https://padlet.com/prochtra/cjx7s96os2md Made with tears en-us 2018-02-01 17:31:13 UTC 2018-02-02 16:01:12 UTC hello@padlet.com prochtra https://padlet.com/prochtra/cjx7s96os2md/wish/227169930 Depressed. "Do you think Victor/that I do not suffer also? No one could love a child more than I loved your brother" (Shelley 86)]]> 2018-02-01 17:32:42 UTC https://padlet.com/prochtra/cjx7s96os2md/wish/227169930 prochtra https://padlet.com/prochtra/cjx7s96os2md/wish/227170029 Intense. "Devil/you dare approach me?/Begone, vile insect" (Shelley 95)]]> 2018-02-01 17:32:51 UTC https://padlet.com/prochtra/cjx7s96os2md/wish/227170029 prochtra https://padlet.com/prochtra/cjx7s96os2md/wish/227170140 Understanding. "It is with considerable difficulty that I remember the original era of my being; all the events of that period confused and indistinct." (Shelley 99)]]> 2018-02-01 17:33:00 UTC https://padlet.com/prochtra/cjx7s96os2md/wish/227170140 prochtra https://padlet.com/prochtra/cjx7s96os2md/wish/227543555 Getting different tones shows and helps us understand the characters. The tones also setup the settings. When Victor was depressed it was stormy out. It helps set the theme of the section. Shelley likes to uses tones to help set up the upcoming themes and settings of the chapter. I feel that it also helps us as readers feel how the characters are feeling. Much purpose comes from the tones in Frankenstein. Most notably, with developing theme, characterization and setting.]]> 2018-02-02 15:55:22 UTC https://padlet.com/prochtra/cjx7s96os2md/wish/227543555