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      <title>History of the music by </title>
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      <description>Music</description>
      <language>en-us</language>
      <pubDate>2018-05-30 02:40:46 UTC</pubDate>
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         <title>Prehistoric musical instruments (40,000 - 20,000 years)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264421440</link>
         <description><![CDATA[<div>Bone flutes and pipes <br><br></div>]]></description>
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         <pubDate>2018-05-30 03:18:07 UTC</pubDate>
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         <title>Ancient Egypt</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264427698</link>
         <description><![CDATA[<div>The ancient <a href="http://en.wikipedia.org/wiki/Egyptians">Egyptians</a> credited one of their gods <a href="http://en.wikipedia.org/wiki/Thoth">Thoth</a> with the invention of music.</div>]]></description>
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         <pubDate>2018-05-30 04:13:23 UTC</pubDate>
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         <title>The Medieval Era (476 AD to 1400 AD)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264431656</link>
         <description><![CDATA[<div>Roman Catholic Church<br>      "polyphonic music"</div>]]></description>
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         <pubDate>2018-05-30 04:52:07 UTC</pubDate>
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         <title>1562 - Palestrina: The “Savior of Music”?</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264543850</link>
         <description><![CDATA[<div>Giovanni Da Palestrina satisfies the pope's rigid requirements and creates a new spiritual style that legend says “saved polyphony” when he writes <em>Pope Marcellus Mass</em>, his most famous and enchanting piece.</div>]]></description>
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         <pubDate>2018-05-30 14:33:32 UTC</pubDate>
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         <title>1565 - 1908</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264556184</link>
         <description><![CDATA[<div>St. Paul's dictum prohibited women from singing on stage and in churches<br><br>Pius X re-emphasised this prohibition</div>]]></description>
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         <pubDate>2018-05-30 15:10:46 UTC</pubDate>
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         <title>Biography</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264575543</link>
         <description><![CDATA[<div><a href="https://www.naxos.com/education/brief_history.asp">https://www.naxos.com/education/brief_history.asp</a><br><br><a href="https://www.gramophone.co.uk/feature/top-10-romantic-composers">https://www.gramophone.co.uk/feature/top-10-romantic-composers</a><br><br><a href="http://www2.nau.edu/tas3/handel.html">http://www2.nau.edu/tas3/handel.html</a><br><br><a href="https://web.archive.org/web/20110728124424/http://www.gore-ljudje.net/novosti/39105/">https://web.archive.org/web/20110728124424/http://www.gore-ljudje.net/novosti/39105/</a><br><br><a href="https://rapsterav.wordpress.com/2015/03/24/prehisoric-music/">https://rapsterav.wordpress.com/2015/03/24/prehisoric-music/</a><br><br><a href="http://www.chicagochorale.org/palestrina-savior-music/">http://www.chicagochorale.org/palestrina-savior-music/</a><br><br><a href="https://www.britannica.com/art/serialism">https://www.britannica.com/art/serialism</a><br><br><a href="https://pt.wikipedia.org/wiki/Pierre_Boulez">https://pt.wikipedia.org/wiki/Pierre_Boulez</a><br><br><a href="https://www.britannica.com/topic/Pope-Marcellus-Mass">https://www.britannica.com/topic/Pope-Marcellus-Mass</a><br><br><a href="https://www.infoplease.com/arts-entertainment/music/music-timeline">https://www.infoplease.com/arts-entertainment/music/music-timeline</a><br><br><a href="http://www.chicagochorale.org/palestrina-savior-music/">http://www.chicagochorale.org/palestrina-savior-music/</a><br><br><a href="https://www.theguardian.com/music/2002/aug/05/classicalmusicandopera.artsfeatures">https://www.theguardian.com/music/2002/aug/05/classicalmusicandopera.artsfeatures</a><br><br><a href="https://en.wikipedia.org/wiki/Castrato">https://en.wikipedia.org/wiki/Castrato</a><br><br><a href="http://liblamp.uwm.edu/omeka/SPC2/exhibits/show/classictext/aristophanes/frogs">http://liblamp.uwm.edu/omeka/SPC2/exhibits/show/classictext/aristophanes/frogs</a><br><br><a href="http://www.kholopov.ru/arc/henderson-agm-nohm1.pdf">http://www.kholopov.ru/arc/henderson-agm-nohm1.pdf</a><br><br><a href="http://www.faenumpublishing.com/uploads/2/3/9/8/23987979/aristophanes_frogs_-_a_dual_language_edition.pdf">http://www.faenumpublishing.com/uploads/2/3/9/8/23987979/aristophanes_frogs_-_a_dual_language_edition.pdf</a><br><br><a href="https://web2.mlp.cz/koweb/00/04/24/14/73/music_its_language_history_and_culture.pdf">https://web2.mlp.cz/koweb/00/04/24/14/73/music_its_language_history_and_culture.pdf</a><br><br><a href="https://en.wikipedia.org/wiki/Gregorian_chant">https://en.wikipedia.org/wiki/Gregorian_chant</a><br><br><a href="http://www.saintmeinrad.edu/the-monastery/liturgical-music/history-of-chant/">http://www.saintmeinrad.edu/the-monastery/liturgical-music/history-of-chant/</a><br><br><br></div>]]></description>
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         <pubDate>2018-05-30 16:16:00 UTC</pubDate>
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         <title>Baroque (c.1600 - c.1750)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264582833</link>
         <description><![CDATA[<div>The idea of the modern orchestra was born, along with opera. On a purely domestic level, every wealthy lady would have a spinet to play.<br><br>Of the many 17th century composers who paved the way for this popular explosion of 'classical' music, the following were outstanding: <a href="https://www.naxos.com/composerinfo/Claudio_Monteverdi/24641.htm">Monteverdi</a>, <a href="https://www.naxos.com/composerinfo/Arcangelo_Corelli/27130.htm">Corelli</a>, <a href="https://www.naxos.com/composerinfo/Alessandro_Scarlatti/21151.htm">Alessandro Scarlatti</a>, <a href="https://www.naxos.com/composerinfo/Heinrich_Schutz/24838.htm">Schutz</a>, <a href="https://www.naxos.com/composerinfo/Dieterich_Buxtehude/27114.htm">Buxtehude</a>,<a href="https://www.naxos.com/composerinfo/Henry_Purcell_20995/20995.htm">Purcell</a> and <a href="https://www.naxos.com/composerinfo/Jean_Baptiste_Lully/22610.htm">Lully</a>. Yet, the most popular composers of the period, indeed those who seem to define by their very names the sound of Baroque music at its most colourful and sophisticated are <a href="https://www.naxos.com/composerinfo/Johann_Sebastian_Bach_17648/17648.htm">Johann Sebastian Bach</a>, <a href="https://www.naxos.com/composerinfo/George_Frideric_Handel/24403.htm">Handel</a>, <a href="https://www.naxos.com/composerinfo/Georg_Philipp_Telemann/23879.htm">Telemann</a>, <a href="https://www.naxos.com/composerinfo/Jean_Philippe_Rameau/21006.htm">Rameau</a>, <a href="https://www.naxos.com/composerinfo/Francois_Couperin/27135.htm">François Couperin</a>, <a href="https://www.naxos.com/composerinfo/Domenico_Scarlatti/21152.htm">Domenico Scarlatti</a>, and <a href="https://www.naxos.com/composerinfo/Antonio_Vivaldi/22387.htm">Vivaldi</a>, all of them at their creative peak during the first half of the 18th century.<br><br><strong>Georg Friedrich Händel</strong></div>]]></description>
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         <pubDate>2018-05-30 16:40:44 UTC</pubDate>
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         <title>Classical (c.1750 - c.1830)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264587290</link>
         <description><![CDATA[<div>Instrumental composition to the present day: sonata form. With it came the development of the modern concerto, symphony, sonata, trio and quartet to a new peak of structural and expressive refinement.<br><br>Portraits of the two composers with Haydn on the left, Mozart on the right</div>]]></description>
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         <pubDate>2018-05-30 16:57:24 UTC</pubDate>
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         <title>Romantic (c.1830 - c.1920)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264589735</link>
         <description><![CDATA[<div><em>The Romantic period was one of the most innovative in music history, characterised by lyrical melodies, rich harmonies, and emotive expression<br></em>Music often had a 'programme' or story-line attached to it. <strong>Program music</strong> or <strong>programme music</strong> is a type of <a href="https://en.wikipedia.org/wiki/Art_music">art music</a> that attempts to musically render an extra-musical <a href="https://en.wikipedia.org/wiki/Narrative">narrative</a>. The narrative itself might be offered to the audience in the form of <a href="https://en.wikipedia.org/wiki/Program_note">program notes</a>, inviting imaginative correlations with the music. A classic example is <a href="https://en.wikipedia.org/wiki/Hector_Berlioz">Hector Berlioz</a>'s <a href="https://en.wikipedia.org/wiki/Symphonie_fantastique"><em>Symphonie fantastique</em></a>, which relates a drug-induced series of morbid fantasies concerning the unrequited love of a sensitive poet involving murder, execution, and the torments of Hell.</div>]]></description>
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         <pubDate>2018-05-30 17:05:35 UTC</pubDate>
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         <title>Serialism (Post-war)</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264600329</link>
         <description><![CDATA[<div>In <a href="https://en.wikipedia.org/wiki/Music">music</a>, <strong>serialism</strong> is a method of <a href="https://en.wikipedia.org/wiki/Musical_composition">composition</a> using series of pitches, rhythms, dynamics, timbres or other <a href="https://en.wikipedia.org/wiki/Aspect_of_music">musical elements</a>. <br><br>It repeats, most often in the lower vocal or instrumental parts of a composition<br><br>The music of any serial composer is likely to differ greatly from that of any other serial composer, because serialism is a method or technique of composing that specifies by itself little about the total sound and style of a piece of music.</div>]]></description>
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         <pubDate>2018-05-30 17:44:04 UTC</pubDate>
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         <title>LET&#39;S DANCE</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264604392</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-05-30 17:57:01 UTC</pubDate>
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         <title>Greece</title>
         <author>marcelomviana</author>
         <link>https://padlet.com/marcelomviana/history_of_the_music/wish/264617764</link>
         <description><![CDATA[<div> Archaic and classical music was transmitted orally with its words. We shall find, flourishing in Athens of the fifth century B.c., a genuine classical tradition-that is, the perpetual competition of new music with recollected models and standards. The supreme document of this tradition is The Frogs of Aristophanes, produced in 405 B.C. </div>]]></description>
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         <pubDate>2018-05-30 19:07:11 UTC</pubDate>
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