Core Techniques by https://padlet.com/maisie_hall/exu0j1rg9wt9 Maisie Hall Student Number:1708039 en-us 2019-04-15 20:45:35 UTC 2025-10-30 18:16:34 UTC hello@padlet.com Source N (Lateral T exercise) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354600776 2019-04-26 20:35:16 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354600776 Source O (section from the Horton Technique set warm up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354601772 2019-04-26 20:40:14 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354601772 Source P (Horton Technique travelling sequence) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354602644 Within this video, I need to avoid being afraid to push the movements further in order make them visually bigger. For example, let the momentum take my body in specific areas, high release, contractions.

On going with this critique, I need to demonstrate a clearer contrast in levels that’s been set. For instance, bend the knees more when there’s a plié, dropping the upper body lower, more extension through the legs.
All these aspects will help demonstrate the technique behind Horton’s intentions. ]]> 2019-04-26 20:45:16 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354602644 Source H Part 1 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354610983 2019-04-26 21:43:41 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354610983 Source H Part 2 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354611263 2019-04-26 21:46:28 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354611263 Source H Part 3 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354611580 2019-04-26 21:49:03 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354611580 Source H Part 4 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612073 2019-04-26 21:54:03 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612073 Source H Part 5 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612406 2019-04-26 21:57:50 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612406 Source H Part 6 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612987 2019-04-26 22:04:44 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354612987 Source H Part 7 (Luigi’s set warm-up) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354613079 2019-04-26 22:06:03 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354613079 Source I (Luigi’s set grand battement sequence) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354613512 As I watch this back, I recognise I have a poor habit of not extending the back of the supporting leg’s knee to it’s full capacity. This is mainly due to me not growing out of the hips, which is causing the underneath leg to bend. 
In order to develop a better extension, I need to perform certain exercises in my own time which target the backs of the legs. This is so I build more strength as the mobility’s there.

It’s my responsibility to perfect this critique by the end of second year as it results to better technique, especially with it being technical jazz.
]]> 2019-04-26 22:11:00 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354613512 Source J Part 1 (double outward pirouette on the right) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614215 2019-04-26 22:18:47 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614215 Source K (double pirouette into fouetté en dehor) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614249 At the beginning of second year, I struggled to execute a double pirouette into a fouetté en dehor. The more I practised in my own time, I am able to perform it well whilst sustaining a good balance.
However, one correction that was given to me by Mr Needham is to make sure my hips are squared to the front before I go into the fouetté. I’m in the progress of correcting this critique as I  still slightly see I’m cutting of the alignment too early. I’m aiming to fix this element before the beginning of third year, as this specific sequence will be more advanced in the next academic year.]]> 2019-04-26 22:19:17 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614249 Source L (low levelled double pirouettes) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614311 2019-04-26 22:20:06 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614311 Source J Part 2 (double outward pirouette on the left) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614370 I noticed I fall off balance when I perform an outwards pirouette on the left side. This is due to my weight placement being incorrect. To execute a stabled pirouette, I need to find the correct weight placement and control. For instance, shoulders/hips central and weight’s over the ball of the supporting foot, lists ankered down the spine, core engaged. If I keep following these critical elements and turns will gradually improve.]]> 2019-04-26 22:20:45 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354614370 Source A (Plié combination in first position) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354615773 As I noticed in this video, I’ve improved on letting the head follow the arm, especially areas where there’s a port de bra. For this reason, it gave more performance quality. Which I consider it to be a big achievement, as my co-ordination with the head and the arm were poor at the start of second year. Although, within this particular exercise, I need to be aware that my head and eyeline doesn’t drop too close to the floor, specifically during the Grande plié, as it loses focus and connection with the audience. To avoid this happening in future, I need my eyeline to focus over the hand instead of under it. If I do this it will enhance my headline to be slightly lifted, so that the audience will recieve a clear view of the face. It’s in my hands to perfect this, in order to develop this critique and maintain it in future.


]]> 2019-04-26 22:38:36 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354615773 Source B (Plié in second position) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354615911 2019-04-26 22:40:25 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354615911 Source C (Plié in fifth position) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354616691 In this clip, I’ve spotted my fifths in during the rise position have become much more tighter since September. This demonstrates that I’ve become fully aware to glue my heels together, as it gives a neater line. Although, to neaten this line further, I need to make sure my gluteus are fully engaged throughout every exercise. This is to activate the lateral rotators, in order to achieve more turnout.

]]> 2019-04-26 22:50:20 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354616691 Source D (Combination of port de bras at the barre) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354616755 As I viewed this clip back, in the forward port de bra, I avoided stroking the floor with my working hand. I’m happy to have taken this specific critique into consideration, as it’s part of Mr Needam’s main technical requirements.
During the back bend, I managed to control my hips to stay square and central. Earlier on in second year they placed slightly forwards. As I followed this correction, the outcome gave off a neater alignment.]]> 2019-04-26 22:51:06 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354616755 Source E (Tendus at the barre) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617231 The purpose of this exercise is to build strength within the muscles of the feet, in which I’m lacking. I strongly need to develop articulating through the metatarsals of my feet, in order to create more resistance with the floor, for elevation purposes. And it will also build more strength for when it comes to doing allegro work. ]]> 2019-04-26 22:58:07 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617231 Source F Part 1 (Rond de jambe with the left hand on the barre) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617616 As I perform the rond de jambe on the opposite side to source G. I’ve noticed during the battements in second, my right leg naturally kicks lower then my left leg. This tells me I need to build more strength in my right leg’s hamstring. This is to improve an equal amount of strength in both legs, so that the elevation and control will have the same impact.]]> 2019-04-26 23:03:16 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617616 Source F Part 2 (Rond de jambe with right hand on the barre) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617888 I applied Mr Needham’s correction to have my focus clearly away from the working arm when it goes through bras bas to fifth, as my working foot dégagé’s to avant. This performance element shows more artistry and making each position count.]]> 2019-04-26 23:06:52 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354617888 Source G (Fouetté avant to derrère at the barre) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354618472 In this video, here’s me performing a fouetté from the leg positioned in avant to derrière/arabesque. I strongly believe I have gained an understanding to control keeping my hips being square, whilst I rotate the leg. The reason being, when I began second year my control was weak as my hip lifted up which didn’t present a clean alignment. As I’ve developed this critique throughout second year, I have to maintain this in future.]]> 2019-04-26 23:14:58 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/354618472 Source Q maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355921773 2019-05-01 18:15:16 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355921773 Source R maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355940445  ]]> 2019-05-01 18:52:45 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355940445 Source S maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355944875 1min 28sec - 1min 40sec]]> 2019-05-01 19:02:20 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/355944875 Source M maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356453807 The image bellow demonstrates a bad and better example of a flat back position during Luigi’s warmup.
The image on the left is the bad example. As the core is relaxed and the arms are behind the shoulders. By doing this it causes your weight to go back.
The picture on the right demonstrates how it should be positioned. As the core’s pulled in and the arms are in line with the shoulders, creating a flat position.]]> 2019-05-03 01:46:26 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356453807 Source S (Front line on the right) maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356454737 In this video, I believe that my musicality was the strongest aspect throughout the routine.
The isolation of my torso stood out as a dynamic quality.

To improve I need to animate the dynamics better to avoid being too bouncy.
I need to sustain control alongside my performance quality.]]> 2019-05-03 01:50:48 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356454737 Source T maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356456964 2019-05-03 02:01:53 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356456964 maisie_hall https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356766398 2019-05-03 21:32:38 UTC https://padlet.com/maisie_hall/exu0j1rg9wt9/wish/356766398