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      <title>LR - Relating artworks to particular styles by philippa mallinson</title>
      <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4</link>
      <description>What makes a Florentine or Venetian artwork distinctive? What do artists do that is distintive to a particular time, place or way of working? For each stylistic movement add artworks that are distinctive to that movement. Build on this with an explanation of why this artwork is representative of the movement? What kind of characteristics (line, colour, tone, light, form, composition, space, scale, shape, mass, texture, ornament, or media) does it show? (Remember the prescribed artists are : Mantegna, Giovanni Bellini, Botticelli, Leonardo da Vinci, Raphael, Michelangelo, Pontormo, Bronzino, and Titian)</description>
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      <pubDate>2020-04-13 04:25:14 UTC</pubDate>
      <lastBuildDate>2025-08-14 00:29:55 UTC</lastBuildDate>
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         <title>Bronzino Eleanora di Toledo</title>
         <author>philippamallins</author>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Bronzino, Portrait of a young man</title>
         <author>philippamallins</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>The creation of Adam - Michelangelo</title>
         <author>philippamallins</author>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Da Vinci, Virgin of the Rocks</title>
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         <title>Giovanni Bellini, The Madonna of the Meadow</title>
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         <title>Giovanni Bellini &#39;Detail from Portrait of Doge Leonardo Loredan&#39;, 1501</title>
         <author>philippamallins</author>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Titian, The assumption of the Virgin</title>
         <author>philippamallins</author>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Mategna, The Lamentation</title>
         <author>philippamallins</author>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Michelangelo Sistene Chapel ceiling</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036219</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Raphael, Della Stanza, La Disputa</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036222</link>
         <description><![CDATA[<div><br><br></div>]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>High Mannerism </title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036225</link>
         <description><![CDATA[<div>"courtly style ... refined execution, intellectual sophistication, and his figurative treatment that emphasized elongated limbs and a sense of cold detachment ... " <a href="https://www.theartstory.org/movement-mannerism.htm">https://www.theartstory.org/movement-mannerism.htm</a> <br><br>Bronzino is the most well known painter working in the high mannerist style</div>]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Mannerism</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036229</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Venetian</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036231</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Naturalism</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036235</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Idealisation</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036238</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Pontormo&#39;s Deposition from the Cross</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036240</link>
         <description><![CDATA[<div> is a typically Mannerist artwork due to its' treatment of form and space.<br><strong>Form</strong> -  He uses <em>figurative serpentinata</em>, or "serpentine figure" to depict the human figures. The figures are depicted in an otherworldly way (graceful S shaped figures, elongated form and extended limbs). This was seen as a highly dramatic and expressive way of depicting the human form.<br><br> <br><strong>Space </strong>- The space they are presented in lacks context. It is almost entirely non-naturalistic. This invites the viewer to interpret the painting philosophically rather that literally. </div>]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>How tCoA is distinctively idealised?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036242</link>
         <description><![CDATA[<div>The creation of Adam shows the idealised form of man. This is created through Michelangelo's use of compositon and form. Adam’s body forms a concave shape which echoes the form of God’s body, Adam is made in God's image and is perfection. The platonic concept of ideal beauty is mirrored on earth, from the athletic and wise figure of god the father, to Adam who seems to be a perfect physical specimen. The ideal forms of God and Adam are emphasised through the chiaroscuro technique which uses light and shadow to describe the musculature in detail making the forms look come alive in the 3-D form</div>]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Florentine</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036244</link>
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      <item>
         <title>Classicism</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036247</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>Pontormo The Depostion from the Cross</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036248</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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      <item>
         <title>Birth of Venus</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036250</link>
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         <pubDate>2020-04-13 04:25:14 UTC</pubDate>
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         <title>The Birth of Venus</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036252</link>
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         <title>School of Athens</title>
         <author>philippamallins</author>
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         <title>Raphael the three graces</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/g3ejrzcnkhwf0fz4/wish/504036256</link>
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         <title>Roman</title>
         <author>philippamallins</author>
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      <item>
         <title>Bronzino Cupid Folly and Time</title>
         <author>philippamallins</author>
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         <description><![CDATA[]]></description>
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      <item>
         <title>Cardinal and Theological Virtues and the Law</title>
         <author>philippamallins</author>
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         <title>The Fall and Expulsion from the Garden of Eden</title>
         <author>philippamallins</author>
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         <title>The flood</title>
         <author>philippamallins</author>
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         <title>Della Stanza Parnasus</title>
         <author>philippamallins</author>
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         <title>L3 Art History - Late Renaissance prescription</title>
         <author>philippamallins</author>
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