LA06 Affinity Grouping Group 14 by Sage Hirsch https://padlet.com/sthirsch/fk9rato3btaadh2e en-us 2021-06-30 16:33:54 UTC 2025-11-06 13:27:29 UTC hello@padlet.com Changing of World Music Market zzhan238 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632014786 1. 1980s pop-star curation
2. 1990s rapid product expansion & support of entertainment industries.
3. No longer dominated by academic documentation and promotion of traditions.]]> 2021-06-30 16:37:28 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632014786 Globalization and Identity sthirsch https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632015518 When music from different locations is not generalized under the genre of world music, it will be labelled with its region. This means that when you listen to the music you are already aware of the identity of the artist.
"Music’s deep connection to 
social identities 
has been distinctively 
intensified by 
globalization. "

]]> 2021-06-30 16:38:01 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632015518 Musical Globalization miwata2 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632016514 Musical globalization is experienced and narrated as equally celebratory and contentious because everyone can hear equally omnipresent signs of augmented and diminished musical diversity.


]]> 2021-06-30 16:38:53 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632016514 Anxiety of World Music zzhan238 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632017798 1. Capitalist concentration and competition in the recording industry.
2. Doubt about whether world music incite or erase the music diversity.
3. "Global" = "Displaced"
4. Commodification of ethnicity.]]> 2021-06-30 16:39:52 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632017798 Celebratory Narratives miwata2 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632018778 "Celebratory narratives of world music tend to normalize and naturalize globalization... celebratory narratives stress the costs to “tradition” as rather
surface ones, ones that will, in the larger sweep of things, be overcome by creativity, invention, and resilience.

]]> 2021-06-30 16:40:38 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632018778 Reproduction of Primitivism sthirsch https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632020216 Artists will try to use pop star curation and samples of world music in order to create a certain effect on their audience however they often end up referring to the music they sample as being of the past. Deep Forest said that the samples they used represented "your past" (156)]]> 2021-06-30 16:41:42 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632020216 Get the permission / right to use the music from remote areas zzhan238 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632021014 1. Aunakwa's “Rorogwela”  & Deep Forest's “Sweet Lullaby”
2. Deep Forest think this is the use of “raw material, an opportunity to cross and blend.” 
3. Music producer from remote community should be respect for the right to use of their music ]]> 2021-06-30 16:42:16 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632021014 Anxiety miwata2 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632021325 in some anxious narrative, the very term global comes to be synonymous with displaced... At the same
time  anxious  narratives  want  to  claim  the  potential  and  hope  that  every  loss 
opens up for resistance, for reassertion, for reclamation, for response.


]]> 2021-06-30 16:42:31 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632021325 The Drive for Market Niches sthirsch https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632025333 The feeling of wanting something special and unique and to fit exactly to an individuals tastes even if it is mass produced is what is driving the music industry to use more samples that create this feeling of newness and uniqueness. 
"globalization’s basic economic clichés: the drive for more and 
more markets and market niches"
]]> 2021-06-30 16:45:32 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632025333 Credit where credit is due miwata2 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632026148 "Olsen says that Deep Forest and Garbarek “earned millions” from the song but that the recordist and performer didn’t get “a
penny.” My voice follows, and is translated, to say that Western copyright law is not comprehensive enough to equitably include indigenous cultures, creating a
new kind of imperialism, one that musicians and record companies must engage
rather than avoid."

]]> 2021-06-30 16:46:01 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632026148 Note Key miwata2 https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632038717 Red = Anxiety of World Music and Anxiety Narratives
Green = Permission + Credit
Yellow = Marketing World Music
Purple = Globalization in World Music]]> 2021-06-30 16:54:58 UTC https://padlet.com/sthirsch/fk9rato3btaadh2e/wish/1632038717