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      <title>Literary Texts by Moushumi Das</title>
      <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv</link>
      <description>My planning for the literature component of the two year DP English A: Language and Literature Course, constructed for the SL and HL students keeping in mind the course requisites: the number of geographical locations to cover, the number of ages/periods to study, a work in translation, covering different literary forms and considering the PRL. Each of them have been seen through the AOE lens: Time and Space and specific aspects of the same highlighted for each of the texts. The two additional texts I would choose for the HL component are likely to be Death in Venice by Thomas Mann and a collection of poems by William Wordsworth. The other four are for SL students. </description>
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      <pubDate>2021-08-27 12:57:55 UTC</pubDate>
      <lastBuildDate>2023-02-24 07:57:49 UTC</lastBuildDate>
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         <title>Yayati by Girish Karnad</title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700722241</link>
         <description><![CDATA[<div><strong>Continent: </strong>India, Asia<br><strong>Period:</strong><strong><em> </em></strong>20th Century (1960)<br><strong>Form:</strong> Drama<br><strong>Language: </strong>Kannada/English<br><strong>Global Issues: </strong>Casteism, Toxic Masculinity <br><strong>Literary Elements: </strong>Character/Characterization, scene, dialogue, staging, monologue, soliloquy, speech directions, intonations, offstage<br><strong>Assessments:</strong> Paper 2, IO<br><strong>TOK: </strong>Why visit the theatre (catharsis)? What are the benefits? <br><strong>AOE: </strong>How can texts offer insights into other cultures? How can cultural contexts influence how texts are written and received? <br><strong>Concepts:</strong> Representation, Creativity<br><strong>Approaches to Learning: </strong>Social Skills and Communication(performance of the play), Thinking skills (Intertextuality and Global Issues)<br><strong>Approaches to Teaching: </strong>Teaching based in local and global contexts (casteism still a basis for discrimination in India), teaching focused on effective teamwork and collaboration (performance in groups - incorporating time and space with two performances, one the original and one a more contemporary one to understand the change in contexts and viewpoints now), Teaching informed by assessment, teaching designed to remove barriers to learn (I use this as the first literary text since the students are familiar to the context to production of the text)<br><br></div>]]></description>
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         <pubDate>2021-08-27 12:56:49 UTC</pubDate>
         <guid>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700722241</guid>
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         <title>Macbeth by William Shakespeare </title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700738850</link>
         <description><![CDATA[<div><strong>Continent: </strong>United Kingdom<br><strong>Period:</strong><strong><em> </em></strong><em>17</em>th Century (1606 - written, 1623 - published)<br><strong>Form:</strong> Drama<br><strong>Language: </strong>English<br><strong>Global Issues: </strong>Greed, Quest for Power, Corruption<br><strong>Literary Elements: </strong>Character/Characterization, scene, dialogue, staging, monologue, soliloquy, speech directions, intonations, offstage<br><strong>Assessments:</strong> Paper 2, IO, Could also have the VA students prepare a model of the Shakespearean stage.<br><strong>TOK: </strong>Why visit the theatre (catharsis)? What are the benefits? <br><strong>AOE: </strong>How can texts offer insights into other cultures? How can cultural contexts influence how texts are written and received? <br><strong>Concepts:</strong> Representation<br><strong>Approaches to Learning: </strong>Social Skills and Communication (performance of the play), Thinking skills (Intertextuality and Global Issues)<br><strong>Approaches to Teaching: </strong>Teaching based in local and global contexts (the same scenarios in the politics of a country in the present day or other such instances from history, preferably local), teaching focused on effective teamwork and collaboration (performance of the play), Teaching informed by assessment (comparative studies - Yayati and Macbeth, characters, plot structure, etc.)</div>]]></description>
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         <pubDate>2021-08-27 13:07:55 UTC</pubDate>
         <guid>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700738850</guid>
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      <item>
         <title>Scarlet Letter by Nathaniel Hawthorne</title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700749007</link>
         <description><![CDATA[<div><strong>Continent: </strong>United States of America<br><strong>Period:</strong><strong><em> </em></strong><em>19</em>th Century (1850)<br><strong>Form:</strong> Novel<br><strong>Language: </strong>English<br><strong>Global Issues: </strong>Sin, Public and Private Truth, Gender, Punishment, Alienation/Isolation/Outcasts, Superstition, Religion/Beliefs above all else<br><strong>Literary Elements: </strong>Tension, diction, plot, twist, conflict, character, foil, antagonist, protagonist, narrative technique and types, setting, atmosphere<br><strong>Assessments:</strong> Paper 2, IO<br><strong>TOK: </strong>What is the value of studying fiction? <br><strong>AOE: </strong>How can cultural contexts influence how texts are written and received? What are the different ways in which people are affected by texts?<br><strong>Concepts:</strong> Creativity, Communication<br><strong>Approaches to Learning: </strong>Thinking skills (Intertextuality and Global Issues), Self-Management (capacity to show empathy for other people/characters), Research Skills (Puritanism, Salem Witch Hunts)<br><strong>Approaches to Teaching: </strong>Teaching based in local and global contexts (similar 'punishments', punishment at the hands of public, etc. common in several parts of India), Teaching informed by assessment, Teaching focused on conceptual understanding (general to specific in this case), Teaching based on enquiry (thereby leading to research)&nbsp;</div>]]></description>
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         <pubDate>2021-08-27 13:14:08 UTC</pubDate>
         <guid>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700749007</guid>
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      <item>
         <title>Persepolis by Marjane Satrapi</title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700792931</link>
         <description><![CDATA[<div><strong>Continent: </strong>Iran, Asia<br><strong>Period:</strong><strong><em> </em></strong>21sh Century (2000-2003)<br><strong>Form:</strong> Graphic Novel<br><strong>Language: </strong>French/English<br><strong>Global Issues: </strong>Radicalism, Religion and governance, Extremism<br><strong>Literary Elements: </strong>symmetry, memoir, cartoon, satire, negative space, speech bubble, thought bubble, voice-over, panel, gutter, symbol, emanata, punchline, cartoonification<br><strong>Assessments:</strong> Paper 2, IO, Could also have the VA students prepare a short graphic novel of their own.<br><strong>TOK: </strong>Can comic books be considered 'art'?<br><strong>AOE: </strong>How do the style and structure of a text affect its meaning? <br><strong>Concepts:</strong> Representation (cartoonification as a medium of representation)<br><strong>Approaches to Learning: </strong>Thinking skills (Intertextuality and Global Issues), teaching developed in local and global contexts (easily relatable to current day affairs in some Islamic countries), research skills (Islamic revolution and its impact on progress of a nation, wars, how it impacts the world opinions about the nation)<br><strong>Approaches to Teaching: </strong>Teaching based in local and global contexts, Teaching informed by assessment, teaching designed to remove barriers to learn (a lot of students understand a combination of text and graphics better than just text)<br><br></div>]]></description>
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         <pubDate>2021-08-27 13:38:26 UTC</pubDate>
         <guid>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1700792931</guid>
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      <item>
         <title>Collected Poems of William Wordsworth (1770-1850)</title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1701654735</link>
         <description><![CDATA[<div><strong>Continent: </strong>United Kingdom<br><strong>Period:</strong><strong><em> </em></strong><em>18th and 19</em>th Century (1770 - 1850)<br><strong>Form:</strong> Poetry<br><strong>Language: </strong>English<br><strong>Global Issues: </strong>Nature and environment, morality, mortality, Transcendence and Connectivity (Romanticism)<br><strong>Literary Elements: </strong>figures of speech, syllable, metric foot, rhythm, verse, meter, enjambment, stanza, rhyming scheme, prosody, internal rhyme, free verse, blank verse, couplet, English sonnet, Volta, caesura, scansion.<br><strong>Assessments:</strong> Paper 2, IO<br><strong>TOK: </strong>How do we ascertain the meaning in the arts in general? Is it possible to understand the meaning of poem with any level of certainty? How is 'meaning' different from 'purpose'? <br><strong>AOE: </strong>How useful is it to describe a work as a 'classic'? How can texts present challenges and offer insights?<br><strong>Concepts:</strong> Transformation (reader's outlook), <br><strong>Approaches to Learning: </strong>Thinking skills (Intertextuality and Global Issues, critical thinking, analysis and evaluation, ability to find patterns and build conceptual knowledge), Self-Management (capacity to show empathy for other people/characters), Research Skills<br><strong>Approaches to Teaching: </strong>Teaching informed by assessment, Teaching focused on conceptual understanding (general to specific in this case), enquiry based (into the Romantic age and the lifestyle devoid of which poems may seem unreal and too idyllic) </div>]]></description>
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         <pubDate>2021-08-28 02:36:20 UTC</pubDate>
         <guid>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1701654735</guid>
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      <item>
         <title>Death in Venice by Thomas Mann (1912)</title>
         <author>moushumidas1</author>
         <link>https://padlet.com/moushumidas1/h8wefcp8nvzqhszv/wish/1701655111</link>
         <description><![CDATA[<div><strong>Continent: </strong>Germany, Europe<br><strong>Period:</strong><strong><em> </em></strong><em>20</em>th Century (1912)<br><strong>Form:</strong> Novella<br><strong>Language: </strong>German (Text in translation)<br><strong>Global Issues: </strong>Age and perspective (ageing), ethnicity (Polish, Italian and German characters), corrupting powers of art and beauty, conflict between art and life, same sex attraction<br><strong>Literary Elements: </strong>Tension, diction, plot, twist, conflict, character, foil, antagonist, protagonist, narrative technique and types, setting, atmosphere<br><strong>Assessments:</strong> Paper 2, IO<br><strong>TOK: </strong>What is the value of studying fiction? <br><strong>AOE: </strong>How can cultural contexts influence how texts are written and received? What are the different ways in which people are affected by texts?<br><strong>Concepts:</strong> Creativity, Communication<br><strong>Approaches to Learning: </strong>Thinking skills (Intertextuality and Global Issues), Self-Management (capacity to show empathy for other people/characters)<br><strong>Approaches to Teaching: </strong>Teaching based in local and global contexts Teaching informed by assessment, Teaching focused on conceptual understanding (general to specific in this case), Teaching based on enquiry</div>]]></description>
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         <pubDate>2021-08-28 02:36:56 UTC</pubDate>
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