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      <title>DMA 2 by CMBordo</title>
      <link>https://padlet.com/bordoclair/dma2</link>
      <description>Fear itself! - Trauma - Fairy Tales - </description>
      <language>en-us</language>
      <pubDate>2018-09-25 07:21:54 UTC</pubDate>
      <lastBuildDate>2023-04-27 18:17:45 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Brainstorming Fear</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285359284</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-25 07:25:13 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285359284</guid>
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      <item>
         <title>Screenshots intro</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285359558</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-25 07:26:19 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285359558</guid>
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      <item>
         <title>The Monster as a Metaphor</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285359864</link>
         <description><![CDATA[<div>Victorian society:  strict/stern/uptight/upright<br>Women: "the angel in the house" (Coventry Patmore) or the whore<br>Men: aspired to be gentlemen and well behave<br>Kids: had no say in their upbringing (// Alice in Wonderland)<br>Superego: very heavy<br>Deep need for catharsis/blowing a fuse = the id = impulses = life and death drive (Eros/Thanatos)<br>The monster= a way to be free/express this hunger and this dichotomy</div>]]></description>
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         <pubDate>2018-09-25 07:27:30 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285359864</guid>
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      <item>
         <title>Understanding the Popular Appeal of Horror Cinema: An Integrated-Interactive Model  </title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285360690</link>
         <description><![CDATA[<div>Theoretical essay</div>]]></description>
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         <pubDate>2018-09-25 07:30:41 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285360690</guid>
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      <item>
         <title>Dracula</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285360831</link>
         <description><![CDATA[<div>excerpt</div>]]></description>
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         <pubDate>2018-09-25 07:31:22 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285360831</guid>
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      <item>
         <title>How to film a scary scene? </title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285361612</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-25 07:34:15 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285361612</guid>
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      <item>
         <title>Debrief &quot;How to film a scary scene?&quot;</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285361814</link>
         <description><![CDATA[<div>Debrief</div>]]></description>
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         <pubDate>2018-09-25 07:35:00 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285361814</guid>
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      <item>
         <title>Dr Jekyll &amp; Mr Hyde</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285372990</link>
         <description><![CDATA[<div>Excerpt : <br>Depicts (dépeint) two transformations (into Hyde and back into Jekyll). Describes the insufferable pains the transformation brings (great sickness, deadly nausea, grinding in the bones) but also sweetness, lightness, happiness = an oxymoronic transmogrification (to transmogrify)= ambiguous aspect encompassing (englober) both the light and the dark side of the human. He feels more free as Hyde = because he doesn't need to be responsible for his actions (society = pressure = superego (surmoi) = a great desire to split yourself in 2 to explore the Id (le ça), the shadow, the primal impulses)</div>]]></description>
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         <pubDate>2018-09-25 08:17:11 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285372990</guid>
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      <item>
         <title>Dr Jekyll/Hyde</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285373245</link>
         <description><![CDATA[<div>Adaptations</div>]]></description>
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         <pubDate>2018-09-25 08:18:09 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285373245</guid>
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      <item>
         <title>Debrief Dracula&#39;s scene</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/285640891</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-25 16:31:12 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/285640891</guid>
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      <item>
         <title>Further Readings (related to Jekyll &amp; Hyde) 1</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/287973255</link>
         <description><![CDATA[<div>Lacan, The Mirror Stage : <br><br>The idea of the "mirror stage" is an important early component in Lacan’s critical reinterpretation of the work of Freud. Drawing on work in physiology and animal psychology, Lacan proposes that human infants pass through a stage in which an external image of the body (reflected in a mirror, or represented to the infant through the mother or primary caregiver) produces a psychic response that gives rise to the mental representation of an "I". The infant <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/identify.html">identifies</a> with the image, which serves as a <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/gestalt.html">gestalt</a> of the infant's emerging perceptions of selfhood, but because the image of a unified body does not correspond with the underdeveloped infant's physical vulnerability and weakness, this <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/imago.html">imago</a> is established as an <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/ideal.html">Ideal-I</a> toward which the <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/subject.html">subject</a> will perpetually strive throughout his or her life.</div><div>For Lacan, the mirror stage establishes the ego as fundamentally dependent upon external <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/object.html">objects</a>, on an <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/other.html">other</a>. As the so-called "individual" matures and enters into social relations through language, this "other" will be elaborated within social and linguistic frameworks that will give each subject's personality (and his or her <a href="http://www.english.hawaii.edu/criticalink/lacan/terms/neuro.html">neuroses</a> and other psychic disturbances) its particular characteristics.</div>]]></description>
         <enclosure url="http://www.english.hawaii.edu/criticalink/lacan/" />
         <pubDate>2018-10-02 07:30:16 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287973255</guid>
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      <item>
         <title>Further Readings (related to Jekyll &amp; Hyde) 2 : A study in dualism: The strange case of Dr. Jekyll and Mr. Hyde</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/287977518</link>
         <description><![CDATA[<div>The characters in the novel manifest characteristics of the structural theory of the mind. Mr. Hyde would seem easily recognizable as the id, seeking instant gratification, having an aggressive instinct, and having no moral or social mores that need be followed. He takes pleasure in violence and similar to the death instinct ultimately leads to his own destruction. Dr. Jekyll is then the ego; he is conscious and rational, and is dominated by social principles. He has a difficult time juggling between the demands of the id, represented by Mr. Hyde, and the superego as represented by the proclaimed and implicit morals of Victorian society which prided itself on refinement and goodness, and is shocked by the seeming nonchalance with which Edward Hyde indulges in his debaucheries. In the novel, Dr. Jekyll gives in to his impulses and after initial pleasure soon cannot control their power. Rather than let Mr. Hyde go free and realizing that Hyde needs Jekyll to exist, he decides to end his own life.</div><div><br>Further, by labeling Mr. Hyde as a “troglodyte”, Stevenson seems to make a comment on the theories of evolution and that he considered Hyde that is savage, uncivilized, and given to passion: poorly evolved. Edward Hyde represents a regression to an earlier, less civilized, and more violent phase of human development.</div><div><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2738358/">https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2738358/</a></div>]]></description>
         <enclosure url="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2738358/" />
         <pubDate>2018-10-02 07:47:14 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287977518</guid>
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      <item>
         <title>Further Readings (related to Jekyll &amp; Hyde) 3 : Masks, Manipulation, and Madness, Michelle Arch</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/287979315</link>
         <description><![CDATA[<div><br>The allegorical complexity of mirrors and mirror imagery provides no limit to the mirror’s usefulness as a literary device.  Gleaming brightly with the clarity of awareness and self-knowledge, blurred to suggest a distortion of truth or delusion, cracked to convey calamity or a tragically fractured identity, or horrifyingly empty to reflect a relinquished or lost soul, the mirror has served the imagination of writers for centuries.  In nearly every genre of literature, the mirror has remained an intricate representation of identity and self-consciousness and has reflected oppositional themes of reality and illusion, candor and deception, logic and disorder, narcissism and self-loathing, symmetry and imbalance, and flattery and harsh indifference.  Through mirrors we see our cognizant, social, “better” self and the natural world in which we live, while also glimpsing, and sometimes succumbing to, the darker, depraved image of our subconscious “second” self and the frightening, otherworldly realm in which it resides.  It is these richly complex, magical, and often contradictory aspects of the mirror that continue to make it an irresistible and poignant symbol of identity intact and identity in crisis in tales of fantasy and fiction.  Whether you accept, reject, fear, or embrace the mirror and what is reflected therein, it is possible, as E. T. A. Hoffmann’s narrator in “The Sandman” suggests, that “you will come to believe that real life is more singular and more fantastic than anything else and that all a writer can really do is present it as ‘in a glass, darkly.’”<br><br></div>]]></description>
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         <pubDate>2018-10-02 07:54:23 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287979315</guid>
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      <item>
         <title>Camille et Taya</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/287994853</link>
         <description><![CDATA[<div>1) <strong>Atmosphere<br></strong><br></div><div>-The objective descriptions give a “scientific experiment” feel to the extract.  It also feels kind of  strange and uncomfortable. <br><br></div><div><strong>Action<br></strong><br></div><div>Dr Jekyll makes the elements of his potion boil and smoke, before drinking them. He gets nauseous and feels awful for a while before the pain passes and he suddenly starts feeling younger and lighter.<br><br></div><div>He decides to go to his bedroom and there meets his evil counterpart the potion just created.<br><br></div><div><strong>Feelings<br></strong><br></div><div>After drinking the potion and starting the transformation Doctor Jekyll feel its effect first by feeling nauseous and his body hurting but also his “spirit”. After, he come back to his senses, he feels like a new men, younger and better in his body but also dizzy, thrilled and free. He also feels exulted by his transformation. It also seem like to feel like a stranger in his body and at the same time in his house.<br><br></div><div>2) Adaption<br><br></div><div>Comedic over the top adaptation, in the form of a romantic comedy where a woman is conflicted between her love for two men the intelligent good guy doctor Jekyll or the mysterious bad boy mister hide. Little does she know that they are actually the same person? <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 08:44:03 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287994853</guid>
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      <item>
         <title>Sana et Marie-Julie</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/287995085</link>
         <description><![CDATA[<div>1)<br><strong>Atmosphere</strong><br>- The atmosphere of the scene is kind of mysterious and agonizing: the lawyer is discovering the real identity of both Edward Hyde and Henry Jekyll.<br><br><strong>Action</strong><br>- Jekyll is describing his situation to the lawyer: as it is a story that he is telling to someone, there is not a lot of action except the transformation. Jekyll accentuates more on his feelings and his new physique and identity.<br><strong><br>Feelings</strong><br>- Dr Jekyll is feeling a particular way: before his transformation, he was hesitating a lot about drinking his potion but his curiosity made his courage grow into him. During his transformation, he really suffered and was totally out of him: he felt that his body was constantly crushed. But after the transformation, his feelings are totally different. He described it as a rebirth: a feeling of well-being invaded him.<br><br>2)<br><strong>Adaptation<br></strong>If we did an adaptation of this text, we would definitly make the transformation of Henry Jekyll as the most important scene because it is really visual. During the transformation, playing with shadows, darkness, sounds (Jekyll's screams and moans) and camera movements would intensify the creepiness and the horror felt by the audience. To make the transformation more surprising, the hideous face of Mr Hyde would be hidden until the end of the scene.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 08:44:53 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287995085</guid>
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      <item>
         <title>Stéphane et Andy</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/287995411</link>
         <description><![CDATA[<div><br>Dr Jekyll and Mr Hyde.<br><br>Atmosphere : dark atmosphere in a city.<br><br>action : Dr Jekyll created a potion to transform himself in Mr Hyde<br><br>Feelings : He feels younger, happier after the transformation. <br>He isn’t afraid of his new form and he is even welcoming it.<br>He doesn’t think he can be Mr Hyde in the daylight.<br><br>Archetype : the divided man, good and evil. Indeed Dr Jekyll and Mr Hyde are the two faces of the same coin. On a psychological level Mr Hyde is clearly the id, facing the rightness of the victorian society. <br><br>Adpatation : <br><br>Music hall film<br>Gabriel Utterson discovers the confession of Dr Jekyll on the dr’s desk and read it.<br>New scene :<br>There is Dr Jekyll and is subconsious are in the field. Dr Jekyll is climbing his desk with a chair and then the chair which maintains its stability on 2 feet. He begins to smell the potion BUT his subconsious screams «NO ! You shouldn’t do that !» and he answers «WHY? I want to be someone else then the nice Doctor.» <br>The subconsious replies «It is not right !»<br>Dr Jekyll «I don’t care! I DRINK IT !»<br>And the Dr drink the potion<br>Then the people screams and shout «NOOoooo» before diseappering<br><br>Nothing happened and then his shadow starts changing and he fells on the ground, spasming. People in the backstage begins to whisper and Mr Hyde appears, looking at himself, stretching his body. Then he looks in the mirror in the room and let out a sigh, still inspecting his new body.<br>The subconsious speak again «Flee the sun, people mustn’t see you like this.»<br>And Hyde answers, looking at us «that’s true… for the moment…»<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 08:45:58 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287995411</guid>
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      <item>
         <title>Constance et Hortense</title>
         <author>hortense_frouin</author>
         <link>https://padlet.com/bordoclair/dma2/wish/287996165</link>
         <description><![CDATA[<div> </div><div>The atmosphere is heavy, we picture a dim light, a lot of contrast to show the contrast between his two personalities. The story happens in the Victorian era, so the house could be kind of gothic to scare a little the spectator while situating the story in time. </div><div><br><br></div><div>The action takes place in the doctor's cabinet. He makes a potion to separate the good from the evil within him, hesitates a lot and in an instant of bravery, drinks it. After agonizing for a moment, he ends up transforming into his evil self, Mr Hyde. He goes to see himself in the mirror, accepts this new self as him, then goes back to his cabinet to transform back. The deed is done. </div><div><br><br></div><div>The feelings are fear, of the new personality but also of the dark side the spectator might see in himself. The point of that story is that everyone has a dark side, and we see a case of it being unleashed, so the spectator might be scared of what would happen if THEIR dark side was unleashed, which makes the whole thing unsettling. </div><div><br><br></div><div><br><br></div><div><br>Adaptation: <br><br></div><div>There would be some kind of suspense, before we see his face, tension to see if he is drinking the potion or not. It could be done with music, a subjective point of view... We could stay for a long time on the moment before he drinks the potion, with shots of the potion, his eyes, one after another as if these two were fighting, until he finally drinks it, with the music being more and more dramatic. Then there could be a moment of silence, where nothing happens, to make the spectator wonder about what is going to happen. Then he starts convulsing, and accidentally makes his lamp fall on the floor. The convulsions last for a while, until, on a close up on his face where we only see his mouth, the rest of his face being in the shadows due to the lamp dropping, an evil grin appears on his face. Then we only see him from the back, or not in the light enough to be sure about his appearance. Then he touches his face and starts walking around the house, kinda lurking in the shadows, with an almost animal way of walking, until he opens a door and find a mirror. Then we see a reaction shot of him looking at himself, until we finally see the mirror and his final appearance. First he looks startled, the he smiles and looks content with himself. He then peeks at the window, and realizes dawn is coming. He then hurries to his cabinet, makes the potion and drinks it again. We then watch him transform back into the doctor again. <br><br>Constance will rap this </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 08:48:33 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287996165</guid>
      </item>
      <item>
         <title>Sébastien</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/287999428</link>
         <description><![CDATA[<div> </div><div><strong>Atmosphere</strong> </div><div>Light and dark embraced in an expressionist look to emphases the epitome of the despair of a man. <br><br></div><div><strong>Action</strong> </div><div>Dr Jekyll drink the potion that he created and begin to transform. <br><br></div><div><strong>Feelings</strong> </div><div>Jekyll his suffering like a mad man and praise for thee to stop. <br><br></div><div><strong>Archetype</strong> </div><div>The suffering good man that recognize his true self and accept his new formed predator nature. <br><br></div><div><strong>Adaptation</strong> </div><div>(Warning, the style is pompous and pretentious on purpose) <br><br></div><div>Dr. Jekyll was not upset, not tired, not even despaired, it was something far beyond the emotion of the common: he was deceived by his own soul. His mental torn apart like guts scorched from the inside, the pain that he felt on the instant was no more at the same level of cruelty he endures in the Victorian society those last years. At the instant he would like to hear a myriad of affronts from all those aristocrats, even his beloved than suffering like this. Suddenly the sweetness of the moral bonds of the mighty began to miss him, it was more far appealing than being crushed in every states of mind. He cursed him that he never drank this potion of his fact. After minutes the pain began to decrease, his salvation was transient, he understood when he looked at his face in the mirror. He was no more himself he was more than himself, the monster that he kept locked all those years. <br><br></div><div>The face in the mirror spoke: <br><br></div><div>- “I am thou, Jekyll… Thou art I... From the sea of thy soul, I come...” <br><br></div><div>With a grinning voice he called at Jekyll: <br><br></div><div>- "Call upon my name and release thy rage! Show the strength of thy will to ascertain all on thine own, though thou be chained to Hell itself! I am the pillager of the night, Hyde!" <br><br></div><div>Jekyll now made Hyde sensed the instincts of crime in is true self eyes. The envy of avenge from this society whom threated him nothing more like a garbage. He took a shiny stainless blade on his desk and faded away in the night guided by a predator sense to stroke the marble skin of a maiden of some banker or a nameless countess. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 08:57:49 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/287999428</guid>
      </item>
      <item>
         <title>Marie</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/288290301</link>
         <description><![CDATA[<div>ANALYSIS </div><div> </div><div>Atmosphere</div><div>The atmosphere in this text is very mysterious because strange events taking place , the character dr jekyll is isolated in a confined laboratory and he seems to be crazy and has a strange behaviour. He may be schizophrenic.</div><div> </div><div> Action</div><div>Dr jekyll is talking to a london lawyer  Gabriel Utterson , he explains his feelings and his behaviour.</div><div>The scene takes place in the dr jekyll ‘s laboratory , the character explains that he become aware of the duality of his own nature containing both good and evil . His knowledge and scientific reflections led him to try to separate these two elements . He wants to have two facets. Indeed he makes a strange concoction to apply his theory and drinks it. Then he suffers side effects of the tincture (nausea…) and after that he feels like a new man who is reborn , more younger and happier . he seems to be very proud of his new appearance when he looks him in the miror and  has succeded to prove his theory . </div><div> </div><div> Feelings (archetype, complexe)</div><div>After his transformation , Dr jekyll is euphoric because he thinks that the constellations will admire his new appearence. He has the impression to be two both persons , that’s why he feels stranger in his own house . </div><div> </div><div> Adaptation </div><div> If I have to make an adaptation , I will use a play of lights and shadows to sculpt the face of dr jekyll and the set design  in order to create a gloomy atmosphere. I will use experimental sounds as sounds of liquid, metal  … </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-02 17:50:36 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/288290301</guid>
      </item>
      <item>
         <title>Babadook</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/293219830</link>
         <description><![CDATA[<div>What does the monster stand for? How is it conveyed in the film?</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-16 09:15:20 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/293219830</guid>
      </item>
      <item>
         <title>Hortense - The babadook</title>
         <author>hortense_frouin</author>
         <link>https://padlet.com/bordoclair/dma2/wish/300855984</link>
         <description><![CDATA[<div>The monster stands for the main character's depression, and grief for her husband. It's what gets between her and her son and stops her from being a good mother, because she is still "haunted" by his memories - and in the movie, she is literally haunted by a physical ghost. The book who keeps coming back might stand for her invasive thoughts, that she cannont stop. Meanwhile, her son keeps talking about monsters because he is haunted as well in a way, he feels the emptiness his father left in the house his mother fails to fill, and she keeps hurting him because of that.<br><br>🏳️‍🌈🏳️‍🌈🏳️‍🌈<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-06 08:31:41 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/300855984</guid>
      </item>
      <item>
         <title>Camille The Babadook </title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/300862537</link>
         <description><![CDATA[<div>The Babadook is a metaphor for depression and grief. The protagonist doesn’t want to talk about the monster and aknowledge that it exists so its only grow stronger, which is like her grief for her husband. It is said at the beginning of the film that even if she lost her husband so many years ago she avoid the subject and is still very sensitive about it. As the movie goes on, the monster have more and more power on her, driving her crazy and making her forgot who she is. Her son see the monster and knows it’s real,  because he knew his dad died and he accepted it,  for example in a scene he is playing in the cupboard with his father’s old clothes and his mother doesn’t want him to touch anything. At the end of the movie they “fight” the monster, but it doesn’t disappear completely it still lives in their cupboard meanings that grief never really goes away but you have to learn to live with it. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-06 08:53:14 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/300862537</guid>
      </item>
      <item>
         <title>Marie-Julie ~ The Babadook</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/301218004</link>
         <description><![CDATA[<div>In this movie, the monster represents the anxiety and the depression of the protagonist. Indeed, the mother seems to be overwhelmed: her situation with her son is really complicated. Thus, the woman and her son are going through a serious crisis. The monster appears, grows and becomes stronger as the situation gets worse. The babadook is depicted as a dark creature: the woman wants to get rid of it, but she does not realize that the monster is literally inside of her.</div><div> At the end of the movie, the woman confronts with her depression and finally let it go: she accepts it and continues to live with it; but this time, she will never let it get the upper hand anymore.<br> The depression is something that can ruin a life: it can easily become horrifying, so the comparison with a monster is justified.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-06 20:24:51 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/301218004</guid>
      </item>
      <item>
         <title>Diane - The Babadook</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/301230335</link>
         <description><![CDATA[<div>The monster in this horror movie represents the main character's depression facing her husband's death and having to raise her difficult son alone. She hides under false appearances and tries to push away the painful memory of the tragic accident in which she lost her loved one. She also feels guilty of his death, as he was driving her to the hospital to give birth to their son. She also holds her son partly responsible even though she doesn't admit it to herself. <br>As she tries to hide her pain and anger, she hides herself and keeps quiet. She tries to be the perfect mother, ever so forgiving and kind to her turbulent son. He too is disturbed by the death of his father but even more so by the distress of his mother that he desperately wants to love and protect. <br>Therefore when the Babadook monster first comes to torment the young sensitive boy, the mother is even more deeply touched and lets go of all the dark thoughts and feelings she has been keeping up. They learn to tame the adversary together but not completely overcome it. The mother and son have to learn to live with their grief, and move on. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-06 20:51:27 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/301230335</guid>
      </item>
      <item>
         <title>Diane - Jekyl/Hyde</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/301263566</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/318419409/eaf53a0332dc3a32b4767a102ddc7444/english_Dr_Jekyll.pdf" />
         <pubDate>2018-11-06 22:34:07 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/301263566</guid>
      </item>
      <item>
         <title>Andy -The Babadook</title>
         <author></author>
         <link>https://padlet.com/bordoclair/dma2/wish/302876763</link>
         <description><![CDATA[<div>The Babadook stands for anxiety, loneliness, depression and tireness. Indeed we can assume that when he starts to appear more frequently he represents anxiety, but also loneliness as the woman felt rejected by the police when she saw the babadook clothes. The depressions is depicted by the fact that her son is "terrible" and no one is helping her so she is loosing confidence little by little whereas the babadook is gaining power.<br>How the director was representing those feelings was by hiding the Babadook most of the time at the beginning and finally showing him at the end of the movie when the woman is totaly crazy. The fact that the creature was talking and whispering also means that he was always here.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-10 16:06:45 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/302876763</guid>
      </item>
      <item>
         <title>To do list : 1st film</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/306229765</link>
         <description><![CDATA[<div>- pitch<br>- synopsis<br>- intent note</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-20 08:16:19 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/306229765</guid>
      </item>
      <item>
         <title>Scylia - Babadook</title>
         <author>scylia_poyer</author>
         <link>https://padlet.com/bordoclair/dma2/wish/307504118</link>
         <description><![CDATA[<div>What does the monster stand for? How is it conveyed in the film? <br><br>The main character is a widower and a single mother. She lost her husband is facing grief and depression: that’s what the monster stands for. He is the embodiment of that woman’s loss of her husband. She is in denial of that grief and tries to hide it. She tries to focus on the education of her son but in doing so, she just assert the situation between her and her son. He can see his mother’s pain. He also feels loss in a different way -he can hear the monster, so he knows he’s there- and that could explain his distressful and violent attitude. Depression is clearly pictured here as a bloodthristy monster. The more you try to shut it and hide from it, the more the monster will get stronger and more present. It’s a way to show that depression can very quickly become a never ending loop, where you can just fall and lose yourself. The only way to get out of it is to face the monster, show your weaknesses but also your strength, and learn to live with the monster. The characters accomplish that by working together and fighting the monster. The monster is weak, but still there in their cupboard -just like loss and depression can never really be get rid off, but can only be acknowledged and lived with. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-25 13:47:37 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/307504118</guid>
      </item>
      <item>
         <title>Trauma scenes</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/308016311</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/f494baccd2b74e529ffe87cbc94e720e/trauma_scenes.pdf" />
         <pubDate>2018-11-26 20:36:09 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/308016311</guid>
      </item>
      <item>
         <title>Trauma INTRO</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/308016594</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/5e46bce87da755e8a304dd171eb59f6c/TRAUMA_intro.pdf" />
         <pubDate>2018-11-26 20:36:58 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/308016594</guid>
      </item>
      <item>
         <title>What is PTSD?</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/308016778</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/2a2ccd030435260593b22cbb881f58da/WHAT_IS_PTSD.pdf" />
         <pubDate>2018-11-26 20:37:29 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/308016778</guid>
      </item>
      <item>
         <title>Mysterious Skin, 1st extract</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/308017020</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/2b8d83c67df6064a04124ea632e7d988/Mysterious_Skin_Scott_Heim.pdf" />
         <pubDate>2018-11-26 20:38:10 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/308017020</guid>
      </item>
      <item>
         <title>Francis Bacon</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/308017300</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/146774be600b583f3f12bf33c0db94ee/BACON.pdf" />
         <pubDate>2018-11-26 20:38:49 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/308017300</guid>
      </item>
      <item>
         <title>Marie  - Babadook analysis</title>
         <author>mariesystermans</author>
         <link>https://padlet.com/bordoclair/dma2/wish/319930439</link>
         <description><![CDATA[<div>I think the monster in the film stands for a mixture of grief, trauma and lack related to the death of a husband for Amelia and the absence of a father for Samuel. Indeed, the mother cannot face her suffering, she represses her feelings until they destroy  her from within. Babadook  takes the form of an inner demon that personalizes all the repressed sufferings of amelia.  By hiding all her husband's memories, she only increases her pain.<br>In addition, Amelia lost her husband on the same day she gave birth to Samuel.  Thus the monster can represent alma's repressed hatred towards her son. She feels guilty for not loving her child so she unconsciously holds him responsible for her husband's death. Samuel sees the monster with his child's soul, that is, as an evil creature that destroys his mother little by little. The creature we can see corresponds to Samuel's vision. In reality, the monster comes from the mother, from her illness which gradually pushes her into madness. The house takes the form of the psychic state of amelia.<br>Amelia will have to face her fears to survive, she must confront and fight her inner monster, so when she vomits, she spits out part of the monster but another part is still present. <br> At the end of the film, Amelia feeds the monster in the cellar, which shows that she has managed to live with her trauma.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-01-12 09:28:03 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/319930439</guid>
      </item>
      <item>
         <title>Analytical vocabulary</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322747055</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/c1d21ccc9ebab00bdbb049e69670a0e9/vocab_analytique.pdf" />
         <pubDate>2019-01-21 18:05:03 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322747055</guid>
      </item>
      <item>
         <title>Mysterious Skin</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322748346</link>
         <description><![CDATA[<div>Trailer</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=5Lp5v4oQZRw" />
         <pubDate>2019-01-21 18:11:37 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322748346</guid>
      </item>
      <item>
         <title>Speak</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322748500</link>
         <description><![CDATA[<div>Trailer</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=clAtIIG-mQc" />
         <pubDate>2019-01-21 18:12:32 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322748500</guid>
      </item>
      <item>
         <title>Glossaire bilingue</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322749584</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/2351b4d1883d3ab83dfece4543ceab41/ft_lexiquefrancaisanglais.pdf" />
         <pubDate>2019-01-21 18:17:21 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322749584</guid>
      </item>
      <item>
         <title>The Fairy Tale Patterns, Vladimir Propp</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322750509</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/6aa4aa4d5fd5c00b2c44dde671b10003/Fairy_tale_pattern_VPROPP.pdf" />
         <pubDate>2019-01-21 18:21:40 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322750509</guid>
      </item>
      <item>
         <title>Alice, Jan Svankmajer</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322750792</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/e0c59dfd2fb299fd462196aaeac5b577/alice_jan.pdf" />
         <pubDate>2019-01-21 18:23:04 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322750792</guid>
      </item>
      <item>
         <title>The Company of Wolves, Neil Jordan</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751136</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ARC93pDUGbQ" />
         <pubDate>2019-01-21 18:24:51 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751136</guid>
      </item>
      <item>
         <title>Peter Pan</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751266</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/917a2522feff68dfdac10e5be6b7fb40/PP_shots.pdf" />
         <pubDate>2019-01-21 18:25:22 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751266</guid>
      </item>
      <item>
         <title>Peter Pan</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751367</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/aa23653b7d70c9550604ff1a1e979882/PP_freeze_shots.pdf" />
         <pubDate>2019-01-21 18:25:49 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751367</guid>
      </item>
      <item>
         <title>Peter Pan, representations</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751469</link>
         <description><![CDATA[<div>What is interesting about all these representations of Peter Pan? What do you learn about the etymology of his name? (research "Pan")<br><br>Answer in the comments below ;) (participation bonus)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/4abe4100298a1ea5f8bcbd5adbef0cbc/Peter_pan_representations.pdf" />
         <pubDate>2019-01-21 18:26:20 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751469</guid>
      </item>
      <item>
         <title>Famous Window Scenes</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751636</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/4d371dde224e58aa2c249c87b3268066/FAMOUS_WINDOW_SCENES_synopsis.pdf" />
         <pubDate>2019-01-21 18:27:04 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751636</guid>
      </item>
      <item>
         <title>Coraline, Henry Selick</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/322751930</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=LO3n67BQvh0" />
         <pubDate>2019-01-21 18:28:23 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/322751930</guid>
      </item>
      <item>
         <title>ALICE, Disney</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/325298074</link>
         <description><![CDATA[<div>DISNEY<br> Illustrating the world of childhood + colourful : everything seems hyperbolic (big tears). Alice = child, does what she’s told, laughs, cries… very emotional. <br> PUNS<br> absurdity « impassible / impossible »<br> she’s a girl / child = no authority (she’s obedient and submissive)<br> high and low angle shots to show the different changes, the lack of control of her body (shrinking down / growin up), the lack of ctrl of this Victorian society and its codes (absurd to her) :  the epitome of the adult world (that she doesn’t understand) </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-01-29 09:48:42 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/325298074</guid>
      </item>
      <item>
         <title>ALICE Tim Burton</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/325298178</link>
         <description><![CDATA[<div>the opposite : no colours, dark : she’s a teenager, subjective camera = she’s being observed by the mouse and rabbit. More realistic. The checkered floor looks quirky, dizzying (nauseous) = which highlights the mental disorder. She seems lost, there is no landmark (repère), the room is circular, claustrophobic, she must comply or she will remain trapped. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-01-29 09:49:03 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/325298178</guid>
      </item>
      <item>
         <title>ALICE, JAN SVANKMAJER</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/325298266</link>
         <description><![CDATA[<div>Use of toys, stuffed animals, taxidermy = bizarre, eerie contrast with the child-like imagery = rabbits’ scorched skins, the organic aspect, the rabbit’s poop =  the discovery of the adult world, which reinforces the sense of being lost<br> Dichotomy child/soft and violence, trashy details (sticks in the head) : Alice is being objectified, reified by smaller creatures like the rat. <br> Doll = to emphasize the lack of authority, the doll is the epitome of purity (porcelain skin) unlike this organic, sticky, smelly, stinky world that is about to corrupt, and dirty Alice. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-01-29 09:49:24 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/325298266</guid>
      </item>
      <item>
         <title>Brief history</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347375800</link>
         <description><![CDATA[<div>faire compte rendu</div>]]></description>
         <enclosure url="https://birthmoviesdeath.com/2019/03/25/watch-double-trouble-a-brief-history-of-doppelgaengers-in-cinema" />
         <pubDate>2019-04-01 19:50:08 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347375800</guid>
      </item>
      <item>
         <title>Brainstorming</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347375945</link>
         <description><![CDATA[<div>DUALITY IN CINEMA : <br>- psychological processes<br>- camera angles / atmospheres / colorimetria / chiaroscura = cinematic processes<br>- references</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-01 19:50:34 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347375945</guid>
      </item>
      <item>
         <title>Mirrors &amp; Duality</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347388460</link>
         <description><![CDATA[<div>faire compte rendu</div>]]></description>
         <enclosure url="https://dbmoviesblog.wordpress.com/2018/06/03/mirrors-in-films-duality-secrets-and-revelations-and-the-passage-to-the-otherworld/" />
         <pubDate>2019-04-01 20:35:50 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347388460</guid>
      </item>
      <item>
         <title>David Lynch&#39;s Mulholland Drive</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347388716</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://film.byu.edu/aperture/?p=489&amp;fbclid=IwAR12t2vKszufjaYOmj4hStv3wH2LHd39SW8s09GgO2rFLwiGiMyMfK3y21g" />
         <pubDate>2019-04-01 20:36:45 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347388716</guid>
      </item>
      <item>
         <title>Personal Analysis (oral grade)</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347389323</link>
         <description><![CDATA[<div>Analyse one scene or one film (briefly) concerning our topic, showing how the notions of duality / double identity /dissociation or the doppelgänger are discussed in the film.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-01 20:38:42 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347389323</guid>
      </item>
      <item>
         <title>The Snow Child, Angela Carter</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347495952</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://genius.com/Angela-carter-the-snow-child-annotated" />
         <pubDate>2019-04-02 07:16:13 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347495952</guid>
      </item>
      <item>
         <title>FINAL TASK : your own doppelgänger</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/347528339</link>
         <description><![CDATA[<div>- Draw what your doppelgänger looks like, of course accentuate some aspects that you want to enhance about them.<br>- Write down a few words about your DG in relation to yourself:<br> * what did you particularly want to highlight in them (personality, physique, surroundings...) and why? <br> * In what scenario (SF, dystopia, fairy tale, realism...) would you picture them? <br> * What would be their special powers or abilities? <br>- Finally introduce your DG to the class in a 3 minute-exposé. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-02 09:12:46 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/347528339</guid>
      </item>
      <item>
         <title>The Invention, Scylia Poyer and Hortense Frouin, 12/02/2019</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/348841703</link>
         <description><![CDATA[<div> Once upon a time, Hortodile the Crocodile had a great idea. An amazing idea, if i might say so. After moons and moons of work, she managed to finish her Invention. She was really happy with the result, but she needed just a little thing to make it perfect, and she couldn't find it herself. She then decided to go see her neighbours, and ask for their help. </div><div><br><br></div><div> She first went to see the oldest fish in the river, Tartanchon the Tuna. </div><div><br><br></div><div>"Knock knock", she said, "it's Hortodile the Crocodile ! I need your help Mrs Tartanchon !"</div><div><br><br></div><div>Tartanchon the Tuna opened the door and let Hortodile the Crocodile in.</div><div><br><br></div><div>"What can i do for you ?", said Tartanchon the Tuna.</div><div><br><br></div><div>Hortodile started to show her Invention, and explained it to Tartanchon. But Tartanchon couldnt focus on Hortodile's story. She interrupted Hortodile to say:</div><div><br><br></div><div>"Young lady, i'd like to focus on your invention but i just can't ! Its absolutely impossible, look at you !", shouted Tartanchon the Tuna.</div><div><br><br></div><div>Hortodile was confused. She tried to find what was the problem. Did she have something stuck in her teeth ? Or a stain on her skirt ? What caused such an issue for Tartanchon the Tuna ? </div><div><br><br></div><div>"Your miniskirt, Hortodile !", said Tartanchon the Tuna with judgemental eyes, "you can't walk around alluring people with those damn legs !"</div><div><br><br></div><div>Hortodile the Crocodile packed her Invention and left, angry. She was very disappointed in her neighbour's comment. She was wearing a miniskirt indeed, but that wasnt the point of her visit at all! As she walked away, she hear Tartanchon the Tuna shouting from afar, "Im only saying this for your own good, young lady!"</div><div><br><br></div><div>Hortodile was not willing to give up yet, and she decided to go see her other neighbour, Souriceau the sneaky Snake. </div><div><br><br></div><div>"Knock knock", she said, "it's Hortodile the Crocodile ! I need your help Mr Soriceau !"</div><div><br><br></div><div>Soriceau the sneaky Snake opened the door and let Hortodile the Crocodile in.</div><div><br><br></div><div>"What can i do for you ?", said Soriceau the sneaky Snake.</div><div><br><br></div><div>Hortodile started to show her Invention, and explained it to Soriceau. He looked interested, but after she finished, he said: </div><div><br><br></div><div>"Your pitch was interesting ! However, if you want to show this to people, you will have to change clothes ! You can't expect people to take you seriously, they will be too distracted by your miniskirt !"</div><div><br><br></div><div>She walked out and slammed the door, very angry this time ! </div><div><br><br></div><div>"Damned neighbours", she thought, "can't any of them focus on what im saying and not what i look like ?"</div><div><br><br></div><div>Hortodile the Crocodile sat on the side of the road, alone and sad. All of a sudden, Kylia the Kool Kangaroo passed by on her cool motorcycle. She stopped to talk to her. </div><div><br><br></div><div>"Hey Hortodile", she said, "that's a cool invention you got there, what is it ?"</div><div><br><br></div><div>Hortodile's eyes sparkled with joy, and she got up to explain her Invention to Kylia the Kool Kangaroo.</div><div><br><br></div><div>Kylia was very interested, and at the end of Hortodile's speech, she said: </div><div><br><br></div><div>"That's funny, I am also working on an Invention and I just need one little thing to make it perfect ! Maybe we can work together !"</div><div><br><br></div><div>Hortodile the Crocodile was filled with joy, and jumped on Kylia's cool motorcycle, and they rode off on the rode of cool Inventions. They became the world's most famous and richest Inventors. They were invited on TV shows and all, and they never came back to see Tartanchon the Tuna and Soriceau the Sneaky Snake... But Tartanchon the Tuna and Soriceau the Sneaky Snake did see them again, on Tv, on ads and publicity everywhere in the city -always wearing what they wanted.</div><div><br><br></div><div>Moral of the story: Haters gonna hate -Taylor Swift </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-05 08:47:12 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/348841703</guid>
      </item>
      <item>
         <title>ANALYSIS : first task</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/349840230</link>
         <description><![CDATA[<div> Exposé oral sur un film (ou plusieurs, comparés) ou scènes de films en lien avec notre thématique : Double, Doppelgänger, Dissociation.<br>Un pan peut être exploré davantage qu'un autre.<br>L'exposé peut se faire à deux ou seul, durera maximum 10 minutes, et devra inclure quelques analyses de scènes clé.<br>Note orale sur 20. <br><br>Niveau attendu : B2-C1<br><br>Critères : <br>Richesse analytique, culture personnelle, capacité à comparer/confronter/contraster les idées :  7 pts<br>Cohérence, logique, faire du lien entre les idées : 2 pts<br>Correction grammaticale, respect de la syntaxe, concordance, utilisation de structures complexes : 5 pts<br>Richesse lexicale et utilisation d'un vocabulaire propre au champ du cinéma : 4 pts<br>Savoir-être et phonologie (posture, fluidité, prononciation...) : 2 pts </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 09:04:02 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/349840230</guid>
      </item>
      <item>
         <title>Dracula, shaving scene</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/389925173</link>
         <description><![CDATA[<div>Angle shot?<br>Colours?<br>Sound effects?<br>Atmosphere? </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=GG-TwX5A49g" />
         <pubDate>2019-09-26 09:20:31 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/389925173</guid>
      </item>
      <item>
         <title>Frankenstein</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/389926156</link>
         <description><![CDATA[<div>Text</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/8befc274ae7b9d7dfc57aefee953bfd9/frankenstein.pdf" />
         <pubDate>2019-09-26 09:23:12 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/389926156</guid>
      </item>
      <item>
         <title>Frankenstein, adaptations</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/389926323</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/4b15f72739735b16645f508445e9f93f/frankenstein_videos.pdf" />
         <pubDate>2019-09-26 09:23:38 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/389926323</guid>
      </item>
      <item>
         <title>Frankenstein, It&#39;s alive</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/389927146</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=1qNeGSJaQ9Q" />
         <pubDate>2019-09-26 09:25:40 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/389927146</guid>
      </item>
      <item>
         <title>Dr Jekyll/Mr Hyde</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/396006060</link>
         <description><![CDATA[<div>The picture : sheds light on the antithesis/dichotomy between the Dr friend and Dr Jekyll/Mr Hyde. They are poles apart but the picture = mirror effect. 3 sources of light : all embody/epitomize knowledge, revelation of the truth, the Enlightenment, the Dr friend = is dressed in black, standing in the light, whereas Jekyll is standing in the shadow, his shadow self = Hyde (onomastics = hiding in the dark vs Jekyll = killing) is bending forward, detaching himself from Jekyll in a monstrous posture. CCL : nothing is manichean, each person has a shadow self (Carl Jung). </div>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Dr_Jekyll_and_Mr_Hyde_poster_edit2.jpg/1280px-Dr_Jekyll_and_Mr_Hyde_poster_edit2.jpg" />
         <pubDate>2019-10-10 07:57:05 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/396006060</guid>
      </item>
      <item>
         <title>FINAL TASK (pair work)</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/407979795</link>
         <description><![CDATA[<div>In pairs, choose a scary scene from a film, analyse it (using specific cinematographic processes) to show the mechanisms of fear at stake here, and interpret your scene. <br><br>Criteria : <br>- Content/Ideas 5 pts<br>- Coherence/Structure 2 pts<br>- Technical vocabulary (angle shots, colorimetria, soundscape..) 4 pts<br>- Grammar 4 pts<br>- Pronounciation 3 pts<br>- Posture/Fluidity/Eye contact 2 pts</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-07 10:50:42 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/407979795</guid>
      </item>
      <item>
         <title>Speak</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/451248413</link>
         <description><![CDATA[<div>This excerpt is a subchapter called « Closet Space ». The young protagonist named Melinda, 16, is speaking « from the closet » (physically and metaphorically). She has been raped the previous summer and cannot verbalize her trauma. Thus she confines herself to the closet of her school, the only place where she feels safe<br><br><mark>I) THE CLOSET AS THE MINIATURE REPLICA OF MELINDA'S MIND</mark><br>a) Familiar elements : the recreation of a home<br>b) The slow reconstruction : models and icons <br><br><mark>II) MELINDA'S CONFINEMENT BASED ON AN ESSENTIAL PARADOX (self-censorship vs desire to speak)</mark><br>a) A protection and a prison<br>b) A desire to suppress her voice but also express her suffering</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/c09751fff00c3a4d5eab1d1e398415d9/SPEAK_excerpt.pdf" />
         <pubDate>2020-02-27 08:48:29 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/451248413</guid>
      </item>
      <item>
         <title>Mysterious Skin, 3rd excerpt</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/451249341</link>
         <description><![CDATA[<div>In this excerpt, Brian's father is asking his son to help him sever the head of a turtle. This gory and bloody scene works like a violent reminder for Brian. The blood shed and the graphic details of the scene stir a violent flashback, a haunting hypotyposis to which Brian transfered all his fear and his trauma. We also understand that Brian never had any kind of father figure or masculine figure to build his identity on. Therefore, the link with the other is made difficult, as well as the path to healing.<br><br><mark>I) A DIFFICULT RELATIONSHIP BETWEEN FATHER AND SON</mark><br>a) A lack of sensitivity. The father as the epitome of repression. <br>b) An illuminating violence : the revelation of a total lack of connection between father and son.<br><br><mark>II) A KEY SCENE WHERE THE TRAUMA IS REENACTED THROUGH A FLASHBACK AND A BLACKOUT</mark><br>a) Passing out, Giving in. <br>b) Ekphrastic blood and flesh<br><br>Severing a turtle's head according the father : a rite of passage for Brian to become a man, overcome  his childish sensitivity. But Brian automatically passes out at the sight of the ekphrastic blood of the turtle, which works like a trigger for the trauma. This episode could be seen as a reenactment of the rape Brian has been throught, this time he would be the perpetrator (as he sees himself in the phallic knife the father is using). However, this gory act is done without his consent (just like the rape). </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/aa4fa58e3d306ed05545e7a2c992c602/mysterious_skin_2nd_exc_study.pdf" />
         <pubDate>2020-02-27 08:52:05 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/451249341</guid>
      </item>
      <item>
         <title>Mysterious Skin, 2nd excerpt - RECAP</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/451250027</link>
         <description><![CDATA[]]></description>
         <pubDate>2020-02-27 08:54:50 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/451250027</guid>
      </item>
      <item>
         <title>MYSTERIOUS SKIN debrief</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/459039243</link>
         <description><![CDATA[<div>MYSTERIOUS SKIN, Gregg Araki</div><div><br><br></div><div>a difficult movie about an ordeal/hardship</div><div>interesting fact:Brian / alien, metaphor for the denial of the rape. <br>Blue colour = associated to Brian's trauma (+ alien's abduction) <br>artificial colour stands out in the film = symbolizes the abnormality of the act. <br>// cow's sex organs // sex act with the coach<br>couldn't understand/fathom nor integrate his trauma = shelter / cope mechanism (to protect his psyche) = alien's story<br><br>to enhance the violence : low angle shot + the pace (rythme)<br>bath = close-up on the head + blood<br><br>a trauma/rape can provoke different reactions = <br>Brian's asexuality, fleeing into his dreams/introspection<br>on the contrary Neil = prostitution<br><br>Freud's theory about repression <br><br>The Coach is grooming Neil to make him believe he's loved (needs attention, absent father, careless mom...) <br><br>Soundtrack by Harold Budd, Robin Guthrie (ethereal movies), Sigur Ros = emphasizes the character's need to escape reality, it works like a transition, it enables us to dive into the boy's memories. <br><br></div><div>Relationships with mothers : ambiguous on the one hand, overprotective on the other<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-03-12 11:10:42 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/459039243</guid>
      </item>
      <item>
         <title>Fairy Tale MINDMAP</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/461207371</link>
         <description><![CDATA[<div>à compléter le 19/03, notez vos idées en commentaires :)</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/ebe6138c98f20c0661a4d55360079447/Mindmap.png" />
         <pubDate>2020-03-15 18:55:10 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/461207371</guid>
      </item>
      <item>
         <title>Peter Pan &quot;All children, except one, grow up&quot;</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/461215470</link>
         <description><![CDATA[<div>Read the excerpt and answer the questions below. <br>PS : if you feel like it, you can also take the "Do I suffer from Peter Pan Syndrome" Test (at the end of the PDF document) and read the article about the modern manolescents / kiddults :D </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/cbe1f1408764dbf17de62aa28a14cd22/EY_peter_pan.pdf" />
         <pubDate>2020-03-15 19:08:52 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/461215470</guid>
      </item>
      <item>
         <title>FINAL TASK</title>
         <author>bordoclair</author>
         <link>https://padlet.com/bordoclair/dma2/wish/570022691</link>
         <description><![CDATA[<div>Pair work : write a twisted fairy tale</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/268115426/1e47046ee962b392906149c26240f582/final_task.pdf" />
         <pubDate>2020-05-13 13:19:25 UTC</pubDate>
         <guid>https://padlet.com/bordoclair/dma2/wish/570022691</guid>
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