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      <title>The SUPREME DREAM by Delano Harriott-Livingston</title>
      <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh</link>
      <description>Made with POWER</description>
      <language>en-us</language>
      <pubDate>2019-11-15 16:13:41 UTC</pubDate>
      <lastBuildDate>2025-12-18 19:29:40 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Characters</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411885679</link>
         <description><![CDATA[<div>The characters: Kino <br>Juana <br>Coyotito <br>Juan Thomas <br>Towns people <br>The Buyers <br>The Hunters/Trackers <br>The Doctor <br>The Priest <br>Juan Thomas's wife</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:23:32 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411885679</guid>
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      <item>
         <title>Setting-need a picture here</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411886992</link>
         <description><![CDATA[<div>The sun was warming the brush house, breaking through its crevices in long<br>streaks.The town lay on a broad estuary, its old yellow plastered buildings hugging<br>the beach. And on the beach the white and blue canoes that came from<br>Nayarit were drawn up, canoes preserved for generations by a hard shell-like<br>waterproof plaster whose making was a secret of the fishing people. They<br>were high and graceful canoes with curving bow and stern and a braced<br>section amidships where a mast could be stepped to carry a small lateen<br>sail.<br>The beach was yellow sand, but at the water's edge rubble of shell and algae<br>took its place. Fiddler crabs bubbled and sputtered in their holes in the sand,<br>and in the shallows little lobsters popped in and out of their tiny homes in the<br>rubble and sand. The sea bottom was rich with crawling and swimming and<br>growing things. The brown algae waved in the gentle currents and the green<br>eel grass swayed and little sea horses clung to its stems. Spotted botete, the<br>poison fish, lay on the bottom in the eel-grass beds, and the bright-colored<br>swimming crabs scampered over them.</div>]]></description>
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         <pubDate>2019-11-15 16:25:02 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411886992</guid>
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      <item>
         <title>Symbolism-elaborate in this box</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887453</link>
         <description><![CDATA[<div>The Pearl: The pearl represents wealth and corruption because it corrupts Kino and he thinks it will give him wealth.<br>The Canoe: The canoe represents Family because it was inherited by Kino from his grandfather.<br>The Scorpion: The Scorpion represents evil because it poisons Coyotito.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:25:34 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887453</guid>
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      <item>
         <title>Verbals</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887617</link>
         <description><![CDATA[<div>(1)Chapter three: News<br>seems to move. This is a <strong>Infinitive</strong><br>(2)Chapter Five: Washed her face with stinging salt water. This is a <strong>participle</strong>. <br>(3) Chapter Five: A flight of herring clouds. This is a <strong>participle</strong>.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:25:47 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887617</guid>
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      <item>
         <title>Theme/Moral/Parable</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887761</link>
         <description><![CDATA[<div>The lesson the reader learns from the story is that upon finding wealth is a chance for corruption. The way this lesson applies  to modern day is that we should not change or become corrupted just because we find money.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:25:57 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411887761</guid>
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      <item>
         <title>Plot-Label your plot diagram</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411888563</link>
         <description><![CDATA[<div><strong>Exposition, rising action, climax, falling action and resolution</strong> <br><br><strong>Exposition: tell me the setting, characters, time period</strong><br><strong>Exposition</strong>: The setting is in La-Paz in Mexico. The characters are Kino, Juana, Coyotito, Juan Thomas, <br>Towns people, The Buyers, <br>The Hunters/Trackers, The Doctor,<br>The Priest, Juan Thomas's wife. The time period is never mentioned however it most likely takes place in the 1900's.<br><br> <strong>Rising action: What three events lead to the climax?<br>Discuss the following:<br>The doctor refusing to treat Coyotito<br>The discovery of the great pearl<br>The encounter with the pearl buyers:</strong> Kino decides to go to the capital to sell the pearl.<strong><br><br>Climax:<br>What is the turning point of this story? Consider when Kino kills a man. What happens next? </strong> <br>Coyotito is shot.<br><strong>Falling action:<br>What happens right after the trackers shoot in Coyotito's:</strong> Kino and Juana go back to La-Paz.<strong><br><br>Resolution:</strong> Kino throws the pearl back into the ocean.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:26:50 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411888563</guid>
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      <item>
         <title>Figurative Language: </title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411888712</link>
         <description><![CDATA[<div>(1)Chapter five: <strong>the pale light of the moon that crept through the holes.</strong>The type of figurative language this is is <strong>personification. </strong>The Author included this line to describe the setting.<strong><br></strong>(2)Chapter four: <strong>the air vibrated.</strong> This also <strong>personification.</strong> The Author included this line to also describe the setting.<br>(3)Chapter three: <strong>A town is a thing like a colonial animal.</strong> This is an example of a <strong>simile</strong>. The Author included this line to allow the reader have something familiar so that the story is more <br>(4) Chapter two: a hard shell-like<br>waterproof plaster. This is a <strong>simile</strong> and he includes this line to make the story more colorful or creative.<br>(5) Chapter two: shore<br>disappeared into a shimmer that looked like water. This is a simile and it is used by the author to express creativity in the sentence.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:27:00 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411888712</guid>
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      <item>
         <title>Conflict</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889299</link>
         <description><![CDATA[<div>(1) Chapter Five: <strong>External Conflict</strong>: Her arm was up to throw when he leaped at her and caught her arm and wrenched the pearl from her. This conflict is caused because Juana wants to throw the pearl back into the ocean, and Kino wants to sell the Pearl.<br>(2) Chapter : <strong>Internal Conflict</strong>: It was a tiny movement that drew their eyes to the hanging box. Kino and<br>Juana froze in their positions. In this scene both Kino and Juana show internal conflict because the are scared to the point that the don't move.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:27:41 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889299</guid>
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      <item>
         <title>Irony</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889404</link>
         <description><![CDATA[<div>(1)Chapter Six: See, that one over there. For if you break it the red blood will flow from it, and its evil luck. This is <strong>situational irony </strong>because Kino is warning Juana about evil luck, when throughout the story Juana has been warning Kino of the evil of the pearl. <br>(2) Chapter Six: "You will put the little one in more danger if you go with me" <br>"No" said Juana. This is also <strong>situational irony</strong> because Juana is usually silent when Kino tells her to do something, and she usually agrees.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:27:49 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889404</guid>
      </item>
      <item>
         <title>The Pearl by John Steinbeck</title>
         <author>delano_harriottlivin</author>
         <link>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889531</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-11-15 16:27:58 UTC</pubDate>
         <guid>https://padlet.com/delano_harriottlivin/d4g6lw006vbh/wish/411889531</guid>
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