<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>Key Media Terminology by Nick Allen</title>
      <link>https://padlet.com/nickallen/Media_Terminology</link>
      <description>Wake up. None of it&#39;s really real.</description>
      <language>en-us</language>
      <pubDate>2016-11-08 07:35:44 UTC</pubDate>
      <lastBuildDate>2023-03-06 18:22:00 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url>https://padlet-assets.s3.amazonaws.com/icons/Playcontrol.png</url>
      </image>
      <item>
         <title>REPRESENTATION</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/136007405</link>
         <description><![CDATA[<div>Absolutely key - what you are watching is not reality. Is it?</div>]]></description>
         <enclosure url="https://youtu.be/fOecpti7Qf8" />
         <pubDate>2016-11-08 07:38:33 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/136007405</guid>
      </item>
      <item>
         <title></title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/136018683</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/8bfbb68b53e6dda3e839acf9b5a36ed3/andrewgoodwin_music_video_analysis_theory.pptx" />
         <pubDate>2016-11-08 08:47:20 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/136018683</guid>
      </item>
      <item>
         <title>MODE OF ADDRESS</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/136127882</link>
         <description><![CDATA[<div>The way a media product ‘speaks’ to it’s audience. In order to communicate, a producer of any text must make some assumptions about an intended audience.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-08 15:42:36 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/136127882</guid>
      </item>
      <item>
         <title>4. NARRATIVE THEORY continued</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137453915</link>
         <description><![CDATA[<div>An Introduction: <a href="http://www.slideshare.net/anne.horne/media-narrative-theory">http://www.slideshare.net/anne.horne/media-narrative-theory</a><br>Key theorists: <br><strong>Todorov: </strong>1. Equilibrium 2. Dispruption 3. Recognition of Disruption 4. Attempt at Resolution 5. New Equilibrium<br><strong>Propp: '</strong>Spheres of Action': Hero, villain, donor, helper, princess/ victim, dispathcher, false hero<br><strong>Levi-Strauss</strong>: 'Binary Oppositions' e.g. light vs. dark, good vs. evil, old vs. young, weak vs. strong, insider vs. outsider</div>]]></description>
         <enclosure url="https://youtu.be/OwT-_irY4LM" />
         <pubDate>2016-11-14 17:11:17 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137453915</guid>
      </item>
      <item>
         <title>Direct Address</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137455394</link>
         <description><![CDATA[<div>Are you being spoken <strong>to </strong>or looked at?</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/65a8b4e862b7a09f981bc0ad6d4c12d5/Kitchener.jpeg" />
         <pubDate>2016-11-14 17:14:21 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137455394</guid>
      </item>
      <item>
         <title>Indirect Address</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137456597</link>
         <description><![CDATA[<div>Are you being referred to? Are you watching someone? Is your viewing presence acknowledged?</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/01bf5aeb5aeca9aea06576843a25b4cc/Seurat_Bathers.jpeg" />
         <pubDate>2016-11-14 17:16:36 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137456597</guid>
      </item>
      <item>
         <title>Formal</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137460968</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/b2a5c4d6866a7ecaf14ae365714e75c0/No_credit_cards_FORMAL.gif" />
         <pubDate>2016-11-14 17:25:20 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137460968</guid>
      </item>
      <item>
         <title>Informal</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137462566</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/9ecf4c3c9048cd5befb80e4f37d1bfe3/In_God_We_Trust.jpeg" />
         <pubDate>2016-11-14 17:28:50 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137462566</guid>
      </item>
      <item>
         <title>Positioning</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137463138</link>
         <description><![CDATA[<div>Are you being put in a particular position? E.g. are being told a secret, like someone's <strong>confidante </strong>(below)? Or are you an <strong>observer</strong> or&nbsp; '<strong>voyeur</strong>' (right) peering into someone's life? Are you being asked to <strong>empathise</strong> with a central character?</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/eff82328d87a8d993b174c90d02073a8/whisper.jpeg" />
         <pubDate>2016-11-14 17:30:18 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137463138</guid>
      </item>
      <item>
         <title></title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137468249</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/ff5e7e7dcb3416dfed73de90d170a4af/keyhole2.jpeg" />
         <pubDate>2016-11-14 17:40:34 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137468249</guid>
      </item>
      <item>
         <title>Common issues of representation in the media:</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137470453</link>
         <description><![CDATA[<div>Race e.g. representation of black people <br>Class - e.g. 'chavs' in UK<br>Gender - of women in particular<br>Age e.g. 'the youth' or 'OAPs'<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-14 17:45:06 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137470453</guid>
      </item>
      <item>
         <title>5. Todorov&#39;s Theory of Narrative explained</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137633857</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/ko5XG72v7Ss" />
         <pubDate>2016-11-15 08:22:25 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137633857</guid>
      </item>
      <item>
         <title>Todorov and Propp again</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137636026</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/gIYn6y39FyM" />
         <pubDate>2016-11-15 08:35:07 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137636026</guid>
      </item>
      <item>
         <title>6. CODES</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137637360</link>
         <description><![CDATA[<div><strong>Enigma code</strong>: what is the central enigma (mystery/ problem/ question) to be solved in the film?<br><strong>Action codes: </strong>what visual shorthand (symbols/ signs/ codes) are being used to communicate meaning e.g. a wife throws a husband's belongings out of the window = there has been an argument/ he has cheated</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-15 08:41:49 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137637360</guid>
      </item>
      <item>
         <title>USE THESE TERMS/ THEORIES IN YOUR VIDEO ANALYSIS!</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137638259</link>
         <description><![CDATA[<div>Research each of the terms on this page and apply them to your own Music Video Analysis</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/43639286/98728b7f5ba19d104bfc31e56fb7e36d/Subheadings_for_Task_1_Music_Video_Analysis___paste_them_into_your_blog_and_try_to_say_something_abo.docx" />
         <pubDate>2016-11-15 08:46:18 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137638259</guid>
      </item>
      <item>
         <title>Representation of women</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137638904</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/EYslrPcTsfg" />
         <pubDate>2016-11-15 08:49:36 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137638904</guid>
      </item>
      <item>
         <title>Lily Allen satirises the representation of women in the media ..</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137639229</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/E0CazRHB0so" />
         <pubDate>2016-11-15 08:51:23 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137639229</guid>
      </item>
      <item>
         <title></title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/137640166</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/q-wGMlSuX_c" />
         <pubDate>2016-11-15 08:55:33 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/137640166</guid>
      </item>
      <item>
         <title>Respresentation of Muslims</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/140245973</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/Wg0QwCSiWh8" />
         <pubDate>2016-11-28 16:52:22 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/140245973</guid>
      </item>
      <item>
         <title>Representation of Islam in Family Guy</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/140246363</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/2D79yWcFQok" />
         <pubDate>2016-11-28 16:53:13 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/140246363</guid>
      </item>
      <item>
         <title>Purpose</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/140427936</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.slideshare.net/MsJMcLeod/the-purpose-of-music-videos" />
         <pubDate>2016-11-29 09:01:08 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/140427936</guid>
      </item>
      <item>
         <title>1. Narrative Theories</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/214992811</link>
         <description><![CDATA[<div>This is a well-studied field, so there are many. The main ones are summarised in this blog ...</div>]]></description>
         <enclosure url="https://brianair.wordpress.com/film-theory/narrative-theories/" />
         <pubDate>2017-12-11 13:25:42 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/214992811</guid>
      </item>
      <item>
         <title>2. Similar ideas plus one extra ..</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/214994940</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.slideshare.net/simsimma/narrative-theories-7000181" />
         <pubDate>2017-12-11 13:31:25 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/214994940</guid>
      </item>
      <item>
         <title>3. Open and Closed, Linear, Single and Multi -strand narratives</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/214995954</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://prezi.com/a86vxyy2cm3d/open-closed-multi-strand-linear-and-non-linear-narratives/" />
         <pubDate>2017-12-11 13:34:08 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/214995954</guid>
      </item>
      <item>
         <title>4. Open and Closed narratives explained</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/214996499</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.scribd.com/document/8332770/Open-Closed-Narrative" />
         <pubDate>2017-12-11 13:35:36 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/214996499</guid>
      </item>
      <item>
         <title>8. TASK!</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/214997087</link>
         <description><![CDATA[<div>In your ClassNotes in the CDMP Notebook, choose a favourite film or soap  and analyse the narrative structures present, applying as many of the narrative theories you have studied as possible. Aim to make at least eight different observations and explain how the use of narrative engages and keeps attention of the audience.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-11 13:36:59 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/214997087</guid>
      </item>
      <item>
         <title>Diegetic and non-diegetic sound</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/215033623</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://paulolohan.wordpress.com/2013/05/21/the-difference-between-diegetic-and-non-diegetic-sounds/" />
         <pubDate>2017-12-11 14:45:42 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/215033623</guid>
      </item>
      <item>
         <title>7. Take the test!</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/215315271</link>
         <description><![CDATA[<div>Try the 'Match' game to see how much you remember.</div>]]></description>
         <enclosure url="https://quizlet.com/_46juas" />
         <pubDate>2017-12-12 08:46:45 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/215315271</guid>
      </item>
      <item>
         <title>Thor Ragnorok - narrative theory applied</title>
         <author>nickallen</author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/215340925</link>
         <description><![CDATA[<div>This Marvel feature film follows the eponymous <strong>protagonist/ hero</strong> 'Thor' - the god of thunder - in his battle to save his home realm of Asgard from subjugation by his evil older sister and chief <strong>antagonist, </strong>Hela. An <strong>equilibrium </strong>state of apparent happiness and peace is established in Asgard at the beginning albeit that Thor has been imprisoned by the underworld demon Surtur. However it established that he is simply doing his usual job of keeping Asgard from harm and quickly succeeds - preventing any <strong>disruption</strong>. <br>The real <strong>disruption </strong>is caused soon after by the death of Thor and Loci's father, Odin, allowing their previously unknown evil older sister, Hela, who is the key <strong>villain</strong>, to return to Asgard and take over.<br>Thor is a fairly typical <strong>hero </strong>who is helped by his brother Loci who, as expected in previous films, turns out to be a <strong>'false hero'</strong> by betraying his brother but in this film redeems himself by returning to help his brother defeat Hela and evacuate Asgard. In this he is aided by other <strong>helpers </strong>such as the comic character Korg.<br>Thor's father Odin plays the <strong>dispatcher </strong>role - frequently offering Thor advice in dream sequences. He also acts as <strong>donor</strong>, having previously provided Thor with his hammer, he helps Thor discover that his real power is his control of lightning.<br>The '<strong>princess</strong>' role is more atypical in this film. There is a suggestion of <strong>romance </strong>between Thor and Valkyrie but this character is strong and independent and ends up fulfilling the role of <strong>helper </strong>alongside Hulk. The <strong>princess </strong>role is actually fulfilled by the Asgardians who have to be evacuated from Asgard to avoid being destroyed.<br>A <strong>resolution </strong>is found when Loci brings a massive spaceship to evacuate the people of Asgard and a <strong>new equilibrium</strong> is reached where they appear to now be fated to wander the cosmos aboard this ship.<br>The <strong>narrative </strong>is <strong>closed </strong>at the point of the end credits - a satisfactory <strong>resolution </strong>has been found - the people are saved. However, as is a convention with most Marvel feature films, an additional teaser scene within the closing credits <strong>keeps the narrative open </strong>and encourages viewers to watch the next Marvel film which will continue the narrative.<br>There is an assumption that the audience will get to see these now familiar characters again in future narratives which is likely to attract further revenue. <strong>Enigma codes</strong> are also used to signal future narrative developments such as when Loci sees the blue Tesseract - a magical, power-giving 'infinity stone' -&nbsp; in Odin's vault. This is also a reference to previous Marvel films in which the Tesseract plays a key part.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-12 10:22:07 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/215340925</guid>
      </item>
      <item>
         <title>+</title>
         <author></author>
         <link>https://padlet.com/nickallen/Media_Terminology/wish/215354422</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-12-12 11:14:53 UTC</pubDate>
         <guid>https://padlet.com/nickallen/Media_Terminology/wish/215354422</guid>
      </item>
   </channel>
</rss>
