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      <title>Comparisons Between Streetcar and Malfi by Miss Fraser</title>
      <link>https://padlet.com/katherine_fraser/gpn38aa8fn96</link>
      <description>Let&#39;s start looking for similarities! </description>
      <language>en-us</language>
      <pubDate>2016-06-29 07:56:20 UTC</pubDate>
      <lastBuildDate>2023-01-19 18:17:48 UTC</lastBuildDate>
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         <title></title>
         <author>LordOfMemes</author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115654643</link>
         <description><![CDATA[<div>There exists a comparison in the treatment of female sexuality in that Blanche is shown to be predatory in the same way that the duchess is shown to be a predatory "lusty widow"<br>Tom W aka Lord of Memes👽</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 08:11:52 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115654643</guid>
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         <title>By Tom A</title>
         <author>ta53</author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115936150</link>
         <description><![CDATA[<div><strong>Similarities between the Duchess Of Malfi and A Streetcar Named Desire.&nbsp;</strong></div><ul><li>Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,&nbsp; in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be.&nbsp;</li><li>Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she acknowledges this quirk of hers and it highlights how self - aware she is of her past experiences.</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2016-07-05 07:21:02 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115936150</guid>
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      <item>
         <title></title>
         <author>ta53</author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115936168</link>
         <description><![CDATA[]]></description>
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         <pubDate>2016-07-05 07:21:51 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/115936168</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/219931076</link>
         <description><![CDATA[echerous ]]></description>
         <enclosure url="" />
         <pubDate>2018-01-09 19:26:09 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/219931076</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/224891301</link>
         <description><![CDATA[ere exists a comparison in the treatment of female sexuality in that Blanch]]></description>
         <enclosure url="" />
         <pubDate>2018-01-25 22:06:17 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/224891301</guid>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/242620490</link>
         <description><![CDATA[<div>l;<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-15 22:39:41 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/242620490</guid>
      </item>
      <item>
         <title></title>
         <author>julia_holmwood</author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/249448690</link>
         <description><![CDATA[hown to be a predatory "lusty widow"]]></description>
         <enclosure url="" />
         <pubDate>2018-04-07 17:21:40 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/249448690</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/262182890</link>
         <description><![CDATA[imilarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she acknowledges this quirk of hers and it highlights how self - aware she is of her past experiences.]]></description>
         <enclosure url="" />
         <pubDate>2018-05-20 15:22:07 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/262182890</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/311727774</link>
         <description><![CDATA[archetype as aberrant,]]></description>
         <enclosure url="" />
         <pubDate>2018-12-06 09:54:17 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/311727774</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/342463304</link>
         <description><![CDATA[archetype as aberrant,
archetype as aberrant,

more_vert
imilarities between the D
imilarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she acknowledges this quirk of hers and it highlights how self - aware she is of her past experiences.

more_vert
hown to be a predatory "l
hown to be a predatory "lusty widow"

more_vert
l;
l;


more_vert
ere exists a comparison i
ere exists a comparison in the treatment of female sexuality in that Blanch

more_vert
echerous
echerous 

more_vert
📎 Photo

more_vert
By Tom A
By Tom A
Similarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she ]]></description>
         <enclosure url="" />
         <pubDate>2019-03-18 15:37:41 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/342463304</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/342463331</link>
         <description><![CDATA[archetype as aberrant,
archetype as aberrant,

more_vert
imilarities between the D
imilarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she acknowledges this quirk of hers and it highlights how self - aware she is of her past experiences.

more_vert
hown to be a predatory "l
hown to be a predatory "lusty widow"

more_vert
l;
l;


more_vert
ere exists a comparison i
ere exists a comparison in the treatment of female sexuality in that Blanch

more_vert
echerous
echerous 

more_vert
📎 Photo

more_vert
By Tom A
By Tom A
Similarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. Although Blanche has accepted her image she still runs away from it and tries to suppress it, “I've always depended on the kindness of strangers”, this quote shows not only Blanche’s dependency on men for protection but she ]]></description>
         <enclosure url="" />
         <pubDate>2019-03-18 15:37:43 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/342463331</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/357967377</link>
         <description><![CDATA[Similarities between the Duchess Of Malfi and A Streetcar Named Desire. 
Treatment of women: women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. ]]></description>
         <enclosure url="" />
         <pubDate>2019-05-08 09:54:28 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/357967377</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/357967781</link>
         <description><![CDATA[Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only this shows the duchess’ superior social standing but also her ability to win the argument about her second marriage, she knows what people think of her but she is more than prepared for confrontation. ]]></description>
         <enclosure url="" />
         <pubDate>2019-05-08 09:55:23 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/357967781</guid>
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         <title>ojrfokrjfkrfiohrfuhtuifhtightuioghtioghiogh5itog</title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/758133731</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-09-18 08:50:02 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/758133731</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/879953331</link>
         <description><![CDATA[women in both plays are both archetype as aberrant, they try to lure men to their downfall so they are subsequently vilified through the words and actions of other characters. For example in The Duchess Of Malfi, the duchess is discribed as a “lusty widow” , this is a clear insinuation of the duchess’ lecherous experiences, also the inclusion of “widow” can be seen as insinuating a ambiguous end to her previous husband, which would fit into the harsh treatment of women that was explored in literature during the time period. Similarly,  in A Streetcar Named Desire, Blanche is described as “Out-Of-Bounds”, this comment is revealed to be a nickname from a group of soldiers, out of bounds for soldiers can be seen as conjuring images of a no man's land between trenches, this gives readers an idea of how insidious Blanche is made out to be. 
Both female protagonists accept how they appear to others: How the duchess accepts her image is by showing how insignificant it is to her and she will also confront any that challenge her, in a argument with her two brothers, it is the brothers that are directed to leave first, from the stage directions “Exit” , which is for both brothers, it can be suggested that not only ]]></description>
         <enclosure url="" />
         <pubDate>2020-11-01 13:57:34 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/879953331</guid>
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         <title>Both the Duchess and Blanche are tragic heros</title>
         <author></author>
         <link>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/1446176718</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-04-22 08:11:49 UTC</pubDate>
         <guid>https://padlet.com/katherine_fraser/gpn38aa8fn96/wish/1446176718</guid>
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