<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>Pulp Fiction by Coopcarleton</title>
      <link>https://padlet.com/coopcarleton/fcfrc74cgcw81mzr</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2023-11-12 23:47:55 UTC</pubDate>
      <lastBuildDate>2023-11-12 23:52:07 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title>Why The Movie is So Special</title>
         <author>coopcarleton</author>
         <link>https://padlet.com/coopcarleton/fcfrc74cgcw81mzr/wish/2786430899</link>
         <description><![CDATA[<p><br></p><p>In 1994 Quentin Tarantino released his second feature film for Pulp Fiction, a film that has been beloved by film scholars as the film is a perfect example of a post-modernist film that draws inspiration from many films that come before it (such as French new wave).&nbsp; Pulp Fiction follows a multitude of characters including two hitmen (Vincent and Jules), two robbers (Pumpkin and Honeybun), a boxer (Butch), and a gangster and his significant other (Marsellus and Mia).&nbsp; The film weaves together different seemingly incoherent stories to show how all of the film's characters affect the lives of one another.&nbsp; As the film progresses, it becomes clear to the audience that the events they are witnessing in the film did not actually occur in the order they were shown (this is specifically understood near the end of the film when it is shown that Vincent and Jules are dining in the diner where Pumpkin and Honeybun are planning to rob).</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1125179293/7502e287ccd7fa5b6c255ad477cd94db/download.jpg" />
         <pubDate>2023-11-12 23:49:50 UTC</pubDate>
         <guid>https://padlet.com/coopcarleton/fcfrc74cgcw81mzr/wish/2786430899</guid>
      </item>
      <item>
         <title>Time and Space</title>
         <author>coopcarleton</author>
         <link>https://padlet.com/coopcarleton/fcfrc74cgcw81mzr/wish/2786431295</link>
         <description><![CDATA[<p>With Pulp Fiction, Tarantino specifically challenges the typical ways in which movies use time and space to tell a coherent story (that often seems incoherent).&nbsp; The film tells a multitude of stories involving individual characters, such as Vincent and Mia’s relationship with one another and Butch throwing his boxing match. However, these stories do not occur chronologically (rather they are shown as individual installments of the film that are supposed to tell the stories of specific characters).&nbsp; This is indicated throughout the book with little clues, but the heavy-handed way Tarantino shows the audience events are happening differently than the order they are seeing them is in the portion where Jules and Vincent are eating in the diner, and it is shown that this is the same diner where Pumpkin and Honeybun are robbing.&nbsp; Tarantino uses locations to tie the characters together by putting them in the same locations, such as the diner, which forces their stories to cross paths.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1125179293/1fcbb7d4fa46c37d6e71eaca261af478/Pulp_Friction.avif" />
         <pubDate>2023-11-12 23:50:27 UTC</pubDate>
         <guid>https://padlet.com/coopcarleton/fcfrc74cgcw81mzr/wish/2786431295</guid>
      </item>
   </channel>
</rss>
