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      <title>Developing Ideas by Matthew Bautista</title>
      <link>https://padlet.com/matthewbautista1217/Bookmarks</link>
      <description>Made with Charisma, uniqueness, nerve, and talent.</description>
      <language>en-us</language>
      <pubDate>2022-02-20 12:05:39 UTC</pubDate>
      <lastBuildDate>2022-05-25 06:38:41 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <url>https://padlet.net/icons/png/1f9d0.png</url>
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         <title>STORY VALUE</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151302612</link>
         <description><![CDATA[<div><strong>Can you think of universal qualities in a recent film you have seen?</strong> What do you think are the universal qualities in this film? What <em>story event</em> was the catalyst for these universal qualities to become evident?<br><br>Doctor strange 2: Multiverse of Madness<br><br>the universal qualities of the film are parenthood/sacrifice.<br><br>* Wanda/Scarlet Witch will do whatever it takes to find her children from a different multiverse and be the best parent for them.<br>* Doctor Strange tries to be the good role model for America Chavez despite all the chaos Wanda had created for the multiverse.<br><br>*"You break the rules and you become the hero. I do it and I become the enemy. That doesn't seem fair." Wanda talking to&nbsp; Strange about the sacrifice she had done made her the villain.<br><br>*Seeing Dr. Christine Palmer, Doctor Strange's love interest, getting married to someone else is the sacrifice he did over his happiness. meeting her other version from the different multiverse just proves that he still loves her "in different parts of multiverse."</div>]]></description>
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         <pubDate>2022-04-21 02:14:59 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151302612</guid>
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         <title>Character Revelation</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151305874</link>
         <description><![CDATA[<div>Can you recall watching gradual character revelation in films you have recently watched?<br><br>In different Multiverses, Doctor strange is the cause of all multiverse chaos.</div>]]></description>
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         <pubDate>2022-04-21 02:17:42 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151305874</guid>
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      <item>
         <title>ideas and storytelling</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151309214</link>
         <description><![CDATA[<div>I suggest you begin by collecting and organising stories, themes, films, scenes, filmmakers, TV shows, and other visual styles that you are drawn to in your padlet. Do you notice any patterns?&nbsp;<br><br>the Film plot is effectively shown through the six stage plot structure.<br><br>my Favourite plot is when character/s are brought together by fate with conflicting personalities to form a tentative partnership. The characters first attempt to ignore or put up with their incongruities for the sake of harmony, but then find conflict when serious flaws surface around the Midpoint. examples are Marvel's the Avengers, Pitch Perfect, Guy Ritchie's Snatch, Maleficent.<br><br>The conflict are usually shown by having characters with clashing personalities having a fallout with the group, or the act of betrayal. but in the end, they find themselves working with each other despite the conflict.</div>]]></description>
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         <pubDate>2022-04-21 02:20:25 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151309214</guid>
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         <title>logline</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151310331</link>
         <description><![CDATA[<div>So now its time to write your own loglines as Formative Assessment - I will check in on your padlet to give you some feedback. In your padlet, try writing your own logline based on some of the story ideas that you have been collecting.<br><br>*when a 20 year old photographer is suffering from a life-threatening disease, he befriends a 9 year old girl who is also suffering from a life-threatening disease. After his recovery, he met a woman that has close connections with him and his late 9 year old bestfriend.<br><br>*A man initiated a conversation with a depressed clown in Central Park. with that little conversation, the clown is on a journey to find hope and courage to keep going as himself.<br><br>*A young traveler battles a massive storm and seek shelter from a nearby old cabin. Little does he know, he trespassed a house riddled with kidnapped teenagers. It is now up to him to save himself or save the rest of the victims.<br><br>*A young adolescent is on a quest to find who killed his parents and the reason through time travel. As he tries to rescue his parents, history repeats itself and finds himself witnessing his parent's death in million ways.<br><br>*A man befriends love in different forms, and the dark side of it. With his self discovery about love, he has learned that the only love he wants to be with is self-love.</div>]]></description>
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         <pubDate>2022-04-21 02:21:19 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151310331</guid>
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         <title>non fiction films</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151315021</link>
         <description><![CDATA[<div>Write some quick notes about these films. Did you enjoy the film? What was the theme? How many characters populated the documentary? What were the locations? How did the film affect you?<br><br>A place like this is a story of survival, and the protagonist's dreams in life. He dreamed about having a big beautiful garden with water features in it. I find this short film inspiring. Despite having to join the war, he achieved his dream. The location is set in the big beautiful garden, while he talked about certain places such as Dortmund, Germany; the place he was deployed for war.</div>]]></description>
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         <pubDate>2022-04-21 02:24:52 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151315021</guid>
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      <item>
         <title>Nonfiction films</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151316242</link>
         <description><![CDATA[<div><a href="https://www.studiobinder.com/blog/best-short-films/#documentary-short-films">https://www.studiobinder.com/blog/best-short-films/#documentary-short-films</a><br><br>Write some quick notes about these films. Did you enjoy the film? What was the theme? How many characters populated the documentary? What were the locations? How did the film affect you?<br><br>I went to the horror genre of short films. when it comes to horror short films, most of the examples use simple techniques of storytelling. Most of it relies on visual storytelling, and the use of music and sound effects rather than having dialogues.<br><br>most short films only have two main characters. if there is a third one, they are usually a support character or characters that help build the story for the main characters.<br><br>in the smiling man, the main characters are the child, and the smiling man itself. The third character was the dead mum but only has an impactful 30 seconds or less screentime.</div>]]></description>
         <enclosure url="https://www.studiobinder.com/blog/best-short-films/#documentary-short-films" />
         <pubDate>2022-04-21 02:25:50 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151316242</guid>
      </item>
      <item>
         <title>Developing ideas</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151319773</link>
         <description><![CDATA[<ul><li>Ask “Who am I?” This is the question that every artist must grapple with before they can figure out what story they want to tell. The questions that you investigate must engage and attract your core interests, and to that extent you must first examine and hold a mirror up to yourself before figuring out your project.</li></ul><div><br><br></div><ul><li>Start writing ideas from a title, a headline, someone you meet, a visual image, or an issue or a story that moves or provokes you. You may find stories in history, myth and legend, newspapers and magazines, family stories, social science.</li></ul><div><br>I visited the hospital. I saw a little child with a nasal cannula interacting with a visitor but for another patient. That struck an idea for my first logline.<br><br></div><div>recently, I was scrolling through TikTok and there were two teenagers in a video chatroom. one looked sad. in the video, the other person asked "why are you sad?". He responded with "Why would I be happy?" That gave me an idea to continue the narration, and continue how the story would go. I scrapped that idea until I changed the characters. I used the clown and the ghost to portray them. that struck an idea for my second logline.</div>]]></description>
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         <pubDate>2022-04-21 02:28:42 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2151319773</guid>
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         <title>Film Inspirations:</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2197562898</link>
         <description><![CDATA[<div>1.) Parasite, 2019 (Bong Joon Ho)<br><br>2019 is a year full of incredible masterpieces from notable filmmakers such as Waititi, Tarantino and Scorsese. Those filmmakers have different art style but with captivating storytelling, but a film that stuck to me was Bong Joon Ho’s Parsasite.<br><br>This 2019 movie directed by Bong Joon Ho is a 2019 masterpiece with a plot twist you never expected. The theme of the movie is about the hierarchy of&nbsp; living: the rich and the poor, and how the poor (the Kim’s) leech off and take advantage of the rich (the Park’s). This film is like watching two films with different genres without losing the cohesion of the story.<br><br></div><blockquote>They are all laughing uproariously when --<br>The DOORBELL rings loudly throughout the house.<br><br>They all freeze and look at each other. Who the hell could that be? The doorbell continues to ring.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; [KIM] KI-WOO<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Who could it be at this time?<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;[KIM] KI-TEK<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; What do you think it is?<br>Chung-Sook scurries over to the gate monitor.&nbsp; She sees --<br>A familiar round face filling the screen.&nbsp; It’s MUN-KWANG.<br>She’s standing in the rain dressed in all black.</blockquote><div>(Bong Joon Ho, Han Jin Won, Screenplay)<br><br></div><div>That screenplay is in page 71/141-page script. The <em>DOORBELL </em>symbolises the arrival of the second part of the movie, or according to Bong, “<em>the real start of the film</em>.” (Echevaria, Lee, 2018)<br><br>As an auteur, Bong Joon Ho made a name in Korean film industry which gained him awards, popularity and global success throughout his works. His films are satirical with a mix of suspense and dark themes. According to thisisbarry.com, the frames and scenes you get to see in his movies make you realize how little attention we pay to the mundane and why we haven’t been doing that more often.<br><br>In his 2019 feature, We only paid attention to how the poor successfully became parasites to the riches. Sabotaging the servants of the riches, the viewers like myself, did not realise the servants (Mun-Gwang) are also parasites and leeching off the rich and it turns out to be the biggest plot twist which happens in the midpoint of the movie.<br><br>Just like Alfred Hitchcock’s Psycho, the house is a character itself. Mun-Gwang is the only one who knows and has been raising her family in mansion’s basement. Without the basement, the plot twist never would’ve happened.<br><br> Both Kim’s house and Park’s house played a big role in terms of comparison. The Kim’s house is a semi-basement-type house and the view of their window is the filthy street; the feeling of being in the sewer. The Park’s, on the other hand is established on the higher ground. The road is sloped so floodwaters couldn’t go in. The Kim’s lost their house because of the flood filling their house. The poor is on the lower ground, and the rich is on the higher ground.<br><br></div><blockquote>INT. MERCEDES - DRIVING - MORNING<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;YON-KYO<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;(into the phone)<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Did you see the sky today?<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Crystal clear.&nbsp; Zero air<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;pollution.&nbsp; Rain washed it all<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;away.&nbsp; Of course camping was a<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;major fail because of the rain,<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;but we get to have a garden party<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;instead, yay!&nbsp; It was actually a<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;blessing in disguise.</blockquote><div>P.117/141 (Bong &amp; Han, Screenplay)<br><br>It was an insult to the Kims as they lost their shelter from the heavy rains.<br><br>The cameraworks also tell a story itself. The first half of the movie is slow paced, with vivid imagery and in a wide angle to emphasise how rich are the Park’s family. The second half of the movie is fast-paced, exhilarating, and dark. It just shows how a comedy-family movie is flipped into a horror-thriller movie that quick.</div>]]></description>
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         <pubDate>2022-05-24 11:51:09 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2197562898</guid>
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         <title>2.) Kill Bill vol.1</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2197585372</link>
         <description><![CDATA[<div>A 4th film By Quentin Tarantino…<br><br>To avoid losing the translation, most films are conventional with their narrative; Beginning-Middle-End. But in this film, the movie sequence is everywhere; Beginning-End-Middle-Beginning-Middle-Beginning-Middle. It is a non-linear narrative. It jumps from sequence to sequence.<br><br>Kill bill is 2-part film, but watching the first film itself is fun, bloody, action-packed, and a pop culture favourite. Tarantino made himself known with his works such as Pulp Fiction, Once Upon a Time in Hollywood, Reservoir Dogs, and so much more. Tarantino is famous for using a non-linear films, mentioning pop culture reference, and violent physical scenes.<br><br>This film is non-linear and it doesn’t rely too much on the plot, but what made this movie fun and rewatchable?<br><br>The film consists of chapters so the film cohesion is not muddled and the audience can keep up with the scenes. The scenes paid homage to a lot of art style such as Spaghetti Western, B&amp;W, Narration-led films, Anime, and Samurai revenge flicks.<br><br>The music used in this film is to hype the audience. From Nancy Sinatra’s Bang Bang to Elle Driver’s Whistling, the vibe within those music gives a mystery tone to the movie. The action scenes are provided with fun upbeat rock and roll music.<br><br>The film is a visual masterpiece. The cinematography is superb. The shots used for an example are the 2-minute one shot take in the House of Blue Leaves which apparently took six hours to rehearse. (Lansley, 2017)<br><br></div><blockquote>ONE SHOT<br><br>CU The BRIDE<br>At The bar, in her kimono, drinking a colour for cocktail. She observes the activity by O-Ren’s private dining room. When the Yubari very sisters go back inside, the Bride climbs off her barstool and goes through the restaurant… into the parking area… and up to her rental car. She opens the door. Takes off her Japanese kimono, underneath is a one-piece yellow track suit with a black stripe going down both sides, like the one Bruce Lee wears in “Game of Death.” She tosses the kimono in the trunk, then removes the sheathed Hanzo sword. With the sword of vengeance in her hand, we follow her inside the restaurant. She looks upstairs to the O-Ren dining room. We see Yukon Yubari and Sofia Fatale, slide open the door, and walk down the stairs together. When they get to the bottom, they give each other a kiss goodbye, and Yukon leaves the restaurant, while Sofie makes her way to the bathroom… only to have The Bride, now dressed in her Bruce Lee yellow outfit and samurai sword in her hand, bar her way.<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;END OF SHOT</blockquote><div>P.59/100 (Tarantino, Thurman, Screenplay 2003)<br><br>&nbsp;The split screen also shows the intention of the antagonist to the protagonist. The antagonist&nbsp; revived the protagonist from her comatose.<br><br></div><blockquote>Elle standing over The Bride’s hospital bed, says to her;<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ELLE<br><br>&nbsp; &nbsp; &nbsp; I might never liked you. Point in fact I&nbsp; &nbsp; &nbsp; &nbsp; despised you. But that doesn’t suggest I don’t &nbsp; respect you. You were a master of a profession&nbsp; &nbsp; that’s most difficult to master.<br>&nbsp; &nbsp; &nbsp; Dying in your sleep is a luxury our kind is rarely afforded. My gift to you.<br><br>As she lifts the syringe off the tray….<br>Her cell phone RINGS….</blockquote><div>P.19/100 (Tarantino, Thurman, Screenplay 2003)<br><br>The production design and the visual effects made the movie rewatchable. As mentioned above, it has taken inspiration to Bruce Lee’s Iconic yellow suit with black stripes. The set design is contrasting from the westernised, dusty Texas, to Surburbian modern home, to Japanese bars.<br><br>The climactic fight sequence took up 30 minutes of the movie which made the movie fun and rewatchable.<br><br></div><blockquote>“You won’t last five minutes.”</blockquote><div>O-Ren Ishii warns The Bride that she might not last 5 minutes in a fight. She loses the duel, in a fight sequence that lasts 4 minutes and 59 seconds.<br><br>The cast and characters are racially diversed. The ensemble consisted of the bride, Bill, Elle driver as Americans, Vernita Green as a black-American, O-Ren Ishii as Japanese, and Sofie Fatale as French-Japanese.<br><br>The film is ahead of it’s time. The film does not necessarily need to be plot driven to be a masterpiece. It does not have to be in a linear sequence. Just have a fun cinematography, production design; a soundtrack that matches the vibe of the scenes, and a racially diversed cast and characters and it will be a memorable film.</div>]]></description>
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         <pubDate>2022-05-24 12:09:39 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2197585372</guid>
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         <title>3.) Spirited Away</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198609988</link>
         <description><![CDATA[<div>Animated films bring what we consider lifeless to life.<br><br>Spirited Away, a film by Hayao Miyazaki, approaches the details of reality in a much more realistic way. This film approaches the sense of life from a different perspective.<br>&nbsp; <br>One surprising fact about Miyazaki is that he does not normally work from screenplays, he has an idea and then sits down and puts the idea in storyboards. That’s the beauty of the movie. The film doesn’t have to be written in a form of script, but also in different mediums.<br><br>In this film, we are introduced to a 10 year old little girl named Chihiro. Her family and Chihiro is transported to world riddled with spells, wandering spirits, and witches. Her parents are cursed and shapeshifts into pigs. Chihiro must find a way to get everyone and herself into safety.<br><br>I don’t think Chihiro is the protagonist. The main protagonist is the soul world; the place itself. The spirit world stole the show… or the movie. The different shapes, forms, beings are creatively done in a non terrifying form.<br><br>The movie is made for all ages. Despite having this film running more than two hours, it has made itself engaging to young viewers. The young viewers have short-attention span but it leaves the young ones hooked to the movie. I have a 5&amp;6 year old brothers who enjoyed the movie and would want to watch the film again. Spirited away is not too fast-paced for the young audiences so they can keep up of what is happening. It is also not too slow-paced for the adult audiences. It is slow-paced to take time and to take appreciation to the visual imagery and music.<br><br>Speaking of music, Joe Hisaishi’s piano score <em>“One Summer Day” &nbsp;</em>is melody full of pleasantry. Hearing the score made it feel nostalgic, in a way that the song reminded you of your innocence and your inner child. The score is played to wholesome, and best scenes in the movie such as Chihiro in the flower garden.<br><br>The camera shoots at a child’s eye-level. The adults are towering above us, and they are something solid to grab onto. Cartoons tend to put children in worlds where everything is on their level, but Miyazaki has gone extra mile. He thought about what its like to be 4ft tall. (Haider, Dr. Clements, 2021)<br><br>Animation is like a sandbox. You can create things in a sandbox, and you can also create things outside of it. What Miyazaki made has been an a story that hasn’t been seen before.<br><br><br></div>]]></description>
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         <pubDate>2022-05-25 02:16:59 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198609988</guid>
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         <title>Reference</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198720108</link>
         <description><![CDATA[<div>Ewing, J. (2020). <em>Why ‘Parasite’ Is The Best Picture Of The Year</em>. [online] Forbes. Available at: https://www.forbes.com/sites/jeffewing/2020/01/29/why-parasite-is-the-best-picture-of-the-year/?sh=c99df9c45a2a [Accessed 25 May 2022].<br><br></div><div>Haider, A. and Clements, J. (2021). <em>The Film That Captures millennials’ Greatest Fear</em>. [online] www.bbc.com. Available at: https://www.bbc.com/culture/article/20210419-why-spirited-away-is-japans-greatest-animated-film#:~:text=Yet%20two%20decades%20on%20from [Accessed 25 May 2022].<br><br></div><div><em>Kill Bill</em>. (2003). [Movie] Miramax.<br><br></div><div>Lee, G.E., Nathaniel (2020). <em>What makes ‘Parasite’ so shocking is the twist that happens in a 10-minute sequence</em>. [online] Business Insider. Available at: https://www.businessinsider.com/how-parasite-delivered-one-of-the-best-twists-in-cinema-2020-2#:~:text=What%20makes%20%22Parasite%22%20so%20perfect [Accessed 25 May 2022].<br><br></div><div><em>OUTSTANDING ORIGINAL SCREENPLAY SCREENPLAY BY</em>. (2019). [Film] Directed by B. Joon ho. CJ Entertainment. Available at: https://deadline.com/wp-content/uploads/2020/01/parasite-script.pdf.<br><br></div><div>This is Barry. (2020). <em>The Host: Explanation and Analysis (2006 Korean Film)</em>. [online] Available at: https://www.thisisbarry.com/movie/the-host-explanation-and-analysis-2006-korean-film/#analysis [Accessed 25 May 2022].</div>]]></description>
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         <pubDate>2022-05-25 03:43:02 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198720108</guid>
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         <title>Self reflection/the making of the short story</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198834837</link>
         <description><![CDATA[<div>Looking back in the log lines, if I incorporate the three films that inspired me, I would write about…<br><br>The Clown and the Ghost<br><br>The title might’ve sound to be a terrifying film about the fear of the clown and souls but the short film will be like Miyazaki’s use of Hisaishi’s score: the feeling of Nostalgia and not losing the inner child.<br><br>The film starts off as a face shot of a sad clown, somewhat terrifying, but not terrifying enough for the young audiences. The clown is sitting on the bench in the biggest park of the town. The lighting in this scene will be gloomy having the atmosphere to be dark and scary. The music will be a terrifying 5 piano key note, just to add to the scary atmosphere. The camera zooms out slowly until we get the shot of the whole sitting bench, and he is also holding a red balloon while slouching.<br><br>A man in a white suit, clipping a newspaper on his arm pass by the camera and sat next to the clown. The clown faced the man. The man did the same. The white-suited man started a conversation.<br><br></div><blockquote>GHOST<br>“Why the long face? Why are you sad?”<br><br>CLOWN<br>“Why would I be happy?”<br><br>GHOST<br>“Because you’re alive. You get to see the sun everyday. You get to see everyone’s faces.”<br><br>CLOWN<br>“Why would I be happy if I give them fear instead of laughter? The kids are more entertained with technology. I’d rather be the screen that their holding so I am actually useful.”<br><br>GHOST<br>“Maybe lighten up with the clown makeup? Take it down a notch?”</blockquote><div><br>The clown gave a blank disappointed stare at the man implying that he was not impressed with the man’s punchline.<br><br></div><blockquote>GHOST<br>“OK, I tried to get a laughter out of you. I guess that didn’t work.”<br><br>CLOWN<br>“I guess nothing and no one can get a laughter out of me. Not even you.”<br><br>GHOST<br>“That’s not true. You’re still holding on to that balloon. That means there’s still hope.”</blockquote><div><br>The clown let go of the balloon. The man leaped off his feet and caught the tip of the string. The man sat back down.<br><br></div><blockquote>GHOST<br>“Never let go of that balloon. That can take you places. Not physically, but you’ll figure it out.</blockquote><div><br>The man handed the balloon back, and the clown grasped on to it again. The man unfolded his newspaper that was clipped from his arms.<br><br></div><blockquote>GHOST<br>“That’s why we need you out here. We need the clown we all used to know.”</blockquote><div>The man faced the clown again with a sweet smile. The man stood up and he clipped the newspaper onto his arms again.<br><br></div><blockquote>“If you need to find yourself again, just sit on this bench and let’s talk about news.”</blockquote><div>The man walked away. The clown was still thinking about what the man said. He finally stood up and saw the engraved text written in the middle of the bench. Camera pans to the text.<br><br></div><blockquote>TEXT - “Robin Inglewood. The late town’s dentist who gave back the whole town’s big smile. (1965-2016)”</blockquote><div><br>He walked the other direction. On the footpath, he passed by a homeless child. The camera gives a face shot to the child, and back to the clown, back and forth. As if they’re giving themselves a staring contest.<br><br>The clown looked at his balloon, and the child looked at the balloon too. The clown can sense fear behind the child’s eyes. So he gave the child his balloon. The child reluctantly grabs the balloon. The child looked at the red balloon that he’s holding and looked at the clown. The child slowly gave a little smile. The clown gained a small smile, but it’s a start of something but with more hope. There’s still people counting on him.</div>]]></description>
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         <pubDate>2022-05-25 05:29:31 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198834837</guid>
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         <title>Inspiration from films</title>
         <author>matthewbautista1217</author>
         <link>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198893439</link>
         <description><![CDATA[<div>I love how Parasite is a mix of horror, drama, comedy, thriller. The first half is sunny and lighthearted, the other half is dark and fast-paced and over escalated.<br><br>I incorporated it to my own screenplay. Having “The Clown and the Ghost” as the title, the connotation with the two words are in horror as both figures are usually the scary entities or the villains of the horror films.<br><br>Because this is only a short film, I can’t use a non-linear structure because short films are usually fast paced. I would love to experiment more on the non-linear structure sequencing of telling a story.<br><br>Tarantino movies are obscurely referencing pop culture. In my short film, The clown’s costume would look like the clown from It, and the ghost’s costume would look like Beetlejuice but neater and less scarier.<br><br>&nbsp;Just like the score from Spirited Away, I want the film to have a sense of nostalgia or still having the innocence and the inner child aspect of the story.<br><br>Symbolism:<br><br>The man - the man is what’s left of the clown’s happiness in a form of a ghost. It is portrayed as a ghost because of its near departing figure. His happiness is almost gone and forgotten. Hence why the clown is sad. He’s got close to none happiness.<br><br>The balloon - the clown’s inner child. Don’t lose your inner child. Once you lose it, nothing‘s left for you to see the little happy things in life. The clown gave the balloon away not because of pity, but because the child still have innocence, but no inner child. He didn’t get to experience what it feels like to be a kid. He grew up suffering.</div>]]></description>
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         <pubDate>2022-05-25 06:20:05 UTC</pubDate>
         <guid>https://padlet.com/matthewbautista1217/Bookmarks/wish/2198893439</guid>
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