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      <title>Rethinking the Monument Resources by Emily Hawes</title>
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      <pubDate>2022-03-03 15:08:48 UTC</pubDate>
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         <title>Why have we become so fearful of statues? Art Review, 2022</title>
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         <pubDate>2022-03-03 15:10:52 UTC</pubDate>
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         <title>Le lion volatil, Agnes Varda, 2003</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:18:44 UTC</pubDate>
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         <title>Let&#39;s Keep Colston Falling, Art Review, 2021</title>
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         <pubDate>2022-03-03 15:26:01 UTC</pubDate>
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         <title>Memory Games: Exploring the Meaning of Monuments, 2022</title>
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         <pubDate>2022-03-03 15:36:02 UTC</pubDate>
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         <title>Monuments and memorials, The Modern Arts Notes Podcast</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:37:36 UTC</pubDate>
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         <title>Statues Redressed</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:40:37 UTC</pubDate>
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         <title>New works by Thomas J Price and Larry Achiampong on the line extend the debate on public sculpture, The Art Newspaper</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:42:13 UTC</pubDate>
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         <title>Guerrilla Girls, 3 White Women, 1 Woman of Color and No Men of Color – out of 71 Artists?, 1977</title>
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         <pubDate>2022-03-03 15:48:12 UTC</pubDate>
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         <title>Testament, Goldsmiths CCA, 2022</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:49:23 UTC</pubDate>
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         <title>Kara Walker, Fons Americanus, 2019</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-03 15:51:49 UTC</pubDate>
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         <title>&#39;Monument&#39;, Susan Hiller, 1980-1</title>
         <author>ehawes12</author>
         <link>https://padlet.com/ehawes12/d2kk3j6qj21qrgfs/wish/2077976979</link>
         <description><![CDATA[<div><br>https://www.tate.org.uk/art/artworks/hiller-monument-t06902</div>]]></description>
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         <pubDate>2022-03-04 14:13:21 UTC</pubDate>
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         <title>can-we-imagine-public-art-beyond-toxic-monumentality/</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-06 18:08:25 UTC</pubDate>
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         <title>Monuments to Immortality, Jake and Dinos Chapman, 2021</title>
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         <pubDate>2022-03-21 20:30:26 UTC</pubDate>
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         <title>The Voices of Judson Dance Theatre</title>
         <author>ehawes12</author>
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         <pubDate>2022-03-31 10:42:17 UTC</pubDate>
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         <title>&#39;Monuments&#39; Redmond Entwistle USA, 2010, 25 minutes, Colour, Sound (Mono), 4:3 (Artists&#39; film)</title>
         <author>culshaw22</author>
         <link>https://padlet.com/ehawes12/d2kk3j6qj21qrgfs/wish/2148232816</link>
         <description><![CDATA[<div>The artists Robert Smithson and Gordon Matta-Clark are revived from the dead and ejected from their makeshift mausoleums in New York by the forces of redevelopment. &nbsp;<br>https://lux.org.uk/work/monuments<br><br>Watch online: https://lux.org.uk/writing/artists-project-redmond-entwistle</div>]]></description>
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         <pubDate>2022-04-19 08:15:21 UTC</pubDate>
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         <title>Turner Prize 2022 nominees: Heather Phillipson “I wanted to make my own news. I wanted to make a monument to hubris and impending collapse,”</title>
         <author>ehawes12</author>
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         <pubDate>2022-04-19 09:46:35 UTC</pubDate>
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         <title>The Art of Remembering</title>
         <author>ehawes12</author>
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         <pubDate>2022-04-19 09:48:00 UTC</pubDate>
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         <title>Thomas Hirschhorn, Gramsci Monument</title>
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         <pubDate>2022-04-19 09:58:24 UTC</pubDate>
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         <title>Jeremy Deller, The Battle of Orgreave</title>
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         <pubDate>2022-04-19 10:04:03 UTC</pubDate>
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         <title>Abbas Akhavan &#39;curtain call, variations on a folly&#39; 14 August 2021 - 17 October 2021 Chisenhale gallery</title>
         <author>culshaw22</author>
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         <description><![CDATA[<div>https://chisenhale.org.uk/exhibition/abbas-akhavan/#4edb3e997ea46a16a7ec1397c3d69209&nbsp;<br><br>The cob installation is built in the image of the colonnade that once approached the monumental Arch of Palmyra, a 2,000-year-old heritage site in Syria.&nbsp;</div>]]></description>
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         <pubDate>2022-04-19 11:06:45 UTC</pubDate>
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         <title>Monster Chetwynd</title>
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         <description><![CDATA[<div>https://www.tate.org.uk/art/artists/monster-chetwynd-12108/marvin-gaye-chetwynd-studio-visit&nbsp;<br><br>&nbsp;Chetwynd describes her work as ‘impatiently made’, often re-using materials that are easy to process and to use by the many performers she invites to participate, emphasizing the notion of collective development that informs much of the artist’s work.</div>]]></description>
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         <pubDate>2022-04-19 11:36:47 UTC</pubDate>
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         <title>Sonia Boyce and Simone Leigh at Venice Biennale</title>
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         <pubDate>2022-04-25 09:10:53 UTC</pubDate>
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         <pubDate>2022-04-28 14:00:15 UTC</pubDate>
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         <title>Rebecca Belmore, &#39;Biinjiya’iing Onji (From Inside)&#39; 2017</title>
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