<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>Chapter 6:Texture and Form by Alyssa Mueller</title>
      <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2016-09-16 21:49:07 UTC</pubDate>
      <lastBuildDate>2026-03-20 21:42:08 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title></title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124491684</link>
         <description><![CDATA[<div><strong>Single-line textures (aka monophonic textures): </strong>unison</div><div><strong>Polyphonic: </strong>2 or more distinct parts; can also be one instrument playing two or more notes at the same time (eg piano, guitar)<br><strong>Drone: </strong>a continuous, sustained beat<br><strong>Harmonized textures:</strong> notes of different pitch occur together to form harmonies or chords<br><strong>Multiple-Melody texture:</strong> 2 separate melodic lines performed simultaneously<br><strong>Polyrhythm: </strong>"several different parts or layers, with each defined by its distinctive rhythmic character rather than by chords or melodies"<br><strong>Interlocking texture: </strong>Single melodic line divided and performed by 2 or more instruments<br><strong>Hocket texture:</strong> 2 or more instruments split a single melody between the left and right speakers<br><strong>Call-and-Response: </strong>back-and-forth alternation between different instrument or voice parts &nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-16 22:49:35 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124491684</guid>
      </item>
      <item>
         <title>Form: The Des</title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124941974</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 02:15:36 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124941974</guid>
      </item>
      <item>
         <title>Form: The Designs of Musical Works</title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124941979</link>
         <description><![CDATA[<div><strong>Form:</strong> how it is laid out from beginning to end, how the music unfolds and develops as it progresses.<br><strong>Through-Composed:</strong> No repetition of musical materials;&nbsp; absence of distinct sections<br><strong><em>What defines form?</em></strong><br>A.Repetition<br>B.Patterns<br>C.Sectional Organization</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 02:15:39 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124941979</guid>
      </item>
      <item>
         <title>Forms based on Repetition and Patterns</title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124942625</link>
         <description><![CDATA[<div><strong>Key features of music</strong>: Repetition and Patterns <br><strong>Elements of music</strong>: melodies, rhythms, chord progressions, metric cycles<br>Repetition may be exact or varied<br><strong>Varied repetition</strong>: Most common&nbsp;</div><pre><blockquote>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<strong>Ostinato-Based Forms</strong></blockquote></pre><div><strong>Ostinato:</strong> short figure that is repeated over and over again; smallest unit of organization musical forms are built<br><strong>Layered Ostinato</strong>: ostinato based forms that gain richness and complexity through a texture<br><br></div><pre><blockquote>&nbsp; &nbsp; <strong>&nbsp; &nbsp;Cyclic Forms</strong></blockquote></pre><div><strong>Cyclic Forms:</strong> a figure where the repeated unit of the cycle is longer than that of an ostinato<br><strong>12-Bar Blues</strong>: majority of blues songs cycle every 12 measures and has the same basic chord progression</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 02:21:24 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124942625</guid>
      </item>
      <item>
         <title>Forms with Contrasting Sections</title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124944724</link>
         <description><![CDATA[<div><strong>Formal Sections:</strong> forms with multiple identifiably distinct sections<br>Different sections often contrast with one another (eg modulation from one key to another, change in chord progression, change in meter or rhythmic structure)<br><strong>Verse-Chorus Form: </strong>most common formal designs featuring contrasting sections<br>Main formal sections in verse-chorus songs are the alternating verses (A Sections) and choruses (B sections)<br><strong>World Beat:</strong> term used to identify commercial music styles that blend elements of diverse world music traditions and Western popular music<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 02:40:44 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124944724</guid>
      </item>
      <item>
         <title>*Recap* (Most Vital Information Given)</title>
         <author>alyssa_mueller</author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124945807</link>
         <description><![CDATA[<div>HDefine Texture and Form:&nbsp;<br>a. Texture:kinds of relationships that emerge and evolve between the "characters" in a musical work.&nbsp;<br>b. Form:&nbsp; element of music that pertains to the large scale dimensions of musical organizations<br>Difference between Monophonic and polyphonic textures: monophonic- single-line textures; polyphonic-two or more distinct parts/textures<br>Harmonized texture VS. Multiple-melody texture:<br>Harmonized: noted of different pitvh occur together to form chords<br>Multiple-melody: features two or more essentially separate melodic lines performed simultaneously<br><br>12-Bar Blues?<br>12 measure long cycle that consists of the same basic chord progression</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 02:51:29 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124945807</guid>
      </item>
      <item>
         <title>Examples:</title>
         <author></author>
         <link>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124952001</link>
         <description><![CDATA[<div>-Drone: <br>Hurdy Gurdy: <a href="https://www.youtube.com/watch?v=EAfS-XgQjc4">https://www.youtube.com/watch?v=EAfS-XgQjc4</a> <br>Bagpipes: <a href="https://www.youtube.com/watch?v=mzgqaxwvp-4">https://www.youtube.com/watch?v=mzgqaxwvp-4</a><br><br>-Multiple Melody<br>Gamelan: <a href="https://www.youtube.com/watch?v=sZZTfu4jWcI">https://www.youtube.com/watch?v=sZZTfu4jWcI</a><br>BaMbuti hunting song: <a href="https://www.youtube.com/watch?v=oaygOuqL4i4">https://www.youtube.com/watch?v=oaygOuqL4i4</a><br><br>-Ostinato<br>Tito: <a href="https://www.youtube.com/watch?v=zZQh4IL7unM">https://www.youtube.com/watch?v=zZQh4IL7unM</a> <br>Fela: <a href="https://www.youtube.com/watch?v=wz2jXHKa7TY">https://www.youtube.com/watch?v=wz2jXHKa7TY</a>&nbsp; @2:00</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-09-20 03:52:53 UTC</pubDate>
         <guid>https://padlet.com/alyssa_mueller/Textureandform_MGC_F16/wish/124952001</guid>
      </item>
   </channel>
</rss>
