The conversations were eventually presented to the mayor and city council as a way to set a women’s agenda for the coming decade and identify key issues that will affect women in Korea. An outdoor public exhibition in Hagun Park coincided with the performance and featured photos and an installation of a “women’s room.”

Lacy works in many mediums, including video, performance, photography, and large-scale installation

Produced with Appalshop, the Elkhorn City Heritage Council, the Kentucky Foundation for Women, and Creative Capital. 



Beneath land and water

FEBRUARY 13, 2017 HILARY MURRAY 1 COMMENT

STANDARD EXHIBITION

Neil Carroll, Conor Mary Foy, Olivia Hassett, David Lunney, Alex de Roeck and Zoe Sheehy

Curated by Davey Moor

Dates: 10th March – April 8th.

Preview Thursday, 9th March (6-8pm).

Standard Exhibition is a six-person group show comprising artworks which take the form of flags for some reason {psychological terror through esoteric symbolism; ambiguous markers of uncertain intent; micro-heraldry?} or another {conduits for elemental power; alternative (symbol) facts; all artwork are flags?}

The publication, Six Conversations About Flags, featuring writing by Curator Davey Moor and artists will accompany the exhibition. A limited edition work by Conor Mary Foy will also be available to order. Please contact the gallery for more details.

A panel discussion on Vexillology and Art, chaired by Stanislav Zamyatin, CEO, Vexillology Ireland, will take place on Saturday, April 8th from 2-3pm at ArtBox Gallery. Booking is 

Although they may look like what we today know as performances, Clark’s propositions were created in a specific context and for a particular group of people; she did not plan them beforehand, though during the sessions she encouraged allusions to ancient rituals and myths. For this reason, scholars have often been puzzled by this last phase of her career. In fact, Clark was emphatically abandoning art — yet it’s through experiencing her last works that I feel I re-encounter it. Simple exercises, like building a net made of elastics in a group, have made me reconsider social behaviors; in Clark’s propositions, the blending of aesthetic pleasure with the discovery of the art object in relation to the unconscious can elicit a conceptual and physical awareness — a complete kind of experience.