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      <title>Unit 7 and 8 by JJD Films</title>
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      <language>en-us</language>
      <pubDate>2019-01-15 11:51:54 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/320705227</link>
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         <pubDate>2019-01-15 11:55:28 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
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         <pubDate>2019-01-23 11:44:53 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/324941268</link>
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         <pubDate>2019-01-28 14:44:19 UTC</pubDate>
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         <title>Ofcom</title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/324943324</link>
         <description><![CDATA[<div>The fruition of Ofcom is too regulate TV, radio, postal sectors for the purpose of stopping harmful or controversial content be publicised to the public.<br><br>Most pertinently, 'Celebrity Big Brother' was contentious and Ofcom's prominent incentive in 2018. Ofcom received complaints integrated from a predicament with Roxanne and Ryan and a racial slur from Rodrigo Alves. The complaints were built up of 27,602 calls from the incidents on the (17th, 30th, 31st Aug and 1st Sept). Subsequently, Rodrigo was put on a final warning. <br><br>An episode of Emmerdale had a storyline of an acid attack and a murder of a character called Gerry Roberts which caused 759 phone calls to be made to the regulators. 116 to the murder which aired (17th May) and 366 complaints about the acid attack aired in the 8th Feb.<br><a href="https://www.ofcom.org.uk/about-ofcom/latest/media/media-releases/2018/most-complained-about-tv-programmes-of-2018">https://www.ofcom.org.uk/about-ofcom/latest/media/media-releases/2018/most-complained-about-tv-programmes-of-2018</a><br><br>ASA (Advertising Standards Authority) is a self-regulator of advertisement companies in media outlets. They watch advertisements for harmful, offensive and misleading footage. Prevalently, they protect children from adult content (drugs, sex, nudity and explicit language). An example of an advert being banned is due to misleading; a 2018 Colgate advert (<a href="https://www.youtube.com/watch?v=QwnmSxaP0lM&amp;authuser=0">https://www.youtube.com/watch?v=QwnmSxaP0lM&amp;authuser=0</a>) since it stated teeth would be 'instantly repaired teeth'.</div>]]></description>
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         <pubDate>2019-01-28 14:46:12 UTC</pubDate>
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         <title>Communications Act 2003 </title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/325295834</link>
         <description><![CDATA[<div>The parliament of UK made a judicial endorsement on the 25th July 2003 where broadcasters and telecommunications regulators, succeeding the Telecommunications Act 1984. Ofcom was launched on the 28th December 2003; Ofcom pivots a balance for gender, age, ethnicity and disabilities to promote equality providing opportunities for bevy's that aren't institutionally powerful.<br><br>Stereotypes are categorising a subject, area or a person which can be regulated; evaluating what's being stereotyped (an example is a teenage boy) and if it's features that are unceasingly in a viewers face isn't offensive.<br>  </div>]]></description>
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         <pubDate>2019-01-29 09:41:03 UTC</pubDate>
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         <title>BBFC</title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/325335394</link>
         <description><![CDATA[<div>The BBFC stands for 'British Board of Film Classification'. They pursue the role of protecting the public more diligently children, from content which could raise harm risks. They empower the public and parents to make informed viewing choices. Recognise and respect adult freedom of choice within the law. <br><br>Providing a cost effective service, it expedites classification services. In the Uk, they'r are several classifications. <br>'U' explains it's suitable for everyone ages 4 and above<br>(An example of this is Shrek the Third)<br><br>'PG' (Parental Guidelines) conveys their may be mild language, sex and drug references.<br>(An example for a PG movie is The incredibles 2)<br><br>'12A' is for children under 12 to watch a film if they're accompanied by an adult who's 18 or older. <br>(An example of 12A is Venom)<br>'12' for people 12 and above. '12A' and '12' have content that can involve adolescent themes, soft drugs, moderate language, moderate violence, nudity and sex references. <br>(A example of a 12 rated movie is The Amazing Spider Man)<br><br>'15' permitted for ages 15; it can contain sexual activity but not in immense detail. Possibly strong sex references, hard drugs, nudity and sexual violence depending <br>on the context, albeit it can be elucidated. An example of a 15 rated movie is The Inbetweeners 2; the movie contains strong nudity, strong language and sex references <br><br>'18' movie is available to view for 18's and over. The movie can possibly contain real sex scenes based on the context; sadistic humour, strong drug, sex references and sexual violence if it's not highly graphic plus depicted erotic in addition scenes are compulsory to cut when possible.<br>A example of an 18 movie is The silence of the lambs (1991).</div>]]></description>
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         <pubDate>2019-01-29 12:03:15 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/325779230</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-01-30 11:05:45 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/325779230</guid>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/327659370</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-05 08:49:49 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/327704183</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-05 11:31:07 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/327704183</guid>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/334852736</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-25 14:16:34 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/334852736</guid>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/335259384</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-26 09:01:57 UTC</pubDate>
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         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/335284591</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-26 10:32:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/335307741</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-02-26 12:02:24 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/335307741</guid>
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         <title>D1 (Unit 7)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340879433</link>
         <description><![CDATA[<div>You have comprehensively explained<br>the structure and ownership<br>of the media sector with<br>reference to elucidated<br>examples</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:06:56 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340879433</guid>
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         <title>D1 (Unit 8)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340879920</link>
         <description><![CDATA[<div>You have comprehensively explained<br>ownership and funding in the<br>television and film industries<br>with reference to elucidated<br>examples and consistently<br>using subject terminology<br>correctly</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:07:49 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340879920</guid>
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         <title>D2 (Unit 8) </title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340880606</link>
         <description><![CDATA[<div>You have comprehensively explained<br>ethical and legal constraints<br>within the media sector<br>with reference to elucidated<br>examples</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:08:56 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340880606</guid>
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         <title>D3 (Unit 8)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340888258</link>
         <description><![CDATA[<div>You have comprehensively explained<br>the characteristics, duties<br>and responsibilities of<br>management, creative and<br>technical job roles in the<br>television and film industries<br>showing how they relate to<br>each other, with reference<br>to elucidated examples and<br>consistently using subject<br>terminology correctly</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:21:44 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340888258</guid>
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         <title>D3 (Unit 7)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340888768</link>
         <description><![CDATA[<div>You have comprehensively explained the<br>regulatory issues affecting the<br>media sector with reference<br>to elucidated examples</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:22:34 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340888768</guid>
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         <title>D3 (Unit 8)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340890500</link>
         <description><![CDATA[<div>You have comprehensively explained<br>the characteristics, duties<br>and responsibilities of<br>management, creative and<br>technical job roles in the<br>television and film industries<br>showing how they relate to<br>each other, with reference<br>to elucidated examples and<br>consistently using subject<br>terminology correctly</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:25:57 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340890500</guid>
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         <title>D4 (Unit 7)
</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340890656</link>
         <description><![CDATA[<div>You have comprehensively explained<br>employment opportunities<br>and job roles in the media<br>sector with reference to<br>elucidated examples</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-13 14:26:13 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/340890656</guid>
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      <item>
         <title></title>
         <author>jaycedanson</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/342447632</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-03-18 15:13:42 UTC</pubDate>
         <guid>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/342447632</guid>
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         <title>D4 (U8)</title>
         <author>nicholas_zabel</author>
         <link>https://padlet.com/jaycedanson/cmgxfht1sir3/wish/365524448</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-06-04 09:25:42 UTC</pubDate>
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