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      <title>Greyson Smallen by Greyson Smallen</title>
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      <pubDate>2024-07-30 02:18:46 UTC</pubDate>
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         <title>Background</title>
         <author>greysmallen</author>
         <link>https://padlet.com/greysmallen/ci6rf6hauk3ip2es/wish/3063484712</link>
         <description><![CDATA[<p>I am a Music Education student that specializes in percussion. I have experience teaching private lessons, teaching drumline at 2 different high schools (4 years of experience). </p>]]></description>
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         <pubDate>2024-07-30 02:23:45 UTC</pubDate>
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         <title>Support</title>
         <author>greysmallen</author>
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         <description><![CDATA[<p>To support Multilingual Learners (MLLs) in my music classroom, I focus on several key strategies to create an inclusive and engaging environment. I start by integrating diverse music from various cultures, including those represented in my classroom, to help MLLs feel valued and to expose all students to a broad range of musical traditions (Yoon, 2007). I make an effort to learn about my students' cultural and musical backgrounds, which informs my lesson planning and helps me connect new concepts to their prior knowledge. I use visual aids, gestures, and bilingual resources to support their understanding of musical concepts and instructions, and I simplify my language, breaking down complex instructions into manageable steps (Gibbons, 2009). I also encourage collaborative learning by pairing MLLs with bilingual peers who can offer language support and by promoting group activities that allow students to practice language skills socially (Gibbons, 2009). </p><p><br/></p><p>Multimodal instruction is another key approach: I use multimedia resources, hands-on activities, and technology to make learning more interactive and accessible. I scaffold instruction by starting with guided support and gradually shifting more responsibility to the students as they gain confidence and proficiency. I have confidence in my students and will do whatever in my power to support them. A perception that my students are not able to do the work "puts limits and restrictions" on how we teach (Zacarian, Alvarez-Ortiz, and Haynes, 2017). I value the "Can Do" approach.</p><p><br/></p><p>Engaging with families is important, so I involve them in the classroom by learning about their musical backgrounds and inviting them to share their music. I also use local community resources to enrich the classroom experience. Lastly, I will commit to ongoing professional development to stay updated on the latest strategies and best practices for teaching MLLs. By implementing these strategies, I strive to create a supportive environment that enhances the musical and linguistic development of all my students.</p>]]></description>
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         <pubDate>2024-07-30 02:30:22 UTC</pubDate>
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         <author>greysmallen</author>
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         <pubDate>2024-07-30 02:31:13 UTC</pubDate>
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         <title></title>
         <author>greysmallen</author>
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         <pubDate>2024-07-30 02:31:42 UTC</pubDate>
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         <title>Rhythm Lesson Example</title>
         <author>greysmallen</author>
         <link>https://padlet.com/greysmallen/ci6rf6hauk3ip2es/wish/3063492084</link>
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         <pubDate>2024-07-30 02:32:59 UTC</pubDate>
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