Coco herself was a feminist. In that male dominated era, Coco advocated for women to brave break free from tradition and from constraints to be themselves.

So in that era when flamboyant aristocratic clothing was prevalent and conservative, she incorporated the characteristics of men's clothing into women's clothing design, giving birth to an elegant and handsome design style.

In an era where it was widely believed that women should make vases, she broke free from constraints and created her own luxury brand, She once said that people ridiculed her way of dressing, but this was her secret to success. She believed that looking different was her secret, and said that life only comes once, and you don't have to care about others' thoughts. You must live an interesting life. Coco's idea was truly a pioneer of the times, and her life should also be free and she was a passionate soul.

2.Design is a conscious and meaningful act of endowing things with meaning. It is the process by which humans combine function, form, emotion, and culture through observation, thinking, selection, and creation to find solutions to problems in the world and add value and beauty to life.

3.Design is both a tool for conveying ideas, emotions, and aesthetics.

Answer for question2:Design is a discipline, and design can refer to many things, such as the design process, methods, and results.

Design is a tool to transform the world and improve efficiency. It is also an expression used to convey ideas, emotions and aesthetics.

Core features of the design:

1. Problem-oriented

• Design begins with the discovery of a need or problem. Whether it is to achieve function (such as architectural design to solve spatial problems) or to touch emotions (such as artistic design), design aims to change the status quo.

Step 2 Be creative

• Design is not copying, but reimagining and innovating things. It finds new paths by exploring possibilities.

3. Purpose

Design is never something that happens by accident, but rather an act with a clear goal, whether practical or abstract.

Step 4 Be comprehensive

• It is the meeting point of science, technology, culture and art. Designers need to balance multiple dimensions, considering beauty, practicality and feasibility as well.

5. People centered

• Design most of the time is for people. At its core, it is about understanding people's needs, feelings, and habits and creating solutions based on them. However, I also believe that designers should not be limited to some rules set by human beings, but should be more daring to create their own works and innovate with their own ideas. The future of design is created by generations of young people with dreams!

a2：Phase 1: The designer noticed that kelp is an undeveloped marine resource, so she collaborated with scientists to explore the potential of kelp in various fields.

Phase 2: Based on the communication and collaboration in Phase 1, the designer delved into the core concepts of the project and led the design process.

Phase Three: She conducted on-site inspections of some projects, discussed with Japanese scientists from an ecological and economic perspective, and collaborated with artists to create the physical entities of the projects.

Designers first play the role of creators in this project, integrating technology and theory into the design.

At the same time, designers also play the role of improvers, constantly evaluating the effectiveness of their designs.

The role of designers here is typically that of user advocates, providing insights and opinions as well as design aesthetics, form empowerment, human factor application and testing, and situational investigation/ethnographic methods.

a2： In the first stage, we collaborated with patients to obtain digital platform data. In the second stage, we collaborated on literature synthesis on our own. In the third stage, we had classroom and co design meetings with a VAD caregiver and a biomedical VAD engineer to evaluate the design.

1.The designer played the role of a tour guide, guiding DIGITAL COMMERCE SMES to use nested model of sustainability to broaden their horizons.

2. The designer played the role of an evaluator, assessing sustainability factors.

3. The designer also played the role of a planner, helping the company adjust its strategy.

4. Designers also play the roles of participants and innovators, communicating with users and promoting innovation.

a2:

Phase 1: The designer is in contact with and communicates with the client.

Phase 2: Designers evaluate the impact of sustainable development through sustainable regulations and consumer protection.

Phase Three: Collaborate with service providers for sustainable development strategies in the enterprise to adjust their strategies.

Stage 4: Analyze relevant data through collaboration with customers, business partners, and the entire value chain.

Stage 5: Obtain more information through communication and exchange with other stakeholders and consumers.

Stage 6: Collaborate with the media to achieve promotional effects.

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[工程 Engineering] ---- [设计 Design] ---- [艺术 Art]

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[人文社会 Humanities & Social Sciences]

Nokia 3310 (a legendary phone that never breaks)

1. Sturdy shell material

The 3310 is made of high-strength polycarbonate plastic, which is less prone to breakage compared to current glass bodies and can absorb impact forces.

This material will undergo slight deformation when dropped, buffering the impact force and then returning to its original state.

2. Thick body design. The body is relatively thick,

The internal components have a large space and are not easily impacted by external forces.

The screen is not a large area of glass like modern smartphones, but a small-sized LCD with a lower probability of damage.

3. Detachable design

The body is composed of a detachable shell, battery, and buttons, which will "disintegrate" instead of being damaged when dropped on the ground, reducing the impact force on the phone.

After falling off, pick up the parts and reassemble them to continue using them.

Date of birth: May 20, 1932

Time of death: (As of 2025, he is still alive)

The most successful design: Braun product series&Vitsoe 606 modular bookshelf system

Design achievements:

Dieter Rams was one of the most influential industrial designers of the 20th century, known for his design philosophy of 'Less but better'. He has long served as the chief designer of Braun in Germany, leading the design of many classic electronic products such as SK 4 radios and TP 1 portable record players. His minimalist style influenced later product designs, especially Apple's design philosophy. In addition, he also designed the 606 modular bookshelf system for Vitsoe company, which is still widely used today.

Design philosophy: Dieter Rams' design philosophy

Dieter Rams' design philosophy revolves around simplicity, functionality, and sustainability, and his core ideas are reflected in the following aspects:

1. "Less is more" (Less but Better)

His design pursues minimalism, without excessive decoration, emphasizing the functionality and usability of the product, making the design both beautiful and practical.

2. "Ten Good Design Principles"

His "Ten Good Design Principles" have become important guiding principles for modern industrial design

1.Good design is innovative

2.Good design makes a product useful

3.Good design is aesthetic

4.Good design makes a product understandable

5.Good design is understated

6.Good design is honest

7.Good design is long-lasting

(3) Impact and Application

His philosophy has influenced numerous designers, especially Apple's chief designer Jony Ive, whose minimalist style of Apple products shares many similarities with Rams' designs.

(4) Representative works

1. Braun SK 4 radio - minimalist appearance, pioneering transparent cover design

2. Braun TP 1 portable turntable - an early portable device that combined tape recorders with radios

3. Vitsoe 606 modular bookshelf system - simple and durable, expandable according to needs

Dieter Rams' design philosophy not only shaped the aesthetics of 20th century products, but also has a profound impact on industrial design today.

Mini biography: Dieter Rams was one of the most influential industrial designers of the 20th century, known for his design philosophy of "Less but better" (Rams, 1995). Since joining Braun in 1955, he has led the design of classic products such as SK 4 radios and TP 1 portable record players, and proposed the "Ten Good Design Principles" emphasizing functionality, simplicity, and sustainability (Kufus, 2018). In addition, his 606 modular bookshelf system designed for Vitsoe is still widely used today, establishing his important position in the history of design (Lovell, 2011).

references

Kufus, G. (2018). Rams: Principles of Good Design. Phaidon Press.

Lovell, S. (2011). Dieter Rams: As Little Design as Possible. Phaidon Press.

Rams, D. (1995). Less but Better. Verlag Hermann Schmidt.

Dieter Rams' success stems from the minimalist design philosophy, the ultimate pursuit of functionality, and strict control over details. He promoted industrial design innovation at Braun, creating numerous classic products and proposing the "Ten Good Design Principles" (Rams, 1995). His designs combine aesthetics, practicality, and sustainability, deeply influencing modern brands such as Apple (Ive, 2018). Rams' philosophy has made his works enduring and established his position as the most influential designer of the 20th century.

references

Ive, J. (2018). Designed by Apple in California. Apple.

Rams, D. (1995). Less but better. Verlag Hermann Schmidt.

1) Unique design from my country of origin

In my country of origin, there is a unique bamboo furniture design that many people from other countries may not be familiar with. This type of furniture is usually woven by craftsmen using natural bamboo, which is both environmentally friendly and breathable, making it very suitable for hot and humid climates. I first learned about this design in my hometown. My grandfather often uses it for lunch breaks. It is called bamboo chair in our motherland. The origin of bamboo chair can be traced back to the Tang Dynasty of China. It has a long history and reflects the ingenious use and pursuit of natural materials by Chinese people. In order to gather more information, I consulted relevant craft books and visited the local handicraft market to communicate with craftsmen and understand their production process and cultural values.

2) Daily design that has had a profound impact but has not yet entered mainstream design history

This week, I found disposable takeaway packaging while ordering takeout. This packaging may seem simple, but it is actually environmentally friendly and provides convenience for people while avoiding space waste. But it greatly improves the user experience, providing users with low cost and environmental friendliness. This design is very popular in contemporary restaurants, but it is rarely mentioned in mainstream design books. I learned about the convenience and popularity of this design by observing its usage and communicating with the shop owner.

3) Discriminatory design

This week, I discovered an insufficiently inclusive design in a public building: the lack of accessible design. I went to a shopping mall this week, but there were only stairs without accessible elevators and ramps. Some elderly people, tourists carrying suitcases, and people pushing carts were unable to move around. Through personal experience and interviews with some visitors, as well as browsing Instagram accounts, I discovered this design issue and further studied the relevant principles of inclusive design.

4) Reflect on my design bias

As a designer, I realize that there may be functional issues and biases in the design process that overlook the needs of specific groups. For example, when considering space utilization, the importance and perception of accessible design may be overlooked. To overcome these biases, I plan to pay more attention to user research in future design processes, listen to the needs of different groups, and learn inclusive design. I will also actively participate in design reviews to gain diverse perspectives and ensure that my designs benefit a wider audience. Try to prevent these discriminations from happening again.

Secondly, I also made a small design on top of the flowerpot. I added a smiling face, which means that every time I see this pot of flowers, I am very happy. When I am unhappy, it will give you a smile, and you can talk about each other's feelings. There are also some green branches next to it, which represent health.

Here is a design example that reflects my philosophy along with a brief explanation of the reasons: I once participated in the design of an eco-friendly takeout packaging bag. It is hygienic, low-carbon and environmentally friendly, and can be reused. It can be used as a garbage bag or a storage bag for miscellaneous items, and it is also convenient and aesthetically pleasing to carry when going out. It promotes the development of the takeout and storage industries while being environmentally friendly. I have also tried to transform it into a tissue box, and recycling is a good choice.

Write the in-text citation for your book here：( Müller-Brockmann, 1999)

What is the book about (50 words)：Since the 1950s, grid systems have helped designers organize graphic elements and have become a global standard. This volume provides the functionality, usage guidelines, and rules of a grid system with 8 to 32 grid fields, which can be used for various projects, including 3D grids. Provided users with precise guidance on using all possible grid systems and demonstrated examples of correct operation at the conceptual level. Or simply put, a career guide. This is one of the most important books in the field for over 30 years, providing a comprehensive overview of grid systems and covering the exact direction and instructions of all grid systems required by professionals.

Reflecting on what you have learned so far in DSGN1500, critically assess the book：

In the process of reading this book, I think it is a very suitable tool for beginners. The network cases presented in this book are very useful, and it also shows a lot of relationships between grids and market life and environment.

For example, many cities are based on grid planning, and some even follow the golden ratio of painting. At the same time, this book made me realize the importance of grids. Although common, this book argues that anything without grid design is not aesthetically pleasing and pleasing to the eye from an aesthetic perspective.

But at the same time, this book was published in 1981. At the same time, it is designed in Swiss style, so it has very strong features, but it is still a good book for beginners. Overall, this book is very good.

2.Citation: Dorff, Elliot N, Ruttenberg, Danya, & Dorff, Elliot N. (2010). Social justice (1st ed). Jewish Publication Society.

3.This book discusses issues related to social justice such as healthcare, hate crime legislation, and environmental protection, and reflects on them from multiple perspectives.

4.(1)Research shows that the younger generation of Jews highly value social change as part of their Jewish identity. They have individuals, individuals, and individuals in social action, and they hope that the groups or organizations they belong to will give similar value to social attention.

(2)The authors of this book provide a cross-section of Jewish scenes from all movements, spanning different boundaries.

（3)This book brings together case studies, classic and contemporary sources, and a range of responses to address the interests of social activists in four areas: poverty and healthcare, discrimination - state, environment, and criminal justice.

5.What sacrifices must individuals, society, and the country make to protect the environment?