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      <title>Escultura by Sara Simões</title>
      <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty</link>
      <description>No âmbito da disciplina de História da Cultura e das Artes</description>
      <language>en-us</language>
      <pubDate>2019-12-12 03:17:36 UTC</pubDate>
      <lastBuildDate>2024-07-14 18:59:29 UTC</lastBuildDate>
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         <title>Escultura Arcaíca</title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423095540</link>
         <description><![CDATA[<div>As esculturas egípcias eram estáticas, não apresentavam movimentos e retratavam, especialmente, o faraó. Os gregos, por sua vez, conseguiram dar a essas representações estáticas, a beleza idealizada ou perfeita, bem como proporções equilibradas, criando esculturas de Kouros e Korais.</div>]]></description>
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         <pubDate>2019-12-12 03:21:30 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423095920</link>
         <description><![CDATA[<div>A escultura e a pintura são as primeiras manifestações artísticas e, ao longo dos séculos, se relacionam com uma série de simbolismos, geralmente representadas por figuras femininas, numa referência aos rituais de fecundação.</div>]]></description>
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         <pubDate>2019-12-12 03:23:26 UTC</pubDate>
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         <title>Escultura Egípcia</title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423096081</link>
         <description><![CDATA[<div>A escultura egípcia ocupava-se especialmente da figura do Faraó. <br>Acreditava-se que protegia a sua alma, uma vez que substituía o corpo que se ia decompondo.<br>Estas apresentam-se de forma estática, com braços estendidos, pés unidos e isentas de qualquer expressão facial.</div>]]></description>
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         <pubDate>2019-12-12 03:24:15 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423098532</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-12-12 03:36:16 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423098786</link>
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         <pubDate>2019-12-12 03:37:40 UTC</pubDate>
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         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423100931</link>
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         <pubDate>2019-12-12 03:49:39 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423103070</link>
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         <pubDate>2019-12-12 04:00:37 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423103274</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-12-12 04:01:38 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423103666</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-12-12 04:03:49 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423103758</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-12-12 04:04:19 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423103758</guid>
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      <item>
         <title>Estilo Severo </title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423105807</link>
         <description><![CDATA[<div>Apresenta o abandono do estatismo e da rigidez do corpo que caracterizava os Kouroi (escultura arcaica). Evidenciando um interesse pelo escorço e pelo movimento, esta nova expressão, séria, austera e contemplativa, foi designada por estilo severo.</div>]]></description>
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         <pubDate>2019-12-12 04:16:00 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423106505</link>
         <description><![CDATA[<div>Auriga de Delfos, Pitágoras de Régio, c. 470 a.C.</div>]]></description>
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         <pubDate>2019-12-12 04:21:05 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423106638</link>
         <description><![CDATA[<div>Posídon, Ageladas de Argos, 460-450 a.C,</div>]]></description>
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         <pubDate>2019-12-12 04:21:55 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423106638</guid>
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         <title>Pimeiro Classicismo</title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423107117</link>
         <description><![CDATA[<div>A partir do século V a.C, os artistas gregos alcançam um desenvolvimento na representação da figura humana, com rigor anatómico, equilíbrio, harmonia e serenidade. Relativamente à utilização técnica, utiliza-se o contraposto e há ainda a criação do Cânone por Policleto (altura do corpo deveria ser 7x o tamanho da cabeça).</div>]]></description>
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         <pubDate>2019-12-12 04:25:10 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423107117</guid>
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      <item>
         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423108155</link>
         <description><![CDATA[<div>Discóbolo, Míron, 450 a.C</div>]]></description>
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         <pubDate>2019-12-12 04:32:43 UTC</pubDate>
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      <item>
         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423108774</link>
         <description><![CDATA[<div>Friso das Panateneias, Pártenon, Fídias, <br>447-432 a.C</div>]]></description>
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         <pubDate>2019-12-12 04:37:37 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423108774</guid>
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      <item>
         <title>Segundo Classicismo</title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423109222</link>
         <description><![CDATA[<div><br>No século IV a.C, a escultura grega humaniza-se. <br>O Segundo Classicismo é caracterizado pela utilização dos recursos técnicos da época anterior, mas num sentido mais descontraído, ligeiro e hedonista. A perda da dimensão épica verifica-se nos trabalhos dos escultores, cuja obra representa outro tipo de sentimento como a ternura, o humor e o erotismo. É no Segundo Classicismo que Praxíteles dá origem à "curva praxiteliana", um ligeiro movimento a nível dos quadris e ancas.<br><br></div>]]></description>
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         <pubDate>2019-12-12 04:41:20 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423109222</guid>
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      <item>
         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423111213</link>
         <description><![CDATA[<div>Sátiro em descanso, Praxíteles, <br>365 a.C</div>]]></description>
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         <pubDate>2019-12-12 04:57:40 UTC</pubDate>
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         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423111448</link>
         <description><![CDATA[<div>Hermes com Dioniso, <br>Praxíteles, <br>330-320 a.C<br><br></div>]]></description>
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         <pubDate>2019-12-12 04:59:35 UTC</pubDate>
         <guid>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423111448</guid>
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      <item>
         <title>Helenismo</title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423112238</link>
         <description><![CDATA[<div>A escultura helenística abandonou valores clássicos tais como a harmonia, a serenidade ou o "belo ideal". Em vez disso, deu preferência a temáticas com um acentuado pathos, onde se manifesta sofrimento, drama ou tragédia, em composições complexas, assimétricas e desequilibradas. <br>Surgem grupos escultóricos animados de um invulgar dinamismo, expressão dramática, intensos contrastes de luz, corpos musculados, viris e exaltados. </div>]]></description>
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         <pubDate>2019-12-12 05:06:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423115064</link>
         <description><![CDATA[<div>Laaconte e os seus filhosm Hagesandros, Atenodoros e Polidoros de Rodes, 175-50 a.C</div>]]></description>
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         <pubDate>2019-12-12 05:28:24 UTC</pubDate>
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      <item>
         <title></title>
         <author>sarasimoes401</author>
         <link>https://padlet.com/sarasimoes401/fv5pwq5ovlty/wish/423115206</link>
         <description><![CDATA[<div>O Gálata Suicida, 220 a.C</div>]]></description>
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         <pubDate>2019-12-12 05:29:30 UTC</pubDate>
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         <title>Evolução da Escultura </title>
         <author>sarasimoes401</author>
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         <pubDate>2019-12-12 05:48:10 UTC</pubDate>
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