What thoughts I have of you tonight, Walt Whitman, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon.
         In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!
         What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!—and you, Garcia Lorca, what were you doing down by the watermelons?

         I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys.
         I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
         I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective.
         We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier.

         Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
         (I touch your book and dream of our odyssey in the supermarket and feel absurd.)
         Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely.
         Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?
         Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
 

In the case of A Supermarket in California, Ginsberg makes use of intertextuality a number of times. Throughout the poem Ginsberg mentions two poets, namely Walt Whitman and Garcia Lorca.  The form of Ginsberg’s poem is reminiscent of that of Whitman’s.  This is the first example of intertextuality within the poem (Gair & Georganta, 2012).  In addition to the similar form, other elements of Whitman’s work is evident throughout the poem, for example the confrontation of the materialistic world with the ideal of unity, or oneness, of all creation (Margarita San Cristóbal Gajardo, 2009).  Finally, in the last stanza Ginsberg makes reference to the Greek myth, The Ferryman and the River Styx.  Unlike before, this reference is directly stated in the poem, as opposed to referencing Whitman through the form of the poem (Margarita San Cristóbal Gajardo, 2009).