heaven; far right: damned are cast into the mouth of Hell, seized by grinning devils<ul><li>Twisted, agitated, energized</li><li>One would enter feeling chastened</li></ul></li></ul></li><li>Judicial proceedings took place here; actual judgment by ordeal; accused had to withstand grueling physical tests to prove innocence</li><li>Above on archivolt: zodiac signs/labors of the months: puts last judgment on earthly time</li><li>“<strong>Romanesque </strong>imagination heated by a <strong>fearful faith</strong>”; makes one aware of the greatness of god and the littleness of man</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f085f3a303e27a62d73d529760dc8ed5/image.png" />
         <pubDate>2023-03-15 18:27:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518219989</guid>
      </item>
      <item>
         <title>Angels in four corners sounding the trump to wake the dead souls</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518221387</link>
         <description><![CDATA[<ol><li>Many new churches were built during the Romanesque period to accommodate<ol><li><strong>the many people who took part of a pilgrimage</strong></li></ol></li><li>This portal tympanum represents<ol><li><strong>The Last Judgment</strong></li></ol></li></ol><div><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/866e34b85c6ee18c1a127638af311a8a/image.png" />
         <pubDate>2023-03-15 18:28:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518221387</guid>
      </item>
      <item>
         <title>Michael the Archangel competes with devils to weigh souls</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518222225</link>
         <description><![CDATA[<div><strong>Mercy</strong>: some hide in his garments (idea of Mary and other intercessors becoming popular)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cc3e65fc4550e455ba676b51a43896f3/image.png" />
         <pubDate>2023-03-15 18:28:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518222225</guid>
      </item>
      <item>
         <title>Figures at bent angles are expressive of the terrifying urgency of the moment</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518222710</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b302fd0ef8f15a44e2092bac8c28eae4/image.png" />
         <pubDate>2023-03-15 18:29:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518222710</guid>
      </item>
      <item>
         <title>Pilgrims (people making pilgrimage) from the tympanum of Cathedral of St. Lazare, Autun</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518223866</link>
         <description><![CDATA[<div><sub>Pilgrims commonly walked barefoot and wore a scalloped shell, the symbol of Saint James (the shell's grooves symbolize the many roads of the pilgrimage). &nbsp;</sub></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e81305b94351f3b6e8ff5053bb19c848/image.png" />
         <pubDate>2023-03-15 18:30:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518223866</guid>
      </item>
      <item>
         <title>Gislebertus. Eve, right half of lintel, north portal, from cathedral of Saint-Lazare, Autun, France. 1120–32</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518280441</link>
         <description><![CDATA[<ul><li><strong>Same church</strong>, north portal (dismantled; this fragment survives in museum in Autun)<ul><li><strong>Left half </strong>of lintel showed Adam; original sin<ul><li><strong>Penitential </strong>rites took place in front of the north portal</li></ul></li><li><strong>Large carved </strong>nude; she is horizontal on ground like slithering snake (temptress as well as tempted)</li><li>S-<strong>shaped </strong>branches suggest snake, Satan</li><li><strong>Torso frontal</strong>, legs profile</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b4cf7d3398ddd2563e005435e0bb7a45/image.png" />
         <pubDate>2023-03-15 19:16:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518280441</guid>
      </item>
      <item>
         <title>St. Luke, from the Gospel Book of Otto III. ca. 997–1000 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518512426</link>
         <description><![CDATA[<ul><li><strong>Luke </strong>holds up clouds with tongues of light</li><li><strong>Symbol (ox)&nbsp; </strong>surrounded by 5 Hebrew prophets and outer circle of angels</li><li><strong>Lambs drink life</strong>-giving waters that spring from Luke’s feet</li><li><strong>Inscription</strong>: “From the source of the fathers, the ox brings forth a flow of water for the lambs”&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ddd95a017f8b16ac86ac731da84787c1/image.png" />
         <pubDate>2023-03-16 00:17:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518512426</guid>
      </item>
      <item>
         <title>Europe in the Romanesque period</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518530573</link>
         <description><![CDATA[<ol><li>. Pilgrimage stimulated the local economy for which of the following reasons?<ol><li><strong>pilgrims needed places to stay.</strong></li><li><strong>pilgrims wanted to buy souvenirs.</strong></li><li><strong>pilgrims needed places to eat</strong></li></ol></li><li>Which of the following are true?<ol><li><strong>As pilgrimages became increasingly popular, there was a building boom in Europe.</strong></li><li><strong>The Cathedral of St. Lazare is believed to hold the relics, or bones, of St. Lazarus.</strong></li><li><strong>This Last Judgment tympanum in Autun was one of the first monumental sculptures since antiquity.</strong></li></ol></li></ol><ul><li>No central political authority (<strong>feudalism</strong>), but central spiritual authority of the pope acted as a unifying force throughout Europe</li><li>&nbsp; Growth in population and ability to travel<strong>; trade, crusades, pilgrimages to visit holy relics</strong></li><li><strong>Pilgrimages</strong>: arduous travel part of allure<ul><li>&nbsp; <strong>1st choice</strong>: Jerusalem (controlled by Muslims); Crusades</li><li>&nbsp; <strong>2nd choice</strong>: Rome; Saints Peter and Paul buried there</li><li>&nbsp; <strong>3rd choice</strong>: Santiago de Compostela (Santiago=St. James)</li></ul></li><li>&nbsp; <strong>legend</strong>: taught in area of Spain; received vision; virgin Mary told him to go back to Jerusalem; martyred in Jerusalem by Herod Agrippa (grandson of Herod the Great); body put on boat, washed up at Compostela</li><li><strong>Pilgrimage route</strong>=better roads, spreading of ideas, buildings along the way, economic growth</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3f4c559fdbd757ba4f54e3c17f01c9e1/image.png" />
         <pubDate>2023-03-16 00:32:23 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518530573</guid>
      </item>
      <item>
         <title>Painting in Romanesque Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518546787</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-16 00:47:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518546787</guid>
      </item>
      <item>
         <title>St. John the Evangelist, from the Gospel Book of Abbot Wedricus. ca. 1147</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518547590</link>
         <description><![CDATA[<ul><li><strong>Inkwell </strong>held by Abbot Wedricus in medallion; integration of main scene with border designs--interdependent</li><li><strong>Knife </strong>in one hand to sharpen quill</li><li><strong>Gold </strong>background and linear quality=<strong>Byzantine</strong></li><li><strong>Tight </strong>design, decorative patterns=Celtic-Germanic (see next slide)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/379aeb92bc0967fb1bb96404563e0278/image.png" />
         <pubDate>2023-03-16 00:48:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518547590</guid>
      </item>
      <item>
         <title>Lindisfarne Gospel, c. 700</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518548379</link>
         <description><![CDATA[<div><strong>Lindisfarne Gospel, c. 700</strong></div><ul><li>Classical acanthus has similar energy/tightness as interlacing animal style</li><li>Patterns of cloth independent of cloth itself; abstract</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e4eb453df0016dddf952951c9c284dd2/image.png" />
         <pubDate>2023-03-16 00:48:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518548379</guid>
      </item>
      <item>
         <title>Mouth of Hell, from the Winchester Psalter. From Winchester, England. ca. 1150</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518549400</link>
         <description><![CDATA[<ul><li>“Here is hell and the angels who lock the doors.”</li><li>Produced in a scriptorium in <strong>Winchester</strong>, England</li><li>The <strong>gaping jaws </strong>of <strong>hell</strong></li><li>“Here is hell and the angels who lock the doors.”</li><li><strong>Churches served to protect from dark forces but also instilled fears in members </strong>(last judgment scenes, etc.)</li><li>Monsters like at St. Pierre, Moissac<ul><li>Shows kings and queens; also monks with shaved heads; nobody is exempt</li><li><strong>Parallels </strong>to “<strong>mystery plays</strong>” in England; depictions of the Hellmouth created as large and expensive stage props</li><li>Built of <strong>wood </strong>and set over a <strong>trapdoor </strong>on stage</li><li>Sometimes opened and closed on the actors; smoke, flames, foul smells, and loud noises came from within</li><li><strong>Hell </strong>scenes were the most popular parts of the plays</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/02697a8697bcaf4613d0d186dfac9e76/image.png" />
         <pubDate>2023-03-16 00:49:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518549400</guid>
      </item>
      <item>
         <title>Regional Variants of Romanesque Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518550766</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-16 00:50:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518550766</guid>
      </item>
      <item>
         <title>Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518551142</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-16 00:51:17 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518551142</guid>
      </item>
      <item>
         <title>Baptistery, cathedral, and campanile (view from the west).Pisa, Italy. 1053–1272</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552014</link>
         <description><![CDATA[<ul><li><strong>1st built</strong>: cathedral began 1053 to celebrate victory over Muslim forces<ul><li>(looks Early <strong>Christian</strong>; close to <strong>Rome</strong>, more conservative); Italian architects never adopted the vertical emphasis of northern architecture; what makes it Romanesque?</li><li>&nbsp; wide transept, dome over crossing, marble incrustation, multiple arcade galleries of the facade</li></ul></li><li><strong>2nd built</strong>: baptistery began 1153; everything above first level reworked during Gothic period</li><li><strong>3rd built</strong>: <strong>campanile</strong> (bell tower) began 1174; poor foundation, began to&nbsp; lean even before it was completed; most famous Italian Romanesque monument</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/aefa241e72556b46b15211a7e61912b2/image.png" />
         <pubDate>2023-03-16 00:52:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552014</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552500</link>
         <description><![CDATA[<ul><li>The <strong>tilt </strong>continued to increase until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries.</li><li>After a decade of corrective <strong>reconstruction </strong>and stabilization efforts, the tower was reopened to the public on December 15, 2001.&nbsp;</li><li>In May <strong>2008</strong>, after the removal of another 70 metric tons (77 short tons) of ground, engineers announced that the Tower had been stabilized such that it had stopped moving for the first time in its history. They stated it would be stable for at least 200 years</li></ul><div><br>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3eacca498758b3870d10406a943bb99b/image.png" />
         <pubDate>2023-03-16 00:52:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552500</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552868</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/76757d6063d05d0de2097e3ede6cd312/image.png" />
         <pubDate>2023-03-16 00:53:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518552868</guid>
      </item>
      <item>
         <title>Baptistery of San Giovanni, Florence, Italy. ca. 1060–1150</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518553794</link>
         <description><![CDATA[<ul><li><strong>Cesar Fernandez</strong>, Rhys Enright)</li><li><strong>Octagonal </strong>baptistery opposite cathedral;</li><li><strong>8 sides</strong> traditional for baptistery: rebirth; world began on 8th day following creation, Christ resurrected on 8th day of the Passion</li><li><strong>Green </strong>and <strong>white marble </strong>typical of Romanesque in Italy; geometric</li><li><strong>Triple arches</strong> classical in proportion, detail (center of Italian Renaissance; haven’t really lost ties to classicism)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cbb2999d3f5885fe1d60600e7e51253a/image.png" />
         <pubDate>2023-03-16 00:53:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518553794</guid>
      </item>
      <item>
         <title>Germany</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518554022</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-16 00:54:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518554022</guid>
      </item>
      <item>
         <title>Reconstruction of interior of Speyer cathedral, Germany. ca. 1030–61 (after Conant)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518555963</link>
         <description><![CDATA[<ul><li>What’s wrong with this Romanesque cathedral?</li><li><strong>Original church had flat</strong>, trussed wooden roof; problem with barrel vaults was that they didn’t allow for much light; where clerestory sits was where they needed more support (at springing)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ae00c1f154a39861b15e98a50caca746/image.png" />
         <pubDate>2023-03-16 00:55:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518555963</guid>
      </item>
      <item>
         <title>Interior, Speyer cathedral. ca. 1030–61; vaulted ca. 1080–1106</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518556581</link>
         <description><![CDATA[<ul><li>1080 <strong>Rebuilt </strong>using groin vaults (one of first) allows a lot of light; channeled thrust onto 4 corners; allowed for open space under each arch (windows) without diminishing strength of vault</li><li><strong>Breakthrough </strong>in building technology (on large scale—already knew how to do it); but daring on this scale)</li><li>One of <strong>earliest </strong>fully vaulted Romanesque churches in Europe</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e8a9f6a9b6dac1e0226e4a61f718ab8d/image.png" />
         <pubDate>2023-03-16 00:56:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518556581</guid>
      </item>
      <item>
         <title>Vault forms: (a) arch; (b) barrel vault; (c) groin vault; (d) ribbed groin vault; (e) dome</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518557394</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cd7eeb3f916f16d873ab20f35d0ce96a/image.png" />
         <pubDate>2023-03-16 00:57:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518557394</guid>
      </item>
      <item>
         <title>Speyer cathedral. ca. 1030–61; vaulted ca. 1080–1106</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518557685</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4643a0da863f84f111a8f6b816ee8352/image.png" />
         <pubDate>2023-03-16 00:57:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518557685</guid>
      </item>
      <item>
         <title>Normandy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518558166</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-16 00:57:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518558166</guid>
      </item>
      <item>
         <title>Bayeux, France</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518558728</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c4e023e5e37fce53882c8df4f6a8217e/image.png" />
         <pubDate>2023-03-16 00:58:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518558728</guid>
      </item>
      <item>
         <title>Bayeux Tapestry. ca. 1066–83</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518559914</link>
         <description><![CDATA[<ul><li>Not really tapestry but embroidery on linen;&nbsp;</li><li><strong>230 feet long</strong>; continuous narrative; records events leading up to 1066, when William the Conqueror of Normandy (<strong>France</strong>) conquered England (claimed the throne at death of King Edward the Confessor)</li><li><strong>Harold </strong>(Anglo-Saxon earl) and William (duke in Normandy) both thought they had right to the throne</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0a815a628c3cf5f35abdd3eb45cb72a8/image.png" />
         <pubDate>2023-03-16 00:59:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518559914</guid>
      </item>
      <item>
         <title>Crowds Gaze in Awe at a Comet as Harold Is Told of an Omen, detail of the Bayeux Tapestry. ca. 1066–83</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518561674</link>
         <description><![CDATA[<ul><li><strong>Bayeux</strong>=The Bayeux Tapestry: Seven Ages of Britain (4:57)*<ul><li>Not really tapestry but embroidery on linen;&nbsp;</li><li><strong>230 feet long</strong>; continuous narrative; records events leading up to 1066, when William the Conqueror of Normandy (France) conquered England (claimed the throne at death of King Edward the Confessor)</li></ul></li><li><strong>Harold </strong>(Anglo-Saxon earl) and William (duke in Normandy) both thought they had right to the throne<ul><li>An <strong>aide </strong>announced to <strong>Harold </strong>(with crown—English nobles gave him crown but he had promised allegiance to William) the appearance of bright star</li></ul></li><li>“These men marvel at the star” (Haley’s comet appeared in 1066 soon after Harold’s coronation; prophetic significance</li><li><strong>Boats below</strong>: Normans preparing to cross the English Channel--foreshadowing</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c3f3b350eecee60282f4a085cbf4a4eb/image.png" />
         <pubDate>2023-03-16 01:00:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518561674</guid>
      </item>
      <item>
         <title>The Battle of Hastings, detail of the Bayeux Tapestry. ca. 1066–83 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518563173</link>
         <description><![CDATA[<ul><li><strong>626 human figures</strong></li><li><strong>Historical event</strong>—Roman idea (like column of Trajan)<ul><li>Figures tall, thin, weightless</li><li>Energy, movement (somersaulting horses), detail, linear clarity</li></ul></li><li>Who <strong>embroidered</strong>?&nbsp;<ul><li>Credited to English needlewomen, famous during Middle Ages for their skills</li><li>Combines narrative and ornament (top and bottom margins; like manuscripts)</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e5d1ad552c7e46daecf9393ebaad2d38/image.png" />
         <pubDate>2023-03-16 01:01:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518563173</guid>
      </item>
      <item>
         <title>Nave (looking east), Durham cathedral</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518564873</link>
         <description><![CDATA[<ul><li><strong>Durham</strong>=Durham Cathedral (8:00; watch 5:20-about 7)</li><li><strong>Norman </strong>church surrounded by natural moat of the Wear River near Scotland border of England</li><li>One of the largest <strong>medieval churches </strong>in Europe; <strong>3-story nave</strong></li><li><strong>Compound piers </strong>rise up to ribbed groin structure; decorated with chevrons, diamonds, and spirals; cushion shaped capitals (all originally painted)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</li><li><strong>Ribbed groin vaulting </strong>new; earliest use over 3-story nave</li><li><strong>Ribs </strong>provided stable skeleton for the groin vault; could make stonework in between lighter</li><li><strong>Outer wall</strong>: buttresses to support weight (see next slide)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f9e9894b3f0b250174219aa70ea83bb2/image.png" />
         <pubDate>2023-03-16 01:02:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518564873</guid>
      </item>
      <item>
         <title>Plan of Durham cathedral, England. 1093–1130 (after Conant)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518565991</link>
         <description><![CDATA[<ul><li><strong>New</strong>: ribbed groin vaulting (dotted line on plan)</li><li><strong>7 sections </strong>formed by 2 x’s</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8a84a770a0be3203c179ea3f0d27c88d/image.png" />
         <pubDate>2023-03-16 01:03:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518565991</guid>
      </item>
      <item>
         <title>Transverse section of Durham cathedral (after Acland)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518566585</link>
         <description><![CDATA[<ul><li><strong>Quadrant arch</strong>; buttressing made possible to span larger spaces, taller</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1d7546216041b4f6e0d815253a77e220/image.png" />
         <pubDate>2023-03-16 01:04:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518566585</guid>
      </item>
      <item>
         <title>West façade of Saint-Étienne, Caen, France. Begun 1068</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518568125</link>
         <description><![CDATA[<ul><li>Begun by <strong>William </strong>of <strong>Normandy </strong>(the Conqueror) in 1068; buried there in 1087</li><li><strong>Westwork</strong>: imperial church</li><li><strong>Vertical thrust </strong>starting with 4 buttresses, then towers; 3 vertical sections (groups of threes throughout; find them)</li><li>No <strong>portal decoration </strong>like most Romanesque churches</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/85826c2568a364307ddb3bbf8078250e/image.png" />
         <pubDate>2023-03-16 01:05:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518568125</guid>
      </item>
      <item>
         <title>Plan of abbey church of Saint-Étienne, Caen, France. Begun 1068</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518569172</link>
         <description><![CDATA[<ul><li>Founded by William the Conqueror after invasion of England in 1066; took over 100 years to complete</li><li><strong>Normandy</strong>: NW France; Normans=Norsemen=Vikings</li><li><strong>Ribbed groin vaults</strong>; from Durham Cathedral; now six sections (sexpartite groin vault)with simple ribs; has a lighter, airier feel&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6056fd48975ea99e9bd4226208b9afd2/image.png" />
         <pubDate>2023-03-16 01:06:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518569172</guid>
      </item>
      <item>
         <title>Nave of Saint-Étienne, Caen, France. Vaulted ca. 1115–20</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518569879</link>
         <description><![CDATA[<ul><li>Originally had a <strong>wooden roof</strong>; replaced around 1120 with ribbed groin vault</li><li><strong>Compound piers </strong>soar all the way up and flow into Ribbed groin vaults; sexpartite (6 parts); ribs compose a structural skeleton that supports paneling between them</li><li><strong>Airy lightness</strong>; able to put in clerestory level above gallery</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a2bbf207bfa956084a5bbd6bf8046076/image.png" />
         <pubDate>2023-03-16 01:06:49 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2518569879</guid>
      </item>
      <item>
         <title>An object a day #26: The Bayeux Tapestry </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2519839313</link>
         <description><![CDATA[<ol><li>The Bayeux Tapestry is over 200 feet long and tells the story of<ol><li><strong>the Battle of Hastings</strong></li></ol></li></ol>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/62d4611c1281e92a79e166e61f3d84ec/images.jpg" />
         <pubDate>2023-03-16 18:21:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2519839313</guid>
      </item>
      <item>
         <title>Periods and styles</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524000181</link>
         <description><![CDATA[<ul><li>Early Gothic</li><li>High Gothic</li><li>Rayonnant Style</li><li>Gothic Courtly Style</li><li>Gothic outside of France</li></ul><div>Gothic period started at one church with one man</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-20 17:28:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524000181</guid>
      </item>
      <item>
         <title>Early Gothic</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524000774</link>
         <description><![CDATA[<div>Gothic period started at one church with one man <br><strong>&nbsp;(Abbot Suger)<br></strong>&nbsp;. . . at one church<br><strong>&nbsp;(St. Denis in Paris).<br>1144 (When it starts) </strong>is the magic date…</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-20 17:28:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524000774</guid>
      </item>
      <item>
         <title>West façade of abbey church of Saint-Denis. ca. 1137–40</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524003734</link>
         <description><![CDATA[<ol><li>St. Denis served as the burial place for the French royal family.<ol><li><strong>true</strong></li></ol></li><li>Which of the following is NOT true of the church of St. Denis?<ol><li>A<strong>bbot Suger used rounded arches to achieve his desired effects in the ambulatory and choir</strong></li></ol></li><li>Pointed arches allowed for<ol><li><strong>Thinner </strong>supports that did not need as much buttressing, allowing for the creation of a more <strong>elegant space</strong></li></ol></li><li>The increased use of stained glass created a space inside the church that medieval people would have described as<ol><li><strong>heavenly</strong></li></ol></li></ol><ul><li><strong>3 portals</strong> larger with more decoration&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4d6053c0140e1a791ce4ca62b4b950ac/image.png" />
         <pubDate>2023-03-20 17:30:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524003734</guid>
      </item>
      <item>
         <title>Ambulatory of abbey church of Saint-Denis</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524005275</link>
         <description><![CDATA[<ol><li>Developments in Gothic architecture include each of the following EXCEPT<ol><li><strong>. Barrel vaults</strong></li></ol></li><li>does have<ol><li>Stained glass windows</li><li>Groin vaulting</li><li>Pointed arches</li></ol></li></ol><ul><li><strong>Saint</strong>=Smarthistory: Birth of the Gothic (5:17)*</li><li>open! Continuous space outlined by slender arches, ribs, and columns</li><li><strong>Pointed</strong> <strong>arch </strong>could be stretched to reach any desired height regardless of the width of its base; more flexible</li><li><strong>Light in two ways</strong>; looked light in weight and let in light of the sun<ul><li><strong>Allowed </strong>for more stained glass</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c4156eeb7527b311f2e1a8ba017e1553/image.png" />
         <pubDate>2023-03-20 17:31:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524005275</guid>
      </item>
      <item>
         <title>Plan of the choir and ambulatory, abbey church of Saint-Denis, France. 1140–44 (Peter Kidson)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524008579</link>
         <description><![CDATA[<ul><li><strong>Gothic period started </strong>with one man at one church</li><li><strong>St. Denis in Paris</strong>: St. Denis was medieval bishop who was a martyr by <strong>beheading</strong>; his remains in crypt in basement</li><li><strong>Important Carolingian church</strong>; where Charlemagne and his father were consecrated as kings</li><li><strong>Abbot Suger </strong>wanted to make it spiritual center of France and to form alliance between the French monarchy and the Church; remodeled church to make bigger and grander</li><li><strong>New geometric order</strong>: 7 wedge-shaped units fan out from apse center; chapels not separate but continuous space&nbsp;</li><li><strong>Ambulatory</strong>: new—one big open space; dedicated June 11, 1144; concern with light; raise our minds from slime of earth to heavenly Jerusalem</li><li><strong>Light in two ways</strong>; looked light in weight and let in light of the sun (allowed for more stained glass)</li><li>Supporting <strong>buttresses between chapels </strong>(look like arrows) support outward pressure of vaults; interior appears light and airy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ab01439d964bb94c6234b1ddcd70e979/image.png" />
         <pubDate>2023-03-20 17:34:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524008579</guid>
      </item>
      <item>
         <title>Jamb statues, west portal of cathedral of Notre-Dame, Chartres</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524021568</link>
         <description><![CDATA[<ol><li>What is NOT true about these jamb statues at Notre-Dame, Chartres?<ol><li><strong>D. The artist was not skilled enough to create naturalistic figures.</strong></li></ol></li><li>they are<ol><li>The figures are elongated and the folds of the drapery are stylized.</li><li>The figures seem weightless and appear to float.</li><li>the artist emphasized the spiritual rather than physical qualities of these figures.</li></ol></li></ol><ul><li><strong>Jamb</strong>=representation of human body in western art* (to 5:11)</li><li><strong>South portal </strong>with Second Coming of Christ on tympanum, church of Saint-Pierre, Moissac. ca. 1115–30 (not too much earlier)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/5279405b57746885a5358b70f367090b/image.png" />
         <pubDate>2023-03-20 17:42:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524021568</guid>
      </item>
      <item>
         <title>Nave of cathedral of Notre-Dame, Laon, France. ca. 1160–1210</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524030616</link>
         <description><![CDATA[<div><strong>Another Notre-Dame</strong></div><ol><li>The architect of Chartres Cathedral created a new three-part elevation made up of all of the following parts EXCEPT<ol><li><strong>gallery</strong></li></ol></li><li>does have<ol><li>triforium</li><li>arcade</li><li>clerestory</li></ol></li></ol><ul><li>&nbsp;<strong>Comparison</strong>: Santiago de Compostela</li><li><strong>First church </strong>to be built in gothic style from the beginning; example of Early Gothic interior (since interior of Chartres destroyed by fire in 1194)</li><li><strong>4-part nave elevation</strong>: nave arcade, gallery, triforium, clerestory (all present in Romanesque architecture but never all together in the same building)</li><li><strong>Stacking lightens </strong>the weight of the walls</li><li><strong>rhythm</strong>: 1 pointed arch in arcade, 2 in gallery, 3 in triforium</li><li><strong>Light</strong>: directly in clerestory, indirectly in gallery and triforium</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9481a3aa734d27cecb26fc57ec1fd781/image.png" />
         <pubDate>2023-03-20 17:48:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524030616</guid>
      </item>
      <item>
         <title>Cathedral of Notre-Dame, Chartres (from the south)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524035034</link>
         <description><![CDATA[<ol><li>Which of the following is NOT true about the Cathedral of Notre Dame de Chartres?<ol><li><strong>The architect used rounded arches, thick walls, and massive piers to support the weight of the building internally.</strong></li></ol></li><li>it is&nbsp;<ol><li>This Gothic church is full of symbols. An important symbol in this church is the light, which was seen as a symbol of divine presence.</li><li>Gothic architects tried to maximize the space for stained glass windows. The development of rib vaults and flying buttresses made this easier.</li><li>The Gothic features of the cathedral emphasized the idea that the building was a divine and heavenly space.</li></ol></li></ol><ul><li><strong>Buttresses </strong>on <strong>outside</strong>, not inside; flying buttresses bridge critical spots of outward thrust; also resist wind pressure on high-pitched roof</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0d7fa0119500fe9ebb3dfb250d33e3ed/image.png" />
         <pubDate>2023-03-20 17:51:07 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524035034</guid>
      </item>
      <item>
         <title>High Gothic</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524035869</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-20 17:51:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524035869</guid>
      </item>
      <item>
         <title>Notre-Dame de Pariscathedral, Paris, France around  1345</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524041250</link>
         <description><![CDATA[<ol><li>The projecting structures in the foreground of this photograph are called<ol><li><strong>Flying buttresses</strong></li></ol></li></ol><div>How about this cathedral?</div><ul><li><strong>Point out</strong>: westwork, crossing tower, transept, flying buttresses</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/38ab0f8f095f1cedca0169c5541e5db6/image.png" />
         <pubDate>2023-03-20 17:55:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524041250</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524045147</link>
         <description><![CDATA[<ol><li>St. Denis served as the burial place for the French royal family.&nbsp;<ol><li><strong>true</strong></li></ol></li><li>Which of the following is NOT true of the church of St. Denis?<ol><li><strong>Abbot Suger used rounded arches to achieve his desired effects in the ambulatory and choir.</strong></li></ol></li><li>Which of the following is true of the church of St. Denis?<ol><li>Abbot Suger updated the earlier ninth century church at St. Denis.</li><li>Abbot Suger designed the outer wall of the ambulatory to contain many windows to allow significantly more light into the ambulatory and choir.&nbsp;</li><li>During the twelfth century, the power of the French kings was expanding and Abbot Suger wanted to create a style that would express the growing power of the monarchy. <strong><br></strong><br></li></ol></li></ol>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-20 17:57:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524045147</guid>
      </item>
      <item>
         <title>West façade of cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (Left spire is from 16th century)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524047014</link>
         <description><![CDATA[<ol><li>The stained glass in Chartres Cathedral reflected the new Gothic focus on<ol><li><strong>Light and geometry&nbsp;</strong></li></ol></li><li>In Gothic architecture, light was a symbol for . . .<ol><li><strong>The divine</strong></li></ol></li><li>Which relic gave spiritual power and brought pilgrims to the cathedral?<ol><li><strong>A tunic from the Virgin Mary</strong></li></ol></li><li>The architect of Chartres Cathedral created a new three-part elevation made up of all of the following parts EXCEPT . . .<ol><li><strong>radiating chapels</strong></li></ol></li><li>The architect of Chartres Cathedral created a new trend in Gothic cathedrals by including all of the following EXCEPT . . .<ol><li><strong>flat wooden roof</strong></li></ol></li><li>Which of the following is not true about the Cathedral of Notre Dame de Chartres?<ol><li><strong>The architect used rounded arches, thick walls, and massive piers to support the weight of the building internally.</strong></li></ol></li></ol><ul><li><strong>Notre</strong>=Part 1: Cathedral of Notre Dame de Chartres (5:51)</li><li>Bishop of Chartres friend of Abbot Suger; shared ideas</li><li><strong>West façade </strong>always last to be built; Romanesque building with Gothic western façade</li><li><strong>Notre Dame</strong>=our lady (of Chartres); dedicated to Mary (height of cult of Mary); relic: cloak worn by Mary—not destroyed by fire (miracle) in 1194</li><li>Most of church burned down <strong>except western </strong>façade; rebuilt as high Gothic</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b616300ccdc59f91a335243c4d727d82/image.png" />
         <pubDate>2023-03-20 17:58:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524047014</guid>
      </item>
      <item>
         <title>Plan of cathedral of Notre-Dame (as rebuilt after 1194), Chartres</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524050941</link>
         <description><![CDATA[<ol><li>The stained glass in Chartres Cathedral reflected the new Gothic focus on<ol><li><strong>Light, and Geometry</strong></li></ol></li><li>In Gothic architecture, light was a symbol for . . .<ol><li><strong>The Divine</strong></li></ol></li><li>Which relic gave spiritual power and brought pilgrims to the cathedral?<ol><li><strong>&nbsp;A tunic from the Virgin Mary</strong></li></ol></li><li>The architect of Chartres Cathedral created a new three-part elevation made up of all of the following parts<br>EXCEPT . . .<ol><li><strong>gallery&nbsp;</strong></li></ol></li><li>The architect of Chartres Cathedral created a new trend in Gothic cathedrals by including all of the following<br>EXCEPT . . .<ol><li><strong>Flat wooden roof</strong></li></ol></li><li>Which of the following is not true about the Cathedral of<br>Notre Dame de Chartres?<ol><li><strong>The architect used rounded arches, thick walls, and massive piers to support the weight of the building internally.</strong></li></ol></li></ol><ul><li><strong>x's</strong>- stand for groin vaults&nbsp;</li><li><strong>Plan</strong>=Notre Dame part 2 (3:24)</li><li>Church <strong>burned down </strong>in <strong>1194 </strong>(except western part); rebuilt the rest as high Gothic; built in <strong>26 years </strong>(very fast); interpreted as will of the Virgin to build a new and more glorious cathedral; that the west end and relic (tunic) were spared also seen as miraculous</li><li><strong>Transept </strong>more in center; clustered piers</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a3df75e443f179ae997d34659213749a/image.png" />
         <pubDate>2023-03-20 18:01:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524050941</guid>
      </item>
      <item>
         <title>similarities</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524053395</link>
         <description><![CDATA[<div>They both:</div><ul><li>religious</li><li>have pediments</li><li>have columns&nbsp;</li><li>care about the golden section<ul><li>mathematical proportions </li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ba7f2393877722abdc3c5a8c62adf588/image.png" />
         <pubDate>2023-03-20 18:03:35 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524053395</guid>
      </item>
      <item>
         <title>Nave and choir of cathedral of Notre-Dame, Chartres. ca. 1194–1220</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524053990</link>
         <description><![CDATA[<div><strong>triforium- </strong></div><ol><li>a gallery or arcade above the <a href="https://www.google.com/search?sxsrf=AJOqlzVkw-UyTW01xhex_bUoR_b4jbKifg:1679335621296&amp;q=arches&amp;si=AEcPFx5wn31H4NEqJJOA5dASiILLjSkQpI08TTgMS6XPhlLI56ywCIVcvMAcNUFRQHQUZLOEAozjtdV9N3fEAisHGmbH8ve8mg%3D%3D&amp;expnd=1">arches</a> of the <a href="https://www.google.com/search?sxsrf=AJOqlzVkw-UyTW01xhex_bUoR_b4jbKifg:1679335621296&amp;q=nave&amp;si=AEcPFx4MB0HEa5vpFzuotH3Idj8y8_BPZYbNxea5tH-we7l1XdbWfmVNyvNYm1iGezxTRIY3S5ZOENQEhi1ISpFUxpm37ehNXQ%3D%3D&amp;expnd=1">nave</a>, choir, and <a href="https://www.google.com/search?sxsrf=AJOqlzVkw-UyTW01xhex_bUoR_b4jbKifg:1679335621296&amp;q=transepts&amp;si=AEcPFx5T0KBURMkmkHI1zFBnn9YqJlLP5jymX9oRICq1gxqL5Lv0K6Mou_OIVsW8s9ifzzFehkIH4DrUab5O3DY7GCIBAVxIsA%3D%3D&amp;expnd=1">transepts</a> of a church.</li></ol><div><br><strong>3 part nave elevation</strong>; what’s missing? (<strong>gallery</strong></div><div>Feeling of more <strong>vertical continuity</strong></div><div><strong>Shafts attached </strong>to the piers stress continuity of vertical lines; guide our eyes upward to the vaults</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/695cbfa8a954f22b0878e2a032d98d98/image.png" />
         <pubDate>2023-03-20 18:04:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524053990</guid>
      </item>
      <item>
         <title>Transverse section of cathedral of Notre-Dame, Chartres (after Acland)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524059944</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9d674b31a4e7a3bf23730216c4c7a05d/image.png" />
         <pubDate>2023-03-20 18:08:04 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524059944</guid>
      </item>
      <item>
         <title>West portal (Royal Portal) of cathedral of Notre-Dame, Chartres. ca. 1145–50</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524063735</link>
         <description><![CDATA[<ul><li>Example of <strong>early Gothic sculpture</strong>; jamb statues tall, thin, part of column; not twisty like Romanesque</li><li>Jamb statues <strong>link 3 portals together</strong>: prophets, kings, and queens of Bible; imply that rulers of France are their spiritual descendants; expresses harmony of spiritual and secular rule</li><li>What are animals around Christ?&nbsp;<ul><li>Symbols of 4 evangelists&nbsp;</li></ul></li><li>Like Romanesque?<ul><li>But calm and comforting rather than dramatic and unsettling</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/00d7b70e02ec225382239a6590405373/image.png" />
         <pubDate>2023-03-20 18:10:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524063735</guid>
      </item>
      <item>
         <title>Jamb statues, west portal of cathedral of Notre-Dame, Chartres</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524066489</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Jamb</strong>=representation of human body in western art* (to 5:11)</li><li><strong>South portal with Second Coming of Christ on tympanum, church of Saint-Pierre, Moissac. ca. 1115–30 (not too much earlier)</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/88b37ca9e3bc7aa403419dcd7024e784/image.png" />
         <pubDate>2023-03-20 18:12:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524066489</guid>
      </item>
      <item>
         <title>Portals, north transept of cathedral of Notre-Dame, Chartres. ca. 1204–30</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524069787</link>
         <description><![CDATA[<div><strong>Notre</strong>=Smarthistory Part 3: Cathedral of Notre Dame de Chartres (9:04) (<strong>flying buttresses </strong>and <strong>portal</strong>)</div><ul><li><strong>Transept </strong>arms</li><li><strong>3 deeply recessed portals</strong>; 5 lancets (tall, narrow windows with pointed arch); 1 immense rose window (<strong>bar tracery </strong>window; no longer cut out of wall)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7baac74f385c202047d533e4db50d8a7/image.png" />
         <pubDate>2023-03-20 18:14:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524069787</guid>
      </item>
      <item>
         <title>Coronation of the Virgin (tympanum); Dormition and Assumption of the Virgin (lintel), north portal of cathedral of Notre-Dame, Chartres. ca. 1210</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524072115</link>
         <description><![CDATA[<ul><li><strong>Central portal</strong>; Mary takes center scene (growing importance of cult of the Virgin: looked to her as mediator between us and Christ)</li><li><strong>1204 cathedral </strong>received head of Mary’s mother, St. Anne; along with tunic, gave Chartres high status<ul><li><strong>Lower</strong>: death of Mary, ascension of Mary</li><li><strong>Upper</strong>: Mary being crowned</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/77839651bcb8162cd11dbe086c99aac9/image.png" />
         <pubDate>2023-03-20 18:15:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524072115</guid>
      </item>
      <item>
         <title>Jamb statues, south transept portal of cathedral of Notre-Dame, Chartres. ca. 1215–20. Left-most figure (St. Theodore) ca. 1230</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524073746</link>
         <description><![CDATA[<ul><li><strong>Sculpture </strong>changing from west portals (see next slide)</li><li><strong>Old Testament </strong>Prophets</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/357e95c804734646cf03e595651752aa/image.png" />
         <pubDate>2023-03-20 18:16:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524073746</guid>
      </item>
      <item>
         <title>West portal, 1150 and South portal, 1220</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524076338</link>
         <description><![CDATA[<ul><li>Difference?&nbsp;<ul><li>Not nearly as attached to column</li></ul></li><li><strong>Fuller bodies</strong>, more human proportions, less decoration on background, drapery less stylized<ul><li><strong>Right slide</strong>: which is latest? Theodore (10-20 years later); feet stand on horizontal platform, shoulders wider, almost contrapposto; more animated; more organic structure</li></ul></li></ul><div>Also sense of <strong>serenity </strong>and <strong>balance</strong></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/448512cd488bf184745696edcec9aa6b/image.png" />
         <pubDate>2023-03-20 18:18:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524076338</guid>
      </item>
      <item>
         <title>North transept of cathedral of Notre-Dame, Chartres</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524078828</link>
         <description><![CDATA[<div><strong>Notre</strong>=Part 2: Cathedral of Notre Dame de Chartres</div><ul><li><strong>landsat window</strong></li><li>Best example of stained glass windows; still has most of its 180+ original windows</li><li><strong>Transforms light </strong>(Byzantine mosaics reflected light)</li><li><strong>Ethereal light </strong>dissolves physical solidity of church; merges temporal world with divine world; creates mystical experience for worshiper</li><li><strong>colored glass </strong>held together by lead caning; also painting on glass (faces)</li><li><strong>1939</strong>: locals took stained glass windows out of cathedral and put in a salt mine to preserve during WWII</li><li><strong>Rose windo</strong>w; virgin underneath in center</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/92f597fd9cebcc77ce06faf12b399d88/image.png" />
         <pubDate>2023-03-20 18:20:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524078828</guid>
      </item>
      <item>
         <title>Notre Dame de la Belle Verrière, cathedral of Notre-Dame, Chartres. ca. 1170 (framing panels are 13th century</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524079958</link>
         <description><![CDATA[<div>“Our Lady of the Beautiful Window”</div><div>Assembled with small pieces of glass like mosaic in lead strips; accentuates pattern and decorative effect (like animal style)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7fedbcf91962610362e486625f1c3778/image.png" />
         <pubDate>2023-03-20 18:21:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524079958</guid>
      </item>
      <item>
         <title>Notre Dame de la Belle Verrière (detail), cathedral of Notre-Dame, Chartres. ca. 1170 (framing panels are 13th century)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524081137</link>
         <description><![CDATA[<div>Box Ch 12 - Det of 12.18</div><div>Painting with glass and painting on glass (<strong>face</strong>, <strong>drapery</strong>)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/09b5057f8ee954e3355542d5d26bd15d/image.png" />
         <pubDate>2023-03-20 18:21:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524081137</guid>
      </item>
      <item>
         <title>What were some purposes for stained glass windows?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524086617</link>
         <description><![CDATA[<ul><li>To beautify the church</li><li>To teach the scriptures</li><li>To light the church</li><li>To transform the material stone into immaterial</li><li>To transport the viewer to “the heavenly Jerusalem”</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-20 18:25:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524086617</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524087488</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4abcf96ee30921852d11f277f99ecc61/image.png" />
         <pubDate>2023-03-20 18:26:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524087488</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524087803</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b17042b60c48c268df684213750cb719/image.png" />
         <pubDate>2023-03-20 18:26:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524087803</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524088213</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/878c66df8d3a8d09e57db2320ccea985/image.png" />
         <pubDate>2023-03-20 18:26:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524088213</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524090019</link>
         <description><![CDATA[<ul><li>What were the <strong>purposes </strong>of stained glass windows?<ul><li>&nbsp;Light, to instruct, to decorate, to transform (to raise; make heavenly)</li></ul></li><li>What’s going on here?&nbsp;<ul><li><strong>Good Samaritan Window</strong>: bottom to top: Christ gives the parable; man sets out of Jerusalem (holy city); thieves strip and beat him; Levite and priest don’t help</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c0056d09c7ce724c3feeccabd0c6e384/image.png" />
         <pubDate>2023-03-20 18:28:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524090019</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524090725</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/73daced51256466c88ef5b03faee4e4c/image.png" />
         <pubDate>2023-03-20 18:28:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524090725</guid>
      </item>
      <item>
         <title>Good Samaritan helps pilgrim; promises to return; above: creation of Adam and Eve, Garden of Eden</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524091105</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c4d9ff37530e600cfa8363ab5ea96ffe/image.png" />
         <pubDate>2023-03-20 18:28:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524091105</guid>
      </item>
      <item>
         <title>John Welch, “The Good Samaritan: Forgotten Symbols,” Ensign, February 2007</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524092546</link>
         <description><![CDATA[<div><br>“The man who was going down is Adam. Jerusalem is paradise, and Jericho is the world. The robbers are hostile powers. The priest is the Law, the Levite is the prophets, and the Samaritan is Christ. The wounds are disobedience, the beast is the Lord’s body, the [inn], which accepts all who wish to enter, is the Church. … The manager of the [inn] is the head of the Church, to whom its care has been entrusted. And the fact that the Samaritan promises he will return represents the Savior’s second coming.” (The Samaritan also pays in advance for any more debts concurred; Christ has paid in advance for our sins) <a href="https://www.lds.org/ensign/2007/02/the-good-samaritan-forgotten-symbols?lang=eng%23footnote4-27902_000_011">4</a></div><div><br>FEBRUARY 2007 THE GOOD SAMARITAN: FORGOTTEN SYMBOLS</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cb972ec49dbd7a308efd1fe2d8b1fbbf/image.png" />
         <pubDate>2023-03-20 18:29:44 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2524092546</guid>
      </item>
      <item>
         <title>West façade of cathedral of Notre-Dame, Paris. ca. 1200–50</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527550039</link>
         <description><![CDATA[<ul><li><strong>Emphasis </strong>on <strong>harmony</strong>, geometric order, and proportion (relation to divine; all things measured)</li><li><strong>Façade </strong>still <strong>heavy </strong>but lightened by lace-like stonework everywhere and window perforations</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/55165c815cf59e39fe4f305a618a0510/image.png" />
         <pubDate>2023-03-22 17:29:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527550039</guid>
      </item>
      <item>
         <title>Nave of cathedral of Notre-Dame, Paris</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527553288</link>
         <description><![CDATA[<ol><li>Each of the following was an innovation used in Gothic churches EXCEPT<ol><li><strong>Concrete walls</strong></li></ol></li></ol><ul><li><strong>Notre Dame</strong>, June 2017</li><li><strong>3-part nave elevation:</strong> nave arcade, gallery, clerestory</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9db730fa5de0bd0a15565193d670950c/image.png" />
         <pubDate>2023-03-22 17:31:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527553288</guid>
      </item>
      <item>
         <title>Gargoyles at Notre Dame</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527554783</link>
         <description><![CDATA[<ul><li><strong>Gargoyles </strong>at Notre Dame, <strong>Paris </strong>(2 functions: ward off evil spirits, used for drainspouts)<ul><li>apotropaic device&nbsp;<ul><li>ward off evil spirits </li></ul></li><li>scare people into repentance</li><li>water spouts&nbsp;</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7a7a7a6eb1881269e7a54df7d02489d8/image.png" />
         <pubDate>2023-03-22 17:32:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527554783</guid>
      </item>
      <item>
         <title>Comparison of nave elevations in same scale (after Grodecki)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527557627</link>
         <description><![CDATA[<div><strong>Comparison</strong>=David Macaulay, Gothic Cathedral (6:05)</div><ul><li>Gallery higher in proportion</li><li>Width narrower in proportion to height</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f2cc2825d3f2ac023b3fda962215ae4d/image.png" />
         <pubDate>2023-03-22 17:34:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527557627</guid>
      </item>
      <item>
         <title>Nave and side aisle of cathedral of Notre-Dame, Amiens</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527564704</link>
         <description><![CDATA[<ol><li>The nave elevation of the cathedral of Notre-Dame in Laon, France consists of the following parts EXCEPT<ol><li>Gallery</li></ol></li></ol><ul><li><strong>Breathtaking height</strong>—144 feet (<strong>holy number</strong>); stretching everything to limits; height and lightness of supports; emphasis on verticality and translucency</li></ul><div><br>See height comparison next slide</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1ccb2a7f93be19b060899778c266de17/image.png" />
         <pubDate>2023-03-22 17:39:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527564704</guid>
      </item>
      <item>
         <title>Cathedral of Notre-Dame, Reims, 1211-1345</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527567077</link>
         <description><![CDATA[<ul><li><strong>Reims Cathedral </strong>the coronation cathedral of the kings of France; kings held court in Paris</li><li><strong>Façade physically light</strong>; where is tympanum?&nbsp;<ul><li>Replaced by rose window</li><li><strong>Pierced walls</strong>—full of light</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9d4e204ea73095cc4b02c0dcefb50b83/image.png" />
         <pubDate>2023-03-22 17:41:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527567077</guid>
      </item>
      <item>
         <title>West façade of cathedral of Notre-Dame, Paris. ca. 1200–50 Robert de Luzarches, Thomas de Cormont, and Renaud de Cormont. </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527568209</link>
         <description><![CDATA[<div><strong>Cathedral of Notre-Dame, Reims. Begun 1220</strong></div><ul><li><strong>Similar</strong>?&nbsp;<ul><li>Towers</li><li>&nbsp;portals, rose windows</li><li>tracery</li><li>lace work in stone</li><li>both westwork</li><li>both have 3 portals</li><li>have a nave and aisles&nbsp;</li></ul></li><li><strong>Different</strong>:&nbsp;<ul><li>everything points up!&nbsp;</li><li>More prominent points above archivolts</li><li>few horizontal lines;&nbsp;</li><li>pinnacles on everything</li><li>very elongated (every level is stretched)</li><li>&nbsp;2 rose windows on the second one instead of a tympanum&nbsp;</li><li>stronger and more elegant&nbsp;</li></ul></li><li><strong>Portals project </strong>outward instead of being recessed; gabled</li><li><strong>Gallery</strong> of statues raised to&nbsp; third level arcade<ul><li>Everything taller and narrower</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0eac66d9fee0ee414161fa6a78b4e5e3/image.png" />
         <pubDate>2023-03-22 17:41:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527568209</guid>
      </item>
      <item>
         <title>Annunciation and Visitation, west portal of cathedral of Notre-Dame, Reims. ca. 1230–65</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527589835</link>
         <description><![CDATA[<ul><li><strong>Not columns</strong>! Standing in front of columns on plinths</li><li>Annunciation on left<ul><li>&nbsp;<strong>Annunciation-&nbsp;</strong>the announcement of the Incarnation by the angel Gabriel to Mary (Luke 1:26–38).<ul><li>the church festival <a href="https://www.google.com/search?sxsrf=APwXEdcvt66VyVjgfYJo23Xc6VEuuq7WgQ:1680275445564&amp;q=commemorating&amp;si=AMnBZoEFBhyZNIanF2PLYT1JPeYeYLUw86ai_fs4zETsWyqxDp3NmKzb-8AtYadmnQHKLs9o4zV_qVsthAGsrTlM8jHhgylDiL6_5TX4nDY1ZvcSemUJYRQ%3D&amp;expnd=1">commemorating</a> this, held on March 25 (Lady Day).</li></ul></li><li>Gabriel talking to Mary to ay she will have Jesus</li></ul></li><li>&nbsp;and Visitation on the right<ul><li>Mary and her cousin Elizabeth&nbsp;</li><li>shows a bit of classical art<ul><li>drapery&nbsp;</li><li>contrapposto</li><li>have 2 simpler sculptures on the left and 2 complex on right<ul><li>3 sculptors &nbsp;</li></ul></li></ul></li></ul></li><li><strong>Visitation scene </strong>(right) energetic like Ebbo gospels (also in Reims); knees sticking out, drapery emphasizes bulk of bodies; more classical (possibility that they had Roman models—built over Roman baths)</li><li>actually tells a story, <strong>interaction</strong>; S-curve even more than St.Theodore from Chartres</li><li><strong>Left</strong>: different sculptors; not intended as a pair;&nbsp; Gabriel carved at least a decade after Mary (straight, tubular); Gabriel graceful, gentle, smaller head, sway, smile, strong S curve: “<strong>elegant style</strong>” or “<strong>court style</strong>”</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f3d66aaaac8abd66b6267a49356d80c2/image.png" />
         <pubDate>2023-03-22 17:57:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527589835</guid>
      </item>
      <item>
         <title>Cologne Cathedral, 1248-1880</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527595895</link>
         <description><![CDATA[<ul><li><strong>Cologne Cathedral </strong>1248-1880 (stopped construction in 1400’s for 400 years)—tallest Gothic cathedral</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f84a856046319a8f87a9d8bacc006204/image.png" />
         <pubDate>2023-03-22 18:01:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527595895</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527596490</link>
         <description><![CDATA[<div>made of stone</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2ff37469fce75dd33f46ef4b86ed91be/image.png" />
         <pubDate>2023-03-22 18:01:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527596490</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527597169</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1f731a9348d947b28cf670c0a4a7e7a2/image.png" />
         <pubDate>2023-03-22 18:02:30 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527597169</guid>
      </item>
      <item>
         <title>Rayonnant or Court Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527598368</link>
         <description><![CDATA[<ul><li><strong>Rayonnant</strong>- to radiate light</li><li><strong>Beauvais Cathedral </strong>in France; stone roof collapsed; cold feet and also lack of funds</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-22 18:03:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527598368</guid>
      </item>
      <item>
         <title>Sainte-Chapelle, Paris (from the southwest). 1241–48 (Rose window, late 15th century)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527601279</link>
         <description><![CDATA[<ul><li><strong>Tracery windows-&nbsp;</strong>an architectural device by which <strong><em>windows</em></strong> are divided into sections of various proportions by stone bars or ribs of moulding.</li><li><strong>Smaller scale </strong>after about <strong>1240</strong>; high expense, taxes to build monumental churches; Beauvais Cathedral in France stone roof collapsed; cold feet and also lack of funds</li><li>palace chapel--connected</li><li><strong>Under Louis </strong>IX (became St. Louis 30 years after death)</li><li><strong>Rayonnant Style</strong>— “to radiate light”; tracery that appeared first in rose windows is not all over building</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/84681bd6b4e380f1a7fb76a5c096b82e/image.png" />
         <pubDate>2023-03-22 18:05:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527601279</guid>
      </item>
      <item>
         <title>Interior of upper chapel, Sainte-Chapelle, Paris</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527617833</link>
         <description><![CDATA[<ul><li>All <strong>stained glass</strong>! No levels</li><li><strong>Elaborate </strong>setting for <strong>relics </strong>of part of the cross, the iron lance&nbsp;</li><li>the sponge (with vinegar)&nbsp;</li><li>and a nail</li><li><strong>Rich colors</strong>, gold—whole thing is like a reliquary</li><li><strong>Lancets </strong>emphasize verticality even though not as tall as before</li><li><strong>Spirituality </strong>made manifest through materials, decoration</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/869298bcb9ee8912188acdb984955fcd/image.png" />
         <pubDate>2023-03-22 18:16:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527617833</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527618635</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/372fe27751c7674710de1f0c6de28e6d/image.png" />
         <pubDate>2023-03-22 18:16:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527618635</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527619368</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c75fdb8d811f66bfb60b43d912adfd6a/image.png" />
         <pubDate>2023-03-22 18:17:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527619368</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527619607</link>
         <description><![CDATA[<ul><li>Stained glass windows became important in Gothic churches for each of the following reasons EXCEPT<ul><li>They helped support the stone ceilings</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c187aa4c4c2ba1e6b37659d35f2960a1/image.png" />
         <pubDate>2023-03-22 18:17:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527619607</guid>
      </item>
      <item>
         <title>Gothic Courtly Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527620518</link>
         <description><![CDATA[<div><br></div><ul><li>Corresponds with Rayonnant style\</li><li><strong>elegance&nbsp;</strong></li><li>when&nbsp;<strong>Gothic sway&nbsp;</strong>started </li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-22 18:18:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527620518</guid>
      </item>
      <item>
         <title>Blanche of Castile and King Louis IX of France, Bible of Saint Louis (Moralized Bible), France, probably Paris, c. 1227-34</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527623374</link>
         <description><![CDATA[<ul><li><strong>Blanche </strong>of <strong>Castile </strong>was the mother of King Louis IX (served as regent from the time he was 12-18)</li><li>Each figure is set against a <strong>ground </strong>of burnished gold, seated beneath a trefoil arch.</li><li><strong>Moralized bibles</strong>, made expressely for the French royal house, include lavishly illustrated abbreviated passages from the <a href="https://smarthistory.org/the-christian-bible-2/">Old and New Testaments</a>.&nbsp;<ul><li><strong>Explanatory texts </strong>that allude to historical events and tales accompany these literary and visual readings, which—woven together—convey a moral.</li></ul></li><li><strong>Below</strong>: cleric (tonsured head) dictating to an illuminator</li><li><strong>Scene echoes </strong>scenes of Virgin Mary and Christ enthroned side-by-side as celestial rulers of heaven</li><li><strong>Louis IX </strong>achieved the status of sainthood, awarded by Pope Bonifiace VIII 27 years after the king’s death</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/da6f3e8eac80a8393bcfddc52bc7b0ad/image.png" />
         <pubDate>2023-03-22 18:20:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2527623374</guid>
      </item>
      <item>
         <title>Melchizedek and Abraham, from the Psalter of St. Louis. 1253–70 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530761616</link>
         <description><![CDATA[<ul><li><strong>Abraham paying tithes </strong>to Melchizedek, but in Gothic chain mail, in front of Gothic cathedral<ul><li>(like statue in Reims Cathedral)</li></ul></li><li><strong>Abraham and troops</strong>: crusader armor (holy by association); Louis organized two crusades and died in one in Tunisia<ul><li><strong>Gold background</strong>; painted architecture modeled after Sainte-Chapelle; looks like niches</li><li><strong>Heavy dark outlines </strong>like stained glass (lead strips)</li><li>“<strong>court style</strong>”;“<strong>elegant style</strong>”: sway, graceful, smiling; exemplifies refined taste of the court art in Paris</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/463eed80c63e78c905f9e59c4538ec2e/image.png" />
         <pubDate>2023-03-24 17:50:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530761616</guid>
      </item>
      <item>
         <title>Jean Pucelle. The Betrayal of Christ (folio 15 verso) and Annunciation (folio 16 recto), from the Hours of Jeanne d’Évreux. 1324–28</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530762856</link>
         <description><![CDATA[<ul><li><strong>Book of hours</strong>=private prayer book; prayers for each unit of the day (became popular at this time)</li><li><strong>Vespers</strong>=evening prayers</li><li><strong>Jeanne d’Evreux </strong>queen of France</li><li><strong>Small</strong>—playing card size; fitting for private use</li><li>gray scale&nbsp;</li><li><strong><em>Grisaille-&nbsp;</em></strong>a painting executed entirely in shades of grey or of another neutral greyish colour.</li><li><strong>Early artist </strong>known! Kiss of Judas in grisaille; adds roundness to the forms<ul><li>sway &nbsp;</li></ul></li><li><strong>Mary inside home</strong>; spatial recession not seen in Europe before but held by angels (not ordinary abode)</li><li><strong>Droleries</strong>=playful border drawings, decoration (monkey, rabbit, squirrel); queen kneeling inside letter D meant to be Jeanne d’Evreux</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b3514f0205f92b4bbc07bf03372aff16/image.png" />
         <pubDate>2023-03-24 17:51:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530762856</guid>
      </item>
      <item>
         <title>Guillaume de Machaut. The Enchanted Garden, from Le Dit du Lion. 1350–55</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530763726</link>
         <description><![CDATA[<ul><li><strong>Secular book</strong>!</li><li>One of <strong>first true landscape </strong>paintings in Europe</li><li>Cool colors, flickering highlights, observation of plants and animals, some illusion of space</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f88bc44e05faf95a6d759853154cf748/image.png" />
         <pubDate>2023-03-24 17:52:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530763726</guid>
      </item>
      <item>
         <title>Virgin of Jeanne d’Évreux. 1339 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530764646</link>
         <description><![CDATA[<ul><li><strong>Freestanding </strong>sculpture! Portal sculpture not so common in Late Gothic</li><li><strong>Jeanne d’Evreux queen of France</strong>; sculpture commissioned by her (donated to Saint Denis) and a lot like Virgin in Hours of Jeanne d’Evreux by Pucelle!<ul><li>Sway, tender, elegant</li><li>Metalwork valued medium</li><li><strong>Drapery</strong>: vertical folds and curves play off each other</li></ul></li><li><strong>Mary </strong>holds fleur-de-lis, symbol of French royalty (associates Mary with queen)</li><li><strong>Passion </strong>of Christ on bottom</li><li>gilt</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ea26e1c09a625f57626dc77b60033ff2/image.png" />
         <pubDate>2023-03-24 17:53:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530764646</guid>
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      <item>
         <title>Virgin of Paris. Early 14th century. Stone. Cathedral of Notre-Dame, Paris</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530765339</link>
         <description><![CDATA[<ul><li><strong>Same sway</strong>; elegance becomes an end in itself; less interested in naturalism</li><li><strong>Disembodied</strong>?&nbsp;<ul><li>Sway doesn’t support body</li></ul></li><li>But <strong>naturalism </strong>in <strong>details</strong>: child plays with mother’s veil—more like a real child</li><li><strong>Graceful</strong>, expressive quality essence of Gothic art—not naturalism or classicism</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7ab77c56fb540896e234205433af2614/image.png" />
         <pubDate>2023-03-24 17:53:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530765339</guid>
      </item>
      <item>
         <title>Gothic outside of France</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530765634</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-03-24 17:54:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530765634</guid>
      </item>
      <item>
         <title>Salisbury cathedral (from the southwest) (spire ca. 1320–30)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530766390</link>
         <description><![CDATA[<ul><li><strong>1 huge </strong>transept tower instead of two west towers</li><li><strong>Cloister </strong>(usually with monastery)</li><li><strong>Lower </strong>and <strong>broader</strong>, but longer (long, low, sprawling look)</li><li><strong>Flying buttresses </strong>not really needed; just for show</li><li><strong>More spread out</strong>—park like</li><li><strong>Façade </strong>is wider than church; like a screen</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2b715ef037ec96ea1333a8224b1f9fa1/image.png" />
         <pubDate>2023-03-24 17:54:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530766390</guid>
      </item>
      <item>
         <title>Plan of Salisbury cathedral, England. 1220–65</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530767159</link>
         <description><![CDATA[<ul><li><strong>Double transept </strong>common in England</li><li><strong>Apse different</strong>: not round, no ambulatory (no relics or pilgrims)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ba112984f1373bc20b88a7368a2fbe1c/image.png" />
         <pubDate>2023-03-24 17:55:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530767159</guid>
      </item>
      <item>
         <title>Nave of Salisbury cathedral</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530767753</link>
         <description><![CDATA[<ul><li><strong>Shorter</strong>; column clusters don’t go all the way up the wall (less upward thrust)</li><li><strong>Horizontal </strong>divisions dominate</li><li><strong>Ribs rise </strong>all the way from triforium level; create steep curve, clerestory tucked in among vaults (like Durham Cathedral—now by choice)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3123a8c75788e2bae1bb94b844859508/image.png" />
         <pubDate>2023-03-24 17:56:12 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530767753</guid>
      </item>
      <item>
         <title>Choir of Gloucester cathedral, England. 1332–57</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530768410</link>
         <description><![CDATA[<ul><li><strong>Later English Gothic</strong>; Perpendicular style: vertical thrust</li><li><strong>Responds </strong>from floor to vault</li><li><strong>Vault</strong>: ornamental network that makes it look like one continuous surface; looks like canopy, unifies space</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a396490cffd9f357398c274d41e73f89/image.png" />
         <pubDate>2023-03-24 17:56:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530768410</guid>
      </item>
      <item>
         <title>Gloucester Cathedral(Cloisters)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530769272</link>
         <description><![CDATA[<ol><li>Fan vaulting became popular in Gothic churches in<ol><li>England</li></ol></li></ol><ul><li><strong>Cloisters </strong>with fan vaulted ceiling—used in Harry Potter</li><li><strong>Gloucester</strong>=Harry Potter and Gloucester Cathedral (4:30)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d2a3f3895e8ea4b318fff4ef3444da07/image.png" />
         <pubDate>2023-03-24 17:57:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530769272</guid>
      </item>
      <item>
         <title>Chapel of Henry VII, Westminster Abbey, London. 1503–19</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530769738</link>
         <description><![CDATA[<div><strong>Fan vaulting</strong>—architectural pageantry; complex vault patterns unrelated to structure of walls or vaults but have life of their own; obscure rather than clarify architecture</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ecd6ab5a068c446b7a61d58da1c1f441/image.png" />
         <pubDate>2023-03-24 17:58:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530769738</guid>
      </item>
      <item>
         <title>Naumburg Master. Crucifixion, on the choir screen, and the Virgin and John the Evangelist, Naumburg cathedral, Germany. ca. 1255</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530770627</link>
         <description><![CDATA[<ul><li><strong>German sculpture</strong>: emotional, passionate, shows suffering</li><li><strong>Less </strong>on <strong>outside </strong>of <strong>building</strong>, more on inside (because outside Romanesque longer; sculpture would have looked out of place)</li><li><strong>Choir screen </strong>sets off space between nave and altar</li><li>Christ in <strong>center </strong>flanked by Mary and John; life size, near our level; brings down to earth physically and emotionally</li><li><strong>Suffering </strong>of <strong>Christ </strong>becomes a <strong>human </strong>reality; emphasis on weight of his body</li><li>Look at scene above (next)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/383f068b13fc5b5af415bee1eb498c7b/image.png" />
         <pubDate>2023-03-24 17:58:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530770627</guid>
      </item>
      <item>
         <title>Naumburg Master. The Kiss of Judas, on the choir screen, Naumburg cathedral. ca. 1255</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530771286</link>
         <description><![CDATA[<ul><li><strong>Kiss of Judas</strong>, <strong>Peter </strong>cuts ear; graphic, woman on right gasps; expressive; Christ meek (contrast with Peter)</li><li><strong>Color survives </strong>(inside)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b59511ceae0732fb21e0e313745cb35c/image.png" />
         <pubDate>2023-03-24 17:59:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530771286</guid>
      </item>
      <item>
         <title>Ekkehard and Uta, Naumburg cathedral. ca. 1249–55</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530772630</link>
         <description><![CDATA[<ul><li><strong>Donors</strong>—honored as examples for funding 11th-century cathedral (new fundraising campaign; wanted to encourage new donors)</li><li><strong>From </strong>the <strong>past</strong>, but individualized as if portrayed from life<ul><li>gestures, gazes give human quality</li><li><strong>Painted</strong>; outdoor sculptures were painted, too, but paint rarely survives</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d4a87fd4c814939d1dd3c4887ec210db/image.png" />
         <pubDate>2023-03-24 18:00:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530772630</guid>
      </item>
      <item>
         <title>Roettgen Pietà. Early 14th century </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530773974</link>
         <description><![CDATA[<ul><li><br></li><li><strong>New kind </strong>of religious image; meant for contemplation&nbsp;</li><li>Painted <strong>wood</strong></li><li><strong>Pieta</strong>=sorrow (pity as well as piety) : gut-wrenching; German expressionism</li><li>Emphasizes personal <strong>relationship </strong>with <strong>God</strong>; wants us to share horror of Christ’s suffering and identify with grief of Mary</li><li>Encourages <strong>Compassion </strong>(“to suffer with”)</li><li><strong>Roots </strong>in <strong>past </strong>(compare with Ottonian Geru crucifix; weightier, more physical than Carolingian)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3339c644652c68f0d02ace060e193217/image.png" />
         <pubDate>2023-03-24 18:02:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530773974</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530780685</link>
         <description><![CDATA[<div>Connie Romrell</div><ul><li><strong>Left</strong>: Virgin with Dead Christ (Rottgen Pieta) Goth&nbsp;</li><li><strong>Right</strong>:Michelangelo<strong>. </strong><a href="https://www.youtube.com/watch?v=JbWGusfynCw"><em>Pietà</em></a><strong>. ca. 1</strong>498&nbsp;</li><li><strong>Similarities:</strong> Both of the sculptures were done in a triangle form. Both Mary’s are looking at the dead Christ. Both Mary’s are seated. Both sculptures are The Virgin and the dead Christ. They are both showing the body of Jesus on the lap of his mother Mary after the Crucifixion.</li><li><strong>Differences:</strong> The Christ in the Rottgen Pieta is looking toward us while the Christ in the Florentine Pietà is looking at his Mother Mary. There are some decorations on the base of the Goth one and not on the one from the renaissance. The one from the Renaissance is more full, more real life looking. The Florentine Pietà is made of Marble and is 174 cm × 195 cm (68.5 in × 76.8 in) while the Rottgen Pieta is made of wood and is 34.5in (87.5cm) high.&nbsp;</li><li><strong>Conclusions:</strong> Both the Goth and the renaissance were trying to show the best way to depict Christ along with the Virgin. They are both pretty good works of art. They both caught the Mother Virgin’s countenance as very sad and mourning for her Son.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c62a14403dadf4a4d8b6e02efbb32843/image.png" />
         <pubDate>2023-03-24 18:08:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2530780685</guid>
      </item>
      <item>
         <title>Chapter 13: Art in Thirteenth- and Fourteenth-Century Italy</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533468876</link>
         <description><![CDATA[<ul><li><strong>Theme</strong>: Eve of the Renaissance</li><li><strong>Thirteenth</strong>=Duccio (9:23)</li><li><strong>And</strong>=Cimabue (5:37)</li><li><strong>Fourteenth</strong>=Giotto (4:15)<ul><li>7/15 Share favorite works</li><li>7/20 final projects</li><li>7/23 final at 10:30 a.m.</li><li>7/29 grades due by noon</li></ul></li><li>Leading and largest Franciscan church (on the east side of town); Basilica plan; burial place of Michelangelo and Galileo (and other famous Italians)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f796c181755a58dda997280afb6e1bfe/image.png" />
         <pubDate>2023-03-27 17:17:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533468876</guid>
      </item>
      <item>
         <title>Assisi</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533469744</link>
         <description><![CDATA[<ul><li>After fall of Rome, <strong>no political </strong>unity in Italy (no central govt, not called Italy; separate city-states; mostly republics led by wealthy merchants; a few kingdoms or duchies in north (Venice, Genoa)</li><li><strong>Republics vs. Duchies</strong><ul><li><em>Sometimes a Duchy becomes independent and acts as a small Kingdom. A Republic is a nation governed by elected representatives</em>.&nbsp;</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ae68053bbc74c9ac05e5dabc95b8e07d/image.png" />
         <pubDate>2023-03-27 17:17:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533469744</guid>
      </item>
      <item>
         <title>Interior of Upper Church, Basilica of San Francesco, Assisi. Begun 1228; consecrated 1253</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533484625</link>
         <description><![CDATA[<ul><li><strong>Burial place </strong>of St. Francis of Assisi; founded <strong>Franciscan order</strong>; believed God was present in nature; took vows of poverty; sought to help poor; wanted to help people visualize Biblical events (nativity scenes, etc.); native of Italy</li><li><strong>Dominicans:</strong> lived in cities among people; served, taught, made art work (St. Thomas Aquinas)</li><li><strong>Gothic age</strong>?<ul><li>No nave arcade or aisles; not tall; no different levels; large wall surface instead; (Italians favored mural painting--<strong>fresco</strong>); paintings of the life of St. Francis<ul><li><strong>Fresco-&nbsp;</strong>a painting done rapidly in watercolor on wet <a href="https://www.google.com/search?sxsrf=APwXEdeP_mU1i0MEBop5yOhCooBKXulk_w:1680274755656&amp;q=plaster&amp;si=AMnBZoFHF1DJLZWpTBtQDK262RMpOonDcvJLcOE6wNH1eNdq0LLLkMWCdE1-GdasWxBoRCByo2yxaYqJK9JljDYkuXAXMe016Q%3D%3D&amp;expnd=1">plaster</a> on a wall or ceiling, so that the colors <a href="https://www.google.com/search?sxsrf=APwXEdeP_mU1i0MEBop5yOhCooBKXulk_w:1680274755656&amp;q=penetrate&amp;si=AMnBZoFEI0LGJdD1jElhAGFwRnmoY1JO5_3qCDEaEJJF6JoQaqle8WVN2jyw431ZwrKC-VJzqV19d9QZ9aXtsfWVvAkZHTSAVA%3D%3D&amp;expnd=1">penetrate</a> the plaster and become fixed as it <a href="https://www.google.com/search?sxsrf=APwXEdeP_mU1i0MEBop5yOhCooBKXulk_w:1680274755656&amp;q=dries&amp;si=AMnBZoGP34IVl-vQ5XB3AyP2dfbg1Vi-VzkolvT1aPhkADsaVZwOZFCcLEiIBho3ui1KHfGfC5ZR8-TFeHsA8vxrHDyqDGiRxw%3D%3D&amp;expnd=1">dries</a>.</li></ul></li><li>Gothic arches, some stained glass</li></ul></li><li><strong>2 trends in Italian painting</strong>: : ties to roman past (classical) and ties to Byzantine empire: 4th crusade: invaded Constantinople instead of Jerusalem; brought back Byzantine art to Italy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/49d58538f90e0308eec5f40cc450eb4e/image.png" />
         <pubDate>2023-03-27 17:28:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533484625</guid>
      </item>
      <item>
         <title>Anonymous. St. Francis Preaching to the Birds, from Basilica of San Francesco, Assisi. Begun 1290 (?). Fresco</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533487703</link>
         <description><![CDATA[<ul><li><strong>St</strong>. <strong>Francis</strong>: friar, started Francisican order, died 1226</li><li>Story that St. Francis had connection with the birds and <strong>animals</strong>; when he preached, they listened; also preached to poorest</li><li><strong>Emphasizes nature </strong>as manifestation of God’s presence; all creatures connected&nbsp;</li><li><strong>fresco</strong>: paint on wet plaster</li><li><strong>Giornata</strong>=“day’s work”—could only do one portion at a time; sections visible now</li><li><strong>Shallow stage</strong>; figures have bulk! Interest in space; also light! Light washes over forms, giving them mass and volume</li><li>Maybe by <strong>Giotto</strong>—we don’t know</li><li><strong>2 trends in Italian painting</strong>: ties to roman past (classical) and ties to Byzantine empire: 4th crusade: invaded Constantinople instead of Jerusalem; brought back Byzantine art to Italy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/2df748fef8f4d8d97fc9aeab7e410ad3/image.png" />
         <pubDate>2023-03-27 17:30:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533487703</guid>
      </item>
      <item>
         <title>St. Francis of Assisi</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533488821</link>
         <description><![CDATA[<ul><li>“Preach the Gospel at all times and when necessary use words.”</li><li>&nbsp;“If you have men who will exclude any of God's creatures from the shelter of compassion and pity, you will have men who will deal likewise with their fellow men.”</li><li>&nbsp;“While you are proclaiming peace with your lips, be careful to have it even more fully in your heart.”</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-27 17:31:28 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533488821</guid>
      </item>
      <item>
         <title>Bonaventura Berlinghieri,  St. Francis of Assisi, 1235 and Altarpiece of St. Clare, ca. 1280 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533494559</link>
         <description><![CDATA[<ul><li><strong>Italians </strong>loved big painted <strong>altarpieces</strong>; egg-based <strong>tempera</strong><ul><li><strong>Tempera-&nbsp;</strong>The technique of painting with pigments bound in a water-soluble emulsion, such as water and egg yolk, or an oil-in-water emulsion such as oil and a whole egg.</li></ul></li><li>St. Clare female <strong>counterpart </strong>of St. Francis of Assisi; made for Franciscan convent (called Poor Clares; founded by the noblewoman Clare, who was later canonized)</li><li><strong>Byzantine influence</strong>! Frontal, elongated, gold, large halo, large eyes, long Byzantine nose</li><li><strong>Vignettes </strong>at side (<strong>apron scenes</strong>): stories of her service</li><li><strong>2 trends in Italian painting</strong>: ties to roman past (classical) and ties to Byzantine empire: 4th crusade: invaded Constantinople instead of Jerusalem; brought back Byzantine art to Italy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f7e7a6dcb7bc3cd73f0f64fff000b59c/image.png" />
         <pubDate>2023-03-27 17:35:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533494559</guid>
      </item>
      <item>
         <title>Altarpiece of St. Clare. ca. 1280 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533496367</link>
         <description><![CDATA[<ul><li>Italians loved big painted altarpieces; egg-based tempera</li><li>St. Clare female counterpart of St. Francis of Assisi; made for Franciscan convent</li><li>Byzantine influence! Frontal, elongated, gold, large halo, large eyes, long Byzantine nose</li><li>Vignettes at side: stories of her service</li><li>2 trends in Italian painting: : ties to roman past (classical) and ties to Byzantine empire: 4th crusade: invaded Constantinople instead of Jerusalem; brought back Byzantine art to Italy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7fd62a2068156424774458a20a3e266a/image.png" />
         <pubDate>2023-03-27 17:36:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533496367</guid>
      </item>
      <item>
         <title>ask yourself</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533499765</link>
         <description><![CDATA[<ol><li>is it inspired by Byzantine Art?<ol><li>4th crusade- disaster  </li></ol></li><li>is it inspired by French Gothic Art?</li><li>is it inspired by Classical Greek and Roman Art?</li></ol>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-27 17:39:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533499765</guid>
      </item>
      <item>
         <title>Remember: Baptistery (inside)Pisa, Italy. 1053–1272</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533512521</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ce358fca1c32c121680fd8e7f719b1e9/image.png" />
         <pubDate>2023-03-27 17:46:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533512521</guid>
      </item>
      <item>
         <title>Nicola Pisano. Pulpit. 1259–60</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533513053</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c7e7935764910ea4d46674bdd5cc6559/image.png" />
         <pubDate>2023-03-27 17:47:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533513053</guid>
      </item>
      <item>
         <title>Nicola Pisano. Fortitude, detail of pulpit</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533514900</link>
         <description><![CDATA[<ul><li><strong>Daniel with lions</strong>? Or <strong>Herakles </strong>(lion skin, cub on shoulder)?&nbsp;<ul><li>Symbolizes virture of fortitude; First fully nude carving since Rome?</li></ul></li><li><strong>Fortitude-&nbsp;</strong>courage in pain or <a href="https://www.google.com/search?sxsrf=APwXEddqNnadmjFTdzlEob4yb1E7fltzTA:1679940427724&amp;q=adversity&amp;si=AMnBZoFEI0LGJdD1jElhAGFwRnmoZ2FsigCJpttwXJkiJxkQanZVWmQYynEVBl6wp3oLpGsUhsiI7QSR4Bq37qI-sa-1mO-29A%3D%3D&amp;expnd=1">adversity</a>.</li><li><strong>Classical</strong>, <strong>humanist </strong>ideas coming back! Nicola Pisano studied classical sculpture</li><li><strong>Humanism</strong>=emphasis on human potential</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/557c4bff63d941ba17ac30f33d420f8c/image.png" />
         <pubDate>2023-03-27 17:48:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533514900</guid>
      </item>
      <item>
         <title>Nicola Pisano. Nativity, detail of pulpit</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533516520</link>
         <description><![CDATA[<ul><li>Figure 13.8 from same pulpit (top part); scenes from life of Christ</li><li><strong>Nativity</strong>; midwives bathing Christ below (symbolic of baptism);&nbsp;<ul><li><strong>Joseph </strong>gazes with wonder</li><li><strong>Left top corner</strong>: Annunciation</li><li><strong>Crowded</strong>, looks like Roman sarcophagus</li><li><strong>Mary </strong>looks like a Roman matron; dignified</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c5af2b2a4c8a0a5984882bbe46e98c93/image.png" />
         <pubDate>2023-03-27 17:49:39 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533516520</guid>
      </item>
      <item>
         <title>Giovanni Pisano. Nativity, detail of pulpit. 1302–10. Marble. Pisa cathedral</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533517917</link>
         <description><![CDATA[<div><strong>Giovanni Pisano </strong>son of Nicola</div><div><strong>Also part of a pulpit</strong>; Same story (nativity, angels and shepherds, symbolic bathing of Christ);&nbsp;</div><ul><li><strong>Differences</strong>?<ul><li>&nbsp;Focuses on landscape, animals;&nbsp;</li><li>&nbsp; higher relief (more deeply carved), thus more darks and lights, rounder; less crowded; also more action</li></ul></li></ul><div>&nbsp; <strong>Mary</strong>: young mother rather than dignified matron</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1f09ed95f49692941ed5c51c9beab119/image.png" />
         <pubDate>2023-03-27 17:50:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533517917</guid>
      </item>
      <item>
         <title>Arnolfo di Cambio (?). Santa Croce, Florence. Begun ca. 1295 ( Franciscan Order)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533523889</link>
         <description><![CDATA[<div>&nbsp;<strong>Franciscan Order</strong></div><ul><li><strong>Leading </strong>and <strong>largest Franciscan church </strong>(on the east side of town); Basilica plan; burial place of Michelangelo and Galileo (and other famous Italians)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/3d3861d056b15116f3795bbb2c2f1166/image.png" />
         <pubDate>2023-03-27 17:54:52 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533523889</guid>
      </item>
      <item>
         <title>Plan of Santa Croce</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533544143</link>
         <description><![CDATA[<ul><li>Straightforward <strong>basilica plan</strong>; proportions broad instead of vertical</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/982cf53f9cdf52f7c7e95fa0220ab290/image.png" />
         <pubDate>2023-03-27 18:08:24 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533544143</guid>
      </item>
      <item>
         <title>Arnolfo di Cambio, Florence Cathedral, begun 1296</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533545265</link>
         <description><![CDATA[<ul><li><strong>Florence Cathedral</strong>; bell tower designed by Giotto</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/68ec99c7fd98ca365698e89b50275343/image.png" />
         <pubDate>2023-03-27 18:09:13 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533545265</guid>
      </item>
      <item>
         <title>Nave and choir of Florence cathedral</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533546392</link>
         <description><![CDATA[<ul><li><strong>Vaguely Gothic</strong>—pointed arches, aisles</li><li>Statement of wealth and importance of Florence</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/526887199adbd4fb8707dc19a8fa2d7d/image.png" />
         <pubDate>2023-03-27 18:09:59 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533546392</guid>
      </item>
      <item>
         <title>Plan of Florence cathedral and campanile</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533547148</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d0f2e07291908f6809f17dee80403125/image.png" />
         <pubDate>2023-03-27 18:10:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533547148</guid>
      </item>
      <item>
         <title>Andrea Pisano. South doors, baptistery of San Giovanni, Florence. 1330–36</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533548844</link>
         <description><![CDATA[<ol><li>The bronze doors created by Andrea Pisano for the Florence baptistery focus on the life of<ol><li><strong>John the Baptist</strong></li></ol></li></ol><ul><li><strong>New pair </strong>of bronze doors for baptistery at Florence</li><li><strong>3rd Pisano</strong>—not related (also from Pisa)</li><li>Life of John the Baptist (patron saint of Florence)</li><li><strong>Part medieval </strong>(Gothic quatrefoil frames) part classical</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1918f5dbf3b6c46b2ea91b6ea1163881/image.png" />
         <pubDate>2023-03-27 18:11:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533548844</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533691509</link>
         <description><![CDATA[<div><strong>Chancel wall</strong></div><ol><li>The narrative scenes in the Arena Chapel focus on each of the following EXCEPT<ol><li><strong>The creation of the world</strong></li></ol></li></ol><ul><li>God the Father in a frame at top, overseeing events below: part of his plan</li><li><strong>Annunciation </strong>scene</li><li><strong>Betrayal </strong>of Judas and Visitation</li><li><strong>Interior </strong>of chapel with believable space</li><li>Next to each scene are OT scenes or prophets that prefigure the NT events</li><li>Faux marble like Roman stone work</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b4cd677364eb354240d129046a14734a/scrovegni_chapel_padua_giotto_italy.jpg" />
         <pubDate>2023-03-27 20:10:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533691509</guid>
      </item>
      <item>
         <title>Baptistery of San Giovanni, Florence, Italy. ca. 1060–1150 (Romanesque)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533692594</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/bd780e4ff75fa708dac05ba5bb935764/image.png" />
         <pubDate>2023-03-27 20:11:19 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533692594</guid>
      </item>
      <item>
         <title>Giotto. The Lamentation, Arena (Scrovegni) Chapel, Padua. 1305–06 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533694454</link>
         <description><![CDATA[<ol><li>This panel of the Arena Chapel frescoes shows how the artist imbued his figures with each of the following EXCEPT<ol><li><strong>apathy</strong></li></ol></li><li>What is new in Giotto's depiction of the Lamentation in the Arena Chapel?<ol><li><strong>Figures that look like they have weight and mass</strong></li></ol></li></ol><div>Figure 13.20 how is all <strong>attention </strong>directed to Christ?</div><ul><li><strong>Meium</strong>- fresco </li><li><strong>Master of composition</strong>; draws our eye to Christ--(not in center: rocky hill leads, figures surround; figures with backs to us looking in; occupy space, foreshortened (no other function; would not have been in medieval period)</li><li><strong>Emphasis </strong>on <strong>Christ </strong>as <strong>human</strong>; in lap, on knee, dead</li><li><strong>Solid bodies</strong>; modeling, bulk, believable ground, illusion of space; continuation of hill on next panel</li><li><strong>Tree</strong>-looks dead (all of nature mourns), symbol of resurrection (also Jonah panel on left)</li><li><strong>Angels mourn</strong>, foreshortened; individualism in reactions (as below)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c621f2fcee27ac0e044f1d19db1f7697/Giotto___Scrovegni____36____Lamentation__The_Mourning_of_Christ__adj.jpg" />
         <pubDate>2023-03-27 20:13:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533694454</guid>
      </item>
      <item>
         <title>Simone Martini. Annunciation. ca. 1330 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533696570</link>
         <description><![CDATA[<ol><li>Simone Martini combined each of the following in his Annunciation painting EXCEPT<ol><li><strong>oil paint</strong></li><li>it does use&nbsp;<ol><li>&nbsp;elegant line</li><li>love of pattern</li><li>he appearance of real bodies beneath the clothing</li></ol></li></ol></li><li>This work by Simone Martini combines each of the following EXCEPT<ol><li><strong>A lack of symbolic content</strong></li></ol></li><li>This work depicts<ol><li><strong>The Deposition</strong></li></ol></li><li>Simone Martini was a student of<ol><li><strong>Duccio </strong>and was well-versed in the Sienese styles, with particular attention to detail, patterns, and decorative elements</li></ol></li><li>The lilies in the vase were symbolic of Mary's<ol><li><strong>Virginity</strong></li></ol></li><li>Gabriel holds this symbol of Christ and peace<ol><li><strong>An olive branch</strong></li></ol></li><li>The Holy Ghost appears in the form of a<ol><li><strong>Dove</strong></li></ol></li><li>Simone Martini is trying to represent both the divinity and humanity of the event, while previous artists focused mostly on<ol><li><strong>Divinity</strong></li></ol></li></ol><ul><li><strong>Student of Duccio in Siena</strong>; medieval frame not original; meant to be placed near Duccio’s Maesta</li><li><strong>Gentle gestures</strong>; had seen French Gothic mss painting</li><li><strong>Lilies</strong>—emblem of purity of virgin</li><li><strong>Words</strong>: “Hail Mary, full of grace, the Lord is with you”<ul><li>(the word became flesh; words going into Mary’s ear become son of God</li></ul></li><li><strong>Like Giotto</strong>: reduces story to simplest terms</li><li><strong>Like Duccio</strong>: lyrical elegance; spiritual realm emphasized over physical realm</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/025814e211e1b829482b2dc285271f34/image.png" />
         <pubDate>2023-03-27 20:15:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533696570</guid>
      </item>
      <item>
         <title>Ambrogio Lorenzetti. Good Government in the City</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533699482</link>
         <description><![CDATA[<ol><li>This work was painted for a<ol><li><strong>palace</strong></li></ol></li></ol><ul><li><strong>Portrait of Siena</strong>; everyone busy, productive, harmonious (dancing in front)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/344d6f22f05029be335aae449ffbfd35/image.png" />
         <pubDate>2023-03-27 20:17:32 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533699482</guid>
      </item>
      <item>
         <title>Andrea Pisano. The Baptism of Christ, from the south doors, baptistery of San Giovanni, Florence. 1330–36</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533702129</link>
         <description><![CDATA[<ul><li><strong>Baptism of Christ</strong>; classical proportions and drapery!</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/0eeb2b8f035a9a3a8a11db969f0c6371/image.png" />
         <pubDate>2023-03-27 20:19:53 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533702129</guid>
      </item>
      <item>
         <title>Palazzo della Signoria (Palazzo Vecchio), Florence. Begun 1298</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533702904</link>
         <description><![CDATA[<ul><li><strong>2 rival cities</strong>: Florence and Siena; both independent city-states; both republics</li><li><strong>Strong</strong>, <strong>fortress </strong>like (like <strong>castles </strong>in <strong>region</strong>: thick stone walls, battlements, tall tower, rusticated stones give appearance of greater strength</li><li><strong>Large tower</strong>—to see and be seen; symbol of civic pride;</li><li><strong>palace </strong>of <strong>wealthy </strong>merchant ruling family (Medicis) AND city hall; republic; expressed power of communal good over powerful aristocracy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4f95302f9dbae611226d448682db413d/image.png" />
         <pubDate>2023-03-27 20:20:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533702904</guid>
      </item>
      <item>
         <title>Cimabue. Madonna Enthroned. ca. 1280–90 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533703649</link>
         <description><![CDATA[<ul><li><strong>12 feet tall</strong></li><li><strong>Cimabue</strong>=bull’s head; stubborn; from Florence</li><li><strong>Byzantine</strong>: gold, long nose, frontal, solemn expression</li><li>Loved <strong>Byzantine color</strong>, but 3-D throne—shows space</li><li>Which trend?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b6e85a2c9cc6160bd64ef59981104fce/image.png" />
         <pubDate>2023-03-27 20:21:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533703649</guid>
      </item>
      <item>
         <title>Giotto. Madonna Enthroned. ca. 1310 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533704366</link>
         <description><![CDATA[<div><strong><br>Which trend does Giotto follow?</strong></div><div>Giotto student of Cimabue:&nbsp;</div><div>Similar?</div><ul><li>Body shows beneath clothing, more physical solidity (except flat haloes)</li><li>Loved gold and pattern of Byzantine, but leans to classical tradition of figure</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f4956e8a4d750c97d3f78d909e6884bd/image.png" />
         <pubDate>2023-03-27 20:22:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533704366</guid>
      </item>
      <item>
         <title>compare</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533705026</link>
         <description><![CDATA[<div><br><strong>Compare</strong>:&nbsp;</div><ul><li>Loved gold and pattern of Byzantine, but leans to classical tradition of figure</li><li>Body shows beneath clothing, more physical solidity (except flat haloes), modeled in light; gradation of lights and darks; space more defined, solid</li><li><strong>Angels kneeling suggest space further; also overlapping saints</strong></li><li><strong>Illusionistic textures shows familiarity with ancient roman painting</strong></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/e28361bd6487493875cfbac2e4e40867/image.png" />
         <pubDate>2023-03-27 20:23:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533705026</guid>
      </item>
      <item>
         <title>Interior of Arena (Scrovegni) Chapel, Padua. 1305–06</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533705897</link>
         <description><![CDATA[<ol><li>The interior of the Arena Chapel in Padua was painted by<ol><li><strong>Giotto</strong></li></ol></li></ol><ul><li><strong>Palace chapel</strong>—connected to Scrovegni Palace (located on site of former Roman arena)</li><li><strong>One-room </strong>hall covered with barrel vault; built to be Scrovegni’s burial chapel</li><li><strong>Scrovegni</strong>: banker; worry about connection to usury (charging interest); built chapel as a good work to atone for usury (Enrico Scrovegni in Last Judgment scene handing church to 3 Mary’s—on right side)</li><li>Floor to <strong>ceiling fresco </strong>with <strong>three registers </strong>(even illusionistic marble panels): Cycle of Mary’s life (top), Christ’s life (middle), Christ’s passion (death and resurrection (bottom)</li><li>Altar <strong>wall</strong>: Anunciation</li><li><strong>Back wall</strong>: Last judgment (as you leave); take these things seriously; you will suffer according to your sins</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7dfcac62b2f442739ad97f45e31c0f1a/image.png" />
         <pubDate>2023-03-27 20:24:15 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533705897</guid>
      </item>
      <item>
         <title>Arena Chapel</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533707475</link>
         <description><![CDATA[<ol><li>In the medieval Catholic belief system, people who committed sins could atone for them with good works, such as paying to have a chapel decorated with a religious narrative<ol><li><strong>true</strong></li></ol></li><li>The narrative scenes in the Arena Chapel begin with<ol><li><strong>Life of Mary </strong>move on to <strong>Life of Christ</strong>, and end with scenes of the <strong>Christ’s Passion</strong></li></ol></li><li>Giotto was probably the student of<ol><li><strong>Cimabue&nbsp;</strong>and learned chiaroscuro, or the use of light and shadow, from him</li></ol></li><li>In the Lamentation, the anguish on Mary’s face shows<ol><li><strong>her humanity&nbsp;</strong></li></ol></li></ol><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/40c4395c542fb045bb65fe41b3d11265/image.png" />
         <pubDate>2023-03-27 20:25:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533707475</guid>
      </item>
      <item>
         <title>Giotto. Christ Entering Jerusalem, Arena (Scrovegni) Chapel, Padua. 1305–06</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533716501</link>
         <description><![CDATA[<ul><li><strong>Triumphal entry</strong>: fulfills OT prophecy (mounted on donkey);&nbsp;</li><li>What makes it look like events are close to <strong>viewer</strong>?&nbsp;<ul><li><strong>(low on picture plane)</strong></li></ul></li><li>What makes it look like events are in 3-D? modeling<ul><li><strong>Isolation and dignity of Christ</strong></li></ul></li><li>Christ <strong>in profile </strong>(<strong>Roman</strong>: noble pose); moves forward throughout cycle left to right; shows lapse of time; also figures taking off clothing; like story boards (<strong>symbolic </strong>representation in group—abbreviated)</li><li><strong>Buon fresco</strong>: paint on wet plaster, bonds; but not blue; lapiz lazuli expensive; Enrico wanted to show its brilliance so put on secco fresco (dry fresco); didn’t last</li><li><strong>Modeling </strong>of figures new! Shows bulk</li><li>Earthly <strong>setting</strong>; not gold, shows ground</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/f4de58fb2c1f4cbbdd3972a4d209d9aa/image.png" />
         <pubDate>2023-03-27 20:28:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533716501</guid>
      </item>
      <item>
         <title>Palazzo Pubblico, Siena. Begun ca. 1298</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533718977</link>
         <description><![CDATA[<ul><li><strong>Florence </strong>and <strong>Siena Independent city</strong>-states; competed with each other&nbsp;</li><li><strong>Started </strong>at same time, but Siena taller tower</li><li><strong>Strong</strong>, fortress like</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/60994394ec96fb22c7a0ed47be40dd20/image.png" />
         <pubDate>2023-03-27 20:29:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533718977</guid>
      </item>
      <item>
         <title>Duccio. Madonna Enthroned, center of the Maestà Altar. 1308–11</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533722153</link>
         <description><![CDATA[<ul><li><strong>Duccio from Siena </strong>(neighboring city, competition; victory against Florence in 1260; took virgin Mary as protector/patron</li><li>To <strong>celebrate</strong>, commissioned Duccio to make a huge altarpiece</li><li>“<strong>Greek Manner</strong>” (<strong>Byzantine</strong>)—tempera on panel; richer colors than fresco</li><li><strong>Combines </strong>with some space (knee, throne)</li><li><strong>Compare with Cimabue </strong>(<strong>next</strong>): Duccio relaxes rigid, angular draperies; softer, more 3-D; modeling of light</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/277472569ab4798b3577e0ddb5afab53/image.png" />
         <pubDate>2023-03-27 20:30:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533722153</guid>
      </item>
      <item>
         <title>Duccio. Annunciation of the Death of the Virgin, from the Maestà Altar. Museo dell’Opera del Duomo, Siena</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533724712</link>
         <description><![CDATA[<ul><li><strong>Annunciation of Death of Virgin </strong>(angel Gabriel returns to again Mary to warn her of her impending death): attempt at space, foreshortening (beams); figures framed by architectural space</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/423b522c66a161f5f663a8eadba6e07e/image.png" />
         <pubDate>2023-03-27 20:31:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533724712</guid>
      </item>
      <item>
         <title>Duccio, Madonna Enthroned, center of the Maestà Altar. 1308–11</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533725783</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/a6e9eace859bbfd62d1d9ee88e86a7e4/image.png" />
         <pubDate>2023-03-27 20:32:21 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533725783</guid>
      </item>
      <item>
         <title>Duccio. Christ Entering Jerusalem, from the back of the Maestà Altar. 1308–11</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533727721</link>
         <description><![CDATA[<ul><li><strong>Duccio </strong>used <strong>architecture </strong>to create space and help narrative outdoors here</li><li><strong>Diagonal movement </strong>of architecture creates depth</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/891f02647cffb72a3afcba87d7a9ff1e/image.png" />
         <pubDate>2023-03-27 20:33:02 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533727721</guid>
      </item>
      <item>
         <title>Ambrogio Lorenzetti. Allegory of Good Government (left), Good Government in the City (right), and portion of Good Government in the Country (far right), Sala della Pace, Palazzo Pubblico, Siena. 1338–40 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533730287</link>
         <description><![CDATA[<ol><li>Unlike many works of medieval art, the Allegory and Effects of Good and Bad Government is a<ol><li><strong>secular </strong>work of art</li></ol></li><li>The Allegory and Effects of Bad Government shows the figure of Tyranny surrounded by vices. Poor government leads to<ol><li><strong>fear and destruction </strong>in the city and country.</li></ol></li><li>Allegories in art are figures that stand in for<ol><li><strong>ideas</strong></li></ol></li></ol><div><strong>Brother of Pietro Lorenzetti</strong></div><ul><li><strong>Walls </strong>of <strong>palazzo </strong>of <strong>Siena</strong>, where laws were made; shows happy people, peace (propaganda)</li><li>How to <strong>govern</strong>, how to be a good citizen—civic-minded</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/85b0978946d603be151a16710d775aec/image.png" />
         <pubDate>2023-03-27 20:33:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533730287</guid>
      </item>
      <item>
         <title>Ambrogio Lorenzetti. Good Government in the Country</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533733253</link>
         <description><![CDATA[<ol><li>6. Which of the following is NOT true of this work by Ambrogio Lorenzetti?<ol><li><strong>It has a religious message.</strong><ol><li>it is however<ol><li>&nbsp;It has an allegorical message</li><li>It was created for the Palazzo Pubblico, or town hall, of Siena.</li><li>It is one of the first true landscapes since medieval times.</li></ol></li></ol></li></ol></li></ol><ul><li><strong>First true landscape since medieval times</strong>; orderly hillside, fruitful nature, peasants work in harmony, safety all because of justice and good governing</li><li><strong>First 3 decades of </strong>14th <strong>century were stable</strong>; in 1340’s catastrophes: warfare, bankruptcy, crop failures, famine, and then bubonic plague in 1348</li><li>Wiped out more than half of populations of Florence and Siena</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ee33d967c4c5e1f1ef7eade4863e96c2/image.png" />
         <pubDate>2023-03-27 20:35:08 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2533733253</guid>
      </item>
      <item>
         <title>Doge’s Palace, Venice. Begun 1340</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537113839</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Doge</strong>=city leader; city council here</li><li><strong>Venice</strong>=political stability (unlike florence and Siena)</li><li><strong>Borrowed </strong>from <strong>Gothic</strong>, Byzantine, and Islamic&nbsp;</li><li>Open (<strong>not fortress-like</strong>); ornamental</li><li><strong>Venice e</strong>njoyed political stability, merchant oligarchy, the city’s leader was known as the Doge and was elected by the oligarchs, no defensive structures in architecture here, airy and open, borrowed from Gothic, Byzantine and Islamic styles, meeting place for the Great Council, lavish moldings and quatrefoils make it ornate, stone work</li><li>•The architecture of <strong>Venice </strong>was directly influenced by Venetian trade with the Far East and Middle East. This resulted in the open arcades and decorative surfaces seen in buildings such as the Doge’s Palace.&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/16d8c90a5cd84845b281b45e9ef9aac1/image.png" />
         <pubDate>2023-03-29 17:46:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537113839</guid>
      </item>
      <item>
         <title>The Bubonic Plague spreads across Europe, 1347-1351</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537128099</link>
         <description><![CDATA[<ul><li><strong>Siena </strong>and <strong>Florence </strong>we experiencing <strong>great economic success</strong>, intensified religion or made others merry with stories like Boccaccio’s <em>Decameron</em>, Lorenzetti brothers perish during the Back Death, many painters died, chapels, tombs, and funeral masses rose from concern about mortality,&nbsp;</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/4eea69863ca018553e291f42c187f0c7/image.png" />
         <pubDate>2023-03-29 17:57:55 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537128099</guid>
      </item>
      <item>
         <title>Giovannino dei Grass. Hours of Giangaleazzo Visconti. ca. 1395 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537130572</link>
         <description><![CDATA[<ul><li><strong>Sums up period</strong>: a bit of Byzantine, Gothic, a bit of moving toward interest in space: modeling, architecture</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/006ba051544d6e9f3c7c9bcd0ccb521e/image.png" />
         <pubDate>2023-03-29 17:59:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537130572</guid>
      </item>
      <item>
         <title>Chapter 14: Artistic Innovations in 15th-Century Northern Europe</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537169096</link>
         <description><![CDATA[<div>&nbsp; &nbsp; &nbsp; <strong>Theme</strong>: Bridge between Gothic and Renaissance</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/40e7829e0bd3a0a6c871b749c7533431/image.png" />
         <pubDate>2023-03-29 18:28:03 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537169096</guid>
      </item>
      <item>
         <title>What’s going on in Europe in the 1400’s?</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537205993</link>
         <description><![CDATA[<ul><li>Printing press (c. 1450)</li><li>Manufacturing and trade&nbsp;</li><li>Scientific discoveries and exploration</li><li>Education and Humanism</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-29 18:59:22 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2537205993</guid>
      </item>
      <item>
         <title>Flamboyant  Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2539986068</link>
         <description><![CDATA[<ul><li><strong>Flamboyant style</strong>,<ul><li>&nbsp;phase of late Gothic architecture in 15th-century France and Spain. It evolved out of the Rayonnant style's increasing emphasis on decoration. Its most conspicuous feature is the dominance in stone window tracery of a flamelike S-shaped curve.</li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 14:46:25 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2539986068</guid>
      </item>
      <item>
         <title>Tau cross of St. Francis</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540011022</link>
         <description><![CDATA[<ul><li>As a Franciscan symbol, the <strong>TAU</strong>, <strong>resembling the Cross</strong>, is a sign of conversion. Because of his affection and devotion to the cross of Christ, St. Francis used this sign as his personal signature. For Francis, conversion implies a turning toward God and turning to one’s brothers and sisters.</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/eb38b639db43fdd06e6611c5fca41097/tau.jpg" />
         <pubDate>2023-03-31 15:07:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540011022</guid>
      </item>
      <item>
         <title>International Gothic Style</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540038105</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Bridge between </strong>Gothic style and early Renaissance<ul><li>(an aristocratic attempt to hold onto power)</li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 15:31:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540038105</guid>
      </item>
      <item>
         <title>Claus Sluter. The Well of Moses, Chartreuse de Champmol, France. 1395–1406 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540039273</link>
         <description><![CDATA[<ul><li><strong>Claus Sluter, The Well of Moses: </strong>International Gothic; for Carthusian monastery: aristocratic; attempt to maintain status and privileges: bridge between Gothic and newer naturalism of 15th century (continued refined forms of Gothic art but seeds of naturalism</li><li><strong>6 prophets</strong>: Moses, David, Jeremiah, Zachariah, Daniel, and Isaiah; each prophesied of the death of Christ (scrolls represent); crucifix scene above showed fulfillment of OT prophecy (destroyed during French revolution—anti aristocracy);</li><li><strong>Gothic</strong>: sculpture in niche (like cathedrals), Biblical theme, symbolism;&nbsp; <strong>New naturalism</strong>: expressive, <strong>individualized faces; specific details</strong>-- bronze spectacles (Jeremiah); interactive; gestures, emotional urgency</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9caa8cc9b0d10bf8ea9641c4576b7941/image.png" />
         <pubDate>2023-03-31 15:32:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540039273</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540040159</link>
         <description><![CDATA[<div><br></div><ul><li>Carthusian monks called it <strong>a fountain of everlasting life;&nbsp;</strong></li><li><strong>symbolism—</strong>The blood of the crucified Christ flowed down over the grieving angels and prophets, spilling into the well below, redeeming anyone who would drink water from the well</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 15:33:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540040159</guid>
      </item>
      <item>
         <title>Melchior Broederlam. Infancy of Christ altarpiece, 1394–99</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540063667</link>
         <description><![CDATA[<ul><li>Also commissioned by <strong>Philip </strong>the <strong>Bold</strong>, duke of Burgundy, for chapel at the monastery</li><li><strong>Altarpieces</strong>: backdrops to the Mass; had important teaching function</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/b42097b50dfaa97dee09e8e5daa11d5d/image.png" />
         <pubDate>2023-03-31 15:53:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540063667</guid>
      </item>
      <item>
         <title>Interior: sculpted scenes of Christ’s sacrifice</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540066530</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/8e46c386304a21e7ce2c286353008984/image.png" />
         <pubDate>2023-03-31 15:56:16 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540066530</guid>
      </item>
      <item>
         <title>Melchior Broederlam. Infancy of Christ panel, wing of the altarpiece of the Chartreuse de Champmol. 1394–99</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540067797</link>
         <description><![CDATA[<ul><li><strong>Melchior Broederlam: Infancy of Christ: </strong>Story: Annunciation, Visitation</li><li>Also commissioned by the duke Philip of Burgundy</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/cb5f3e9e3bf24ab2a09f7c47f6f18070/image.png" />
         <pubDate>2023-03-31 15:57:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540067797</guid>
      </item>
      <item>
         <title>Melchior Broederlam. Infancy of Christ panel, wing of the altarpiece of the Chartreuse de Champmol. 1394–99</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540070730</link>
         <description><![CDATA[<ul><li><strong>Melchior Broederlam</strong>: Presentation in the temple (to Anna and Simeon), flight into Egypt</li><li>(Luke 2:25-38)</li><li><strong>Melchior Broederlam</strong>: Presentation in the temple (to Anna and Simeon), flight into Egypt</li><li>(Luke 2:25-38)</li><li><strong>Background</strong>: statue of a pagan god falls off a column as the Holy Family approaches; new order under Christ</li><li>: statue of a pagan god falls off a column as the Holy Family approaches; new order under Christ</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/94c401977884473688fa1a7f82de5448/image.png" />
         <pubDate>2023-03-31 16:00:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540070730</guid>
      </item>
      <item>
         <title>Duccio, Annunciation of the Death of the Virgin, c. 1310 and Broederlam, Infancy of Christ</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540074851</link>
         <description><![CDATA[<div><strong>Duccio, Annunciation and Broederlam, Infancy of Christ:</strong></div><ul><li><strong>Similarities</strong>?<ul><li>Gothic architecture, awkward scale and space, gold background, flat haloes</li></ul></li><li><strong>Differences</strong>?&nbsp;<ul><li>Strong modeling, landscape; realistic depiction of small details; foliage (typical of International Gothic)</li></ul></li><li><strong>Symbols</strong>:<ul><li>&nbsp;lily; diff. architecture (Romanesque/Gothic) stand for OT, NT</li></ul></li><li>Like an illuminated manuscript but over 5 ft. tall (expensive, sumptuous, custom-made)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7be12aebc2c0cb4603865b2edf28476e/image.png" />
         <pubDate>2023-03-31 16:03:56 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540074851</guid>
      </item>
      <item>
         <title>Limbourg Brothers. January page, Les Très Riches Heures du Duc de Berry. 1413–16</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540077246</link>
         <description><![CDATA[<div><strong>Limbourg Brothers, January</strong>:&nbsp;</div><ul><li><strong>Manuscript painting</strong>--Book of Hours: collection of prayers for certain times of day; also calendar pages listing religious feast days; first available to aristocracy and later to other affluent people</li><li><strong>3 brothers </strong>(<strong>Pol, Herman, and Jean de Limbourg</strong>); died in 1416 (probably of the plague; same year as Duke) and left unfinished; uncle was Jean Malouel, painter of Claus Sluter’s Moses Well and court painter to the Duke of Burgundy</li><li>For Duke of Berry, brother of Duke of Burgundy and King Charles V of France</li><li><strong>International Style: </strong>elegant, sumptuous materials (gold, blue), expensive dress; details of patterns, textures; dogs on table, salt cellar</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/6b21c84268268360c0e86387a56d3267/image.png" />
         <pubDate>2023-03-31 16:06:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540077246</guid>
      </item>
      <item>
         <title>February</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540079078</link>
         <description><![CDATA[<ul><li><strong>February: </strong>Farm; elegance of workers<ul><li>Composition directs eye up the path</li><li><strong>Balance</strong>; two figures in blu</li><li>Even the birds have enough to eat</li></ul></li><li>We see the details of the smoke coming out of the chimney and the puff of air from the woman running across the snow</li><li><strong>Entrance </strong>to the <strong>house </strong>is cut out so we can see inside; people warm themselves by the fire; woman averts her gaze</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/535b553da67f95b63c3f8289f9f62095/image.png" />
         <pubDate>2023-03-31 16:08:05 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540079078</guid>
      </item>
      <item>
         <title>How is social class portrayed in these two images? What are the implications behind the portrayals? </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540079960</link>
         <description><![CDATA[<ul><li><strong>Thought question: </strong>How is social class portrayed in these two images? What are the implications behind the portrayals?</li><li><strong>Peasants </strong>are dignified, elegant, hardworking, needs are met, even birds have enough food, still beautiful and beautiful clothing/blue</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ffc23ba7fb6a704ee305ec1fdb51c6be/image.png" />
         <pubDate>2023-03-31 16:08:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540079960</guid>
      </item>
      <item>
         <title>April</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540081720</link>
         <description><![CDATA[<ul><li>“The two boats on the lake are fishing together; they have a net hung between them to catch fish for the duke’s table. They can only do this if they help each other and pull their weight, which again reminds us of marriage. Both have to try if it is to work.”</li><li><strong>--Sister Wendy Beckett</strong></li><li><strong>April:</strong> Fairy-tale like; marriage</li><li><strong>Sister Wendy Beckett</strong>: “The two boats on the lake are fishing together; they have a net hung between them to catch fish for the duke’s table. They can only do this if they help each other and pull their weight, which again reminds us of marriage. Both have to try if it is to work.”</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/40b540746e0f50838968e6185b72c71f/image.png" />
         <pubDate>2023-03-31 16:10:41 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540081720</guid>
      </item>
      <item>
         <title>May</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540087424</link>
         <description><![CDATA[<ul><li><strong>May: </strong>Duke riding (from behind) and his two tiny dogs; greenery on heads (color of May)</li><li>(multiple choice questions)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/586b3e213fa17c7867b601480de011e3/image.png" />
         <pubDate>2023-03-31 16:16:26 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540087424</guid>
      </item>
      <item>
         <title>Limbourg Brothers. July page, Les Très Riches Heures du Duc de Berry 1413–16</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540088440</link>
         <description><![CDATA[<ul><li><strong>July: </strong>Passage of time: calender (above), labor of the month (harvesting wheat, shearing sheep); idealization of feudalism (elegant figures, peaceful, castle); composition (triangles again)</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/120badce9eafb0c0543e721c40227005/image.png" />
         <pubDate>2023-03-31 16:17:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540088440</guid>
      </item>
      <item>
         <title>August</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540089866</link>
         <description><![CDATA[<ul><li><strong>August=</strong>Sister Wendy’s Story of Painting (21:23- 25):&nbsp;</li><li>Nobles h<strong>unting (falcons)</strong>; peasants cutting/loading hay and swimming; contrast of special rules of behavior and freedom</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/07ee606ea16ec3f18408dbbdab528a4f/image.png" />
         <pubDate>2023-03-31 16:19:01 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540089866</guid>
      </item>
      <item>
         <title>Limbourg Brothers, </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540117541</link>
         <description><![CDATA[<ul><li>Multiple choice:</li></ul><ol><li>This manuscript painting represents one of the<ol><li><strong>months of the year</strong></li></ol></li><li>This painting by the Limbourg brothers is part of :<ol><li><strong>A prayer book</strong></li></ol></li><li>It is an example of:<ol><li>international gothic style</li></ol></li><li>The style is marked by:<ol><li><strong>Rich materials, elegant figures, naturalistic details, love of patter</strong>n</li></ol></li><li>This diptych was made for Richard II, King of England, who is pictured in the left interior panel and shown kneeling before the Virgin Mary on the right panel<ol><li><strong>true</strong></li></ol></li><li>Who are the three men who stand behind Richard?<ol><li><strong>St. Edward the Confessor, St. Edmund, St. John the Baptist</strong></li></ol></li><li>On the right, an angel holds the banner of<ol><li><strong>St. George</strong></li></ol></li><li>Which of the following is NOT one of the messages of the Wilton Diptych?<ol><li><strong>Richard's authority to rule is in danger and he is in need<br></strong><br>of divine protection.<br><br><br></li></ol></li></ol><div>international gothic</div><ul><li>because its rich material</li><li>gold</li><li>love of patterns</li></ul><div><br></div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/313b3ad3941288fd71195258e41dbe1a/image.png" />
         <pubDate>2023-03-31 16:46:58 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540117541</guid>
      </item>
      <item>
         <title>The Wilton Diptych. ca. 1400 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540118332</link>
         <description><![CDATA[<ol><li>The International Style is known for each of the following characteristics EXCEPT<ol><li><strong>deep space</strong><ol><li>it shows<ol><li><strong>rich materials</strong></li><li><strong>elegant figures</strong></li><li><strong>use of pattern</strong></li></ol></li></ol></li></ol></li><li>Which if the following is NOT a message of the Wilton Dyptych?<ol><li><strong>Richard's authority to rule is in danger and he is in need of divine protection.</strong></li></ol></li><li>A dyptych is<ol><li><strong>&nbsp;A hinged panel painting with two parts</strong></li></ol></li></ol><div><strong>National Gallery, London</strong></div><ul><li>King Richard II (England) and patron saints kneeling before the Virgin Mary, Jesus, and Angels (wearing badges with emblems of King Richard)</li><li>Gothic? gold background, haloes, flat space, floating feet</li><li><strong>International Gothic</strong>: sumptuous materials, elegance, patterns, repetition (wings, color, robes, faces), details in flowers</li><li><strong>Contrast </strong>in <strong>colors</strong>=heavenliness?</li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/9f7f78d2ea4b4e6e9771704f7701a962/image.png" />
         <pubDate>2023-03-31 16:47:51 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540118332</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540119888</link>
         <description><![CDATA[<ol><li>This diptych was made for Richard II, King of England, who is pictured in the left interior panel and shown kneeling before the Virgin Mary on the right panel.</li><li>Who are the three men who stand behind Richard?</li><li>On the right, an angel holds the banner of</li><li>Which of the following is NOT one of the messages of the Wilton Diptych?<br>&nbsp;</li></ol><div>&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 16:49:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540119888</guid>
      </item>
      <item>
         <title>International Gothic Style  (bridge between Gothic and Renaissance)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540121290</link>
         <description><![CDATA[<div>some Gothic characteristics</div><ul><li>&nbsp;new naturalism</li><li>&nbsp;rich colors, materials</li><li>&nbsp;symbolism</li><li>&nbsp;many small details</li><li>&nbsp;aristocratic patrons, tastes</li><li>&nbsp;elegant figures, expensive dress</li><li>&nbsp;patterns, repetition</li></ul><div><strong>International Style <br></strong>&nbsp;(bridge between Gothic and Renaissance)</div><ul><li>some Gothic characteristics</li><li>&nbsp;new naturalism</li><li>&nbsp;rich colors, materials</li><li>&nbsp;symbolic details</li><li>&nbsp;aristocratic patrons, tastes</li><li>many small details</li><li>elegant figures, expensive dress</li><li>patterns, repetition<br><br><br></li></ul><div><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 16:51:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540121290</guid>
      </item>
      <item>
         <title>15th-Century Flanders</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540123672</link>
         <description><![CDATA[<div><strong>Flanders&nbsp;</strong></div><ul><li>(parts of France, England, Belgium, &amp; Netherlands)</li><li>From <strong>England</strong>=English</li><li>From <strong>France</strong>=French</li><li>From <strong>Flanders</strong>=Flemish</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 16:53:48 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540123672</guid>
      </item>
      <item>
         <title>The Met</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540123847</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/ee5fb7e515a34faf98c44a7f423cfb9a/image.png" />
         <pubDate>2023-03-31 16:54:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540123847</guid>
      </item>
      <item>
         <title>The Cloisters (far upper Manhattan)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540124052</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7a1c48abce2ad2f4bd95c6ac13182dda/image.png" />
         <pubDate>2023-03-31 16:54:14 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540124052</guid>
      </item>
      <item>
         <title>Unicorn in Captivity, c. 1500 Unicorn Tapestries</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540124349</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/335a1c73d5d1fd77eb5d7c0d840feea7/image.png" />
         <pubDate>2023-03-31 16:54:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540124349</guid>
      </item>
      <item>
         <title>Workshop of Robert Campin. Merode (Annunciation) Triptych. ca. 1425–30 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540126416</link>
         <description><![CDATA[<ul><li><strong>triptych</strong>=a religious picture with one central panel and two hinged wings</li><li><strong>(Metropolitan Museum of Art Cloisters) Early Northern Renaissance</strong>:&nbsp; Subject in center? Compare and contrast with Melchior Broederlam’s altarpiece (next slide)</li><li><strong>Difference in setting?</strong><ul><li> House interior<strong>;&nbsp;</strong></li></ul></li><li><strong>effect?&nbsp;</strong><ul><li>brings supernatural event to everyday life (not painted for a church but for fellow citizen--<strong>25”x25” </strong>); brings sacred&nbsp; to terms we can understand; bond between patron and Biblical figures</li></ul></li><li>W<strong>hat do you think of the perspective?</strong> &nbsp;<ul><li>(overly foreshortened, different points of view)</li></ul></li><li>Attention to detail; equality of attention to every detail; every object can have symbolic significance (reason for intense study of everyday objects): candle/Christ, lilies/purity; vessel/Mary as pure vesse (holds pure water for cooking; Mary holds the pure “Living Water”l; mousetrap;cross (St. Augustine); <strong>disguised symbolism</strong></li><li><strong>Names of Donors</strong>: Peter Ingelbrecht (angel bringer) and Scrynmaker (shrine or cabinet maker)<ul><li>Shows city scenes of Liege</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/503156611e3361d50f12e2a39c1945e3/image.png" />
         <pubDate>2023-03-31 16:56:50 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540126416</guid>
      </item>
      <item>
         <title>Joseph (right panel)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540149670</link>
         <description><![CDATA[<div>Lot of <strong>specific detail</strong>; greater illusion of reality</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/d8c91413e07f1b25e0a1258dad6d9cea/image.png" />
         <pubDate>2023-03-31 17:21:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540149670</guid>
      </item>
      <item>
         <title>Donors (left panel)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540149968</link>
         <description><![CDATA[<div><br>Look at subtle gradations of hues in her wimple</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/756edb5c03f4ced06aaffa6d64a4bc42/image.png" />
         <pubDate>2023-03-31 17:22:10 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540149968</guid>
      </item>
      <item>
         <title>Simone Martini. Angel Gabriel painted in tempera</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540150472</link>
         <description><![CDATA[<div><strong>Simone Martini:</strong> Egg tempera: dries quickly, hard to blend, individual brush strokes visible; thin layers or cracking/flaking</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/c824ad77d3fa5bce1405f42c50d0fb19/image.png" />
         <pubDate>2023-03-31 17:22:43 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540150472</guid>
      </item>
      <item>
         <title>Robert Campin. Angel Gabriel painted in oil</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540150983</link>
         <description><![CDATA[<div><br></div><ul><li><strong>Robert Campin, det.: Oil:</strong> dries slowly, translucent, can blend, shade; greater variations of hue; can rework; can make layers of glazes for subtle transitions, richer colors<ul><li>Able to show reflective surfaces, more texture, greater detail</li></ul></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/7823e7504bdd48ef95be2fe2061242a7/image.png" />
         <pubDate>2023-03-31 17:23:18 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540150983</guid>
      </item>
      <item>
         <title>Hubert and Jan van Eyck. Ghent Altarpiece (closed), Church of St. Bavo, Ghent, Belgium. Completed 1432</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540154463</link>
         <description><![CDATA[<ol><li>The word "grisaille" refers to which part of this closed photograph of the Ghent Altarpiece?<ol><li><strong>The painted sculptures indicated by the use of black, gray, and white</strong></li></ol></li></ol><ul><li><strong>Grisaille</strong>=using only values of black, gray, and white</li><li><strong>Polyptych</strong>=many panels</li><li><strong>Hubert and Jan van Eyck, Ghent Altarpiece: </strong>Polyptych—many panels; Very large (11’x15’ when opened)</li><li>Credited with “<strong>invention</strong>” of oil paint by Italians; signed paintings (unusual at the time)</li><li><strong>20 images inside and out</strong>; many hinges; (open only on Sundays and special feast days); both brothers worked on; Hubert died 1426, Jan completed (Hubert was the more famous at the time)</li><li>A now <strong>lost inscription </strong>on the frame stated that Hubert van Eyck <em>maior quo nemo repertus</em> (greater than anyone) started the altarpiece, but that Jan van Eyck – calling himself <em>arte secundus</em> (second best in the art) – completed it in 1432</li><li><strong>What is Gothic</strong>?&nbsp;</li><li>Style of architecture/ niches/ <strong>sculptures </strong>in niches/ New Testament figures (2 St. Johns), altarpiece</li><li><strong>New</strong>: (<strong>northern Renaissance</strong>): rich detail/ velvety shadows (oil); continuous depth in room, cast shadows, realistic portraiture (skin on hands looks old), weighty folds/figures</li><li><strong>Center</strong>: Annunciation</li><li>top: <strong>OT prophets and sybils</strong>: foretelling Christ’s birth, mission</li></ul>]]></description>
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         <pubDate>2023-03-31 17:27:09 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540154463</guid>
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      <item>
         <title>Hubert and Jan van Eyck. Ghent Altarpiece (open), Church of St. Bavo, Ghent, Belgium. Completed 1432</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540155659</link>
         <description><![CDATA[<ol><li>The best description of the theme of the Ghent Altarpiece is<ol><li><strong>The plan of salvation</strong></li></ol></li><li>This inside of the Ghent Altarpiece contains each of the following depictions EXCEPT:<ol><li><strong>Joseph</strong></li><li>does depict:<ol><li><strong>Adam and Eve</strong></li><li><strong>God the Father</strong></li><li><strong>Christ depicted as the Lamb of God</strong></li></ol></li></ol></li></ol><ul><li>Ghent Altarpiece (open): considered world’s “most coveted painting” WHY? First great oil painting</li><li><strong>History:</strong> 1566 dismantled and detached from elaborately carved frame in order to protect from Protestant iconoclasts (when reinstalled in 1587, frame missing)</li><li><br></li><li><strong>&nbsp; Napoleon’s troops looted after French Revolution and brought to the Louvre</strong></li><li><br></li><li><strong>&nbsp; WWI some panels taken by German forces</strong></li></ul><div><strong><br>&nbsp; WWII Hitler seized and stored in Neuschwanstein castle and then in salt mines</strong></div><div><strong><br>&nbsp; recovered by Americans (Monuments Men)</strong></div><div><strong><br>Why so coveted? Embodiment of Christian faith, especially of Catholic Church</strong></div><div><br>&nbsp;Main theme? Redemption of mankind through Christ’s atonement</div><div><br>&nbsp;Plan of salvation? Mercy of God, redemption, adoration of the lamb</div><div><br>Lamb of God (center) on altar: Christ’s sacrifice; bleeds into golden chalice (wine is blood of Christ)=Holy Communion/Eucharist</div><div><br>Fountain: eternal life because of Christ (like well of Moses)</div><div><br>Meticulous attention to detail</div><div><br>Top: God the Father on throne surrounded by Mary and John the Baptist (all part of my plan): different God than medieval view (wrathful; now God of forgiveness)</div><div><br>Adam and Eve: Fall, vulnerability; need for a Savior; naked (not idealized as in Italian Renaissance)</div><div><strong><br>Creation?</strong> Details of plants—identifiable by species; clarity and details of natural world: the world around us is a reflection of God and his creations (not viewed this way in middle ages)</div><div><br>“an eye like a microscope and a telescope at the same time” –God’s vision, all-seeing</div><div><br>Delicate play of light and shade, extreme details, vibrant colors all possible because of (oil paint)</div>]]></description>
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         <pubDate>2023-03-31 17:28:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540155659</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540159000</link>
         <description><![CDATA[<div><br></div><ul><li>Recovery of panels from Ghent altarpiece in Austrian salt mine</li><li>SS troops planning to blow up if they couldn’t win war</li><li>Saved in the nick of time by Austrian miners, Austrian double agents, and American monuments men</li></ul>]]></description>
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         <pubDate>2023-03-31 17:32:11 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540159000</guid>
      </item>
      <item>
         <title>Restoration Project (begun 2012)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540159427</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-03-31 17:32:40 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540159427</guid>
      </item>
      <item>
         <title>Jan van Eyck. Man in a Red Turban (Self-Portrait?). 1433 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540161410</link>
         <description><![CDATA[<div><strong>Jan van Eyck, Man in a Red Turban</strong>:</div><ul><li>Revival of portraiture seen in donor portraits and here; not big since antiquity; looks straight at viewer (first portrait in 1000 years to do so)</li><li>¾<strong> view</strong>; eyes return your gaze</li><li><strong>Secular</strong>; middle-class; precision in details of skin, texture, stubble of beard</li><li><strong>Als Ich Kan </strong>(as I can/ as best I can)—his personal motto</li><li><strong>Self</strong>-<strong>portrait</strong>? Why would they think that? <strong>Scrutiny</strong>, squint of eye; no other name on frame (Jan van Eyck me fecit—made me)</li><li><strong>Sample</strong>/<strong>showpiece </strong>to show skill to buyers?</li><li><strong>Red turban</strong>—reference to ancient world (as well as lettering—Greek and Latin)</li><li>In National Gallery in London</li></ul>]]></description>
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         <pubDate>2023-03-31 17:34:57 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540161410</guid>
      </item>
      <item>
         <title>Jan van Eyck. The “Arnolfini Portrait.” 1434 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540162792</link>
         <description><![CDATA[<ol><li>Many scholars believe that the gestures and symbolic content in this painting point to the subject of<ol><li><strong>a marriage</strong></li></ol></li><li>Jan van Eyck was able to paint tiny details and naturalistic textures with the use of<ol><li><strong>oil paint</strong></li></ol></li></ol><ul><li><strong>Jan van Eyck, Arnofini Portrait: </strong>National Gallery, London next to portrait; considered a masterpiece of the period (Flemish)</li><li><strong>Portrait</strong>=Waldemar Januszczak (start at 14:19)</li><li><strong>Signature</strong>: Jan van Eyck was here, 1434</li><li><strong>Subject?</strong> “Almost every object portrayed conveys the sanctity of the event, specifically, the holiness of matrimony” (Gardner’s Art Through the Ages)</li><li><strong>Giovanni Arnolfini</strong>, Italian merchant in Bruges</li><li><strong>Textures</strong>, light ; space believable?</li></ul>]]></description>
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         <pubDate>2023-03-31 17:36:27 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540162792</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540163861</link>
         <description><![CDATA[<ul><li>Witnesses to the event; signature</li><li><strong>Aber beads</strong>=chastity</li><li><strong>Passion of Christ</strong>; God’s promise of salvation</li><li><strong>Mirror</strong>=all-seeing eye of God</li></ul>]]></description>
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         <pubDate>2023-03-31 17:37:29 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540163861</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540164884</link>
         <description><![CDATA[<ul><li><strong>Single candle</strong>=Christ</li><li><strong>Dog</strong>=fidelity</li></ul>]]></description>
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         <pubDate>2023-03-31 17:38:36 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540164884</guid>
      </item>
      <item>
         <title></title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540181388</link>
         <description><![CDATA[<ul><li><strong>Clogs removed</strong>=holy ground</li><li><strong>Hand raised</strong>=vow</li></ul><div><strong>Oranges</strong>=fruitfulness, prosperity</div>]]></description>
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         <pubDate>2023-03-31 17:55:38 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540181388</guid>
      </item>
      <item>
         <title>Finial on bedpost=St. Margaret,  patron saint of childbirth</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540181749</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/fea4b3690e67f206c3e2a249e45d8e23/image.png" />
         <pubDate>2023-03-31 17:56:00 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540181749</guid>
      </item>
      <item>
         <title>(Gardner’s Art Through the Ages)</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540182247</link>
         <description><![CDATA[<div>“Almost every object portrayed conveys the sanctity of the event, specifically, the holiness of matrimony”&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-03-31 17:56:31 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540182247</guid>
      </item>
      <item>
         <title>Rogier van der Weyden. Descent from the Cross . ca. 1435 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540188048</link>
         <description><![CDATA[<ol><li>The details in the fabrics and textures in this painting&nbsp; by Rogier van der Weyden were made possible because of the use of<ol><li><strong>oil paint</strong></li></ol></li></ol><ul><li><strong>Rogier van der Weyden, Descent from the Cross</strong>: (Smarthistory 7:09) (also Flemish; Brussels)</li><li><strong>Similarities to Van Eyck?</strong>&nbsp;<ul><li>Heavy drapery, details of textures, fabrics, symbolism, modeling (oil paint)</li></ul></li><li>Differences?&nbsp;<ul><li><strong>Shallow space</strong>: enhances dramatic, emotional quality (similar to large sculptured shrines)</li><li>Depiction of the agony of loss</li><li><strong>Composition</strong>: pose of Mary echoes pose of Christ (even arms); visual balance as well as link—shared relationship; Mary also suffers, has fainted, but will be revived; foreshadows resurrection</li><li>3 figures on rig<strong>ht, 4 on left;</strong> how balanced? Elaborate dress on right (gives us more to look at)</li><li><strong>Also </strong>figures curve inward to direct our eyes</li><li><strong>Skull</strong>: tradition that Christ was crucified on spot where Adam was buried: Adam=fall; Christ=redemption (also the Latin word for skull is calvaria = Calvary)</li></ul></li><li><strong>Different goal</strong>:&nbsp; emotional expression: gestures, faces (all crowded in together)</li><li><strong>Naturalism </strong>(brings immediacy to viewer; can relate)</li></ul>]]></description>
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         <pubDate>2023-03-31 18:02:47 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540188048</guid>
      </item>
      <item>
         <title>Rogier Van der Weyden, Descent from the Cross, details: </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540191531</link>
         <description><![CDATA[<div>Look at <strong>tears</strong>, pin, creases in headress</div><ul><li><strong>Michelangelo </strong>is reported to have said “Flemish painting will please the devout better than any painting of Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many.”</li><li>Attention to detail continues to be a quality of northern European art through several centuries</li><li>Possible because of <strong>oil paint</strong></li><li>Michelangelo is reported to have said:<ul><li>&nbsp;“Flemish painting will please the devout better than any painting of Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many.”<br><br></li></ul></li></ul>]]></description>
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         <pubDate>2023-03-31 18:06:37 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540191531</guid>
      </item>
      <item>
         <title>Buxheim St. Christopher. 1423 </title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540193517</link>
         <description><![CDATA[<div><strong>Buxheim St. Christopher: Germany <br>Medium</strong>? Woodcut;&nbsp;</div><div><strong>Technique </strong>(relief); flat, little shading</div><div><strong>Influence </strong>of <strong>printing press</strong>; made into popular picture books called block books</div><div><strong>Christopher</strong>—patron saints of travelers: a giant who ferried people across rivers; surprised how heavy a child was (it was Christ carrying the weight of the world)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/923371f9a76486b54c6faaa80ae71f04/image.png" />
         <pubDate>2023-03-31 18:08:45 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540193517</guid>
      </item>
      <item>
         <title>Jacques Daret. Woodcut of St. Christopher, Annunciation (detail). ca. 1435</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540194337</link>
         <description><![CDATA[<div><strong>Jacques Daret: Flemish </strong>Significance: block prints /block books could be owned by anyone (as opposed to illuminated manuscripts); print pinned onto wall in middle-class home: art for the people</div>]]></description>
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         <pubDate>2023-03-31 18:09:42 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540194337</guid>
      </item>
      <item>
         <title>Martin Schongauer,St. Anthony Tormented by Demons, ca. 1480-1490</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540195493</link>
         <description><![CDATA[<ul><li><strong>Intaglio</strong>=incised</li><li><strong>Engraving </strong>on <strong>metal plate </strong>(opposite woodcut technique)</li><li><strong>Intaglio</strong>=incised</li><li><strong>St</strong>. <strong>Anthony </strong>tempted by demons, whom he resisted</li></ul>]]></description>
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         <pubDate>2023-03-31 18:10:54 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540195493</guid>
      </item>
      <item>
         <title>Hieronymus Bosch, The Last Judgment, c. 1482</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540195893</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-03-31 18:11:20 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540195893</guid>
      </item>
      <item>
         <title>Owls by Hieronymus Bosch</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540196272</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1927964555/1e47452a4c0d18fe9b51e6ac6ed79272/image.png" />
         <pubDate>2023-03-31 18:11:33 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540196272</guid>
      </item>
      <item>
         <title>15th-Century Flanders Summary</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540197156</link>
         <description><![CDATA[<div><br></div><ul><li>Attention to detail</li><li>Symbolism</li><li>Naturalism</li><li><strong>Oil paint</strong>:&nbsp; intense detail, subtle effects of light and dark, &nbsp; modeling, greater details, glowing colors</li><li>Art can be owned by <strong>middle class </strong>(especially &nbsp; prints)<ul><li>Mostly religious, also portraiture</li><li>Details of modern life (cityscapes, interiors, etc.)</li><li>Fantastical creatures/demons (Bosch, &nbsp; Schongauer)</li></ul></li><li>Art owned by middle class<ul><li>Mostly religious</li></ul></li><li>Details of modern life (cityscapes, interiors, etc.)</li></ul>]]></description>
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         <pubDate>2023-03-31 18:12:34 UTC</pubDate>
         <guid>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2540197156</guid>
      </item>
      <item>
         <title>Ancient Mesopotamian Art</title>
         <author>alyssapabq</author>
         <link>https://padlet.com/alyssapabq/hkefhoqz5nddc9tr/wish/2544326284</link>
         <description><![CDATA[<div><br></div><ul><li>Sumerian: c. 3000 BC</li><li>Akkadian: c. 2000 BC</li><li>Babylonian: c. 1700 BC</li><li>Assyrian: c. 700 BC</li><li>Late Babylonian: c. 600 BC</li><li>Persian: c. 500 BC</li></ul>]]></description>
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         <pubDate>2023-04-05 01:02:39 UTC</pubDate>
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