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      <title>Text D by Brenda Cruz</title>
      <link>https://padlet.com/brendacrz2/gko4xad5imevomn7</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-04-06 01:18:54 UTC</pubDate>
      <lastBuildDate>2024-04-27 00:52:51 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Discourse analysis </title>
         <author>brendacrz2</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2945006655</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2117293338/f7e55cc27f88ea1d4f7dc3af39381e8d/Text_D.pdf" />
         <pubDate>2024-04-06 01:22:11 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2945006655</guid>
      </item>
      <item>
         <title>Lexical stress analysis</title>
         <author>maylenpinazo</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2945016078</link>
         <description><![CDATA[<p>Content words have stressed and unstressed syllables. Where the stress is located depends on the number of syllables and the type of word. Stressed syllables have a higher pitch, and are pronounced louder and more clearly than the unstressed ones. Some syllables have full vowel sounds, while others, which don't stand out, are reduced to schwa, short /ɪ/, neutral vowels or, sometimes, diphthongs. It is important to remember that the following explanations are tendencies and not rules.</p><p><br/></p><p>The following words used to illustrate with examples the tendencies have been chosen mostly due to the lexical field that <em>text d</em> has.</p><p><br/></p><p><strong><em><mark>Monosyllabic words</mark></em></strong></p><p><br/></p><p>Since these content words have just one syllable, they have a full vowel sound without stress. One example of monosyllabic content words that we found in the text is <strong><em>"crime" </em></strong>/ˈkraɪm/ and its vowel sound is the diphthong /aɪ/.</p><p><br/></p><p><strong><em><mark>Bisyllabic Words<br><br></mark></em></strong>Bisyllabic words have two syllables, the stress depends on the type of word. If it is a <strong><em>bisyllabic verb</em></strong> it tends to be stressed in the second syllable. In the text we can see the example <strong><em>concern </em></strong>whose weak syllable has a schwa <em>/ə/ </em>while its strongest has a long vowel <em>/3:/.<br><br></em><strong><em>Bisyllabic nouns, adjectives and adverbs</em></strong>, on the other hand, tend to be stressed in the first syllable. In the text, we can find the example <strong><em>woman (noun)</em></strong>, its strongest syllable has a short u <em>/ʊ/</em> while its weakest has a schwa <em>/ə/</em>. However, in the text, we have a noun which does not follow the tendency of bisyllabic nouns: <strong><em>intent</em></strong>. This word is stressed in the second syllable while the first syllable is reduced to a short i <em>/I/</em>. Finally, we have the adjective <strong><em>sexual</em></strong>, this adjective follows the tendency since its strongest syllable is the first one while the second one is reduced to a diphthong <em>/ʊə/</em>.</p><p><br/></p><p><strong><em><mark>Polysyllabic Words</mark></em></strong></p><p><br/></p><p>Words with three or more syllables are called polysyllabic words. To pronounce them correctly, it's important to identify which syllable is stressed. There are three different tendencies:</p><p>PATTERN 1: first syllable is stressed</p><p>PATTERN 2: second syllable is stressed</p><p>PATTERN 3: third or fourth syllable is stressed</p><p><br/></p><p>When the word has four syllables, and the main stress is in the third one, we need to add a secondary stress on the first one, since words in English never start with two unstressed syllables. If the main stress is in the fourth one, we have to add the secondary stress in the second one. The secondary stress is not as accentuated as the main one, but its sound is not reduced.</p><p><br/></p><p>Another point to consider is the fact that negative prefixes are always stressed.</p><p><br/></p><p><strong>Elements: </strong>/ˈɛlɪmənts/</p><p>This is a polysyllabic word whose stress is in the first syllable (pattern 1). In the stressed syllable there is the vowel sound /ɛ/. In the second syllable (unstressed) there is a short /ɪ/ and in the third one, a /ə/ sound.</p><p><strong>&nbsp;</strong></p><p><strong>Consider: </strong>/kənˈsɪdə/</p><p>This is a polysyllabic word whose stress is in the second syllable (pattern 2).<strong> </strong>In the stressed syllable there is a /ɪ/, while the first and third syllables are pronounced with a schwa sound <em>/ə/</em>.</p><p><br/></p><p><strong>Necessarily: </strong>/,nesə'serəli/</p><p>This is a polysyllabic word and it is stressed on the third syllable, but it also has a secondary stress in the first syllable.</p><p><br/></p><p>If the word has affixes, we have to consider them separately. Generally, the primary stress falls on the main root word and the secondary stress in the prefix, as we can see in <strong>unintelligible</strong> /ˌʌnɪnˈtelədʒəbəl/</p><p><br/></p>]]></description>
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         <pubDate>2024-04-06 01:47:38 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2945016078</guid>
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      <item>
         <title>Group members</title>
         <author>maelde1973</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2947058133</link>
         <description><![CDATA[<p><strong>Dicourse Analysis</strong></p><ul><li><p>Cruz, Brenda Victoria</p></li><li><p>Gómez, Lucía Micaela</p></li><li><p>Jofré, Malena</p></li><li><p>Mansini, Camila</p></li><li><p>Pereira Acosta, Zaida </p></li><li><p>Villar, Cintia. </p></li></ul><p><strong>Phonemic transcription and Audio recording</strong></p><ul><li><p>Barreto, Tatiana</p></li><li><p>Benina, Ludmila</p></li><li><p>Campaniello, Lucía </p></li><li><p>Gonzalez Centeno, Denise</p></li><li><p>Lescano, Valeria</p></li></ul><p><strong>Lexical Stress Analysis</strong></p><ul><li><p>Deniri, Maria Elvira</p></li><li><p>Giordano, Morena</p></li><li><p>Montenegro,Ludmila</p></li><li><p>Pinazo, Maylen</p></li><li><p>Rakovsky, Milagros Stephanie</p></li><li><p>Rosales, Ana</p></li></ul><p><br></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-08 16:29:46 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2947058133</guid>
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      <item>
         <title>Phonemic Transcription </title>
         <author>valeriamagalilescano</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2949503903</link>
         <description><![CDATA[<p>// ənd / ɪ / ɪ / ɪts / ən ɪɡˈzɑːmpᵊl əv ə mæn ˈfiːlɪŋ ðət hiːz ɪnˈtaɪtᵊld tə dʊ </p><p>ðɪs tu ə ˈwʊmən / aɪ θɪŋk ɪt wəz dɪsˈɡʌstɪŋ // </p><p>// ˈfɪlɪp // </p><p>// əʊ / aɪ / dɪsəˈɡriː ɪnˈtaɪəli / aɪ θɪŋk ɪts ʤəst bləʊn aʊt əv prəˈpɔːʃᵊn / aɪ </p><p>miːn aɪ θɪŋk ðər ɑː // </p><p>// ɜ: / bət jʊ wʊd seɪ ðət kɔːz jʊr ə mæn // </p><p>// mɔːr ɪmˈpɔːtᵊnt θɪŋz tə kənˈsɜːn ˌaʊəˈselvz ə'baʊt / aɪ dəʊnt θɪŋk ɪts ə </p><p>ˈsekʃuəl ækt / nes / ˌnesəˈserɪli / jʊ hæv tu / jʊ nəʊ / ɪn ɔːl ækts / ɪf ɪt / ɪf </p><p>ɪt wɜːr ə kraɪm / jʊ hæv tə kən / kənˈsɪdər ɪn'tent / aɪ miːn / kraɪm ɪz </p><p>dɪˈvaɪdɪd ˈɪntə tuː ˈelɪmənts / ˈæktəs reʊz ænd / əm // </p><p>// ðeə hi ɡəʊz //</p><p> //ðeə hi ɡəʊz / lɑːfs / ˈsɒri / jeə //</p><p>// ðeə hi kʌmz //</p><p> //ənd / ənd /'æktəs reʊz ənd menz //</p><p>// ʌnɪnˈtelɪʤəbᵊl //</p><p>//menz rea / ənd ðə mæn / jʊ həv </p><p>tə kənˈsɪdə hɪz ɪnˈtent / ənd hɪz ɪnˈtent / aɪm ʃɔː / ɪt ˈwɒzᵊnt ˈeni / ˈeniθɪŋ </p><p>ˈsekʃuəl / hi ʤəst meɪd ɪt / ɪn hɪz aɪz aɪm ʃɔː hi / hi / hi wəz ʤəst ə bɪt əʊ </p><p>/ bɪt ˈəʊvə ðə tɒp //</p><p><br/></p><p>PD: we couldn't put the aspirations and the linking R.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-10 12:35:18 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2949503903</guid>
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      <item>
         <title>Audio Recording</title>
         <author>malenanjofre</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2949611325</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-04-10 13:56:44 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2949611325</guid>
      </item>
      <item>
         <title>Extract</title>
         <author>malenanjofre</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2957529865</link>
         <description><![CDATA[<p>-And i… i…it's… an example of a man feeling that he's entitled to do this to a woman. I think it was disgusting.&nbsp;</p><p>-Philip?&nbsp;</p><p>-Oh, I disagree entirely. I think it's just blown out of proportion. I mean I think there are</p><p>- &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {Er… but you would say that cause you're a man&nbsp;</p><p>- &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {more important things to concern ourselves about. I don't think it's a sexual act, nec… necessarily. You have to…you know… in all acts… if it.. if it were a crime, you have to con… sider intent. I mean, crime is divided into two elements. Actus reus and, um…</p><p>- &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {There he goes…</p><p>-There he goes (laughs). Sorry. Yeah</p><p>-&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {There he comes…</p><p>-&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {and.. and.. actus reus and mens…</p><p>-&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {unintelligible</p><p>-&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; {mens rea. And the man, you have to consider his intent, and his intent, I'm sure, it wasn't any… anything sexual. He just made it. In his eyes I'm sure he, he, he was just a bit o… bit over the top.</p><p><br></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-16 23:49:30 UTC</pubDate>
         <guid>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2957529865</guid>
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      <item>
         <title>Source (from 1:35 to 2:19)</title>
         <author>maylenpinazo</author>
         <link>https://padlet.com/brendacrz2/gko4xad5imevomn7/wish/2958525673</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/5g2GrmYwsHw?si=GAXEO7lsRwEDAm18" />
         <pubDate>2024-04-17 12:35:40 UTC</pubDate>
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