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      <title>Lissie Brown by Lissie</title>
      <link>https://padlet.com/elizabethb55/eorwtjv0w13m26ik</link>
      <description>MFA work</description>
      <language>en-us</language>
      <pubDate>2022-03-18 22:06:09 UTC</pubDate>
      <lastBuildDate>2025-11-11 06:19:17 UTC</lastBuildDate>
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         <author>elizabethb55</author>
         <link>https://padlet.com/elizabethb55/eorwtjv0w13m26ik/wish/2102561613</link>
         <description><![CDATA[<div>These objects relate to my MFA project addresses the complexities of motherhood. These objects are part of a larger installation that addresses the emotional response an object can have over a human. Jane Bennett in her book Vibrant Matter suggests that humans are not the only active participants and that all things have the capacity to " animate, to act, to produce effects dramatic and subtle" (Bennett, Jane, <em>Vibrant Matter, pg31)</em> Bennett believes everything is alive and interconnected. The objects in my work are ones chosen by women that&nbsp; initiate feelings and emotions for them in a personal way.</div>]]></description>
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         <pubDate>2022-03-18 22:14:26 UTC</pubDate>
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         <title></title>
         <author>elizabethb55</author>
         <link>https://padlet.com/elizabethb55/eorwtjv0w13m26ik/wish/2102760958</link>
         <description><![CDATA[<div><sub>Jacqueline Fahey. Final Domestic Expose - I paint Myself. 1981-1982. oil and collage on board<br>This work has long been influential in my practice. For me  it is the subject matter addressed in an art work  that s influential in the development of my own work.  The  discipline that they work in be it painting, printmaking, sculpture and so on is secondary to this. Fahey makes a bold statement here about the reality of life as a women who holds many roles within her own reality.  </sub></div>]]></description>
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         <pubDate>2022-03-19 05:27:32 UTC</pubDate>
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