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      <title>Research File by Julia Vasconcelos</title>
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      <description>Stage 1</description>
      <language>en-us</language>
      <pubDate>2018-03-05 18:54:53 UTC</pubDate>
      <lastBuildDate>2026-01-30 18:05:41 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>DIETER ROTH</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/238417032</link>
         <description><![CDATA[<div>(1930 - 1998)<br>He was known for his works made of found materials. It is interesting that he created a large-scale installations and sculptures using biodegradable foodstuffs. One of his pieces, called “Flat Waste”, is made of trash with 5mm of thick or less (pictures below). </div>]]></description>
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         <pubDate>2018-03-06 01:23:10 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/240646797</link>
         <description><![CDATA[<div>1. <strong><em>Serif</em></strong><br>In typography, a serif is a small line attached to the end of a stroke in a letter or symbol.<br>2. <strong><em>Sans-serif<br></em></strong>From the French, the word “sans” means “without”. So, in typography and lettering, sans-serif in when the letter/symbol does not have extending features (or serifs) at the end of strokes. <br>3. <strong><em>Ligature<br></em></strong>Two or more letters combined into one character make a ligature. In typography, some ligatures represent specific sounds or words. Other ligatures are primarily to make type more attractive on the page and, in most cases, a ligature is only available in extended characters sets or special expert sets of fonts.<br>4. <strong><em>X-Height<br></em></strong>Also known as corpus size, x-height is the distance between the baseline and the mean line of lower-case letters in a typeface. In other words, it is the height of the letter <em>x</em> in the font. One of the most important dimensions of a font, x-height is used to define how high lower-case letters are compared to upper-case letters.<br>5. <strong><em>Cap Height<br></em></strong>Cap height is the height of a capital letter above the baseline for a particular typeface. It is, specifically, the height of capital letters that are flat.<br>6. <strong><em>Bowl<br></em></strong>It is the curved part of the character that encloses the circular or curved parts of some letters such as “d, b, o, D, and B”.<br>7. <strong><em>Ascender</em></strong><br>In typography, an asender is the portion of a minuscule letter that extends above the mean line of a font. That is, the part of a lower-case letter that is taller than the font's x-height.<br>8. <strong><em>Leading<br></em></strong>It refers to the distance between the baselines of successive lines. In consumer-oriented word-processing software, this concept is usually referred to as "line spacing".<br>9. <strong><em>Kerning<br></em></strong>It is the process of adjusting the spacing between characters in a proportional font, usually to achieve a visually pleasing result. Kerning adjusts the space between individual letter forms, while letter-spacing adjusts spacing uniformly over a range of characters. In a well-kerned font, the two-dimensional blank spaces between each pair of characters all have a visually similar area.<br>10. <strong><em>Picas<br></em></strong>A typographic unit of measure corresponding to approximately ​<sup>1</sup>⁄<sub>6</sub> of an inch, or ​<sup>1</sup>⁄<sub>72</sub> of a foot. One pica is further divided into 12 points.<br>11. <strong><em>Points<br></em></strong>In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout the history of printing. Since the 18th century, the point's size has varied from 0.18 to 0.4 millimeters. The DTP (desktop publishing point) point is defined as ​<sup>1</sup>⁄<sub>72</sub> of an international inch (about 0.353 mm) and, as with earlier American point sizes, is considered to be ​<sup>1</sup>⁄<sub>12</sub> of a pica.<br>12. <strong><em>Em Dash<br></em></strong>Em Dash is used to set off parenthetical elements, which are abrupt. </div><div><br><br></div><div><br><br></div><div><br><br></div>]]></description>
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         <pubDate>2018-03-11 22:56:26 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/241831359</link>
         <description><![CDATA[<div>I could use neon lights bracelets to have a similar result as this one</div>]]></description>
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         <pubDate>2018-03-14 12:39:33 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/241831535</link>
         <description><![CDATA[<div>Using cups can be an easy way to make the letter structure</div>]]></description>
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         <pubDate>2018-03-14 12:39:58 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/241831642</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-03-14 12:40:13 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/245923106</link>
         <description><![CDATA[<div>(Saul Bass, 1920 - 1996)<br>American graphic designer best known for his design of motion-picture title sequences, film posters, and corporate logos. He worked for some of Hollywood's most prominent filmmakers, such as Alfred Hitchcock. <br>The strong colors, type and drawings that he used in his posters makes it easy to identify the movie’s theme.</div>]]></description>
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         <pubDate>2018-03-26 02:25:36 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div><strong>Zoetrope: </strong>one  of several pre-film animations devices that produce the illusion of motion by displaying a sequence of drawings or photographs showing progressive phases of that motion.<br><br></div>]]></description>
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         <pubDate>2018-03-26 02:38:05 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-06 00:23:03 UTC</pubDate>
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         <title></title>
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         <pubDate>2018-04-06 00:23:29 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-06 00:23:52 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-06 00:24:11 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-06 00:24:26 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div><strong>Praxinoscope: </strong>an animation device, the successor to the zoetrope. It was invented in France in 1877 by Charles-Émile Reynaud. Like the zoetrope, it used a strip of pictures placed around the inner surface of a spinning cylinder. The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors would therefore see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered.</div>]]></description>
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         <pubDate>2018-04-06 01:01:24 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/249085490</link>
         <description><![CDATA[<div><strong>Magic Lantern: </strong>an early type of image projector employing pictures painted, printed or produced photographically on transparent plates (usually made of glass), one or more lenses, and a light source. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly applied to educational purposes during the 19th century. </div>]]></description>
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         <pubDate>2018-04-06 01:01:40 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/249085528</link>
         <description><![CDATA[<div><strong>Shadow Theatres: </strong>old story-telling and entertainment art that uses shadow puppets. The images produced by the dolls can have different colors and other types of details. Many effects can be achieved by moving both the puppets and the light source. A talented puppeteer (person who controls puppets or the one who makes puppets) can make the figures look like walking, dancing, fighting, nodding and laughing.</div>]]></description>
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         <pubDate>2018-04-06 01:02:02 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/249085577</link>
         <description><![CDATA[<div><strong>Obscure Camera: </strong>type of optical device based on the principle of the same name, which was the basis of the invention of photography in the early nineteenth century. It consists of a box (or also a room) with a hole in the corner, the light from an external place passes through it and reaches an inner surface, where the inverted and enantiomorphic image is reproduced.</div>]]></description>
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         <pubDate>2018-04-06 01:02:26 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-06 01:14:15 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/249087154</link>
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         <pubDate>2018-04-06 01:14:50 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-04-06 01:24:07 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253821411</link>
         <description><![CDATA[<div>JESS LIBBY<br><em>Zine inspired by feminism and the women’s movement and Mina Loy’s Feminist Manifesto (1914).</em></div>]]></description>
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         <pubDate>2018-04-20 13:38:44 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253821534</link>
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         <pubDate>2018-04-20 13:38:59 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253821636</link>
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         <pubDate>2018-04-20 13:39:13 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253821753</link>
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         <pubDate>2018-04-20 13:39:29 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253823081</link>
         <description><![CDATA[<div>HOAX<br><em>US bi-annual queer, feminist, compilation zine that aims to create a space to analyze the feminism in our everyday lives. The idea behind the name is that femininity and society's standards for women are total bullshit.</em></div>]]></description>
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         <pubDate>2018-04-20 13:41:27 UTC</pubDate>
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      <item>
         <title>Zines Inspirations</title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-20 13:42:00 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253825092</link>
         <description><![CDATA[<div>NATÁLIA MELO</div>]]></description>
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         <pubDate>2018-04-20 13:45:16 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-20 13:45:36 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-20 13:45:55 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-20 13:46:08 UTC</pubDate>
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         <title>EDWARD RUSCHA</title>
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         <description><![CDATA[<div>This book become famous as a precursor and a major influence on the emerging artist's book culture, especially in America. Edward took about 60 photographs, and edited them down to 26 by removing any that he felt were too interesting.</div>]]></description>
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         <pubDate>2018-04-20 15:53:45 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-04-20 15:54:49 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253888681</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 15:54:59 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253888681</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253888802</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 15:55:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253888802</guid>
      </item>
      <item>
         <title>MARIELLE’S CASE</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253894121</link>
         <description><![CDATA[<div>Marielle, a black woman, lesbian, from the favela, activist, and who constantly fought for women's rights was cruelly murdered on March 14th after a making complaint against military police about their treatment do the people from Acari and their form of intervention.<br><br>There are still no suspects from who did it.</div>]]></description>
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         <pubDate>2018-04-20 16:07:18 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253894121</guid>
      </item>
      <item>
         <title>RICO LINS</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253894268</link>
         <description><![CDATA[<div><em>Manifesto Gráfico<br></em>A selection with more than 200 posters of various designs from Brazil, from the personal collection of the curator Rico Lins, and discusses different currents and expressions in the field of graphic design.<br><br>(The type, the colors, and the design of the posters are really interesting and beautiful. I can use as inpiration for my posters)</div>]]></description>
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         <pubDate>2018-04-20 16:07:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253894268</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898081</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:16:26 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898081</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898197</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:16:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898197</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898270</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:16:58 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253898270</guid>
      </item>
      <item>
         <title>Believing is Seeing Project</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253899018</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-04-20 16:18:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253899018</guid>
      </item>
      <item>
         <title>MIA FINEMAN</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253899137</link>
         <description><![CDATA[<div><em>Faking It</em><br>Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity” get all the glory, while devotees of manipulation are treated as conspicuous anomalies. Among her work there are techniques such as multiple exposure, combination printing, photomontage, composite portraiture, overpainting, hand coloring, and retouching. The resulting images are as diverse in style and motivation as they are in technique. </div>]]></description>
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         <pubDate>2018-04-20 16:19:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253899137</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902342</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:26:28 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902342</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902433</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:26:40 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902433</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902830</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:27:28 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253902830</guid>
      </item>
      <item>
         <title>ERROL MORRIS</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904346</link>
         <description><![CDATA[<div><em>Believing is Seeing</em><br>This work is about the limitations of vision, and about the inevitable idiosyncrasies and distortions involved in the act of looking — in particular, looking at photographs.</div>]]></description>
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         <pubDate>2018-04-20 16:30:50 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904346</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904570</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:31:24 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904570</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904832</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:32:04 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904832</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904969</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-04-20 16:32:26 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/eejbxwvpdrp4/wish/253904969</guid>
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