Name: Md Sarower Reza Jimi

Institution: Lusófona University

Expertise: script writing, direction, photography, cinematography, basic sound recording, editing, drawing and illustration

Link to Portfolio: https://www.behance.net/sarowerjimi?fbclid=PAZXh0bgNhZW0CMTEAAabro3Z7nW32n69_DbrFJEZjv4uQaJpdlZFORueiyg8tKWy3znRNW09ndTk_aem_NedDuE5LwhDDo99MXKOciA#

https://youtu.be/pORvfYa_KHc

https://youtu.be/LsLkDP4rSKg

https://youtu.be/JTi2SkWv33k

• Your name, institution, email contact,

• Project description

• Suggest type of collaboration you're looking for.

Sophie Quin (IADT, Dublin)

Research assistant.

Interested in Irish animation history, animation production collections and archives, 2d digital and analogue animation techniques

FOR ALL THINGS NOVUS

Martina Mullaney

martina.mullaney@iadt.ie

Sophie Quin

sophie.quin@iadt.ie

FOR ALL THINGS NOVUS

Martina Mullaney

martina.mullaney@iadt.ie

Sophie Quin

sophie.quin@iadt.ie

Register your interest in NOVUS Matchmaking event here: https://forms.office.com/e/8FWF4SW7Kh

Cinematography

www.rimvydasleipus.com

My field of interest is color, its expression and perception in digital film.

rimvydas.leipus@lmta.lt

My interest focuses on how color is used, expressed, and perceived within the realm of digital cinema. This includes exploring how colors evoke emotions, convey meaning, and enhance visual storytelling in films created with digital technologies.

I am looking for a collaborator whose field of interest is cinema and its expression.

Lithuanian Academy of Music and Theatre

Looking to collaborate with a soundtrack composer, interested in exploring storytelling through natural or nature inspired sounds and rhythms.

Also looking for a documentary film producer with the interest in spreading the knowledge about indigenous cultures and their impact in the contemporary world.

“MA-URI Lithuania: Stories of Transformation“ is a documentary film about the indigenous knowledge of the Polynesian navigator philosophy and healing principles which, when applied in modern bodywork practices, greatly transformed the lives of many Lithuanians. MA-URI Institute, established in 1992 by Maori Hemi Hoani Fox and his Danish wife Katja Fox, was created with the commitment towards honoring the Polynesian traditions that MA-URI has its roots in. Initially the institute was meant to become a “floating island” - not confined to a specific building or a country - however eventually it formed quite a large community of MA-URI practitioners in Lithuania. Why were the people in a country across the world from the origins of this practice so greatly impacted by this indigenous knowledge? And how this impact manifested in the lives of MA-URI practitioners? These are a couple of questions that this documentary film will aim to answer.

Provided YouTube reference to MA-URI bodywork clip is just an example for better understanding what MA-URI is, it has not been created by the autor of this idea.

Choreographer/director/performer/artistic PhD student

My interest as an artist lies in the exploration of the intersection between choreography and cinema, with a strong focus on how these two mediums can create a resonant, multisensory experience.

In my artistic practice I'm searching the ways to challenge conventional representations of dance on screen by experimenting with the interplay between camera work, space, and movement, seeking to develop new cinematic/choreographic approaches to making dance film.

Feel free to contact me: reza.sarower@gmail.com

Md Sarower Reza Jimi

Lusofona University,

Lisbon, Portugal

My professional interest is in the field of dynamic/moving/kinetic light. This new technology allows us to change how we (and the camera) see the set/stage. By changing the color of the light beam or its shape and size, light adds different representations of objects/bodies/sets. When combining a lot of light beams from different directions and characteristics with their synchronized and fast motion - visual magic can be created.

I am looking for a collaboration in screen or stage arts which includes the use of modern light systems.

zdravko.ruzhev@filmeu.eu