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      <title>&#39;Creative treatment of actuality&#39; by Holly</title>
      <link>https://padlet.com/15depledgeholly/dpaln4vm9jww</link>
      <description>Essay plan</description>
      <language>en-us</language>
      <pubDate>2017-05-05 09:49:18 UTC</pubDate>
      <lastBuildDate>2026-01-08 22:57:46 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Grieson defined documentary as the &#39;creative treatment of actuality.&#39; What are some of the key issues raised by the this definition for spectators of documentary?</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170134437</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 09:53:31 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170134437</guid>
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         <title>Key Issues </title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170135099</link>
         <description><![CDATA[<div>- does the creative treatment of documentary detract from the authenticity or message of the film?<br>- how does a modern filmmaker keep spectators interested whilst also keeping the documentary authentic?<br>- how far can a documentary be edited/ changed before it's not considered a documentary anymore?<br>- manipulation&nbsp;<br>- editing / music</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 09:57:47 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170135099</guid>
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         <title>Catfish (2010)</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170136418</link>
         <description><![CDATA[<div>- non-diegetic soundtrack to illicit emotion in spectators<br>- constructed scenes? (night driving)<br>- use of maps, social media etc<br>- highly edited </div>]]></description>
         <enclosure url="https://www.theguardian.com/film/2010/nov/20/catfish-fact-or-fiction-film" />
         <pubDate>2017-05-05 10:06:48 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170136418</guid>
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         <title>Exit through the gift shop (2010)</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170137912</link>
         <description><![CDATA[<div>- Voiceover w/ comic undertones creates doubt for the spectators<br>- fast paced editing<br>- change in filming style throughout the film<br>- Banksy interviews<br>- over a long period of time; not sure how much has been staged</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 10:17:26 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170137912</guid>
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         <title>Unknown White Male (2005)</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170139043</link>
         <description><![CDATA[<div>- Reconstructions<br>- Voiceover<br>- Introduction and ending - montage of images <br>- interviews<br>-highly edited </div>]]></description>
         <enclosure url="http://scienceblogs.com/cognitivedaily/2006/03/23/unknown-white-male-1/" />
         <pubDate>2017-05-05 10:26:16 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170139043</guid>
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         <title>Key Scene</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170139978</link>
         <description><![CDATA[<div>Night Driving scene- Nev, Henry and Ariel drive to a house a night to get some post half way through the film. This can be seen as being constructed as they could've waited till the nest morning to film this part of the documentary instead they do this to create tension or suspense to keep the spectator interested.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 10:34:10 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170139978</guid>
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         <title>Key Scene</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170140389</link>
         <description><![CDATA[<div>Ending scene- Guetta spray paints the wall which then gets knocked down straight after can be seen as constructed as it all happens just at the right time and was just set up t create an effective ending of the film.<br><br>Breaking leg scene- everything else throughout the film was on video apart from when he breaks his leg which is only shown by photos creating a sense of it being made up to add a spin on the opening of his show.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 10:37:14 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170140389</guid>
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      <item>
         <title>Key Scene</title>
         <author>15depledgeholly</author>
         <link>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170141174</link>
         <description><![CDATA[<div>Opening- uses fast paced editing of seemingly irrelevant images; gives no real sense of what the documentary was going to be about. The reconstructions are very confusing as well, again the spectators aren't sure what they're watching until it is explain dot them by the voiceover</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-05-05 10:43:55 UTC</pubDate>
         <guid>https://padlet.com/15depledgeholly/dpaln4vm9jww/wish/170141174</guid>
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