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      <title>Marla &amp; Riley by Riley Richards</title>
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      <pubDate>2023-08-21 11:11:47 UTC</pubDate>
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         <title>Liz Magor </title>
         <author>rileybevanbeaurichards</author>
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         <pubDate>2023-08-21 11:17:45 UTC</pubDate>
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         <title>Liz Magor</title>
         <author>rileybevanbeaurichards</author>
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         <pubDate>2023-08-21 11:19:12 UTC</pubDate>
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         <title>Liz Magor</title>
         <author>rileybevanbeaurichards</author>
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         <pubDate>2023-08-21 11:21:24 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2667407783</link>
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         <pubDate>2023-08-21 11:30:31 UTC</pubDate>
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         <title>Dieter Roth </title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2668651664</link>
         <description><![CDATA[<div>Flat Waste’ (1975–76/92), an expansive archive dedicated to the quotidian cataloguing of arbitrary detritus.<br><br><br><a href="https://www.frieze.com/article/dieter-roth">https://www.frieze.com/article/dieter-roth</a><br><br></div>]]></description>
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         <pubDate>2023-08-22 10:48:42 UTC</pubDate>
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         <title>Rachel Harrison</title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2669754330</link>
         <description><![CDATA[<div>Wood, polystyrene, cement, acrylic, framed pigmented inkjet print (Hans Haacke's Ölgemälde, hommage à Marcel Broodthaers, 1982), hardwood dolly, hallmark greeting card rack, ergonomic snow shovel, fake peaches, bejeweled barrettes and rotary telephone.&nbsp;<br><br>"White-cube museums can so easily sterilize or neutralize a truly wild artist, but this show, in all its pleasant oddness and disarray, escapes that fate.. And for anyone too confused by the bric-a-brac aesthetic, there’s a stand-alone room offering something completely different: A series of empathetic and eclectic portraits that the artist made of the late Amy Winehouse."&nbsp;<br><br>"It’s sometimes tough to tell if a work is profound or totally inane; most rest, queasily, somewhere in the middle. If there’s magic here, it’s alchemical, a process in which a few ordinary things start chattering with each other" - Writing by Scott Indrisek (https://garage.vice.com/en_us/article/mbmwxb/put-a-wig-on-it) </div><div><br></div><div><br><br></div>]]></description>
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         <pubDate>2023-08-23 06:45:56 UTC</pubDate>
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         <title>Rachel Harrison</title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2669764947</link>
         <description><![CDATA[<div>Wood, Styrofoam, white Portland cement, Parex adhesive, acrylic paint, and plastic statue on plywood base.</div>]]></description>
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         <pubDate>2023-08-23 06:57:34 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2672141488</link>
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         <pubDate>2023-08-24 21:24:54 UTC</pubDate>
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         <title></title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2672721065</link>
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         <pubDate>2023-08-25 09:07:58 UTC</pubDate>
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         <title>Mark Manders</title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2672721991</link>
         <description><![CDATA[<div>The building is permanently under construction and at the same time always complete in the state it is in at the moment.&nbsp;<br><br>The artist’s work straddles the border between truth and fiction.&nbsp;<br><br>The myth is further elaborated on a Wikipedia page that was written by the artist and which can be accessed via a QR code. The far-reaching meticulousness of the connections that the skiapode myth is said to have in history also raises the question of whether this mythical creature really existed.<br><br><br></div>]]></description>
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         <pubDate>2023-08-25 09:09:41 UTC</pubDate>
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         <title>CONFESSION</title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2672772569</link>
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         <pubDate>2023-08-25 10:37:24 UTC</pubDate>
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         <title></title>
         <author>marlakellardjones</author>
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         <pubDate>2023-08-25 10:37:54 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674245731</link>
         <description><![CDATA[<div>This is brilliant ! Just read this whole&nbsp; <em>wikipedia</em> on this before I realised https://www.markmanders.com/wikipedia-skiapode&nbsp;<br><br>this kind of upending &amp; fabrication of the object's availability &amp; its existence ...&nbsp; this is slightly more toward a sense of&nbsp; the phenomenon with the skiapode rather than&nbsp; directly the object. But it seems like the upending of the object is there in Mark Manders </div>]]></description>
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         <pubDate>2023-08-27 18:31:31 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674303566</link>
         <description><![CDATA[<div>Can't find the exact work but its in this book Specific Objects without Specific Form as part of a Danh Vo curated Gonzalez-Torres show. A work with lights like these was installed at the main gallery technician's house which was miles away from the gallery. It was included as part of the show and the address was I think given at the show if people wanted to go and see it. Really interesting intervention I thought you'd be interested in. Its similar to something I thought we would both be interested in which is directly referencing (within works of art) the labour which is present and its importance.&nbsp;<br><br>I think its even interesting too when you come to works which highlight that. In doing so downgrading the labour involved in others parts of a works production. For example (and its not a criticism) who made the lights ? Who sold them? Who installed them?&nbsp;<br><br>This work makes me think of that Nayland Blake on Bueys lecture that I think I recommend &amp; also Philip Lai's work at the Showroom gallery. I'll link both. </div>]]></description>
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         <pubDate>2023-08-27 21:22:16 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674304350</link>
         <description><![CDATA[<div>https://www.theshowroom.org/exhibitions/phillip-lai</div>]]></description>
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         <pubDate>2023-08-27 21:25:07 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674304749</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.diaart.org/media/watch-listen/video-nayland-blake-on-joseph-beuys" />
         <pubDate>2023-08-27 21:26:39 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674306228</link>
         <description><![CDATA[<div>Mierle Laderman Ukeles MANIFESTO FOR MAINTENANCE ART, 1969!<br><br>I'm sure you were into this way before I knew about it but also super relevant. Doesn't have a whole lot to with objects in the way that I'm really interested by but impossible not to include from a curatorial perspective, institutional critique, performance, situation and intervention. </div>]]></description>
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         <pubDate>2023-08-27 21:31:31 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
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         <pubDate>2023-08-28 05:24:50 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
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         <pubDate>2023-08-28 05:38:00 UTC</pubDate>
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         <title>Wilhelm Reich </title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2674995957</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-08-28 10:49:15 UTC</pubDate>
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         <title>JULIE BECKER</title>
         <author>marlakellardjones</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2677167669</link>
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         <pubDate>2023-08-29 19:18:25 UTC</pubDate>
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         <title></title>
         <author>rileybevanbeaurichards</author>
         <link>https://padlet.com/rileybevanbeaurichards/e68k1vpdd2j1ge55/wish/2683653120</link>
         <description><![CDATA[<div>Candice Lin, System for a Stain, 2016. Mixed media. Dimensions variable. Commissioned by Gasworks. Courtesy the artist. Photo: Andy Keate.</div>]]></description>
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         <pubDate>2023-09-04 17:45:45 UTC</pubDate>
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