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      <title>Revenue Flow In Music by Sadie Karen Milton</title>
      <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt</link>
      <description>How they are paid</description>
      <language>en-us</language>
      <pubDate>2018-12-15 21:51:18 UTC</pubDate>
      <lastBuildDate>2025-11-10 15:45:36 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>So how does an Agent get paid?</title>
         <author>sadiemilton23</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314655822</link>
         <description><![CDATA[<div>Music agents earn a percentage from a tour or performance. The amount does not usually include money earned from merchandise sales sold at shows, such as T-shirts or CDs. The most common arrangement gives the agent 10-15% of the money paid to a band for a gig. It is in the agent's best interest to secure the most money possible for a band from a promoter. The more money the band makes, the more money the agent makes.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-14 14:20:47 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314655822</guid>
      </item>
      <item>
         <title>So how does a Publisher Get Paid?</title>
         <author>sadiemilton23</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314660903</link>
         <description><![CDATA[<div>The music publisher is traditionally paid 50% of the "publisher’s share" of all royalty Income.With the agreed publisher’s share of copyright royalties, income is used to pay their overhead and operating expenses, (e.g., office, staff, equipment, supplies, payroll, taxes, insurance, etc.) The music publisher will get a share of income generated by your songs In exchange.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-14 14:31:33 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314660903</guid>
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      <item>
         <title>So how does a Producer get paid?</title>
         <author>sadiemilton23</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314674513</link>
         <description><![CDATA[<div>The record royalty for a producer is usually between 3% to 4% of the record sales price or 20% to 25% of the artist's royalties. They usually get paid hourly for how many recording projects are completed or a flat fee. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-14 14:59:21 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314674513</guid>
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      <item>
         <title>So how does a Manager get paid?</title>
         <author>sadiemilton23</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314679291</link>
         <description><![CDATA[<div>A Manager takes a percentage cut of income a musician generated. What income they can touch is up to debate The usual percentage a manager would take is around 15% of income, though some request 20%.In the case of a new artist that is going to require a lot of upfront work before any money is produced. Often, this percentage is of a musicians “gross income” which means that even if you take on a deal and the musician to lose money themselves, the manager is still paid.</div><div>However, some managers get a percentage of ​​“Net income”, which means if a musician loses money on a show and end up out of pocket, the manager doesn't get paid for that event. Sometimes, managers get a gross percentage of some income and net percentage of others. Other times, the percentage changes as certain earning thresholds are met. For instance, if a new artist agrees to 20% when they hire a manager, once they make a certain amount of money, the manager may agree to scale it back to 15%. In other words, an agreement between the manager and the musicians are to all be made.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-14 15:08:58 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314679291</guid>
      </item>
      <item>
         <title>So how does a Record Label get paid?</title>
         <author>ally_hesketh</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314927897</link>
         <description><![CDATA[<div>Record labels get a percentage of when a song is played each time on media’s such as the radio or streaming services. They sell records and collect royalties.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-16 00:00:06 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314927897</guid>
      </item>
      <item>
         <title>So how do shops receive income?</title>
         <author>ally_hesketh</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314927964</link>
         <description><![CDATA[<div>owners of stores are required to meet customers needs to interest more customers. this is how shops can remain business. <br>Providing goods and merchandising them effectively to customers adds value. The customer can go to the store and buy a singular item<br>This makes a customer willing to pay more for the item than the retailer paid to acquire that individual unit to put in the store.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-16 00:01:58 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314927964</guid>
      </item>
      <item>
         <title>So how do musicans get paid?</title>
         <author>ally_hesketh</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928010</link>
         <description><![CDATA[<div>Music Agents take an agreed-upon percentage of the fees for the shows they arrange for musicians. an Agent arranges a cut for the band split for each musician. Musicians can generate money by creating merchandise sales, selling CDs, streaming services and much more. This is why it is important to have certain areas of the music industry to work with to generate income in many ways consistently. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-16 00:03:29 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928010</guid>
      </item>
      <item>
         <title>So how do the composers get paid?</title>
         <author>ally_hesketh</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928098</link>
         <description><![CDATA[<div>general, a <strong>Composer</strong> who writes 30 minutes of music for an interactive game <strong>can earn</strong> anywhere from $30,000 to $75,000+. They <strong>are</strong> often <strong>paid</strong> by the minute for recorded and mixed music.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-16 00:05:47 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928098</guid>
      </item>
      <item>
         <title>So how does the copyright holder get paid, and what are royalties?</title>
         <author>ally_hesketh</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928150</link>
         <description><![CDATA[<div>Music royalties arepayments that go to recording artists, songwriters, composers, publishers, and other copyright holders for the right to use their property.<br>The music industry relies on these royalties as a primary form of payment.<br><br>Royalties are paid to the legal owner of the property. there are copyright laws for recordings in which permission is requested for music and for other medias such as movies, advertisements etc. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-12-16 00:07:04 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/314928150</guid>
      </item>
      <item>
         <title>How does a promoter get paid?</title>
         <author>sadiemilton23</author>
         <link>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/324683699</link>
         <description><![CDATA[<div>promoters make money off of proceeds generated by shows and performances arranged at the promoters venue. promoters can choose between two kinds of deals with the performers; by either paying the musicians a set fee no matter how many people buy tickets, or a door split deal. with both deals a promoter can easily lose money a show. a door split deal is a term used for financial agreement; the performers do not get a set fee performing, but instead get a percentage of ticket sales or the club cover charge. door split deals are more common for independent artists, upcoming musicians, and growing bands. established artists with strong followings are more likely to command a set guaranteed fee.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-01-27 15:09:40 UTC</pubDate>
         <guid>https://padlet.com/sadiemilton23/d1pbq1wt7iqt/wish/324683699</guid>
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