https://padlet.com/gamdelcid/fy27m5h5io9zmggm en-us 2021-01-21 10:31:06 UTC 2021-01-22 15:40:23 UTC hello@padlet.com gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109431830 2021-01-21 10:31:20 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109431830 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109435829 What does the highly controlled context of the modernist gallery does to the art object?

What does it do to the viewing subject?

How does the context "devour" the object, becoming 'it'?

]]> 2021-01-21 10:32:36 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109435829 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109440750 -in regards to the modern gallery space.]]> 2021-01-21 10:34:03 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109440750 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109444373 He argues that in order for the art to take on its own life, the gallery space must adhere to a set of requirements. 

These set of requirements give the art pieces and their viewers an assurance of good investment.]]> 2021-01-21 10:35:15 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109444373 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109450434 O'Doherty draws a line connecting the modern gallery space to religious spaces where time 'stops' and gives the objects enclosed a sense of eternity and posterity. 

He uses Egyptian tombs to draw as an example in that they were designed to eliminate awareness of the outside world.]]> 2021-01-21 10:37:17 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109450434 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109461849 "Since this is a space where access to higher metaphysical realms is made to seem available, it must be sheltered from the appearance of change and time"

-in regards to cave paintings/Egyptian tombs.]]> 2021-01-21 10:40:37 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109461849 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109472877 "The white cube suggests the eternal ratification of the claims of the caste or group sharing that sensibility"

-the "ritual space" sensors out the outer world, thus it establishes its own "reality" and promotes one truth (eternal rightness). 
Whatever is placed inside the exhibition space is through it being exhibited, a standard based on its own ideals.]]> 2021-01-21 10:44:10 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109472877 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109486351 We adhere to set societal rules when we enter the classical modernist galleries. 

The white cube promotes the idea that we are there as spiritual beings. Present in order to idolize the art.

]]> 2021-01-21 10:48:39 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109486351 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109491364 2021-01-21 10:50:23 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109491364 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109498988 The defining of the self means the purposeful neglect of all that is other than self. 

Ignoring/negating/denying anything other than what the self is.]]> 2021-01-21 10:53:01 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109498988 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109504278 The white cube was an attempt to bleach out the past and at the same time control the future with its transcendental principles. 

By definition, they speak of another world, not this one. ]]> 2021-01-21 10:54:52 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109504278 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109514300 2021-01-21 10:58:03 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109514300 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109537826 We are at a point in time where we see the space first, not the art. 
Modernism is framed by the space.
An image comes to mind, the 'ideal space'.]]> 2021-01-21 11:06:31 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109537826 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109542611 The ideal gallery gets rid of any distraction that interfere with the fact that what it contains is art. 

This indicates that no matter what is displayed in the gallery, the fact that it is in a gallery makes it art. ]]> 2021-01-21 11:08:12 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109542611 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109547001 Once art steps outside the gallery, it can reach secular status (become idolized) due to the esthetics of the gallery space.

"Things become art in a space where powerful ideas about art focus on them"]]> 2021-01-21 11:09:52 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109547001 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109550405 Context becomes content. 

The object introduced into the gallery "frames" the gallery and its laws.]]> 2021-01-21 11:11:02 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109550405 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109624290 Each picture was seen as a self contained entity. Each would be allowed its own 'throne'. ]]> 2021-01-21 11:38:27 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109624290 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109642508 The 19th century looked at a subject, not at its edges. 

Defining these limits for the purpose of extending them is a 20th century habit. ]]> 2021-01-21 11:45:05 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109642508 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109660877 'The way pictures are hung makes assumptions about what is offered. 

The interpretation of what a picture implies about its context is always delayed.]]> 2021-01-21 11:51:57 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109660877 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109677699 To Cubism, the tough opposition in Modernism was Matisse, his rational way of speaking about color scared Cubism 'gray'.

The Abstract Expressionist paintings dropped off the frame and used the edge to enter a dialogue with the wall behind it. ]]> 2021-01-21 11:58:25 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109677699 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109684586 The esthetics of hanging evolved according to its own habits, which become conventions, which become laws.

Artworks attempt to establish territory but not place in the context of the placeless modern gallery. In other words, the gallery is a place of warfare.]]> 2021-01-21 12:01:08 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109684586 gamdelcid https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109691164 Once the wall became an esthetic force, it modified anything shown on it. 

The wall "artifies" whatever is shown on it.]]> 2021-01-21 12:03:50 UTC https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1109691164 timosadovnik https://padlet.com/gamdelcid/fy27m5h5io9zmggm/wish/1114298917 Brian O’Doherty, langjähriges Pseudonym Patrick Ireland, (* 1928 im County Roscommon, Irland) ist ein irisch-amerikanischer Konzeptkünstler, Autor, Zeichner und Installationskünstler.

Sein Künstlername war eine Reaktion auf den Blutsonntag in der nordirischen Stadt Derry, bei dem mehr als ein dutzend unbewaffnete Zivilisten von der British Army getötet wurden. Er erklärte, dass er nicht in England ausstellen würde, solange die britischen Truppen nicht aus Nordirland abzögen.

Studierte Medizin in Dublin und Cambridge, emigrierte in die USA, in Harvard Studium abgeschlossen. Zeitgleich begann er auszustellen. Anschließend widmete er sich der bildenden Kunst. 

Arbeitete als Interviewer für TV-Sender im Kunstbereich. Interviewte viele namhafte KünslterInnen.


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