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      <title>Twentieth Century Music: What Does it sound like? by </title>
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      <description>Listen to each of the videos in the Think Link and  answer the question about that video.</description>
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      <pubDate>2021-10-14 18:45:32 UTC</pubDate>
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         <description><![CDATA[]]></description>
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         <pubDate>2021-10-14 18:48:20 UTC</pubDate>
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         <description><![CDATA[]]></description>
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         <pubDate>2021-10-14 18:51:09 UTC</pubDate>
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         <description><![CDATA[]]></description>
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         <pubDate>2021-10-14 18:54:18 UTC</pubDate>
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         <title></title>
         <author>egapinski</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1817958155</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-10-14 18:56:47 UTC</pubDate>
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         <title>When I listen to this music, I get the impression (or feeling) of....</title>
         <author>egapinski</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2021-11-16 21:34:11 UTC</pubDate>
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         <title>When I listen to this music, I feel....</title>
         <author>egapinski</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1895235696</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-16 21:34:26 UTC</pubDate>
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         <title>I get the impression (or feeling) of __________ when I listen to this music</title>
         <author>egapinski</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1895236229</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-16 21:34:49 UTC</pubDate>
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         <title>I think that this music is (predictable or hard to follow)  because.... </title>
         <author>egapinski</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1895237368</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-16 21:35:43 UTC</pubDate>
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         <title></title>
         <author>jneumann528082</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897844510</link>
         <description><![CDATA[<div>Erik Satie was <strong>a composer and musician in the Impressionism period</strong>. Impressionism was a radical art movement that began in the late 19th century in Paris. Erik Satie (1866–1925) was a <strong>French composer and pianist</strong>. Today he is best known to us through his well-loved Gymnopédies, the small melancholic piano pieces from 1890, but at the time of his death in 1925, Satie was barely known beyond the city limits of Paris.</div><div><br><br></div>]]></description>
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         <pubDate>2021-11-17 19:45:27 UTC</pubDate>
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         <title></title>
         <author>jneumann528082</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897846572</link>
         <description><![CDATA[<div>The main melody of “Boléro” is <strong>adapted from a tune composed for and used in Sufi [religious] training</strong>. Ravel decided that the theme had an insistent quality and thus repeated it over and over without any real development, only a gradual crescendo as the instrumentation grows throughout the piece. After leaving the conservatoire, Ravel found his own way as a composer, developing a <strong>style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works</strong>, jazz. ... A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. </div>]]></description>
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         <pubDate>2021-11-17 19:46:35 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897850377</link>
         <description><![CDATA[<div>I get the impression of melancholy or feeling sullen when I listen to this music. It's a delicate piece and truly speaks through emotion using music as its outlet.</div>]]></description>
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         <pubDate>2021-11-17 19:48:36 UTC</pubDate>
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         <title></title>
         <author>jneumann528082</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897860455</link>
         <description><![CDATA[<div>The piece was published in 1905 as the third of four movements in the composer's Suite Bergamasque, and unlike the other parts of this work, Clair <strong>is quiet, contemplative, and slightly melancholy, evoking the feeling of a solitary walk through a moonlit garden</strong>. The slow tempo, and the always- harmonically unfinished phrases in the piece create a sense of ambiguity and suspense. It almost seems to annoy the listener as it lacks a sense of completion, but this feeling <strong>evokes curiosity and thought</strong> at the same time, making the piece reflective. </div>]]></description>
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         <pubDate>2021-11-17 19:53:25 UTC</pubDate>
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         <title></title>
         <author>jneumann528082</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897860628</link>
         <description><![CDATA[<div>The piece was published in 1905 as the third of four movements in the composer's Suite Bergamasque, and unlike the other parts of this work, Clair <strong>is quiet, contemplative, and slightly melancholy, evoking the feeling of a solitary walk through a moonlit garden</strong>. The slow tempo, and the always- harmonically unfinished phrases in the piece create a sense of ambiguity and suspense. It almost seems to annoy the listener as it lacks a sense of completion, but this feeling <strong>evokes curiosity and thought</strong> at the same time, making the piece reflective. </div>]]></description>
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         <pubDate>2021-11-17 19:53:32 UTC</pubDate>
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         <title></title>
         <author>jneumann528082</author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1897863979</link>
         <description><![CDATA[<div>"The <strong>Classical Tradition</strong> and Arnold Schoenberg's Concerto for Piano and Orchestra, Op. 42: Monothematic Sonata Form, Long-range Voice-leading and Chromatic saturation. " Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a <strong>method of musical composition</strong> devised by Austrian composer Arnold Schoenberg (1874–1951). ... All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Arnold Schoenberg was an Austrian-American composer who created new methods of <strong>musical composition involving atonality, namely serialism and the 12-tone row</strong>. He was also an influential teacher; among his most significant pupils were Alban Berg and Anton Webern.</div>]]></description>
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         <pubDate>2021-11-17 19:55:09 UTC</pubDate>
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         <title>ITS GORGEOUS </title>
         <author></author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1900448415</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-18 19:51:43 UTC</pubDate>
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         <title>Demi T</title>
         <author></author>
         <link>https://padlet.com/egapinski/h2s2co9yzx8mmhsd/wish/1900449677</link>
         <description><![CDATA[<div>I get the feeling of peace and joy when I listen to this music. The chords are subtle and the notes are high.</div>]]></description>
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         <pubDate>2021-11-18 19:52:28 UTC</pubDate>
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